Image copied from older postcard (c.1890-1900) showing horse drawn vehicles and a horse tram. Since then, the southern side of the street has been widened. Businesses identified in the photograph include the Ryan's Council Family Hotel, the Greyhound Hotel, the Clifton Hotel, the ES&A Bank and Jellis' Bakery. Black & white photograph of a postcard showing Main [High] Street, Kew looking south west showing horse drawn tram centre.Reverse - "High St Kew looking down from Post Office to Kew Junction"horse tram kew, clifton hotel - kew junction, ryan's council family hotel kew, horse tram - kew (vic), kew junction

In February 1909 the Trinity Grammar School leased ‘Molina’, a property in Charles Street. ‘Molina’ had been built in 1872-73 to a design by architect Alfred Purchas, for the secular and private Kew High School. The building served as the headmaster’s residence and boarding accommodation. Kew High School had closed in 1908. Black and White photographic positive by John Collins (1907-2001) of 'Meritt House' (formerly 'Molina', and Kew High School) in Charles Street."Kew 'Merritt House' Trinity Grammar School, Off Stanley St. /John Collins, 11 Anderson Road, Hawthorn East, 3123 - Film 396 Exposure 3A" 29-4-79merritt house, molina, trinity grammar school

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.This photographic is part of a series that is historically and aesthetically significant, in that they record the appearance of an historic Kew mansion in the 1960s, and also its owner, Alma Figuerola, a pupil of Max Meldrum, and a Melbourne artist who lived in Kew.D'Estaville, Barry Street, Kew. The facade facing Barry Street. The original front of the property faced Studley Park Road where the front door is still located. This is a newspaper photograph, part of a series on the artist Alma Figuerola, and is still under copyright. Alma Figuerola was a foundation member of the Kew Historical Society. She died in 1970, so the photograph predates this. Annotation on reverse: "View showing side of mansion there is a wing running from left hand side. / Owner with her sister Silvia and "the Head".alice figuerola, australian artists, d'estaville, 7 barry street -- kew (vic.)

Main Street, Mordialloc, Point Nepean Road looking towards creek. David White hairdresser and tobacconist on left. Later Councillor and Mayor of Mordialloc.Black and white image of Main Street, Mordialloc. Horse and carriage are parked to the left with a Havelock Tobacco sign over the porch of the buildings to the left. Man leading against a white fence on the rightmordialloc, point nepean road, david white, horse drawn wagon, mayor

Yellow covered nine page booklet containing 19th Century views of Bendigo and Ballarat presented by Thomas Richard Jones, Chemist of Hargreaves Street Bendigo. Art Noveau figure of woman on front cover. Inside cover features T R Jones Dispensing Chemist and Druggist printed beside man holding a horse. List of Veterinary products supplied by Jones. Farmer's requisites included Strychnine, Toxa, Phosphorus, Poisoined wheat, Bi-sulphide of Carbon. Egg preserving fluid and milk preserving powder Rennet and butter colouring along with Drenches and Cattle medicenes supplied. View No1. Moorabel Falls Ballarat. View No 2. Statues of Leda and Spring Ballarat. View No 3. A Giant Palm Bendigo. View No 4. View from St Paul's Bendigo. View No 5. Unveiling 'The first Public Statue' Bendigo P/Office in background. View No 6. Statue Presented to the City of Bendigo by Cr Harkness. [Reclining greek beside dog fighting lion] View No 7. 'On the Campaspe, near Bendigo. View No 8 The Pine Avenue, Rosalind Park. View No 9. Scenes on Lake Wendouree, Ballarat. View No 10. Statuary in The Botanical Gardens Ballarat. View No 11. Statues of Burns & Moore Ballarat. View No 12. Botanical Gardens, Ballarat. Inside back cover features list of T R Jones products. Outside back cover features advertisement for T R Jones Universal Corn Cure, and Jone's Compound Pectoral Balm.Printed by Periodicacls Publishing Co, 21 Elizabeth Street Melbourne.bendigo, parks and gardens, bendigo chemist and local views.

