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Kiewa Valley Historical SocietySlicer Bean, early 1900's
This large bean slicer was first manufactured in the late 1800's in England and exported to Australia. Due to the transportation costs it was not used in many Domestic kitchens. This slicer would have been in a kitchen of a higher socio/economic family within the Kiewa Valley. In the 1930's the manufacturer traded this slicer as "domestic labour-saving slicers". This was the beginning of new generation of the kitchen "gadget". The introduction of the Asian "gadget" manufacturer from the late 1950's saw English export diminish by the cheaper Asian products.This item has great significance because it demonstrates that even "remote rural" locations, such as the Kiewa Valley in the early 1900s still were able to optain "state of the art" labour saving "kitchen" appliances. It was these English and European goods that were made "to last" which brought the mind set "British is best" This mindset was only altered by periods of Australian economic down turns and the cheap Asian product availabilityThis bean slicer is made from cast iron with a round body housing three rotating blades screwed into a riveted spinning base plate. The whole body of this slicer is green with a "natural coloured" handle. A "G" clamp is part of the main frame to fasten the slicer onto a table/counter top (when in use). On the side of the handle and along the top plate "SPONG & Co Ltd" and opposite "BEAN SLICER" below this "No 633"domestic kitchen time savers, food processors, bean slicers -
Kiewa Valley Historical SocietyBible, Bible Moffat, 1935
This Christian Bible by Professor James Moffatt from the United Free Church College in Glasglow Scotland was at a time when translated Christian bibles(Greek to English) were being review as to the accuracy of their translated words. This period was in the early 1900's specifically during and between the two major World Wars of 1914-18 and 1939-45 and also covering the Great Depression(1939). All these periods were ones of death, destruction and "loss of faith". Bibles which provided greater clarity of better times ahead flourished. This book offered its readers hope for the future (in terrible times). The regions that it covered were those who belonged to the Christian Faith. The significance of this bible to the Kiewa Valley is that it provides an insight of those Christians living in a semi remote rural region at the period in Australian history where forces outside of this area were placing hardships which were "foreign" to them, as a family and as a community. The major Christian religions within the Kiewa Valley were either of the Catholic or English Protestant teachings. These groups still remain the dominant ones well into the 2nd Millennium. Spiritual relief to overcome harsh rural setbacks is not just specific to the Australian rural sector but is also global. With the influx of migrant workers from the war torn European nations (after WWII) a broader coverage of Christian and other faiths developed. A "positive" saying, when crops failed and bush fires and river floods sprang up, rallied the faithful "with God's help" This hard covered bible consists of six pages of preamble including title, publishing details, printer and author's preface. The book has 388 pages of black print. Relevant reference lines are notated by numbers on the left side of the page. On the front dust cover is a cream silhouette against a light blue backdrop highlighting a smoking "Aladdin's" Arabic oil lamp on a cenotaph. The hard cover has a embossed emblem of a lantern with a plume of smoke rising from the spout. This is all encapsulated by a circle. The spine also has this emblem. On the dust jacket, front "THE MOFFATT NEW TESTAMENT", and the back cover has blue writing on a cream background. On the spine, at the top "JAMES MOFFATT" below this a white on blue silhouette of "Alalddin's lamp" below this is (in blue letters against a light blue background " THE NEW TESTAMENT A NEW TRANSLATION" On inside cover a signature "Clare Roper". The hard cover has marked in red print "THE NEW TESTAMENT ANEW TRANSLATION MOFFAT" christian bible, prayer, new testament, religion, faith. -
Kiewa Valley Historical SocietyBowl Ceramic, 1955 to 1962
... , and transferred to Australia by new technology driven media outlets had ...This bowl was imported from "the mother" country (England) in the period when good table ware was either shipped from England or Europe. It was in the period before the American and Asian imports were sought (post World War II and the depression/recession years), when only the best quality kitchenware was preferred and the cheaper mass produced goods were not on the market. The maker's details on the bottom puts the manufacture time between 1955 to 1962.This item, used by one of the Kiewa Valley's oldest established families provides the historical provenance for the item and the period purchased within the time frame when change in the purchasing (in cities) practices from traditional sources, England and Europe was slowly evolving from these sources to cheaper USA and Asian producers. This change however was slower in rural sectors than the cities and larger rural towns. The "traditional" sources was ingrained into the mores of rural sections and changing economic ties with Asia and the USA connected to the greater influx of dinner wares and the cheaper produce. The "throw away" society mores , developed in the USA, after World War II, and transferred to Australia by new technology driven media outlets had a very effective outcome for the demise of quality products from the "mother" country.This buff coloured glazed ceramic bowl was manufactured by an official potter to Her Majesty Queen Victoria. It has a "patterned" top rim but no other details.On the outside bottom the makers seal "Est. 1792" and in a double lined scroll like frame "RIDGEWAY" underneath in smaller print "Made In England".ceramic bowls, kitchen crockery, domestic plates -
Kiewa Valley Historical SocietyBucket Ice, circa mid 1900's
