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Warrnambool RSL Sub Branch
Army Uniform, belt, Fletcher Jones & Staff, 1990s
Worn as part of a uniform, this belt is to be worn around the waist with the tongue section on the wearer's right hand side. This jacket was worn by Bernie Farley, of the 8th/7th Battalion, Royal Victorian Regiment. This belt has social significance, being owned and worn by Secretary of the Warrnambool RSL, Bernie Farley. The belt was donated as part of a uniform set by Bernie Farley after 30 years of service in both the Australian Army and Royal Australian Air Force. Though worn in the 1990s, this uniform is in excellent condition as a representative example of an Army uniform of the period.Light khaki coloured woven belt with a pressed metal tip on one end and an autogrip style metal buckle on the other. Stamped into belt buckle "Lion Metal Goods"ex-service, military uniform, army uniform, warrnambool, belt -
Warrnambool RSL Sub Branch
Army Uniform, tie, Fletcher Jones & Staff, 1990s
Worn as part of a uniform, by Bernie Farley, of the 8th/7th Battalion, Royal Victorian Regiment. This tie has social significance, being owned and worn by Secretary of the Warrnambool RSL, Bernie Farley. The tie was donated as part of a uniform set by Bernie Farley after 30 years of service in both the Australian Army and Royal Australian Air Force. Though worn in the 1990s, this uniform is in excellent condition as a representative example of an Army uniform of the period.Khaki tie with silk lining; tag attached to the reverse of the tie in the first quarter of the tie lenth. Label is sewn into seam on reverse. Label reads "AUSTRALIAN TIE CO./MADE IN AUSTRALIA", "65% POLYESTER/35% VISCOSE/MADE IN/AUSTRALIA", "DRY CLEAN/ONLY P50 [degree]/WARM IRON/USING INSERT."military uniform, ex-service, army uniform, warrnambool, tie, neck tie -
Warrnambool RSL Sub Branch
RAAF Gaberdine Overcoat, Australian Government Clothing Factory (A.G.C.F.), 1976
This coat was issued to Airman Bernard Farley in 1976 as an initial issue of uniform. Bernard was enlisted in the Royal Australian Air Force in Warrnambool on 26th January 1976. This item is a Royal Australian Air Force uniform that was issued for the airman Bernard Farley. It has historic and social significance as an item of local military history. It is also in near perfect condition.RAAF Blue Gaberdine Greatcoat/Overcoat. Double Breasted. Belted at waist. Partly lined inside body; sleeves fully lined. Two vertical pocket openings at belt height give access to large inner pocket and to separate inner clothing. Double line of 5 Gold coloured plastic(?) buttons with Crown and Wingson on left and right front of coat. Single black plastic button on inside of coat immediately behind top left gold button. Epaulettes on shoulders are attached at outer end and have a small gold coloured button and button hole attachment at inner end; 'RAAF' sewn in lighter blue thread on outer end of each epaulette. Sleeves have 3 small gold buttons on cuffs.Attachment inside collar reads; A.G.C.F. (Australian Government Clothing Factory) Vic 1976. Broad Arrow Symbol. 8405.66.013.6603. Size 3L. No. NAME. Attachment inside lower left reads; handwritten, 17481, E746813, 3L,30560. 27.Blue Stamp - S broad arrow Nraaf, great coat, royal australian air force, r.a.a.f., air force, uniform, coat, bernard farley, farley, airman, warrnambool, warrnambool rsl -
Warrnambool RSL Sub Branch
Hat, Hard Yakka, 2015
This hat is part of a General Purpose Uniform issued by the Australian Airforce to Bernard Farley during service. This uniform type was developed in 2014 and replaced camouflage as the uniform worn during general base duties and in non-warlike environments. Although a camouflage pattern, this design is not intended for use as camouflage. This item has social significance, as an item of uniform worn by Warrnambool RSL community member and Secretary (2019), Bernard Farley during service with the Australian Airforce. The item is a representative example of current Airforce General Purpose Uniform and is in excellent condition. As a set, the uniform has aesthetic significance in it’s design, incorporating GPU uniform design from the Army alongside the colours and motifs of the Australian Airforce. General Purpose Uniform (GPU) hat in Airforce colours of blue and grey in camouflage pattern. Broad brim hat with black plastic cord end fastener on a blue cotton cord. Plastic tag on interior of hat lining with printed inscriptions.Inscription on tag: “Hard Yakka/AUSTRALIA/AUGUST 2015/PO No: CC2XZ8/LAY No: 10609/SQNCOR FARLEY/(broad arrow)/[Mobile Phone Number]/NSN: 8415-66-161-4051/SIZE: M 56cm/NAME:” Inscription on reverse of tag: “PM KEYS No:/75% COTTON/25% POLYESTER/CARE INSTRUCTIONS/HAND WASH IN COLD/WATER WITH MILD/DETERGENT RISE/WELL DO NOT WRING/TUMBLE DRY OR/DRYCLEAN (X)/DRIP DRY IN SHADE”camouflage, airforce, uniform, general purpose uniform, australian defence force -
Warrnambool RSL Sub Branch
Shirt, C 2015
This shirt is part of a General Purpose Uniform issued by the Australian Airforce to Bernard Farley during service. This uniform type was developed in 2014 and replaced camouflage as the uniform worn during general base duties and in non-warlike environments. Although a camouflage pattern, this design is not intended for use as camouflage. This item has social significance, as an item of uniform worn by Warrnambool RSL community member and Secretary (2019), Bernard Farley during service with the Australian Airforce. The item is a representative example of current Airforce General Purpose Uniform and is in excellent condition. As a set, the uniform has aesthetic significance in it’s design, incorporating GPU uniform design from the Army alongside the colours and motifs of the Australian Airforce. General Purpose Uniform (GPU) shirt in Airforce colours of blue and grey in camouflage pattern. Long sleeve with 6 buttons up the front, two chest pockets with zippered verticle openings along the button seam; two button down pockets on both the left and right shoulder with velcro patches sewn to outside flap for attachment of patches. Above the chest pockets are two patches with embroidered inscriptions in white thread on navy backing. Shirt cuffs have adjustable velcro fasteners.Inscription on interior label is worn and illegible, halfway down the tag reads “PM KEYS NO.” Throughout (on shoulder seams, above left pocket and on back of collar) is the Australian Airforce badge/motif which features a circle with the words ‘Royal Australian Air Force', the Imperial Crown, and a Wedge-Tailed Eagle in flight though this detail is inferred not physically visible. Two embroidered patches above the chest pockets read “AIR FORCE” and “FARLEY.”camouflage, general purpose uniform, airforce, uniform, australian defence force -
Warrnambool RSL Sub Branch
Trousers, Australian Defence Apparel, 2015
