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Wangaratta RSL Sub Branch
Book, 1939-1945 The War Dead of the British Commonwealth and Empire, 1956
Book is a register of the names of those who fell in the 1939-1945 War and are buried in cemeteries in Belgium.Grey coloured paper book with black type on cover.1939-1945 The War Dead of the British Commonwealth and Empire Heverlee War Cemetery Heverlee Churchyard Top right hand corner handwritten Mavis E Emery 1958ww2, register of deaths -
Geelong Cycling Club
Minute Book, Early 20th Century
The Geelong Cycling Club was formed in Geelong in 1908 and subsequently replaced in 1911 by the Geelong West Cycling Club as reflected in the minutes. Many of the office bearers of this club fought in World War 1.This is the first minute book of the Geelong Cycling Club and as such identifies it as one of the cycling clubs in the area in that period.Minute book used by the Geelong Cycling Club from 1908-1914. The outside covers are hard backed. Inner pages contain monthly meetings recorded in hand writing commencing November 26, 1908."GCC Office Bearers/Hon.Secretary C.A.Betts/Assistant Scery H.Heath/Treasurer C. Bond/Captain G.Mayo/Vice Captain J.H.McCracken/Committee Messrs Hewitt A Ince/G Mayo/G.Gustafson/H.McCracken/President Angus McDonald/Vice Presidents/Eli Phillips/W. Howitt Geo. Oates/J.R.Aker and J.G.Seary"geelong cycling club; geelong west cycling club; minute book; c.a. betts; h. heath; c. bond; g.mayo; j.h. mccracken; w. howitt; a. ince; g. mayo; g. gustafson; h. mccracken; angus mcdonald; eli phillips; geo. bates; j.r. aker; j.g. seary; -
Geelong Cycling Club
Honour Board, 1913
Decorative wooden frame surrounding black and white photographs behind photographic mounting card in grey. The inscriptions are hand painted in white with some highlights in gold and blue. “Geelong West Cycling Club/Season 1913/Presented to H.Flowers, Esq/by the members of the above club in appreciation of his valuable services as President/W.O’Shannessy, Com Hcapper/R.Thomson, Com/J.J.McCracken/L.Welsh/W.Fisher/T.A.Grundell, whipp/F.Annear, Treasurer and Hcapper/C.Smith,Whip/H.Preschud, Auditor/J.Smith/H.Foot/A.G.Thomson, Comm/W.Grundell, Com/T.W.Grundell/H.H. Potter/G.Hotchin, Jnr Sec & Capt/H.Flowers, President/J. Tournier, Judge/A. Bradshaw, Judge/G. Dorling/J.Thomson/H.H.Preschud, Ass.Sec’t/H. Fisher, Vice Pres/P.Grundell, Sen. TimeK/C.Bond, C Man & Aud/TJB Grundell, Vice Cp/E.G. Stott, Time Keeper/H. Toyne/J.C. Bennett, Judge/C. Simmons/A. Bond/E. Atkinson/E. Keating/ S. Knight/T. F. Preschud/A. Marr/T.R.Balfour/Track Steward/C. Hudgell/J. O’Loughlin/J.W.Grundell/C.Ovendon/H.Toyne/J. Jarrett/R. Preschud/H. Morrish/S.Balfour, Track Stew/V.Balfour, Track Steward/C.Williams/D.M.Hogan” geelong west cycling club; h.flowers; w.o’shannessy;r.thomson; j.j.mccracken; l.welsh; w.fisher; t.a.grundell; f.annear; c.smith; h.preschud; j.smith; h.foot; a.g.thomson; w.grundell; t.w.grundell; h.h. potter; g.hotchin; h.flowers; j. tournier,; a. bradshaw; g. dorling; j.thomson; h.h.preschud; h. fisher; p.grundell; c.bond; tjb grundell; e.g. stott; h. toyne; j.c. bennett; c. simmons; a. bond; e. atkinson; e. keating; s. knight; t. f. preschud; a. marr; t.r.balfour; c. hudgell; j. o’loughlin; j.w.grundell; c.ovendon; h.toyne; j. jarrett; r. preschud; h. morrish; s.balfour; v.balfour; c.williams; d.m.hogan; -
Robin Boyd Foundation
Document - Manuscript, Robin Boyd, The State of Australian Architecture, Jun-67
Boyd forewarns that the article is strong on generalisations and not diplomatic. He writes that Australian architecture is old-fashioned, second-hand, rejects sophisticated world fashion trends, and has under-developed professional pride and determination. In the last few pages, Boyd advocates a code of integrity and goodness in architecture, calling on designers to come together and commit to the code.Original manuscript published in Architecture in Australia, vol. 56, no. 3, pp. 454-465.Typewritten (c copy), pencil edits some pages missing, quarto, 26 pagesIncomplete- pages missing, and includes page 8Aaustralian architecture, sydney school, perth architecture, university architecture, code of integrity in architecture, robin boyd, manuscript -
Robin Boyd Foundation
Functional object - Appliance, Juice- O-Mat
The Boyd family recall how Robin Boyd loved gadgets for their beautiful industrial design and their functionality.Juice-O-Mat. Metal handle on right-hand side, metal squeezer on top. Cream coloured body to hold cup. When the handle pulled back the fruit can be inserted.On base: SINGLE-ACTION Juice-O-MAT. US CAT NO 462-C. Rival MFG. CO Kansas City MO. U.S.A.gadget, walsh st appliances, robin boyd, ohm2022, ohm2022_11 -
Robin Boyd Foundation
Functional object - Appliance, Ice O-Mat