This mid 1900's ice "bucket" was used during the first major "American" (fashion invasion) of merchandise for the "new " social set. This was a form of release, coming after the tight money restrictions during the "Great Depression" and from World War II.This item is an example of the change of direction in regards to household cutlery and crockery which the Australian rural environment slowly progressed through. This progression was due to a closer alliance with the USA after World War II and and increase push in marketing by USA manufacturers of their Australian partners and the closer alliance between the two nations. The American service men and women on recreational leave during the "South Pacific war" front brought both nations closer together and the requirement of American industries to find new markets resulted in "cheaper" mass produced silverware onto the Australian scene, which at that time were mainly sourced from the UK and Europe. This silver plated "ice bucket" with lid and handle has "pot belly" shape. A smaller circumference top, bulging center and smaller bottom. The lower inside shape of the "bucket" allows for a "grate" to be placed 40mm from the bottom (this grate would separate the "solid" ice cubes from the melted ice water). There is a "U" shaped "swiveled" handle with "art deco" type leaves(grape) reinforcing the cross section. There are two bands of "grape leaf" motifs, one smaller one at the top rim and a larger one on the bottom at the point of furthest bulge.At the outside base is the manufacturers logo "K" and encircled in small print are "KNICKERBOCKER MFG CO. QUADRUPLE PLATE"silver plated ice "bucket", bottle cooler -
Kiewa Valley Historical SocietyBox Starch, circa 1914 to late 1900's
This brand of starch was first manufactured in 1914, during the First World War, and continued to cover the other wars and military conflicts that followed. It was a time when Australian made was important due to the limited supplies coming from England and Europe. This was a period when the demand for "home grown" produce was at its peak. This was in a time when by necessity not by the "Buy Australian" campaign (of later years) which was the major factor for the demand of goods. It was in a time when starch was used in formal clothing to put a "crisp" or fresh new appearance for clothes. The important social more of "clothes make the person" was in vogue.This box which once contained starch powder is very significant to a rural semi isolated region because it clearly demonstrates that the social mores of the city were also entrenched into the rural population. The fashion of the day, even in remote areas, especially rural, were still a requirement to be maintained on certain special occasions. Cleanliness and stiff "upper lip" persona were just as important in the rural sector as in city and Government circles. Institutions such as hospitals, Government Offices and the legal personnel were bound by the fashion of the starch appearance (no dirt sticks to a personage with the "starch" look). Appearances, especially the first ones, were the judgmental image that remained in the uppermost regions of the viewer. This box with white writing and a "formally clad" man on a navy blue background held Australian grown maize based starch powder(1 LB gross). The package is made from 200 gsm thick cardboard. As production was made during the two World Wars 1914 to 1945 the promotion was heavily focused on Australian made and Australian grown maize.The same cover both front and back, "DANDY" below this a figure outlined in white on a navy blue background "hat and tails" outfit. Next to the sketch in smaller lettering" STRONGER THAN OTHER STARCHES. LESS REQUIRED". Below the figure "GLOSS" and below this in larger print "STARCH". Below this and in smaller print "CONTENTS. NETT WEIGHT 14 1/2 ozs" Below this and in smaller print "MANUFACTURED BY MAIZE PRODUCTS PTY LTD FOOTSCRAY VICTORIA" On one side of the box and in large white print on royal blue background"PURITY, STRENGTH AND UNIFORMITY." On the other side are the manufacturers directions. On the left side "FOR RAW STARCH" Underneath and in smaller print,"Dissolve in warm water a quantity to give the required thickness. Add bluing if required Stir before each using. On the right side "FOR BOILING STARCH" underneath this in small print"Mix well in small quantity of cold water to creamy consistency. Add boiling water, and stir constantly while cooking. Allow to cool, and add blueing if required. Underneath these two sets of instructions is "Make your consistency thinner than if using another kind of Starch"household starch, household cleaning, domestic laundering. -
Kiewa Valley Historical SocietyBox Starch, Pre decimal currency date(14th February 1966)
This brand of starch was first manufactured before 1966 and covered the period when Australian made was the preferred clothing due to limited imports from England. This was a period when the demand for "home grown" produce was at its peak. This was in a time when by necessity and ease of supply and not by the "Buy Australian" campaign (of later years), was the major factor for the demand of these type of laundry goods. It was in a time when starch was used in formal clothing to put a "crisp" or fresh new appearance for clothes. This product was in the era and importantly the social more of "clothes make the person" in which starched shirts and dresses was the fashion vogue. Formality of dress was a strictly British "class" up-man-ship which from the 1950's onwards became less and less visible. The Australian "Ocker" or fair "dink'm" bloke became more entrenched after World War II. The national identity was slowly developing.This box of starch is very relevant to the Kiewa Valley because this box highlights the differences ,in this period, between city and rural social standards. Rural areas were deeply entrenched into colonial and the pioneer family structure viz- a-vie social and dress fashion standards. British values and norms lingered on well beyond the changes happening in city fashion. Tradition and English "ties" were the backbone