Allan Charles Quinn and his motherAllan Charles Quinn letters and photographs to his mother during his seafaring life.ChronologicalLetters, enveloppes and photographsallan charles quinn (1928-1990), barbara quinn, asbetos, seaman, photographer, gary wright, asbestos, seafaring, travelsallan charles quinn (1928-1990), barbara quinn, asbetos, seaman, photographer, gary wright, asbestos, seafaring, travels

An example of work done by the Governor of Victoria, Sir Brian Murray with Legacy in his role as patron. The Governor and his wife Lady Murray attended the Anzac commemoration ceremony for students that Legacy hold annually. Date was 1984 when Legatee Dean was president of Legacy. One of the annual "Anzac Commemoration Ceremony for Students" events, usually held just prior to ANZAC Day. The ceremony provides a valuable opportunity for students to gain an appreciation of the Anzac spirit, the significance of the Shrine and the meaning of Anzac Day. Was in an envelope marked P8 Junior Legatee Photographs and including the text "Shrine Service ANZAC eve"A record of the Governor of Victoria performing his role as patron of Legacy.Black and white photo of the Governor with school children at the Shrine, white paper label attached.Paper label says "His Excellency, Rear Admiral Sir Brian Murray, KCMG, AO, Governor of Victoria, Patron of Melbourne Legacy, and Lady Murray, accompanied by Legatee John Dean, President of Melbourne Legacy, inspect a guard of honour of Junior Legatees at Melbourne Legacy's Annual School Children's ANZAC Commemoration at the Shrine of Remembrance." in black type.governor of victoria, wreath laying ceremony, anzac commemoration for students

Photos of the official opening of the 50th Anniversary Legacy Conference, at National Gallery of Victoria in 1973. 00460.1 shows The Governor, Sir Rohan Delacombe speaking in the Stained Glass Hall. Other photos include the official party sitting behind the speakers, including Lady Delacombe, the President Geoff Handbury and his wife, Helen. Photos came from an envelope marked P1 Federal Conference 1973 / 50 Year anniversary / 1983 Morewell / 1973 Legacy March ANZAC Day, 50 yr celebration, inclusion in ANZAC Day March authority of RSL". See items 00451,00452,00453, 00454, 00391. A record of a Conference Opening to mark the 50th anniversary of Legacy during the Golden Jubilee year 1973.Black and white photo x 6 of the opening of the 50th Anniversary Conference.All stamped "This Photograph is the compliments of the Ministry of Tourism, Government of Victoria. Please acknowledge Michael Cheshire" in grey ink. 00454.1 Label on front says "Official Opening of Conference - His Excellency The Governor".golden jubilee, governor of victoria, conference

A Legacy ceremony at the Shrine of Remembrance. One of the annual "Anzac Commemoration Ceremony for Students" events, usually held just prior to ANZAC Day. The ceremony provides a valuable opportunity for students to gain an appreciation of the Anzac spirit, the significance of the Shrine and the meaning of Anzac Day. It is a photo of the children with floral wreaths on the steps of the Shrine in 1970. Item was in an envelope with other photos and programmes from different School Student ceremonies. Labelled S15 in red pen it was part of an old archive numbering system, that showed there has been efforts in the past to collect, order and save items of Legacy's history.A record of a ceremony for school students at the Shrine.Black and white photo of an Anzac Commemoration Ceremony for students at the Shrine in 1970.Photo is stamped with the Copyright of the Herald and Weekly Times in light blue ink. Stamped "The Property of Legacy' in purple ink. Date '24-4-70' written in blue pen. anzac commemoration for students, wreath laying ceremony

A Legacy ceremony at the Shrine of Remembrance. One of the annual "Anzac Commemoration Ceremony for Students" events, usually held just prior to ANZAC Day. The ceremony provides a valuable opportunity for students to gain an appreciation of the Anzac spirit, the significance of the Shrine and the meaning of Anzac Day. It is a photo of school children on the steps of the Shrine during the service. Item was in an envelope with other photos and programmes from different School Student ceremonies. Labelled S15 in red pen it was part of an old archive numbering system, that showed there has been efforts in the past to collect, order and save items of Legacy's history.A record of a ceremony for school students at the Shrine.Black and white photo of an Anzac Commemoration Ceremony for students at the Shrine.Yellow label attached says: 'School Children's ANZAC Commemoration' handwritten in blue ink.anzac commemoration for students, wreath laying ceremony