These trousers are part of a General Purpose Uniform issued by the Australian Airforce to Bernard Farley during service. This uniform type was developed in 2014 and replaced camouflage as the uniform worn during general base duties and in non-warlike environments. Although a camouflage pattern, this design is not intended for use as camouflage. This item has social significance, as an item of uniform worn by Warrnambool RSL community member and Secretary (2019), Bernard Farley during service with the Australian Airforce. The item is a representative example of current Airforce General Purpose Uniform and is in excellent condition. As a set, the uniform has aesthetic significance in it’s design, incorporating GPU uniform design from the Army alongside the colours and motifs of the Australian Airforce. General Purpose Uniform (GPU) trousers in Airforce colours of blue and grey in camouflage pattern. Long pants with elasticised drawstring fastener at ankle and velcro adjustment fasteners at the waist. Pants take a straight leg style and bears several pockets: two thigh level pockets with zippered horizontal opening, two open hip pockets on the front, one open pocket on the reverse right hand side with blue plastic button fastener. Five large belt loops encircle the waist and there is a zippered fly, secured at the top with a blue plastic button.Label on interior front right of trousers reads: “A193/ADA/MADE IN AUSTRALIA/JUL 2015/ PO: CC2X91/NSN: 8415 66 161 4017/SIZE: 95 R/(broad arrow)/NAME:............/PM KEYS NO:............./75% COTTON 25% POLYESTER/WARM MACHINE WASH 40*C/RINSE WELL, WARM IRON/DO NOT IRON OVER HOOK AND PILE/DO NOT BLEACH/DO NOT STARCH/MAY BE TUMBLE DRY 40*C/DRYCLEANABLE (P)”camouflage, general purpose uniform, airforce, uniform, australian defence force -
Warrnambool RSL Sub Branch
Jumper, Calcoup Knitwear, C 2015
This jumper is part of a General Purpose Uniform issued by the Australian Airforce to Bernard Farley during service. This uniform type was developed in 2014 and replaced camouflage as the uniform worn during general base duties and in non-warlike environments. Although a camouflage pattern, this design is not intended for use as camouflage. This woolen jumper was presumably a winter addition to the GPU.This item has social significance, as an item of uniform worn by Warrnambool RSL community member and Secretary (2019), Bernard Farley during service with the Australian Airforce. The item is a representative example of current Airforce General Purpose Uniform and is in excellent condition. As a set, the uniform has aesthetic significance in it’s design, incorporating GPU uniform design from the Army alongside the colours and motifs of the Australian Airforce. Navy blue ribbed knitted jumper with stitched navy cotton elbow patches, rectangular in shape. Similar rectangular shaped patches on the left and right shoulder, bearing two epaulettes, stiched at one end and fastened with velcro and the other. The left shoulder carries an Airforce embroidered patch at the top of the arm. Arm cuffs have external seam for approximately 100 mm from the end, indicating that the jumper may have been worn with cuffs folded over. Synthetic strip of black fabric on the interior collar behind a cream coloured label.Label on interior of collar reads: “CALCOUP KNITWEAR/291083/ 06/01 / 8405/661468799 / SIZE: 115cm-125cm/SERVICE No........./ NAME........../MACHINE WASHABLE GENTLE CYCLE/Fasten shoulder straps before/washing. Warm machine wash,/inside out on medium cycle./Do not bleach./Warm rinse. Normal spin./Doi not tumble dry./Dry in shade. Warm iron./ Dry Cleanable A/80% Wool 20% Nylon”camouflage, general purpose uniform, airforce, uniform, australian defence force -
Warrnambool RSL Sub Branch
Shirt
This shirt is part of a Disruptive Pattern Combat Uniform issued by the Australian Airforce to Bernard Farley during service. This uniform type was used in base and field activities and was replaced in 2014 by the General Purpose Uniform as the uniform worn during general base duties and in non-warlike environments.This item has social significance, as an item of uniform worn by Warrnambool RSL community member and Secretary (2019), Bernard Farley during service with the Australian Airforce. The item is a representative example of previously standard issue Airforce uniform and is in excellent condition. As a set, the uniform has aesthetic significance in it’s design, incorporating the Disruptive Pattern style of camouflage which has its roots in the 1980s and continues to be adapted into uniform design by the Defence Force.Field shirt in disruptive pattern colours of green, khaki and browns. Long sleeve with 6 buttons up the front, two chest pockets with zippered verticle openings along the button seam; two button down pockets on both the left and right shoulder with velcro patches sewn to outside flap for attachment of patches. Above the chest pockets are two patches with embroidered inscriptions in black thread on disruptive pattern backing. Shirt cuffs have adjustable velcro fasteners.Interior label has been removed. Two embroidered patches above the chest pockets read “AIR FORCE” (left of wearer) and “FARLEY” (right of wearer). Oval patch on left shoulder shows a kangaroo silhouette encircled by a black embroidered circle.camouflage, uniform, australian defence force, disruptive pattern, airforce -
Warrnambool RSL Sub Branch
Trousers, Australian Defence Apparel, 2015
These trousers are part of a Disruptive Pattern Combat Uniform issued by the Australian Airforce to Bernard Farley during service. This uniform type was used in base and field activities and was replaced in 2014 by the General Purpose Uniform as the uniform worn during general base duties and in non-warlike environments.This item has social significance, as an item of uniform worn by Warrnambool RSL community member and Secretary (2019), Bernard Farley during service with the Australian Airforce. The item is a representative example of previously standard issue Airforce uniform and is in excellent condition. As a set, the uniform has aesthetic significance in it’s design, incorporating the Disruptive Pattern style of camouflage which has its roots in the 1980s and continues to be adapted into uniform design by the Defence Force.Disruptive Pattern trousers in five colours of green and brown. Long pants with elasticised drawstring fastener at ankle and velcro adjustment fasteners at the waist. Pants take a straight leg style and bears several pockets: two thigh level pockets with zippered horizontal opening, two open hip pockets on the front, one open pocket on the reverse right hand side with blue plastic button fastener. Five large belt loops encircle the waist and there is a zippered fly, secured at the top with a blue plastic button.Label on interior front right of trousers reads: “A13/ADA/VICTORIA 2008/(broad arrow)/SPECIFICATION ARMY (AUST)6542/NSN: 8415 66 152 1059/SIZE: 95 S/NAME/SERVICE NO/75% COTTON 25% POLYESTER/WARM MACHINE WASH 40*C/RINSE WELL, WARM IRON/DO NOT IRON OVER HOOK AND PILE/DO NOT BLEACH/DO NOT STARCH/MAY BE TUMBLE DRY 40*C/MADE IN AUSTRALIA” The name “FARLEY” is also handwritten on the back interior waist band of the trousers. camouflage, general purpose uniform, airforce, uniform, australian defence force -
Warrnambool RSL Sub Branch