of early colonies and it was only after World War II that these "ties" were becoming irrelevant. Early traditions lingered well past the independence sought by Federation, colony to statehood and trade with other nations eg. USA and Asia. The idea that a change in "status" would automatically change the social mores of Australians, especially in rural ares, was not fully grasped by the "law makers" and those wanting change.This box (capacity 12 ozs) has white(aged into cream) and blue printing and a "white star" on five sides, the sixth side has a laundry scene with two ladies, in early 1900's fashion. The package is made from 200 gsm thick cardboard. As manufacture was made before and during the two World Wars 1914 to 1945 the promotion was heavily focused on Australian made and Australian grown maize. One side of the box has instructions of use and all the other sides are promotional, detailing "the best in the world and won't stick to the iron""SILVER STAR", "THE BEST IN THE WORLD", "WON'T STICK TO THE IRON", "REQUIRES NO BOILING", INSTRUCTIONS FOR USE", "ROBERT HARPER AND COMPANY LIMITED", "INCORPORATED IN VICTORIA, AUSTRALIA", "NET WEIGHT 12 OUNCES", "LARGE BOX 12 OZS"domestic laundry essentials, cotton clothing preparations, household starch "crisp and neat appearances. -
Eltham District Historical Society IncPhotograph - Daguerreotype Photo Case, Members of the Hill family, early Eltham settlers, c.1860
Mrs Georgina Hill (wife of Henry), nee Reynolds (of Research, Vic.) in cap [possibly misidentified by donor - see note below] with Mrs Isaac Hill and her children (left to right) Amelia Hill, (born 1853) Mrs Isaac Hill with baby Isaac (born 1860, Eltham) on her lap. Mary Jane Hill (born 1857, Eltham) seated on Mrs Henry Hill's lap and Bob Hill. The Hill family were early settlers of the Eltham area. Daguerreotype photo enclosed in a leather bound clam shell box with felt lining and gold trim. Donated by Mrs Ivy Edna Hill, 4/1 Bridge Street, Eltham, 4 June 1966 and includes copy of her note identifying the people. Daguerreotypes were one of the first forms of early photographs. They initially appeared in Europe in 1839 and were produced in large numbers to the early 1850s but were superseded by more modern and flexible forms of technology by 1860. The photo was usually formed on a thin copper plate with light sensitve silver iodide. They have a mirror-like appearance and the image itself was mirrored. They were usually inserted into a case or frame made of wood bound in leather or velvet and cost about one guinea in Australia, the equivalent of a week's wages. With the advent of the gold-rush and growing population came an increase in numbers of photographers both studio and travelling. The daguerreotype process was protected by patents and could only result in a single image from which no copies could be made. With new technology involving wet colloidion glass plate negatives and albumen paper prints of which multiple copies could be produced at significantly reduced cost, the dauguerreotype quickly fell out of favour. An accompanying note with the photo written by Edna Hill of 4/1 Bridge Street Eltham dated 4 June 1966 states: "Dear Mr Watson, I think the enclosed old time photograph will be of interest to you. It would have been taken about 1860. The two ladies are the wives of the original pioneers of the Hill family. The one in the cap was the wife of Henry Hill, the other of Isaac Hill. The children are those of Mrs Isaac Hill, and grandchildren to Henry Hill. The little girl on the left is Amelia, the baby Isaac, the second girl is Mary Jane, and the boy on the right is Bob Hill. They grew up tobe Uncles and Aunts of my late husband. I greatly appreciated a letter received a few months ago per Cr Pelling, from the Shillinglaw Cottage Committee. Yours sincerely, Edna Hill" Victorian birth registrations show Mary Jane Hill was born 1857 in Eltham (9879 / 1857) and Isaac Hill at Eltham in 1860 (1972/1860) NOTE: Mrs Isaac Hill was Ellen Fitzsimons (1834-1863), mother to Henry Hill. Mrs Georgina Hill, wife of Henry cannot be the lady in the cap as she was not born till 1864. Georgina Reynolds (1864-1927) married Henry Hill (1862-1948) in 1884. This lady has significant wrinkling of the face, especially around her mouth. It is possible that she is the mother of Mrs Isaac Hill (Ellen Fitzsimons) who was Isabella Fitzsimons (nee Ferguson).Early pioneer settlers of ElthamAntique daguerreotypes in hinged gold frame, glass encased in a small clam-shell box lined with padded red felt and with catchamelia hill, bob hill, early settlers, eltham, hill family, isaac hill, mary jane hill, mrs henry hill, mrs isaac hill, daguerreotype, georgina hill (nee reynolds), research (vic.), sepp, shire of eltham pioneers photograph collection, women, ellen hill (nee fitzsimons), isabella fitzsimons (nee ferguson) -
Eltham District Historical Society IncPhotograph, Liz Pidgeon, Alan Marshall by Marcus Skipper (1995) outside Eltham Library, Panther Place, 21 May 2014, 21 May 2014
A sculpture of local author Alan Marshall welcomes visitors in the grounds of Eltham library. Alan loved telling stories and talking to children and his own story overcoming the legacy of polio has been an inspiration to generations of Australians. Marcus Skipper, the sculptor, knew Alan well and the sculpture is said to capture his spirit and appearance perfectly; the jumper was even cast from one of Alan’s own. A realistic depiction (almost life size) of Alan Marshall (1902-1984) cast in bronze with green patination. Dressed in a jumper and slacks, Marshall is shown perched on a crutch, holding a book to his heart, gesturing to his audience to come and listen to his words. It was scupluted by local artist Marcus Skipper (b.1950 Melb. died 2011). HISTORICAL INFORMATION Alan Marshall was an author of more than fifteen books, and lived much of his life in Eltham. He became a central figure in the area's arts community of writers, artists, sculptors, film makers, actors and musicians . He is shown stroking a book to his heart, perched on a crutch, which references his