"Congratulations ... and sincere thanks from the R.V.I.B. to the management and patrons of all hotels who contributed so magnificently in 1985. Fred Berry" Hotels were involved in fundraising for the RVIB through the placement of Lucky Envelopes machines. To honour this establishments and those which had raised the most funds, a poster was produced listing each hotel and the amount that was collected throughout 1985. The United Kingdom Hotel in Clifton Hill reached first place and a photograph of hotel management and RVIB staff was taken. Other pictures on the poster include RVIB clients playing cricket, using machinery and learning to walk with a white cane.1 rectangular white poster with red and black text with black and white illustrationsroyal victorian institution for the blind, fundraising, fred berry

This box was crafted from a portion of one of the original oak trees in the Jarrahmond WW11 Avenue of Honour.The Avenue was planted in 1955 and linked the farms of the two servicemen from Jarrahmond who lost their lives in WWII. It consisted of English Oaks interspersed with flowering peaches and cherries. Wood for the box was collected in the early 1990's by Stan Weatherall following a windstorm. Stan had the timber rough-sawn into planks by local sawmiller Max Reynolds. The timber was stored for a number of years before being given to Don McLean.A hand-made oak box. The inside base is lined in green felt. The lid is single hinged. the front panel displays a radiating pattern in the grain of the oak wood that resembles the rising sun badge of the Australian Defence Forces. Two brass pins are symbols of Australian military regalia. Inside the box is an envelope with information and letters on the manufacture of the box and presentation to Orbost. The information concerns the Jarrahmond School and the Avenue of Honour.handcraft oak jarrahmond-avenue-of-honour container

This inventory of the contents of the old Museum in Warrnambool dates from the 1920s. A Mechanics Institute under the management of a local committee was established in Warrnambool in 1854 and a Mechanics Institute building was erected in Liebig Street in 1871 (site of present Municipal Library). Museum items and art works began to be collected and housed in the Mechanics Institute building at that time under the care of a committee member and local policeman, Joseph Archibald. This collection did not survive in any significant form after Archibald left the town but it was revived and vastly expanded when he retired and returned to Warrnambool in 1880. Archibald is regarded as the founder of the Museum which officially dates from 1883. In 1910 the Warrnambool Town Council took over the management of the Mechanics Institute, including the Museum collection. This museum continued until 1963 and was a much-loved institution in the city. The contents of the old Museum were dispersed, with many items lost but a considerable portion of the collection was under the care of Warrnambool Art Gallery and John Welsh, the Director in the 1970s, in an effort to keep the records of the old Museum intact, had the 1920s inventory reprinted. This inventory of Warrnambool’s old Museum is of considerable historical importance as it is an almost complete record of the Museum’s contents in the 1920s and so is very useful to researchers today.This is an inventory of 190 pages with a cardboard backing. The pages have three punched holes on the left side and are tied together with black and white cotton cord. At the front of the pages is a plastic envelope with a heading. The pages contain typed material, mostly in mauve ink and these are copies of the original typing. The typing on some pages is very faint and two pages have been re-copied to make them more legible. Warrnambool Art Gallery Old Records of the Warrnambool Museum collected by John A.Welsh, Director, and restored by Gaspars Modern Print 25th September 1972. old museum, mechanics institute building, history of warrnambool, joseph archibald

Photographs .2) & .3) are re Frank Hepburn HAMILTON No 2153 AIF, enlisted in 4th reinforcements 24th Batt on 12.7.1915 age 20 years. Embark for Egypt 27.9.1915, embark for France 20.3.1916, hospital with PUO 26.6.1917, rejoin unit 6.7.1917, awarded the Military Medal (MM) as a Battalion runner on 1.9.1918 at Mont St Quentin, discharged from the AIF 15.7.1919. Refer Cat No 2351.5P re his brother DJW Hamilton KIA. .1) Envelope, whitish with gold writing, folds in half. On front is Sketch Portrait, Wm Elsmore, 4 St Enoch Square, Glasgow. .2) Photograph, sepia on chamfered edge cardboard, shows soldier centre wearing an MM Ribbon & 2 girls, 1 each side. Fits inside .1). .3) Photograph, same as .2) but set on a large cardboard piece with brown wood texture.photography-photographs, military history - army