Jumper, Elegant Knitting Co, 1993
This jumper is part of a Disruptive Pattern Combat Uniform issued by the Australian Airforce to Bernard Farley during service. This uniform type was used in base and field activities and was replaced in 2014 by the General Purpose Uniform as the uniform worn during general base duties and in non-warlike environments.This woolen jumper was presumably a winter addition to the DPCU.This item has social significance, as an item of uniform worn by Warrnambool RSL community member and Secretary (2019), Bernard Farley during service with the Australian Airforce. The item is a representative example of previously standard issue Airforce uniform and is in excellent condition. As a set, the uniform has aesthetic significance in it’s design, incorporating the Disruptive Pattern style of camouflage which has its roots in the 1980s and continues to be adapted into uniform design by the Defence Force.Khaki ribbed knitted jumper with stitched Disruptive Pattern cotton elbow patches, rectangular in shape running the length of the forearm. Similar rectangular shaped patches on the left and right shoulder, bearing two epaulettes, stiched at one end and fastened with velcro and the other. The left upper arm carries a rectangular Disruptive Pattern patch with a seam down the centre, creating two long narrow pockets. Arm cuffs have external seam for approximately 100 mm from the end, indicating that the jumper may have been worn with cuffs folded over. Synthetic strip of green fabric on the interior collar behind a cream coloured label.Label on interior of collar reads: “ELEGANT KNITTING CO./PENRITH, N.S.W. 1993/(047) 32 2491/8405-66-134-9381/SIZE 115cm-125cm XL (broad arrow)/SERVICE No........./NAME.........../“ Reverse of label carries a series of care instructions including “Fasten shoulder straps before/washing/ 80% Wool 20% Nylon”camouflage, general purpose uniform, airforce, uniform, australian defence force -
Warrnambool RSL Sub Branch
Hat
This hat is part of a Disruptive Pattern Combat Uniform issued by the Australian Airforce to Bernard Farley during service. This uniform type was used in base and field activities and was replaced in 2014 by the General Purpose Uniform as the uniform worn during general base duties and in non-warlike environments.This item has social significance, as an item of uniform worn by Warrnambool RSL community member and Secretary (2019), Bernard Farley during service with the Australian Airforce. The item is a representative example of previously standard issue Airforce uniform and is in excellent condition. As a set, the uniform has aesthetic significance in it’s design, incorporating the Disruptive Pattern style of camouflage which has its roots in the 1980s and continues to be adapted into uniform design by the Defence Force.Disruptive Pattern Combat Uniform hat in five colours of green and brown in camouflage pattern. Broad brim hat with black plastic cord end fastener on a beige/brown cotton cord. A band, sewn at 35mm intervals around the crown of the hat may have been used for attachments. Cotton tag on interior of hat lining with illegible inscriptions. Hat lining at front brow and on crown of head is a towel-like material, presumably for absorbing perspiration.The name “FARLEY” can be faintly seen handwritten on the hat on both the left and right interior.camouflage, uniform, general purpose uniform, airforce, australian defence force, disruptive pattern -
Warrnambool RSL Sub Branch
Army Jacket, 1942
This object is one of a three piece set. There is also a pair of trousers and a defence leave ticket which are associated with this object. The three chevrons on the sleeve signify three years of service. The unit patch may denote that the wearer was part of the Army Serice Corps Divisional Unit one. The associated ticket shows that the serviceman was at some point travelling in uniform on defence leave in a first class carriage from Spencer Street to either Moreland, Newmarket, North Carlton, Northcote or Westgarth.As an historic army uniform with an association to Victoria this item is of local historic and social significance. It is also in very good condition. Woolen khaki jacket with button-up front. The top button is a plain brown plastic button. The lower four buttons are identical embossed dark brown metallic buttons. They depict an image of Australia in the centre with a crown above. Encircling this image are the words "Australian Military Forces". There is also a metallic clip at the waist-band and a metallic stud below the row of buttons. There are four button-up pockets on the front of the jacket. Two of these are breast pockets and the other two sit directly beneath these. There is also an interior pocket on the lower right section of the jacket. The lower right exterior pocket is missing its button. There is a spare button in the right breast pocket. All of these pocket buttons are of the same type as the decorative dark brown metallic buttons. There is also a spare unit patch in the bottom right pocket. The two cuffs are buttoned up with one decorative dark brown metalic button each. There are two identical brass badges on either collar. They depict a crown in the centre with the rising sun surrounding it and ribbons below with the words "Australian Commonwealth Military Forces". There are two identical brass badges on the shoulder edges of the epaulettes depicting the word "Australia". There are two buttons that fasten the epaulettes to the jacket near the neck which are of the same type as the decorative dark brown metallic buttons. There are two identical felt unit patches on either section of the upper arms. They have a light blue border surrounding a navy blue rectangle above a white rectangle. There is also a felt chevron just above the cuff on the right arm. This depicts three blue stitched arrows on a khaki/green background. There are also two labels stitched to the interior of the right breast pocket. Ther are two white rectangular labels that are stitched to the interior of the right breast pocket. These have inscriptions. There is also a stamp on the interior of the lower right pocket.Inscription on the two interior Labels: REGIMENTAL No........./ NAME........./ V.162 / MADE IN AUSTRALIA / 1942 / SIZE / (within a rectangle the number “26”) Stamp on the interior of the lower right pocket inscription: W.W. ( and what appears to be an upside-down W above thesearmy, uniform, jacket, army service corps, asc, divisional unit one, division one -
Warrnambool RSL Sub Branch
Peaked Hat - Army, Military Uniform, Date unknown - Manufacture: Commonwealth Government Clothing Factory, Melbourne