disability (contracted polio when he was young), and his status as one of Australia's most successful and loved authors. His most famous book, 'I Can Jump Puddles' is based on his life story and the obstacles he faced as a child in trying to overcome his disability. Marcus Skipper submitted the idea for the work to the first 'Art in Public Places' Awards in 1990. The selectors at the time recommended that the work would be more suitably placed near the Eltham Library. It was commissioned and installed for the new Eltham Library, which was designed by Greg Burgess in 1994. It was partially funded by the then Shire of Eltham's Art Development Fund (Eltham Arts Council) and the rest donated by the artist Marcus Skipper. - Highlights from the Nillumbik Public Art Collection. "The setting and location are ideal and Marcus has really captured the typical Marshall character. It has attracted much favourable comment since its completion. .. Alan Marshall, A.M., O.B.E., Hon.LL.D. (1902-1984) was born at Noorat, Victoria and became one of Australia's most famous authors. His association with the Eltham area began in 1920 when he started his first job as a junior clerk at the Eltham Shire Offices, Kangaroo Ground. In the 1940s he spent some time living at Research. From 1955 he lived in Eltham for nearly 20 years. Disabilities resulting from polio as a young child did not prevent a wide range of experiences. Alan's occupations have been listed as clerk, night watchman, fortune teller, freelance journalist and author. He has been patron of many disadvantaged Children's Societies. Alan's books are numerous and include novels, short stories, children's books, history and travel. Among the best known are his autobiographies "I Can Jump Puddles" and "This is the Grass". Others include "These are My People", "Ourselves Writ Strange", "People of the Dreamtime", "The Gay Provider" and "Wild Red Horses". In 1971 he wrote the Centenary History of the Shire of Eltham, "Pioneers and Painters". -EDHS Newsletter No. 104, September 1995This work has significance for its reference to two well known names associated with Eltham and its history. The sculpture is a realistic statue of the famous Australian author Alan Marshall who wrote "I Can Jump Puddles". He lived and worked in the Shire. The artist Marcus Skipper represents a highly recognised family of artists associated with Monsalvat . The sculpture 'Alan Marshall' has been classified as of regional significance by the National Trust of Australia. - Highlights from the Nillumbik Public Art Collection.Born Digitalart in public places, alan marshall, marcus skipper, sculptures, eltham library -
4th/19th Prince of Wales's Light Horse Regiment Unit History RoomCard - Christmas Card, 1915 (exact)
Service of Frank Phillips Prior to the commencement of World War I, Frank Phillips served in the Minyip Troop of the Light Horse militia. His civilian occupation was that of clerk. On 22 August 1914 he enlisted in C Squadron 4th Light Horse Regiment. The 4th Light Horse Regiment embarked on the troop ship “Wiltshire “ for training at Mena Camp, in Egypt. During May 1915 the Regiment was deployed to the Gallipoli campaign in a dismounted role. After seven months, the Gallipoli campaigned was abandoned and the troops withdrawn. On return to Egypt the 4th Light Horse Regiment divided with one component deployed to Palestine and the other to the Western Front. Frank went on to serve in Palestine. He was promoted to Sergeant while at Gallipoli and, in Palestine, was promoted to Captain, serving as Adjutant of the Regiment. He was granted furlough to return to Australia from 14 October 1916 to 12 March 1917. On 16 January 1918 he was Mentioned in Despatches Citation: At Hill 750 near Bir El Esani on 30-4-17 he led an attack on Hill 750 under heavy rifle fire capturing the position and 7 armed Bedouins. On 23-5-17 during reconnaissance, he led and attack on 790 under very heavy rifle and machine gun fire and captured the position, inflicting losses on the Turks. He has, at all times, set a fine example of courage to his men. 22 October: 1918 he was awarded the Military Cross Recommendation of Commanding Officer – For exceptional gallantry and devotion to duty on the 28th September 1918, during the crossing of the JORDAN near EL MIN, this officer (adjutant of the Regiment) personally reconnoitred for crossings under heavy M.G. fire and led the Regiment to the only available crossing, rendering invaluable assistance during the crossing. On 3oth September when the Regiment was advanced guard on to KAUKAB, this officer’s personal reconnaissance to confirm patrol reports was of the highest order and utmost value to his C.O. culminating in the capture of KAUKAB with a mounted attack and the The 4th/19th Prince of Wales’s Light Horse Regiment has a long and distinguished history that pre-dates Federation to colonial Victoria’s mounted troops. Our history parallels that of the nation, including its active participation in some of the most inspiring events in Australian Military History including the Defence of ANZAC and the charge at Beersheba. The Regiment is based on a linkage of the two post-World War II Victorian Army Reserve RAAC units - 4th/19th Prince of Wales’ Light Horse and 8th/13th Victorian Mounted Rifles. From these units we derive our links with the six Light Horse Regiments of Victoria and Southern New South Wales (4th, 8th, 13th, 17th, 19th and 20th Light Horse Regiments.) The Regiment proudly bears the guidon of the 4th Light Horse, with the guidons of the remaining regiments being laid up in the crypt of the Melbourne Shrine of Remembrance. During World War I, the 4th Light Horse Regiment served with distinction on three fronts – Gallipoli, Palestine and the Western Front. Corporal, later Captain, Phillips was a member of the 4th Australian Light Horse Regiment. He created the post card while serving with the Regiment as a Corporal at Gallipoli. Post Card hand made and sent to familyFrom Cpl Frank Phillips, 4th Australian Light Horse Regiment. Entries in pencil Front: Addressed to Andrew Phillips (father) at Minyip, Victoria, Message: “A Merry Christmas and Happy New Year to all, Made while on my day out. Love Frank” Reverse Top Centre – 4 LH Badge Centre – cloth map of Australia stapled to card Bottom – Print of flag stapled to card, Irish green ensign, Union flag in canton, gold coloured Irish harp on fly. Notations: Broadmeadows, Wiltshire (Troop Ship), Shrapnel Gully, Suicide Gully, Courtney’s Post Mena, Mex, Heliopolis, Imbros, Gallipoli, Turkish soil underneath (flag), Australia on Turkey, Lone Pine, Leans Trench, Constantinople, All honour to our Irish comrades, To greet you 1915-16. From the shells, yells, and little Hells, of the Darda Dardenelles 0 – 0 May you enjoy your Xmas dinner as I hope to enjoy my Xmas billy in the trenches.ww1, gallipoli, 4th light horse, post card, frank phillips -