Individual student photos scanned from Negatives. No identification of student names. This set of negatives were in yellow Kodak envelope marked "Prep M Great Ryrie PS 2002" but in the images are two handwritten boards, one stating Prep M and one stating stating 1/2P . VC11152 may have have other Prep M. Negatives were scanned by Greg Coker in 2023, then disposed. grps2002

Individual student photos scanned from Negatives. No identification of student names. This set of negatives were in yellow Kodak envelope marked "1/2P Great Ryrie PS 2002" but in the images are two handwritten boards, one stating 1/2P and one stating stating Prep E (See also VC 11140 for Prep E) . Negatives were scanned by Greg Coker in 2023, then disposed. grps2002

Individual student photos scanned from Negatives. No identification of student names. This set of negatives were in yellow Kodak envelope marked "1/2R Great Ryrie PS 2002" but in the images are two handwritten boards, one stating 1/2R and one stating stating 1/2G (See also VC 11144 for 1/2G) . Negatives were scanned by Greg Coker in 2023, then disposed. grps2002

Individual student photos scanned from Negatives. No identification of student names. This set of negatives were in yellow Kodak envelope marked "3/4H Great Ryrie PS 2002" but in the images are two handwritten boards, one stating 3/4F and one stating stating 3/4H (See Also VC 11153 for 3/4H) Negatives were scanned by Greg Coker in 2023, then disposed. grps2002

Individual student photos scanned from Negatives. No identification of student names. This set of negatives were in yellow Kodak envelope marked "3/4P Great Ryrie PS 2002" but in the images are two handwritten boards, one stating 3/4P and one stating stating 3/4H (See also VC 11151 for 3/4H) . Negatives were scanned by Greg Coker in 2023, then disposed. grps2002

Individual student photos scanned from Negatives. No identification of student names. This set of negatives were in yellow Kodak envelope marked "5/6F Great Ryrie PS 2002" but in the images are two handwritten boards, one stating 5/6F and one stating stating 1/2L (See also VC 11144 for 1/2L) . Negatives were scanned by Greg Coker in 2023, then disposed. grps2002

Individual student photos scanned from Negatives. No identification of student names. This set of negatives were in yellow Kodak envelope marked "5/6S Great Ryrie PS 2002" but in the images are two handwritten boards, one stating 5/6S and one stating stating 5/6R (See also VC 11155 for 5/6R) . Negatives were scanned by Greg Coker in 2023, then disposed. grps2002

[a] Plain manilla undated envelope with handwritten captions, 'Change of Tenants of Co's Hotels', No 2. 'New Zealand Insurance Co, undertakings re Change of Tenants' .[b] Handwritten document enclosed on New Zealand Insurance Company paper with printed letterhead featuring a tattoo faced Maori male dated 14th Sept 1900. Note indicated that policies held by Cohns would not be affected by change of tenants.bendigo, industry, cohn bros brewery

A manilla folder titled 'Social File. Programmes etc. College visits.' It contains six attached sheets titled 'Bendigo Wagga Inter-Collegiate 1957 Song-Book.' Also in the folder is a very small newspaper article titled, 'New Principal at Ballarat'. A third item is an envelope with mathematical calculations written on it regarding the sale of three copies of Miss Burnett's book on the history of the Bendigo Teachers' College.bendigo, education, bendigo teachers' college, la trobe university bendigo collection, collection, bendigo, bendigo teachers' college, wagga teachers' college, wagga, teachers' college sports, sports, song books, singing, ballarat teachers' college, professor g.a. trevaskis, miss j. burnett, music, state college of victoria ballarat, teaching, teachers, history, tertiary education, teacher traning

Lucky Envelope sheet ('Unlucky!) Centre part of one side of sheet indicates that holder (buyer) has not won a prize. Centre part of other side of sheet names ''Bendigo Traveller's Charity Club'' as being the charity concerned - Easter Effort 1963. Details of the direction of proceeds, consent details and officials of Club provided. Two advertisements for local firms on one side, two on other side.ephemera, mementoes, lucky envelope sheet