As an historic army uniform with an association to Victoria this item is of local historic and social significance. It is also in very good condition. Woolen khaki peaked hat has a central head band with solid peak connected to the lower front of the head band. The top is high at the front and protrudes out from the headband about 3cm on all sides. There is a brown leather chinstrap on the lower front of the headband above the peak and this has a slide extension that can be enlarged to go under the neck to keep the hat in position in high winds. The chin strap in connected to the headband with two plastic button that have queens crown above a map of Australia. Affixed to the front of the headband above the peak is the Artillery Corps metal hat badge in gold colouring. The interior of the top of the hat has a cotton lining under the woollen exterior and then a plastic protective lining to avoid sweat bleeding onto the exterior. A cloth badge with the makers name sewn to the cloth lining and covered by the plastic protective layer. uniform -
Warrnambool RSL Sub Branch
First Field Dressing, Military wound - compression bandage, OCTOBER 1942 - Manufacture: Johnson & Johnson Pty. Ltd., Sydney
donation source and providence unknown - common item issued to individual soldiers and carried in a pouch on their individual webbing. As an historic army It is also in very good condition. The 'First Field Dressing' has a khaki cotton cover with a single stitched opening flap on the right hand end of the cover. The 'Contents' and 'Directions for Use' are written on the front exterior as follows: FIRST FIELD DRESSING TO OPEN: Outer. Cotton Break thread holding flap Inner. Waterproof Covers Tear apart at the uncemented corner (indicated by arrow). CONTENTS: Two dressings in Waterproof Covers,each consisting of gauze stitched to a bandage and a safety pin. Directions for Use - Take the folded ends of the bandage in each hand, and, keeping the bandage taut, apply the gauze pad to the wound and fix the bandage. one dressing to be used for each wound. In each case of head wounds when respirators have to be worn, care should be taken to adjust the pad so that it does not interfere with the fit of the facepiece. DO NOT HANDLE THE GAUZE OR WOUND See physical descriptionuniform -
Warrnambool RSL Sub Branch
Army Trousers, 1942
These trousers are a part of a three piece set. There is also a jacket and a defence leave ticket which are associated with this item. There are three chevrons on the sleeve of the jacket which signify three years of service. The unit patch may denote that the wearer was part of the Army Serice Corps Divisional Unit one. The associated ticket shows that the serviceman was at some point travelling in uniform on defence leave in a first class carriage from Spencer Street to either Moreland, Newmarket, North Carlton, Northcote or Westgarth.As an historic army uniform with an association to Victoria this item is of local historic and social significance. It is also in very good condition. Long woollen button-up khaki trousers. There are six metallic buttons that fasten the fly and six more around the exterior part of the waistband. There are also two pockets on either side just below the waistband. army, uniform, jacket, army service corps, asc, divisional unit one, division one -
Warrnambool RSL Sub Branch
RSL BADGE COLLECTION _ Returned Sailors & Soldiers Imperial League Australia Badge and Returned Sailors' Soldiers' & Airmen's Imperial League Australia, RSL Membership Badges, Manufacturer - Stokes & Sons Melbourne for four badges, (Stokes closed in 1962). Small badges No 48030 (wiith 67 year clasp) has the makers inscription of - Property of League, Swann & Hudson VIC
donation source and providence unknown - common item issued to individual RSL Members across VictoriaAs an historic RSL Badge from WW1 & WW2 membership periods It is also in very good condition. The 'First Field Dressing' has a khaki cotton cover with a single stitched opening flap on the right hand end of the cover. The 'Contents' and 'Directions for Use' are written on the front exterior as follows: FIRST FIELD DRESSING TO OPEN: Outer. Cotton Break thread holding flap Inner. Waterproof Covers Tear apart at the uncemented corner (indicated by arrow). CONTENTS: Two dressings in Waterproof Covers,each consisting of gauze stitched to a bandage and a safety pin. Directions for Use - Take the folded ends of the bandage in each hand, and, keeping the bandage taut, apply the gauze pad to the wound and fix the bandage. one dressing to be used for each wound. In each case of head wounds when respirators have to be worn, care should be taken to adjust the pad so that it does not interfere with the fit of the facepiece. DO NOT HANDLE THE GAUZE OR WOUND Three x Large Badges (30mm (W) x 40mm (H) - With membership numbered on the rear of 45147, 70848, 74487 & 74642 stamped on the rear These badges a brass with white blue and red enamel inlay. The badge is in the shape of shield with a regal crown on top. The shield is white enamel, with a blue enamel circle (containing the words - Returned Sailors & Soldiers Imperial League. Below the circle a red enamel ribbon is depicted with the word - Australia enclosed. The brass centre of the badge has the figures of a Sailor & Soldier each carrying a rifle. Two x Small Badges (18mm (W) x 24mm (H) - The smaller badge has the same material and colours but includes the third figure of an Airmen holding a rifle in the centre. The location of the organisation name has changed to Returned Sailors' soldiers' & Airmen's in the blue circle and red ribbon contains - Imperial League Australia. One of the small badges has a green 67 year clasp fastened with three clasps around the crown. In this period Financial members received a new clasp for each year of financial membership. -
Warrnambool and District Historical Society Inc.
Book, Warrnambool Botanic Garden Masterplan, February 1995
This Warrnambool Botanic Gardens Study and Report was funded by the National Estate Grants Program of the Australian Heritage Commission and the City of Warrnambool. It was monitored in progress by a Steering Committee consisting of representatives of the Botanic and Public Gardens Advisory Committee, the Warrnambool City Council, Friends of the Warrnambool Botanic Gardens and National Estate Grants Program representatives and community representatives. The Warrnambool Botanic Gardens were first sited close to the Hopkins River in 1859. In 1869 the gardens were relocated to the present day location in Botanic Road. This plan is of some importance as it gives an overview of the history and current condition in 1995 of the Warrnambool Botanic Gardens and draws up a plan for its future development. It is useful for research and for consideration by the City Council today of policy making and further development of the gardens. This is a publication containing a master plan for the Warrnambool Botanic Gardens. It has a section on acknowledgements, a summary, eight chapters, and 14 appendices. The pages are bound with plastic rings, the front cover is plasticized with an aerial photograph of the Botanic Gardens and surrounds and the back cover is lightweight cardboard. The pages contain printed material, fold out maps, sketches and diagrams and many photocopied photographs.Front Cover: City of Warrnambool, Warrnambool Botanic Gardens, Conservation and Development Plan, Jill Orr-Young, Patrick Mallon, SF Consultants Pty Ltd, February 1995. warrnambool botanic gardens, warrnambool -
Warrnambool and District Historical Society Inc.