4th/19th Prince of Wales's Light Horse Regiment Unit History RoomBook, The AFV School - 70 Years of Training Australian Armour, 2:MMMM, 2011 (exact)
... School - 70 Years of Training Australian Armour Book Book New ...History of the AFV School, Editors - Major John E, Baines, RFD Major Peter G. Branagan, OAM Mr David A. Finlayson army, history, training, tanks, armoured fighting vehicles, afv school, school of armour, puckapunyal, baines, branagan, finlayson, army, history, training, tanks, armoured fighting vehicles, afv school, school of armour, puckapunyal, baines, branagan, finlayson -
4th/19th Prince of Wales's Light Horse Regiment Unit History RoomColour Patch Display, Frontier Military History Services, Australian Light Horse Colour Patches of the 1st AIF 1915-1920 & AMF/CMF 1921-1940's, 24/07/2010
Display board of replica cloth colour patches, mounted in glass fronted wooden frame. Colour patches displayed are those of : 1st Cavalry Division HQ (CMF) Desert Mounted Corps HQ 2nd Cavalry Division HQ (CMF) HQ 1st Light Horse Brigade (AIF & CMF) HQ 2nd Light Horse Brigade (AIF & CMF) HQ 3rd Light Horse Brigade (AIF & CMF) HQ 4th Light Horse Brigade (AIF) HQ 5th Light Horse Brigade (AIF & CMF) HQ 4th Light Horse Brigade (CMF) HQ 6th Light Horse Brigade (CMF) 1st Light Horse Regiment / 1st Royal NSW Lancers 5th Light Horse Regiment / 5th Wide Bay & Burnett Light Horse 8th Light Horse Regiment / 8th Indi Light Horse Regiment 4th Light Horse Regiment / 4th Corangamite Light Horse Regiment 14th Light Horse Regiment / 14th West Moreton Light Horse Regiment 18th Adelaide Lancers 4th Light Horse Regiment / 1st Aust Div Mounted Regiment / 2nd ANZAC Mounted Regiment / 22nd Corps Mounted Regiment. 2nd Light Horse Regiment / 2nd Moreton Light Horse Regiment 6th Light Horse Regiment / 6th NSW Mounted Rifles 9th Light Horse Regiment / 9th Flinders Light Horse Regiment 11th Light Horse Regiment / 11th Darling Downs Light Horse Regiment 15th Light Horse Regiment / 15th Northern River Lancers 21st Riverina Light Horse 13th Light Horse Regiment / 2nd Aust Div Mounted Regiment / 1st ANZAC Mounted Regiment / Aust Corps Mounted Regiment / 13th Gippsland Light Horse Regiment 3rd Light Horse Regiment / 3rd South Australian Mounted Rifles 7th Light Horse Regiment / 7th Australian Horse 10th Light Horse Regiment / 10th Western Australian Mounted Infantry 12th Light Horse Regiment / 12th New England Light Horse Regiment 17th Prince of Wales Light Horse Regiment 22nd Tasmanian Mounted Infantry 11th Light Horse Regiment / 4th Aust Div Mounted Regiment / 24th Gwydir Light Horse Regiment 1st Machine Gun Squadron / 25th Light Horse (MG) 2nd Machine Gun Squadron / 16th Hunter River Lancers 3rd Machine Gun Squadron / 20th Victorian Mounted Rifles 4th Machine Gun Squadron / 26th Light Horse (MG) 5th Machine Gun Squadron / 19th Yarrowee Light Horse 23rd Barossa Light Horse Regiment 12th Light Horse Regiment / 5th Aust Div Mounted Regiment 1st Light Horse Field Ambulance 2nd Light Horse Field Ambulance 3rd Light Horse Field Ambulance 4th Light Horse Field Ambulance 5th Light Horse Field Ambulance 4th Signal Troop / 4th Light Horse brigade 6th Mobile Veterinary Section /1st Light Horse Brigade 7th Mobile Veterinary Section / 2nd Light Horse Brigade 8th Mobile Veterinary Section / 3rd Light Horse Brigade 9th Mobile Veterinary Section / 4th Light Horse brigade 10th Mobile Veterinary Section / 5th Light Horse Brigade 5th Signal Troop / 5th Light Horse Brigade 1st Signal Squadron / NZ & Aust Mounted Div Signal SquadronColour Patch Display No 39. Includes detailed notes about history, usage and design of colour patchesworld war one, ww1, army, aif, insignia, heraldry, light horse, militia, badges, colour patches, cmf -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Presentation Binder & Case, Lt Col Frank Pearson OAM ED EM, 2010
Lt Col Pearson served in the Australian Army from 1930, then in World War 2. Postings included 1/54 AA Coy in Darwin and and 2/6 Aust Armoured Regt in New Guinea. After the war he was appointed Commanding Officer of 4th/19th Prince of Wales's Light Horse Armoured Regiment (CMF). Frank was instrumental in establishing the unit museum.Loose leaf presentation binder presenting the service history and CV of Lt Col Frank Pearson.lt col frank pearson, biography -
4th/19th Prince of Wales's Light Horse Regiment Unit History RoomBook, Don Mackay, The Troopers' Tale - The History of the Otago Mounted Rifles, 2012
The Otago Mounted Rifles served in the Boer War. In World War 1 the Regiment fought at Gallipoli, then, later, on the Western Front they were part of 1 ANZAC Corps with elements of the 4th and 8th Australian Light Horse Regiments. Later the OMR was reorganised into II ANZAC Corps with B and D Squadrons of the 4th Australian light Horse. Featuring nearly 400 photographs, illustrations and maps. "The Troopers' Tale" records the history of the regiment from the 1860's to the present day, and tells the personal stories of many previously unknown New Zealand soldiers. Hard cover book. 382 pagesISBN 978-0-47320462-4book, otago mounted rifles, history, south african war, world war 1, book, otago mounted rifles, history, south african war, world war 1 -
4th/19th Prince of Wales's Light Horse Regiment Unit History RoomBook, Colonel E G Keogh M.B.E., E.D, The South West Pacific 1941-45, 1965