The Boyd family recalls how Robin Boyd loved gadgets for their beautiful industrial design and their functionality.An ice-crusher with a metal handle with plastic black knob on right. Top contains vessel for ice with 5 blades. Metal lid has spokes to hold ice in vessel. Left Hand side has a dial with C, M, F push in buttons. Plastic tray in middle to hold crushed ice, black, removable. White painted metal body. Screw at front. Four rubber stops (one missing)Ice O-Mat TRADEMARK. Made under License to Rival MFG. Manufactured by C.C. Engineering INDS. INDS Sydney Australiagadget, walsh st appliances, robin boyd, ohm2022, ohm2022_11 -
RMIT Design Archives
Painting, Illustration of a Woman in Traditional Dress from Patzcuaro, Michoacán, Mexico, c.1953
Gouache on paper illustration of a woman from Pátzcuaro region, Michoacán, Mexico, by Mexican fashion illustrator Alfredo González Bouret (1926-2018). Likely created in 1953, prior to being exhibited in Mexico and Paris in 1954. From the Patzcuaro region of Michoacán state, Mexico, this woman wears a wide-brimmed 'sombrero' on top of her 'rebozo' - a long rectangular shawl made of wool or cotton with an intricate hand-knotted pattern, popular throughout Mexico. Her hair is held away from her face, likely in long plaits down her back in the traditional style of the region. Her ears and neck are decorated with long earrings and strings of beads, while her plain white blouse is tucked in to a bright red 'refajo' skirt, gathered at the waist by a textile belt with geometric designs. In her hands she holds long-stemmed lilies. While resembling other illustrations of fashion from the Patzcuaro region, this costume stands out for the bright colour of the skirt, and the lack of embroidered decoration on the blouse. Rebecca Lloyd, 2019.Mounted painting of a woman in traditional regional dress from the Patzcuaro region of Michoacán, Mexico. Gouache on paper, c.1953.Signed in green paint, bottom right, 'AG Bouret'.mexico, 1953, fashion design, painting, illustration, mexican, fashion illustration, dress -
RMIT Design Archives
Booklet - Documents, Interior Design: Melbourne Technical College Correspondence School, Papers 10-12, c.1948
Emigre Frederick Sterne set up a four-year Interior Design program for the Melbourne Technical College c. 1948. It was the first program of its kind in Australia, On the cover the hand-written words ‘Interior Design’ have a sense of pride in their hand and the drawing of an interior – probably Sterne’s – emerging from the drawing board illuminated by artificial light that projects a future. Suzie Attiwell, 2017interior design, rmit university -
University of Melbourne, Burnley Campus Archives
Plan - Photocopy, Wendy Varcoe, Killamont, 1907? 1980?
Larger plan is probably of original fencing and drains from C.B. Luffman's layout. Killamont is the only known surviving private garden designed by Luffman.(1907).Photocopies of 2 hand drawn maps/plans of the garden at "Killamont." Drawn by Wendy Varcoe. Garden designed by C. B. Luffmann. (Also see B10.0040 Conservation Analysis and other C.B. Luffmann files in Box 75 A .)gardens, killamont, wendy varcoe, charles bogue luffman -
University of Melbourne, Burnley Campus Archives
Plan, Ellis Stones Rockery, 1962-1999
(1) Note by Phil Tulk, Gardens Manager, c. 1999 re Restoration of the Ellis Stones Rockery originally planted in 1962. (2) 3 photocopies of Ellis Stones' original plant list. (3) 2 photocopies of a hand drawn planting plan, 1 has names of plants written in pencil, the other just has numbers with no key attached. (4) Handwritten list with descriptions of plants. Also see B15.0527 (Documents B0x 73 for more information re planting plan. Also numerous photographs.gardens manager, phil tulk, rockery -
Surrey Hills Historical Society Collection
Photograph, Albert Hill, horse and jinker,10 Pembroke Street, Surrey Hills
... hand (lighter): C/- C Hill; A C Hill (undecipherable); Doll... different hands: 1/ original hand (lighter): C/- C Hill; A C Hill ...A black and white photograph of a horse and jinker / buggy standing in the street. There is a house in the background.c/- C. Hill / Donor / W. Dempsey / A.C. Hill / (undecipherable) / Arthur Hill / at 10 Pembroke St / Doll. 1918 These inscriptions are in grey lead pencil in 2 different hands: 1/ original hand (lighter): C/- C Hill; A C Hill (undecipherable); Doll 1918 2/ Jocelyn Hall's writing (darker): "Keep"; "Donor / W Dempsey"; "Arthur Hill / at 10 Pembroke St" AC Hill refers to Albert Clement Hill, the youngest son and youngest child in a family of 9 of William Valentine Hill and his wife Annie (nee Boak). William Valentine Hill had a brother Arthur Machen Hill. It is thought that Jocelyn Hall may have mistaken the identity of the A C Hill for A M Hill. hill family, jinker, land transport, carts and wagons, horse drawn vehicles, surrey hills, pembroke street, (mr) albert hill -