The Congregational Church was built on the site of the first church in Kew. This church, the second on the site, was designed by the Kew architect Charles Vickers and opened in 1860. The distinctive polychrome brick façade designed by Vickers contrasted with the style that he employed for other churches he designed during this period; they were usually constructed in bluestone. In the 1960s, a new ministry saw the erection of a neon cross at the apex of the church. The illuminated cross could be seen from Church Street, Hawthorn. The church was later to be demolished, and the land sold for the construction of modern villas. The Kew Historical Society's Pictures Collection is comprised of photographs, postcards and original works of art. The photographs include original (mainly) images dating from the 1870s to the present. A number of these photographs derive from the former City of Kew's Civic Collection while others are the work of amateur and professional photographers. Most of the images in the collection depict people, places and objects within the suburbs of Kew and Kew East. Other photographs depict other locations in Melbourne and Victoria. A number of the photographs are of statewide and/or national significance.Congregational Church, Walpole Street, Kew, 1977 (now demolished). View of the polychrome facade facing Walpole Street. The use of polychrome brick by Alfred Purchas (the second architect) reflects his preference for this architectural style, such as in his design for Tarring (now Ruyton Girls' School)Inscriptions on reverse: "KH-99. Congregational Church Walpole St Kew. Built 1854. Now amalgamated with United Churches 1977."congregational church, walpole street (kew), charles vickers

The Congregational Church was built on the site of the first church in Kew. This church, the second on the site, was designed by the Kew architect Charles Vickers and opened in 1860. The distinctive polychrome brick façade designed by Vickers contrasted with the style that he employed for other churches he designed during this period; they were usually constructed in bluestone. In the 1960s, a new ministry saw the erection of a neon cross at the apex of the church. The illuminated cross could be seen from Church Street, Hawthorn. The church was later to be demolished, and the land sold for the construction of modern villas. Photograph of an historic church in Kew by noted architects Charles Vickers and Alfred Purchas.Congregational Church, Walpole Street, Kew, 1977 (now demolished). View of the polychrome facade facing Walpole Street. The use of polychrome brick by Alfred Purchas (the second architect) reflects his preference for this architectural style, such as in his design for Tarring (now Ruyton Girls' School)Inscriptions on reverse: "KH-100. Congregational Church Walpole St Kew. First church built in Kew 1860. Chapel on site 1854. Became a member of the United Churches 1970s". congregational church, walpole street (kew), charles vickers

The Congregational Church was built on the site of the first church in Kew. This church, the second on the site, was designed by the Kew architect Charles Vickers and opened in 1860. The distinctive polychrome brick façade designed by Vickers contrasted with the style that he employed for other churches he designed during this period; they were usually constructed in bluestone. In the 1960s, a new ministry saw the erection of a neon cross at the apex of the church. The illuminated cross could be seen from Church Street, Hawthorn. The church was later to be demolished, and the land sold for the construction of modern villas.Congregational Church, Walpole Street, Kew, 1977 (now demolished). View of the polychrome facade facing Walpole Street. The use of polychrome brick by Alfred Purchas (the second architect) reflects his preference for this architectural style, such as in his design for Tarring (now Ruyton Girls' School) Inscriptions on reverse: "K.H.701. Congregational Church Walpole St Kew. First church in Kew. Now amalgamated with the United Churches."congregational church, walpole street (kew), charles vickers

The Tricycle Race / Push started outside the Ballarat School of Mines in Lydiard Street South and ended at the Russell Park Terminus at Burrumbeet. Numerous males students push tricycles of all descriptions outside the Ballarat School of Mines and Ballarat Brewery in Lydiard Street South. Four photographs show students being pushed along the road. ballarat school of mines, ballarat brewery, lydiard street south, centenary, ballarat school of mines centenary, anniversary, tricycle race, student activity, procession, cyclist

Business Premises 150 Main Street restored with verandah posts. Earlier owned by F. Allah who conducted a Green Grocers there.Black & white restored building at 150 Main Street Stawell. Now and accountant's offices. Previous owner F. Allan conducted a greengrocer business. The two story building restored with veranda posts.stawell

Webb, Mc Donald and Co., Engineers, Brassfounders, Sheet Metal Workers, Plumbers appear to be the forerunners of the firm of Webb Brothers and Co. which was as important business in Lava Street, Warrnambool in the early 20th century. The Webb Brothers were especially noted for their windmill making, establishing a business in South Melbourne in 1921.This luggage label is of some significance as it is the only item we have of the firm of Webb, McDonald and Co.Buff coloured rectangular label with dark blue text . Two corners of the label are mitred. It has a punched hole with a reinforce sticker .There is a pink smear on the front . There are remnants of pink card on the reverseFROM WEBB, MCDONALD 7 CO., Engineers, Brassfounders, Sheet Metal Workers, Plumbers &c. LAVA STREET, WARRNAMBOOL.webb, mc donald, engineers, brassfounders, plumbers, wiindmills