Album - Views of Warrnambool
The album contains postcards (photographs). The photographs (postcards) of Warrnambool and district in the 1930s/40s include views of the Botanic Gardens, the coast line, the main streets, the War Memorial and Hopkins Falls. The postcards from the 1890s include Wilmot, the Hopkins River, Hopkins Falls and Shelly Beach.The postcards in the album are in good condition and will be useful for reproduction. The 1930s/40s collection of photographs (also postcards) is a useful one also and a good example of how people preserved mementoes of their visit to a town. All the photographs are contained in other collections or albums held elsewhere in the Historical Society collection.This is a photograph album of ten pages with a buff-coloured cover of thickened card with a raised surface and an embossed image of a woman in the left corner of the front page. There are five postcards attached to the inside covers and 31 other photographs (postcards) in the slots provided. One photograph is missing from these slots. Embossed ornately decorated image of a woman on the front cover. postcards and photographs, warrnambool 1930s/1940s -
The Cyril Kett Optometry Museum
Instrument - Trial frame, c1895
Trial frames are used to hold trial spectacle lenses in front of the eyes to establish the spectacle refraction. This unit is able to hold 3 lenses in front of each eye. It is very complex for its early date.This trial frame is a rare example of a very complex early design which has survived in good condition. Complex nineteenth century trial frame: double lens clip to front rotated by long control knob. Single downward pointing lens clip to back. Bridge height and extension adjustable. Variable inter-pupillary distance calibrated in inches. Slide extending curl sides. Eye rims stamped:'PAT NOV.6.94 & PAT JUNE25.95'. Sides stamped:'PAT APR.30.95'optometry, eye examination, refraction, trial frame, spectacles -
The Cyril Kett Optometry Museum
Model eye, F Davidson & Co, Dunn's Model Eye, early 20th century
Model eyes were used by students to practise skills of ophthalmoscopy and retinoscopy. This item shows more variety of fundus view and refractive state than most.This fine example is preserved in excellent condition, perhaps through lack of use. It is the most complex of the five model eyes in the collection.Cased metal model eye for teaching ophthalmoscopy and retinoscopy. 17 numbered interchangeable fundi illustrating various pathological conditions. Double cell lens holder in front can hold lenses for retinoscopy. Axis scale on front. 6 lenses provided to simulate various refractive states. Rotating disc changes between 3 pupil sizes. Model eye, fundi samples & lenses enclosed in snap closing wooden case, covered in black leatherette and lined with burgundy velvet.Inside case:'F.DAVIDSON & Co,/ 29 GREAT PORTLAND STREET,/ LONDON, W/ DUNN'S MODEL EYE'optometry, ophthalmology, model eye, teaching, ophthalmoscopy, retinoscopy -
The Cyril Kett Optometry Museum
Book, Eyesight and how to take care of it, 1888 (estimated)
This book is a guide to eyecare for the intelligent lay-reader, not so different from books still published today. It appeared in a number of editions until about 1900. This one is edited by George Black MB(Edin) as part of the Long Life Series. As this book is a guide to eyecare for the lay-reader it is socially significant. It is not rare, but being somewhat ephemeral it would not be expected to see copies of this book surviving in the very good condition of our copy. No other copies are listed on WorlCat for Australia.Small hardback book in original printed green cloth covers, 139 pages and 21 figures with 20 pages of book advertisements. The decorative Art Nouveau cover is visually attractive. It is a late nineteenth century guide to eyecare for the intelligent lay-reader. It was priced at one shilling.Signature of J B Shattock on half title page.ophthalmology, eye, eyesight, eyecare -
The Cyril Kett Optometry Museum
Tonometer, J J Winters, 01/04/1969
This instrument was manufactured in 1969 to a design developed in 1905. It was used in private practice in the eastern suburbs of Melbourne. It was donated to the Optometry museum in August 2000. The instrument's inventor, Hjalmar August Schioetz (1850-1927) was born in Stavanger, Norway. He graduated in Medicine in 1877 in Kristiania. He studied ophthalmology in Vienna and in Paris. He was appointed professor of medicine with the obligation of teaching eye medicine in Kristiania in 1901. He demonstrated his tonometer in 1905 and for the next half century it was generally accepted as a reliable means of measuring intraocular pressure.Many examples of Schiotz tonometers can be found in near-mint condition as they were superseded in the latter half of the twentieth century. Although this example is in fine condition it is not historically significantCased stainless steel instrument to measure intra-ocular pressure. Grey leatherette case lined with grey satin and felt. Case contains stainless steel spring balance tonometer, convex test block and two calibration weights. Slipped within upper lining of case are a yellow card of instructions and a greencertificate of accuracy.Case cover imprinted "Schioetz-Tonometer Improved". Tonometer engraved "6988" and logo of "JJW". One weight engraved "7,5", other "10"tonometer schiotz pressure optometry ophthalmology -
Cheese World Museum
Crockery, fruit set, 8/5/1923
These hand painted bowls were the work of Ethel Mary Ellen Hose who married Albert Ernest Uebergang in 1917, who was an uncle of Ray and Joyce Uebergang. After leaving the family farm at Cudgee the couple moved to Surrey Hills in Melbourne. [Ref: p.228 The Uebergang Families in Australia] The donor, Heather Mclean, daughter of Charles Henry Uebergang, is a cousin of Ray and Joyce Uebergang. A visitor to the museum in March 2018 advised that the bowl with no 'U' was a replacement piece. It is unsigned and undated.This fruit set indicates the work of amateur china painters and is in pristine condition.Black hand-painted fruit set consisting of a large bowl and six small bowls. Each bowl has an individual fruit design and a gold-painted letter 'U' except one small bowl which only has the fruit design. The bowls have a gold rim.[on base] E M Uebergang/ 8/5/1923 [except for bowl with no 'U']uebergang, ethel mary uebergang, china painting, crockery, allansford, food & drink consumption -
Glen Eira Historical Society
Album - Album page, Myoora, 405 Alma Road, Circa 1972
This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.Myoora - Victorian Heritage Register (VHR) Number H0490 https://vhd.heritagecouncil.vic.gov.au/places/275 (as at 6/10/2020) Myoora, 405 Alma Road, North Caulfield, was designed by Reed, Henderson & Smart and can be attributed to Anketell Henderson. It was built in 1886 and 1887 for Thomas Christian, who had founded the fabled gold mine, the Day Dawn at Charters Towers. He never occupied the house although his widow lived there for some time. The house was subdivided into three and later six flats. Myoora was one of many large mansions on broad acres with gardens in Caulfield. Perhaps the grandest was Labassa. The mansions date from the 1850s through to the late 1890s. The siting of Myoora on a ridge influenced its planning and composition. A central hall and corridor along the ridge is entered from the centre of the more formal north facade. The entrance is marked by an elaborately detailed tower. A stair turret provides a second accent. The western end of the building is completed by a massively detailed chimney as the service wing. The south facade enjoyed an outlook to port phillip from a two-storey cast iron verandah. Bay windows, chimneys, the tower and the turret and minor details are brought together in a sophisticated asymmetrical composition. This is reflected in the planning. The asymmetry of Myoora pivoting on the tower is the most notable feature of the building. The walls are built of cement rendered brick. The cement render has not been painted. The roof is slate. The balconies and verandah are cast iron. The footings and cellar are bluestone. The architectural firm Reed, Henderson & Smart was very prominent in Victoria in the nineteenth century. Anketell Henderson was an eminent and well respected member of the profession. He