A book on war in New Guinea and Islands providing a detailed overview of Australian forces participation in the Battle for Australia. Concise for Kokoda and Milne Bay including copy of battle maps, but also covers Singapore, Borneo, Philippines, Wewak and Bougainville, and more.Hard covered book, 479 pages, WW11 Australian soldier on front cover bearing sub-machine gun and pistolnon-fictionA book on war in New Guinea and Islands providing a detailed overview of Australian forces participation in the Battle for Australia. Concise for Kokoda and Milne Bay including copy of battle maps, but also covers Singapore, Borneo, Philippines, Wewak and Bougainville, and more.history, world war 2, south west pacific, keogh -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Flag, 4th Light Horse Association, 1920 (estimated)
Flag of the 4th Australian Light Horse Regiment Association. Previously held at the Shrine of Remembrance and flown on commemorative occasions. Flag has deteriorated over the years and has been replaced with a new flagFlag depicting the two colour patches (1740 x 1130 mm) of the 4th Light Horse Regiment ( 2 blues and, red & white) on light grey background. On hoist "4th L Horse"heraldry, flags, 4th light horse regiment -
Kiewa Valley Historical SocietyBottle - Cordial, 1940's
Cordial came in bottles bought at the local grocery store or at a large city store on a shopping expedition. The shape of the bottles changed as did the stopper used to seal it. Bottles were re cycled remaining the property of the manufacturer. History of Brookes Lemos ltd.Historical: Change of Bottles - shape, glass, stopper, embossing. Bottle collectors. Aesthetic: Display showing embossing and shape Clear glass bottle curved on 1 side with criss cross pattern two thirds of the way up surrounding a clear oval shape with narrower ends top and bottom. The other side is made up of 3 flat 'pieces' each with print in capital letters, heavily embossed. On 1 of these flat sides below the writing is the 'outline picture' of a 'boy' holding a similar bottle. Above these sides the bottle becomes round and tapers with vertical embossing to a double lip, a neck and then another double lip with a screw for the top.Printed from top to bottom: 1 flat side: 'Regd Design No 9072 Australia No 8449 India / No 689933 Great Britain No / 1926 Union of South Africa / No 57737 U S America No 1921 New Zealand Regd 1925 Canada / Only Contents Sold'. Middle flat side: 'Brookes Lemos Limited / Manufacturers of / Lemos / Registered Trade Mark' Third flat side: 'This Bottle is the Property / Brookes Lemos Limited and / Cannot be Legally Used / By Others For Any Purpose.' Also outline picture of boy Base: 'F380'cordial, drink, bottle, brookes lemos ltd. -
Kiewa Valley Historical SocietyHypodermic Needles - Veterinary
This medical / hospital equipment was used in the Tawonga District General Hospital which was built in the 1950's specifically for the increase in population due to the Kiewa Hydro Scheme.Historical: Shows the development of scientific hospital equipment. Provenance: Used in the Tawonga District General Hospital which was remote and therefore required good equipment. Good condition and good interpretation capacity.Cardboard box containing 5 packets of Veterinary Hypodermic Needles. Each packet has a detailed blue label on the front in blue writing with 'Veterinary' in red. Four packets contain 12 stainless steel Hypodermic Needles and the fifth pack has 5.Label on big box: Hand written: 'Veterinary / Luer - Record / Hypodermic / Needles / Size .../ E.V.Needles. Small packets: 'New "Solila" / Veterinary / Hypodermic Needles / Made in Australia / This box contains 12 / G 18 "V" 3 quarters"'/ Leur (followed by address)veterinary hypodermic needles, leur, medical, solila, tawonga district hospital -
Kiewa Valley Historical SocietyCase with Books x9 - 1930s to 1950s, 1. The Lawsons by Gwen Meredith 2. A Many Splendoured (sic) Thing by Han Suyin 3. Reach for the Sky by Paul Brickhill 4. My Fair Lady 5. Brownies at St. Bride's by Ethel Talbot 6. The Children's Treasure House 7. Complete Household Guide 8. The Royal Tour of Australia and New Zealand in Pictures 9. Under Southern Skies Victoria ..Australia
... Tour of Australia and New Zealand in Pictures 9. Under Southern.... Complete Household Guide 8. The Royal Tour of Australia and New ...These books are all old and belonged to local families in the Kiewa Valley. Reading was a major form of entertainment from the 1930s before TV was available.These books give an insight into the interests of families in the Kiewa Valley prior to the invention of TV.Case - Stiff cardboard, yellow & green with two yellow strips on outside. Inside blue squares. Metal handle attached. Fastened by two sliding locks one at each end and each with a key hole. There is a clip/clasp in the front centre. Books: Nos. 1-4 A collection of x4 medium size novels belonging to Vera Hore; No. 5 x1 belonging to Jessie Hollonds, Tawonga and is a small book with coloured cover. No. 6. large red book No. 7. a large yellow/brown book No 8. a large hard covered red book with x2 gold lions on front No 9. colored cardboard cover with spiral spineCase - Label on the lid inside and centre top: 'Made by/ Permacase/Melbourne, Victoria/Aero Tweed Books: 1-4 Mrs Vera Hore / Bogong Hotel / Tawonga inscribed on front page 5. Lois Jessie Hollonds, Tawonga "To dear Lois / With best wishes / from Nancy / Xmas 1934 inscribed on front page 6. Dorothy Maureen Ryder / Tawonga / 1-10-35 inscribed on front page 7- - 9. nilhore family tawonga hotel, hollonds family, old books, royal tour 1950s -
Kiewa Valley Historical SocietyBook - Manual, GRA-Y Manual for Leaders