The Little Wonder Store was built in 1883 from materials of the demolished Maddingley School. It was located on the corner of Grant Street and Labilliere Street. In 1886 James Alford obtained a licence to conduct the Railway Hotel and General Store there. A second storey was added later and the building continued to operate as the Railway Hotel. It was destroyed by fire in 1998. The photo also shows the covered wagon of a travelling salesman, who were known as ‘hawkers’, who were significant in the supply of goods and news to outlying towns and districts before the development of road and rail networks. Small sepia 'carte de viste' style unframed photograph on card with gold border framing photograph. Housed in the Jeremeas Family Album which contains photographs of Bacchus Marsh and District in 1883 by the photographers Stevenson and McNicoll. The photo shows a single-storey building of bluestone and brick with two signs on the front and side, the front sign reading “THE LITTLE WONDER” and the side sign “GENERAL STORE”. Above the door is a sign with the name ‘James Alford’. The windows display the merchandise of the store. Outside the store is a travelling salesman’s cart pulled by two horses. The salesman sits in the cart ready to drive off. Standing along the street outside the store are three men, three women and two young children.Printed On the front: Stevenson & McNicoll. Photo. 108 Elizabeth St. Melbourne. COPIES CAN BE OBTAINED AT ANY TIME. On the back: LIGHT & TRUTH inscribed on a banner surmounted by a representation of the rising sun. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to STEVENSON & McNICOLL LATE BENSON & STEVENSON, Photographers. 108 Elizabeth Street, MELBOURNE. stevenson and mcnicoll 1883 photographs of bacchus marsh and district, shops bacchus marsh, general stores bacchus marsh vic., hawkers, hotels bacchus marsh

A moulding plane is a specialised plane used for making the complex shapes found in wooden mouldings that are used to decorate furniture or other wooden objects. Traditionally, moulding planes were blocks of wear-resistant hardwood, often beech or maple, which were worked to the shape of the intended moulding. The blade or iron was likewise formed to the intended moulding profile and secured in the body of the plane with a wooden wedge. A traditional cabinetmakers shop might have many, perhaps hundreds, of moulding planes for the full range of work to be performed. Large crown mouldings required planes of six or more inches in width, which demanded great strength to push and often had additional peg handles on the sides, allowing the craftsman's apprentice or other workers to pull the plane ahead of the master who guided it. John Moseley & Son: Records indicate that before 1834, the firm is listed at number 16 New Street, London and according to an 1862 advertisement the shop had been established in New Street since 1730, The Sun insurance records from the time show that John Moseley was the possessor of a horse mill in the yard of his premises, which means that some kind of manufacturing was taking place, as the mill would have provided power to run a saw or perhaps a grinding wheel so the probability is that he did not just sell tools, he made them as well. John Moseley died in 1828 and his will he names his four sons: John, Thomas, William and Richard. To complicate matters he also had brothers with the same first names; brothers Richard (of Piccadilly) and William (of Peckham Rye) are named as two of the executors. Brother Thomas is not mentioned in this will, but became a minister and was one of the executors of brother Richard’s estate when he died in 1856. From John’s will, we also learn that, although the shop was in New Street, he resided in Lympstone, Devon. The family must have had a house in that county for quite some time as both sons Richard and William are baptised in Devon, although John and Thomas were baptised in London. In the 1841 and 1851 census records, we just find William in New Street, but in 1861 both William and Richard are listed there as toolmakers. That Richard was staying overnight at New Street was probably just accidental as in 1851 and 1871, we find him with his wife Jane and children in Clapham and Lambeth respectively. In 1851 Richard is listed as “assistant clerk cutlery warehouse” and in 1871 as “retired plane maker and cutler”. Although the actual place of work is not stated, one may assume he worked in the family business. 1862 is a year full of changes for the firm. In that year, William had a new property built at 27 Bedford Street. In the catalogue for the 1862 International Exhibition, 54 Broad Street (later 54-55 Broad Street) is listed for the first time, which may very well coincide with the split of the business into a retail and a wholesale branch. Around the same time, they must have moved from New Street to 17 & 18 King Street because their manufacturing premises had been pulled down to form the New Street from Cranbourne Street to King Street. In January 1865, William died and Richard continued the business. In 1867, the partnership he had with his son Walker and Thomas Elis Hooker, is dissolved. Richard continued tool making at King Street and Bedford Street. Richard retired somewhere between 1867 and 1871, but the business continued. The business is taken over by W M Marples & Sons and tools continued to be made in London until 1904 when manufacturing relocated to Sheffield. A vintage tool made by a well documented company, this item was made commercially for firms and individuals that worked in wood and needed a tool that could produce a ornamental finish to timber. The tool was used before routers and spindle moulders came into use after World War ll, a time when to produce a decorative moulding for a piece of furniture, door trims etc or other items had to be accomplished using hand tools and in particular one of these types of planes. These profiled planes came in various shapes and sizes to achieve a decorative finish. A significant tool from the mid to late 19th century that today is quite rare and sought after by collectors. It gives us a snapshot of how furniture and other decorative finishes were created on timber by the use of hand tools. Tools that were themselves hand made shows the craftsmanship used during this time not only to make a tool such as the subject item but also the craftsmanship needed to produce a decorative finish that was needed to be made for any timber item. Side Bead Single Box moulding plane J Moseley & Sons maker also stamped Healy 188 High Street Poplar Surrey (retailers) marked (owners A Bowen & J W Gower with a symbol "M"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, plane moulding, moulding plane, plane, j heath, moseley