worked successfully in London and interstate as well as in Victoria. They were better known for commercial and public buildings. Myoora is an important private commission. The style of Myoora is a combination of details from the Continental and English Renaissance through the boom style and the Queen Anne style. There is also an early influence from the American Romanesque style especially in the stair turret. The latter style was important at the turn of the century and Myoora is a significant precursor. Other buildings of a similar scale survive in Caulfield and elsewhere. Labassa, the most fabulous, is quite different stylistically as are most of the other comparable mansions. Stonnington is perhaps closer but relies on different details from the Queen Anne style and lacks any American influence. For its historical associations through its owners and architects, for its style and composition and for its intactness, Myoora is significant at a State level. The craftmanship of Myoora is what could be expected of a building of the time and type. It is relatively intact and in fair condition. The main staircase has been removed, minor alterations to decorative features have occurred and additions have been made to the exterior.Page 8 of Photograph Album including four black and white photographs. Three photos are in a portrait orientation, one on the left hand side of the page with the other two in the bottom part of the page. One photograph in a landscape orientation is on the top right hand side of the page. Handwritten: "Myoora" 405 Alma Rd [top right hand corner] / Neg 179 DEC 1972 [underneath bottom left photograph] / Neg 180 DEC 1972 [underneath bottom right photograph] / 8 [bottom right]caulfield north, trevor hart, alma road, mansion, myoora, tower, thomas christian, 1880's, queen anne, cement rendered brick, unpainted, balconies, verandahs, anketell henderson, continental and english renaissance, american romanesque, views, cast iron work, reed henderson & smart, flats, gardens, asymmetrical style, slate roofs, entrances -
Glen Eira Historical Society
Album - Album page, Myoora, 405 Alma Road, Circa 1972
This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.Myoora - Victorian Heritage Register (VHR) Number H0490 From the Victorian Heritage Register Database - Citation for Myoora https://vhd.heritagecouncil.vic.gov.au/places/275 (as at 6/10/2020) Myoora, 405 Alma Road, North Caulfield, was designed by Reed, Henderson & Smart and can be attributed to Anketell Henderson. It was built in 1886 and 1887 for Thomas Christian, who had founded the fabled gold mine, the Day Dawn at Charters Towers. He never occupied the house although his widow lived there for some time. The house was subdivided into three and later six flats. Myoora was one of many large mansions on broad acres with gardens in Caulfield. Perhaps the grandest was Labassa. The mansions date from the 1850s through to the late 1890s. The siting of Myoora on a ridge influenced its planning and composition. A central hall and corridor along the ridge is entered from the centre of the more formal north facade. The entrance is marked by an elaborately detailed tower. A stair turret provides a second accent. The western end of the building is completed by a massively detailed chimney as the service wing. The south facade enjoyed an outlook to port phillip from a two-storey cast iron verandah. Bay windows, chimneys, the tower and the turret and minor details are brought together in a sophisticated asymmetrical composition. This is reflected in the planning. The asymmetry of Myoora pivoting on the tower is the most notable feature of the building. The walls are built of cement rendered brick. The cement render has not been painted. The roof is slate. The balconies and verandah are cast iron. The footings and cellar are bluestone. The architectural firm Reed, Henderson & Smart was very prominent in Victoria in the nineteenth century. Anketell Henderson was an eminent and well respected member of the profession. He worked successfully in London and interstate as well as in Victoria. They were better known for commercial and public buildings. Myoora is an important private commission. The style of Myoora is a combination of details from the Continental and English Renaissance through the boom style and the Queen Anne style. There is also an early influence from the American Romanesque style especially in the stair turret. The latter style was important at the turn of the century and Myoora is a significant precursor. Other buildings of a similar scale survive in Caulfield and elsewhere. Labassa, the most fabulous, is quite different stylistically as are most of the other comparable mansions. Stonnington is perhaps closer but relies on different details from the Queen Anne style and lacks any American influence. For its historical associations through its owners and architects, for its style and composition and for its intactness, Myoora is significant at a State level. The craftmanship of Myoora is what could be expected of a building of the time and type. It is relatively intact and in fair condition. The main staircase has been removed, minor alterations to decorative features have occurred and additions have been made to the exterior.Page 9 of Photograph Album including three black and white photographs. The photos are in a portrait orientation and arranged diagonally across the page from top left to bottom right.Handwritten: Neg 175 DEC 1972 [underneath top left photograph] / Neg 173 DEC 1972 [underneath middle photograph] / 9 [bottom left]caulfield north, trevor hart, alma road, mansion, myoora, tower, thomas christian, 1880's, queen anne, cement rendered brick, unpainted, balconies, verandahs, anketell henderson, continental and english renaissance, american romanesque, views, cast iron work, reed henderson & smart, flats, asymmetrical style, slate roofs, windows -
Glen Eira Historical Society
Album - Album page, Myoora, 405 Alma Road, Circa 1972
This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.Myoora - Victorian Heritage Register (VHR) Number H0490 Citation for Myoora https://vhd.heritagecouncil.vic.gov.au/places/275 (as at 6/10/2020) Myoora, 405 Alma Road, North Caulfield, was designed by Reed, Henderson & Smart and can be attributed to Anketell Henderson. It was built in 1886 and 1887 for Thomas Christian, who had founded the fabled gold mine, the Day Dawn at Charters Towers. He never occupied the house although his widow lived there for some time. The house was subdivided into three and later six flats. Myoora was one of many large mansions on broad acres with gardens in Caulfield. Perhaps the grandest was Labassa. The mansions date from the 1850s through to the late 1890s. The siting of Myoora on a ridge influenced its planning and composition. A central hall and corridor along the ridge is entered from the centre of the more formal north facade. The entrance is marked by an elaborately detailed tower. A stair turret provides a second accent. The western end of the building is completed by a massively detailed chimney as the service wing. The south facade enjoyed an outlook to port phillip from a two-storey cast iron verandah. Bay windows, chimneys, the tower and the turret and minor details are brought together in a sophisticated asymmetrical composition. This is reflected in the planning. The asymmetry of Myoora pivoting on the tower is the most notable feature of the building. The walls are built of cement rendered brick. The cement render has not been painted. The roof is slate. The balconies and verandah are cast iron. The footings and cellar are bluestone. The architectural firm Reed, Henderson & Smart was very prominent in Victoria in the nineteenth century. Anketell Henderson was an eminent and well respected member of the profession. He worked successfully in London and interstate as well as in Victoria. They were better known for commercial and public buildings. Myoora is an important private commission. The style of Myoora is a combination of details from the Continental and English Renaissance through the boom style and the Queen Anne style. There is also an early influence from the American Romanesque style especially in the stair turret. The latter style was important at the turn of the century and Myoora is a significant