With the creation of the township of Mount Beauty in 1946 the SECV made every effort to provide wholesome activities for the 3000+ people suddenly living in the remote new community. GRA-Y was an American system of Gymnastics for men and boys under the umbrella of the YMCA. The Gra-Y club continued on to the 1980s.This book is the manual used to train leaders and was used continually through the years. This copy was the property of Mr Ron White, who went on to become Engineer in Chief-Hydro.Cream coloured with black and red decals and writing on soft card cover. 142 pages held by two staples. Three red logos on top left hand side.Sub titles: 'A club program / for boys 9 to 12 / years of age' and along the bottom 'Young Men's Christian Association'Front and back stamp: The National Committee / Young Men's Christian Association / of Australiagra-y, ymca, gymnastics, boxing, wrestling, boys' club -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Medal, Korea Medal, 1951
... Type Campaign medal Eligibility Australian, British... Macleod melbourne Type Campaign medal Eligibility Australian ...Type Campaign medal Eligibility Australian, British, Canadian, and New Zealand veterans of the Korean War Awarded for Campaign service Campaign Korean War (1950–1953) Status No longer awarded Description Cupro-nickel or silver disk, 36mm diameter Clasps None Established July 1951Miniature, no ribbonnilmedal korea -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Medal, J Williams, Visit of Prince of Wales 1920, 1920
In 1920 the Prince of Wales visited Australia to extend official thanks for its support during World War I and to strengthen links to the Empire. The Prince toured extensively, and his tour was one of the most popular royal visits ever. Wherever he went public holidays were declared, foundation stones laid, memorials unveiled and receptions and balls. The Prince made a point of meeting ex-servicemen and women. He spent nine days in Victoria, eleven days in New South Wales, four days in Tasmania, eleven days in Western Australia, six days in South Australia and eight days in Queensland. The Prince was seen as the embodiment of the White Australia, symbolic of the spirit of his race. His presence strengthened the identity of the young Australian nation as a member of the Empire, resisting the influence of other powers and other races.Dimensions: 27 mm (Diameter) Weight: 9.11 g Dimension Comment: 32 mm height to top of loop Obverse Description: 3/4 bust of Prince in uniform wearing cap; around in two lines, H.R.H. PRINCE OF WALES / WELCOME TO AUSTRALIA Reverse Description: Wreath of eucalypt and oak with Prince of Wales' plume at top; within, TO COMMEMORATE / THE VISIT OF / . H.R.H.. / PRINCE OF WALES / TO AUSTRALIA / . / 1920 Edge Description: Plain Inscriptions: H.R.H. PRINCE OF WALES WELCOME TO AUSTRALIA TO COMMEMORATE THE VISIT OF H.R.H. PRINCE OF WALES TO AUSTRALIA 1920 Shape: Round with loop Material: Gilt medal, prince of wales -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Leaflet, The Army Museum of New South Wales, The British Regiments in Australasia
... Paddington, New South Wales, Australia ...An information leaflet from the Army Museum of New South Wales listing all the British Regiments that served in Australasia from 1788 to 1913british regiments, australia -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Newspaper cuttings, 1.Riding Tall into History, 2. New Life for old Chargers, 3. True Colours, 2003/1997/2004
Three newspaper articles from the Herald Sun newspaper. 1. Unveiling the State's first monument to the Light Horse. 2. A new battle to save the Australian Waler 3. The use of colour photography in WW1newspaper, light horse -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Newspaper articles, as described
Four newspaper articles about the First World War. 1. Australian Financial Review 2-3 Nov 2013 "Abbots new Western Front to usurp the Gallipoli legend" by Phillip Coorey 2. "Army" 13 Nov 2008 "Last to fall in Great War" by Peter Burness 3. The Australian 26-27 Sep 1998 "Digging In" by Ross McMullin about the mutinies in the 59th Battalion in 1918 4, The Age 10 Nov 1998 "Lest We Forget" by Geoffrey Blainey- A special feature to mark the 80th anniversary of the end gof World War 1newspaper articles, world war 1 -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Correspondence file, J Williams, Museums Unit 4/19 PWLH, 1995-96
Registry file dealing with Museum matters in particular Project Army Heritage and (then) proposed Army Museum of Australian Light Horse & Armour (AMALA)594-3-1 Part 2 Closed 19/3/97. New file raised 19 Mar 97amala -
Raymond Island Historical SocietyFerryman's Cap, Mid 19th Centuary
Raymond Island Ferry Driver's Cap issued by Shire of Bairnsdale with new ferry in March 1969 Issued to Ferry Driver George BouldOnly cap in existenceOfficer peak cap White plastic with black leather peak and band Gold cord insignia Gold and Black embroidered Lifebuoy and anchor badgeManufacturer's plate 1 Underside of cap MELBOURNE 361218 EMERCO Oval Trademark with kangaroos each side REG TRADEMARK THIS IS YOUR GUARANTEE FOR QUALITY MADE IN AUSTRALIA Manufacturer's plate 2 Front inner brim SWEAT ABSORBER TEXTILE 100% SWEATPROOF raymond island ferry, ferry driver, ferryman, ferryman s cap, 1969 -
Kiewa Valley Historical SocietyPhotograph Tournapull, Tournapull C Scraper/Single Bucket, circa 1950
The machinery in this photo shows a Tournapull C earth moving machine, one of many during this period Circa 1950 - 1960s when hydro electricity powered turbines were being constructed in both the Victoria and New South Wales Alps. This was Australia's answer to a non polluting supply of electricity for a fast growing city population. It was at this time that air pollution from coal powered furnaces was becoming more and more under attack by health authorities.This item is part of a visual account of the construction of dams and hydro electricity facilities during the early 1950s. It was the beginning of the environmental push not to allow the degrading of Australian Alpine regions. Air pollution of the major cities and the increase in power demands of both industries and population within them required an alternative pollution free alternative electricity supply. These for runners of Hydro electricity generators required both large supplies of machinery and human resources. This construction phase within the region brought not only tradesmen but also unskilled workers to an area which had mainly had farming and mining activities. It was the catalyst for the creation of the smaller towns/villages e.g. Bogong Village, Mount Beauty and Bright.Black and white photograph on Kodak Xtralite II paper.(gloss)paper marking on back Kodak Xtralite II papermining, hydro electricity, victorian alps, construction camps, earth moving machines, secv -