Correspondence (1984) re John Grimson letter 1856 from Doreen and Douglas Ward, Suffolk Genealogy Society, England. Correspondence relates to reaction to the Wards publishing request for help in Geelong Advertiser re descendants of Grimson. Reference to this being only one of other letters that were presumably in the hands of the Ward family at that time. Correspondence is addressed to 'Dear Sir' and envelope to 'The Archivist' ''Dudley House''. See 2770.2Doug Wardperson, individual, grimson, dudlley house

White envelope with typed address to Mr. F. A. Stevenson,244 Hargreaves Street, Bendigo. Victoria. Has 3 1/2d red stamp attached. Contained 3 photos of a Scalebuoy set up outside a building. The Scalebuoy is set up on two blocks of wood and has 3 pipes attached to it. There is also a pipe coming out of the ground on one end and returning underground on the other end.sciences, instruments - general, scalebuoy, bill ashman collection - correspondence, f a stevenson, scalebuoy

Photos of the Ports & Harbour launch "Flinders' at anchor prior to sinking.Realism, historical1. Envelope of Notes 2. Page 1 of 3 Notes re Photos 46 to 54. 3. Page 2 of 3 Notes re Photos 46 to 54. 4. Page 3 of 3 Notes re Photos 46 to 54. 5. 5 x 35mm photos of The Flinders at anchor. 6. Enlarged photo with notes of The Flinders at anchor. 7. Newspaper clippings relating to the sinkingOn the reverse - " N/A"

‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981This strikingly designed envelope, with white characters on a vivid red ground, is designed for congratulatory gifts of money. For example, by companies to employees when profits have been unusually good. The characters read o-iri, an expression originally used in theatres meaning 'full house'. The festive colour scheme and the boldness of the design strike a refreshing note in the hectic business world of today. - Professor Hideyuki Oka, curator.japanese art, japanese packaging, tsutsumi, gift giving

‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981This strikingly designed envelope, with white characters on a vivid red ground, is designed for congratulatory gifts of money. For example, by companies to employees when profits have been unusually good. The characters read o-iri, an expression originally used in theatres meaning 'full house'. The festive colour scheme and the boldness of the design strike a refreshing note in the hectic business world of today. - Professor Hideyuki Oka, curator.japanese art, japanese packaging, tsutsumi, gift giving

Replica Builders Plate, sign - cast brass with raised letters within two raised lines and four screw holes in each corner. Black painted background. "Designed and Manufactured at the Tramways Board Workshops Preston" Two copies held, both within plastic heat sealed envelopes with small label "Replica $20-" Produced by Tony Smith of the MTPA, c2010, cast by Hasco Foundry, Ballarat.trams, tramways, signs, tramcars, tramcar bodies, mmtb, new trams

Textiles. Fine linen fabric, white in colour. A 19 cm wide panel of fabric has been sewn to the top of the cover and is edged on three sides with finely embroidered broderie anglaise featuring a circular, six petalled flower impression. A panel of the same broderie runs through the centre of the panel and is bordered by a band of three pin-tucks on each side. An envelope of the linen fabric backs the bolster pillow.textiles, domestic, bolster pillow case with pintucks

Textiles. With the same lace edging as the pillowcases 11408.102, but no embroidered initial. These pillowcases, along with the bedspread (11408.101) complete a delightful set. Measuring 119 cm x 96 cm, the pillow slips have an envelope 48 cm x 80 cm stitched to the back, to hold the pillow. This is tied with three sets of two cotton tapes. The same corded and floral lace, 10 cm deep edges the pillowslip.textiles, domestic, two lace trimmed pillow cases

Refer Cat No 4480.1) Certificate of Discharge No 5202 yellow parchment paper, all print in black, typed entries in black and signed in blue pen, one sided entry..1) Typed entry, “V230072 Private Kevin Patrick Guiney - 13 DEC 1941 - Aust Bulk Issue Petrol and Oil depot - 9 NOV 1943 - 7 MAY 1947” .2) Envelope brown colour, OHMS, date stamped front and back 5 times 13 May 1947, addressed to person .1)certificates, discharge ww2