precursor. Other buildings of a similar scale survive in Caulfield and elsewhere. Labassa, the most fabulous, is quite different stylistically as are most of the other comparable mansions. Stonnington is perhaps closer but relies on different details from the Queen Anne style and lacks any American influence. For its historical associations through its owners and architects, for its style and composition and for its intactness, Myoora is significant at a State level. The craftmanship of Myoora is what could be expected of a building of the time and type. It is relatively intact and in fair condition. The main staircase has been removed, minor alterations to decorative features have occurred and additions have been made to the exterior.Page 10 of Photograph Album including four black and white photographs. Three photos are in a portrait orientation with the fourth on the right in a landscape orientation.Handwritten: "Myoora" 405 Alma Rd [top right of page] / Neg 176 DEC 1972 [underneath bottom right photograph] / 10 [bottom right]caulfield north, trevor hart, alma road, mansion, myoora, tower, thomas christian, 1880's, queen anne, cement rendered brick, unpainted, balconies, verandahs, anketell henderson, continental and english renaissance, american romanesque, cast iron work, reed henderson & smart, flats, gardens, asymmetrical style, slate roofs, chimneys -
Glen Eira Historical Society
Album - Album page, Myoora, 405 Alma Road, Circa 1972
This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.Victorian Heritage Register (VHR) Number H0490 From the Victorian Heritage Register Database - Citation for Myoora https://vhd.heritagecouncil.vic.gov.au/places/275 (as at 6/10/2020) Myoora, 405 Alma Road, North Caulfield, was designed by Reed, Henderson & Smart and can be attributed to Anketell Henderson. It was built in 1886 and 1887 for Thomas Christian, who had founded the fabled gold mine, the Day Dawn at Charters Towers. He never occupied the house although his widow lived there for some time. The house was subdivided into three and later six flats. Myoora was one of many large mansions on broad acres with gardens in Caulfield. Perhaps the grandest was Labassa. The mansions date from the 1850s through to the late 1890s. The siting of Myoora on a ridge influenced its planning and composition. A central hall and corridor along the ridge is entered from the centre of the more formal north facade. The entrance is marked by an elaborately detailed tower. A stair turret provides a second accent. The western end of the building is completed by a massively detailed chimney as the service wing. The south facade enjoyed an outlook to port phillip from a two-storey cast iron verandah. Bay windows, chimneys, the tower and the turret and minor details are brought together in a sophisticated asymmetrical composition. This is reflected in the planning. The asymmetry of Myoora pivoting on the tower is the most notable feature of the building. The walls are built of cement rendered brick. The cement render has not been painted. The roof is slate. The balconies and verandah are cast iron. The footings and cellar are bluestone. The architectural firm Reed, Henderson & Smart was very prominent in Victoria in the nineteenth century. Anketell Henderson was an eminent and well respected member of the profession. He worked successfully in London and interstate as well as in Victoria. They were better known for commercial and public buildings. Myoora is an important private commission. The style of Myoora is a combination of details from the Continental and English Renaissance through the boom style and the Queen Anne style. There is also an early influence from the American Romanesque style especially in the stair turret. The latter style was important at the turn of the century and Myoora is a significant precursor. Other buildings of a similar scale survive in Caulfield and elsewhere. Labassa, the most fabulous, is quite different stylistically as are most of the other comparable mansions. Stonnington is perhaps closer but relies on different details from the Queen Anne style and lacks any American influence. For its historical associations through its owners and architects, for its style and composition and for its intactness, Myoora is significant at a State level. The craftmanship of Myoora is what could be expected of a building of the time and type. It is relatively intact and in fair condition. The main staircase has been removed, minor alterations to decorative features have occurred and additions have been made to the exterior.Page 11 of Photograph Album including four black and white photographs. Three photos are in a portrait orientation and arranged on the left and bottom section of the page. A landscape oriented photo is in the top right section.Handwritten: 11 [bottom left]caulfield north, trevor hart, alma road, mansion, myoora, tower, thomas christian, 1880's, queen anne, cement rendered brick, unpainted, balconies, verandahs, anketell henderson, continental and english renaissance, american romanesque, cast iron balconies, views, cast iron work, reed henderson & smart, flats, gardens, asymmetrical style, slate roofs, windows, chimneys -
Glen Eira Historical Society
Album - Album page, Myoora, 405 Alma Road, Circa 1972
This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.Victorian Heritage Register (VHR) Number H0490 From the Victorian Heritage Register Database - Citation for Myoora https://vhd.heritagecouncil.vic.gov.au/places/275 (as at 6/10/2020) Myoora, 405 Alma Road, North Caulfield, was designed by Reed, Henderson & Smart and can be attributed to Anketell Henderson. It was built in 1886 and 1887 for Thomas Christian, who had founded the fabled gold mine, the Day Dawn at Charters Towers. He never occupied the house although his widow lived there for some time. The house was subdivided into three and later six flats. Myoora was one of many large mansions on broad acres with gardens in Caulfield. Perhaps the grandest was Labassa. The mansions date from the 1850s through to the late 1890s. The siting of Myoora on a ridge influenced its planning and composition. A central hall and corridor along the ridge is entered from the centre of the more formal north facade. The entrance is marked by an elaborately detailed tower. A stair turret provides a second accent. The western end of the building is completed by a massively detailed chimney as the service wing. The south facade enjoyed an outlook to port phillip from a two-storey cast iron verandah. Bay windows, chimneys, the tower and the turret and minor details are brought together in a sophisticated asymmetrical composition. This is reflected in the planning. The asymmetry of Myoora pivoting on the tower is the most notable feature of the building. The walls are built of cement rendered brick. The cement render has not been painted. The roof is slate. The balconies and verandah are cast iron. The footings and cellar are bluestone. The architectural firm Reed, Henderson & Smart was very prominent in Victoria in the nineteenth century. Anketell Henderson was an eminent and well respected member of the profession. He worked successfully in London and interstate as well as in Victoria. They were better known for commercial and public buildings. Myoora is an important private commission. The style of Myoora is a combination of details from the Continental and English Renaissance through the boom style and the Queen Anne style. There is also an early influence from the American Romanesque style especially in the stair turret. The latter style was important at the turn of the century and Myoora is a significant precursor. Other buildings of a similar scale survive in Caulfield and elsewhere. Labassa, the most fabulous, is quite different stylistically as are most of the other comparable mansions. Stonnington is perhaps closer but relies on different details from the Queen Anne style and lacks any American influence. For its historical associations through its owners and architects, for its style and composition and for its intactness, Myoora is significant at a State level. The craftmanship of Myoora is what could be expected of a building of the time and type. It is relatively intact and in fair condition. The main staircase has been removed, minor alterations to decorative features have occurred and additions have been made to the exterior.Page 12 of Photograph Album including three black and white photographs. The photos are in a portrait orientation and arranged diagonally across the page from top left to bottom right.Handwritten: "Myoora" 405 Alma Road[top right] /12 [bottom left]caulfield north, trevor hart, alma road, mansion, myoora, tower, thomas christian, 1880's, queen anne, cement rendered brick, unpainted, balconies, verandahs, anketell henderson, continental and english renaissance, american romanesque, cast iron balconies, cast iron work, reed henderson & smart, flats, asymmetrical style, slate roofs -