This is an Alphabetical Register of the streets in Warrnambool as listed by Warrnambool City Council officers. It appears to have been a working register used in the 1950s, 60s and 70s and information has been added to the entries as it became available and as Council works were carried out in these streets. It contains information on the locality, wards, allotment numbers, lodged plan numbers, footpaths and printed information from the Victorian Local Government Departments. It sometimes gives the origin of the name of the street and some other miscellaneous information is included. It is presumed that the information contained therein has now been stored electronically. This is a most important ledger as it contains much valuable historical information on Warrnambool streets. It will be of great use to researchers. This is a loose leaf binder with a black leather cover and a black metal and cord binding mechanism. The pages are unnumbered but there is provision for insertion or removal of pages and there are leather alphabetical tabs protruding from the pages. The pages have blue ruled lines with blue lined margins and headings. The streets in Warrnambool are listed alphabetically and the information in the register contains both typed and handwritten material. There are also printed notices from the Victorian Local Government department, extracts from newspapers, copies of letters and plans of street subdivisions. There is one loose page.warrnambool city council, warrnmbool streets register

Street Scenes, Charter Street Ringwood, 6/6/1981 (3 photos)Written on back of original photos "6/6/81. Charter St. looking west from opposite no.40."; "No 40 Charter St", "No 42 Charter St"

Photograph: Group of bike racers in Adams Street Bendigo On rear: Adams Streetrecreations, sports, cycling, bendigo advertiser

Bendigo Town Hall. View from Hargreaves Street, Williamson Street side.slide, bendigo, bendigo town hall

Slide. Bendigo Views. Suburban street scene with asphalt footpath and gravel street.slide, bendigo, bendigo views, bendigo views

Photographs taken by teacher at Pleasant Creek Training Centre to help train students in living skills and becoming familiar with what shops sold. Part of socializing students for leaving the training centre.Stawell Town Hall Main Street Stawell. Showing shops in Main Street. education, shops, main street, streetscape

Colour Photograph showing Main Street and Victoria Street with Cato Lake in background

Coloured photograph of Victoria Street, Mitcham looking west. Fellows Street on rightvictoria street, mitcham

Colour photographs of an industrial site on the corner of Yarrowee Street and Vickers Street, Sebastopol. sebastopol, yarrowee street, sebastopol, vickers street, sebastopol

Colour photograph of a Brick Building on the Corner of South Street and Skipton Street, Ballarat.ballarat, south street, cast iron

This building was established in 1857.Colour photograph of a building on Sturt Streets taken from the Sturt Street Gardens. sturt street ballarat, architecture

Myers Street Bendigo - Could not find on Google Street View - possibly demolishedhistory, bendigo, national trust collection bendigo, myers street bendigo

Colour photographic positive of Sackville Street, Kew from the corner of Ross Street.sackville street -- kew (vic.)