Kiewa Valley Historical SocietyPhotograph Junction Dam, Photo Junction Dam and Bogong Village in Background, circa 1950s
This item clearly shows the conditions covering both working conditions and housing in the construction of the Junction Dam in the 1940s. Working conditions were extreme and health and safety legislation was at its infancy. The residential buildings were intended to last only for the period of construction, however greater demand for longevity as a tourist haven prevailedThis photo of the construction of the Junction Dam, with The Bogong village as backdrop, details the harsh conditions faced by construction workers, building dams and villages to accommodate workers in the 1940s to the 1950s. Australia at this period in time, experienced a surge of population (influx of World War II refugees), which was the catalyst for developing and undergoing an enormous hydroelectricity program for the Alpine regions, both in Victoria and New South Wales. This program was initiated to supply electricity to the major southern Australian cities of Adelaide, Melbourne and Sydney. It was thought that these developments would reduce, if not eliminate, the requirement for coal driven power stations. However time has demonstrated that these power stations have not matched the demand required by the industries and the populations of the major urban and cities.Black and white photo of original photo with a flashlight reflection in the bottom centre. The photo is on Kodak XtraLife II paper. The paper is semi gloss.This photo is of the construction of the Junction Dam Wall with the Bogong Townshiip in the background.Back of photo is printed " Kodak XtraLite II paperdam construction, bogong village, alpine development, junction dam -
Kiewa Valley Historical SocietyPhotograph Tawonga Hotel, Tawonga Hotel Circa 1940s - 1950s, circa 1940s to 1950s
This photograph shows the "lay back" atmosphere enjoyed in a small country town in the 1940s to the 1950s. Two women and a young boy basking in the warmth of the sun. The unsealed drive way and cars parked close to the entrance was typical of small towns during this period. Open doors and shady trees provided sufficient cooling for most sunny days. The wooden barrel next to the outside wall shows that storage space within the hotel was limited and that metal aluminium barrels had not been in existence. This photograph was taken at a time when children and women had limited access to the major drinking and entertainment facilities within a hotel(pub). Legal drinking age was for patrons 21 years and older and no strict dress codes where applied. The hotel bar was not open on Sundays (God fearing) and opening time restrictions were in place. "In transit" clients were given some leniency when staying in small country hotels as strict liquor laws This photograph presents a window to a life in the 1940s to 1950s, of a small town in the Kiewa Valley. It covers a period when the local hotel or "pub" was the meeting point for local men and women to talk about local events and life in general. It was also a point where "locals' had the first opportunity to meet new arrivals and converse with tourists and "through traffic". The importance of "face to face" verbal communication was a critical part of community life and interaction. The hotel(pub) was in this period the hub of small communities, and together with local churches provided the essential structure for a balanced existence in rural Australia.Black and white photo of Tawonga Hotel. This photo is in itself a photo of a photo and as such lacks fine detail. This reproduction is on "Kodak XtraLife II paper ""outback" hotels, pubs, rural short stay accommodation, tawonga hotel -
Kiewa Valley Historical SocietyLetter Commerce, Confirmation of Payment, 02/12/1911
This document (dated 1911), is a receipt covering the compensation for the three acres of land required to establish the Tawonga School from its original site (since 1880) to a more central site (since 1911), within the township. This receipt clearly shows the era in which the community involvement and social commitment of landholders was at a higher level, in the early 20th century, than at the latter part. Matters involving community welfare in relatively isolated rural regions was of high priority to every person whether town folk or grazier/farmer or miner. The letter of acceptance of the amount of twenty one pounds for three acres was signed by John Cooper on behalf of Ada Ryder (parent at the school), did not require State Government Compulsory Acquisition process (as it may have, had it been in the latter part of the century and if it were in a city or large town. This social benevolency was part of the period (up to the late 1900's) of the rural Australian environment. This was well before international land investments changed the picture of the socio-economics of country towns.A4 letter of confirmation of payment on pre-lined paper and with a margin. Both margin and lines are coloured in light grey. The page has been folded four times and shows faintly, horizontal lines, of manufacture. The letter is framed with a glass front.This receipt for the compensation of money is hand written in ink and reads: "Tawonga Dec 2 1911, I have this Day Received from the Residents and other People interested in the new State School the Sum of (Pounds sign) 21-0-0 twentyone Pounds being value of compensation for three Acres of land on which is erected the new State School No.2282 Paid by Cash & Cheques with thanks 2/12/11 (Signed) John Cooper" Below this is affixed a Victoria 1 pence stamp duty stamp, on which is written(freehand) Paid 2/12/11 Initialed J Cfinancial letters, receipts, school acquisitons, stamp duty