Glen Eira Historical Society
Album - Album page, Myoora, 405 Alma Road, Circa 1972
This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.Victorian Heritage Register (VHR) Number H0490 From the Victorian Heritage Register Database - Citation for Myoora https://vhd.heritagecouncil.vic.gov.au/places/275 (as at 6/10/2020) Myoora, 405 Alma Road, North Caulfield, was designed by Reed, Henderson & Smart and can be attributed to Anketell Henderson. It was built in 1886 and 1887 for Thomas Christian, who had founded the fabled gold mine, the Day Dawn at Charters Towers. He never occupied the house although his widow lived there for some time. The house was subdivided into three and later six flats. Myoora was one of many large mansions on broad acres with gardens in Caulfield. Perhaps the grandest was Labassa. The mansions date from the 1850s through to the late 1890s. The siting of Myoora on a ridge influenced its planning and composition. A central hall and corridor along the ridge is entered from the centre of the more formal north facade. The entrance is marked by an elaborately detailed tower. A stair turret provides a second accent. The western end of the building is completed by a massively detailed chimney as the service wing. The south facade enjoyed an outlook to port phillip from a two-storey cast iron verandah. Bay windows, chimneys, the tower and the turret and minor details are brought together in a sophisticated asymmetrical composition. This is reflected in the planning. The asymmetry of Myoora pivoting on the tower is the most notable feature of the building. The walls are built of cement rendered brick. The cement render has not been painted. The roof is slate. The balconies and verandah are cast iron. The footings and cellar are bluestone. The architectural firm Reed, Henderson & Smart was very prominent in Victoria in the nineteenth century. Anketell Henderson was an eminent and well respected member of the profession. He worked successfully in London and interstate as well as in Victoria. They were better known for commercial and public buildings. Myoora is an important private commission. The style of Myoora is a combination of details from the Continental and English Renaissance through the boom style and the Queen Anne style. There is also an early influence from the American Romanesque style especially in the stair turret. The latter style was important at the turn of the century and Myoora is a significant precursor. Other buildings of a similar scale survive in Caulfield and elsewhere. Labassa, the most fabulous, is quite different stylistically as are most of the other comparable mansions. Stonnington is perhaps closer but relies on different details from the Queen Anne style and lacks any American influence. For its historical associations through its owners and architects, for its style and composition and for its intactness, Myoora is significant at a State level. The craftmanship of Myoora is what could be expected of a building of the time and type. It is relatively intact and in fair condition. The main staircase has been removed, minor alterations to decorative features have occurred and additions have been made to the exterior.Page 13 of Photograph Album including three black and white photographs. Two of the photos are in a portrait orientation and arranged in the top half of the page. The other photo in landscape orientation is towards the left on the bottom section of the page.Handwritten: 13 [bottom left]caulfield north, trevor hart, alma road, mansion, myoora, tower, thomas christian, 1880's, queen anne, cement rendered brick, unpainted, balconies, verandahs, anketell henderson, continental and english renaissance, american romanesque, cast iron balconies, views, cast iron work, reed henderson & smart, flats, gardens, asymmetrical style, slate roofs -
Glen Eira Historical Society
Album - Album page, Myoora, 405 Alma Road, Circa 1972
This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.Victorian Heritage Register (VHR) Number H0490 From the Victorian Heritage Register Database - Citation for Myoora https://vhd.heritagecouncil.vic.gov.au/places/275 (as at 6/10/2020) Myoora, 405 Alma Road, North Caulfield, was designed by Reed, Henderson & Smart and can be attributed to Anketell Henderson. It was built in 1886 and 1887 for Thomas Christian, who had founded the fabled gold mine, the Day Dawn at Charters Towers. He never occupied the house although his widow lived there for some time. The house was subdivided into three and later six flats. Myoora was one of many large mansions on broad acres with gardens in Caulfield. Perhaps the grandest was Labassa. The mansions date from the 1850s through to the late 1890s. The siting of Myoora on a ridge influenced its planning and composition. A central hall and corridor along the ridge is entered from the centre of the more formal north facade. The entrance is marked by an elaborately detailed tower. A stair turret provides a second accent. The western end of the building is completed by a massively detailed chimney as the service wing. The south facade enjoyed an outlook to port phillip from a two-storey cast iron verandah. Bay windows, chimneys, the tower and the turret and minor details are brought together in a sophisticated asymmetrical composition. This is reflected in the planning. The asymmetry of Myoora pivoting on the tower is the most notable feature of the building. The walls are built of cement rendered brick. The cement render has not been painted. The roof is slate. The balconies and verandah are cast iron. The footings and cellar are bluestone. The architectural firm Reed, Henderson & Smart was very prominent in Victoria in the nineteenth century. Anketell Henderson was an eminent and well respected member of the profession. He worked successfully in London and interstate as well as in Victoria. They were better known for commercial and public buildings. Myoora is an important private commission. The style of Myoora is a combination of details from the Continental and English Renaissance through the boom style and the Queen Anne style. There is also an early influence from the American Romanesque style especially in the stair turret. The latter style was important at the turn of the century and Myoora is a significant precursor. Other buildings of a similar scale survive in Caulfield and elsewhere. Labassa, the most fabulous, is quite different stylistically as are most of the other comparable mansions. Stonnington is perhaps closer but relies on different details from the Queen Anne style and lacks any American influence. For its historical associations through its owners and architects, for its style and composition and for its intactness, Myoora is significant at a State level. The craftmanship of Myoora is what could be expected of a building of the time and type. It is relatively intact and in fair condition. The main staircase has been removed, minor alterations to decorative features have occurred and additions have been made to the exterior.Page 14 of Photograph Album including two black and white photographs that are arranged in landscape orientation in the centre of the page with one beneath the other. Handwritten: "Myoora" 405 Alma Road [top right] /Neg 87 c1890 [under top photo]/ Neg 89 c1890/ [under bottom photo]/ 14 [bottom right]caulfield north, trevor hart, alma road, mansion, myoora, tower, thomas christian, 1880's, queen anne, cement rendered brick, unpainted, balconies, verandahs, anketell henderson, continental and english renaissance, american romanesque, cast iron balconies, gardens, views, cast iron work, reed henderson & smart, flats, asymmetrical style, slate roofs