Kew Historical Society Inc
Drawing, AK Lines, Macfarlane & Marshall, Kew Civic Centre, c.1970
The Kew Civic Centre (A K Lines, MacFarlane & Marshall, 1972) was built next to the Kew Civic Hall (A C Leith & Bartlett, 1960) on the site of the former mansion Ordsall (later renamed South Esk). Whereas the entrance to the Civic Hall was positioned off Civic Drive, the main entrance to the Civic Centre faced Cotham Road, as shown in the undated perspective drawing of the proposed building. The Civic Hall was used for public functions and performances, while the Civic Centre was used for civic offices. It also contained the Council Chamber. The building opened in 1972, following the relocation of the councillors and council officers from the former Town Hall in Walpole Street (now a Woolworth's supermarket). Following the amalgamation of the former City of Kew into the City of Boroondara in 1994, the Civic Centre was sold to Trinity Grammar School. The exterior of the Centre has been modified by Trinity Grammar.A report for Heritage Victoria (date) describes how two architectural firms dominated the designs for new civic buildings in Victoria during the post war period. The report claims that: "An interesting sub-theme in the erection of post-war municipal offices in Victoria is that a considerable proportion were designed by the same three or four Melbourne-based architectural firms, who established themselves as the leading specialists in this type of work. The two most prolific firms in this regard were A K Lines, MacFarlane & Marshall, and A C Leith & Bartlett; both, in fact, had made names for themselves as designers of local government offices prior to the Second World War. Lines' office, for example had designed the Eltham Shire Offices in 1941, while Leith's firm had been responsible for the celebrated Heidelberg Town Hall in 1937). Both practices parleyed this early experience into a lucrative post-war career, designing numerous municipals offices well into the 1970s." (Survey of Post-War Built Heritage in Victoria, Built Heritage Pty Ltd, 2010.) The perspective drawing importantly captures the original design and function of the exterior of the building and its public entrance.Hand-coloured perspective sketch of the new Kew Civic Centre, completed in 1972 to designs by A K Lines, MacFarlane & Marshall; and located on the corner of Charles Street and Cotham Road, Kew. The sketch represents the front elevation of the building and its relation to the preexisting Kew Civic Hall at right. The three storey building features strong vertical concrete buttresses that extend across the three levels. KEW CIVIC CENTRE / A K LINES, MACFARLANE & MARSHALLkew civic centre, a.k. lines, macfarlane & marshall, architectural drawings, civic buildings -- kew (vic.), town hall -- kew (vic) -
Yarrawonga and Mulwala Pioneer Museum
Prize certificate, Special certificate for Crop competition, 1963
Crop Competitions have been held at local Shows dating from late 1800’s to todayCream card red and blue print. Hand printed details of winner and description of Crop Competition. Also has tractor and plough, silos, tractor and header logos on top and wheat head logos on sides and bottom.The Farm Competitions Association of Victoria. Special Certificate awarded to J C Thom, Winner of Open Wheat Crop Competition (40 acres) 1963. Variety exhibited - Olympic. Conducted by Yarrawonga Agricultural Society Signed by Deputy Chairman JW McCann, Hon Secretary R A Andrew -
Yarrawonga and Mulwala Pioneer Museum
Prize certificate Yarrawonga A&P Association, Special certificate Crop Competition, 1957
Crop competitions have been held at local shows dating from late 1800’s to todayCream card Red and Blue print. Hand printed details of winner and description of Crop competition. Also has tractor and plough, silos tractor and header logos on top and wheat head logos on sides and bottom.The Farm Competitions Association of Victoria. Special certificate awarded to J C Thom ad P Bruce Open Wheat crop competition 1957 Area 40 acres. Variety Sherpa Conducted by Yarrawonga and Border Agricultural and Pastoral Society. Signed by Chairman Wm B Miller, Hon Secretary JWC McCann -
Tatura Irrigation & Wartime Camps Museum
Book, Lillian Louisa Pitts et al, Merrigum Frank, 1990
Photo essay made by Lillian Louisa Pitts c 1915. Photographs part of the biggest family album in Australia. Originals owned by Frank Pitts, copied for Museum of Victoria collection. Merrigum Frank compiled by Evan McGillivray and Matthew Nickson.Photo essay made by Lillian Louisa Pitt, c 1915. Glossy hard cover, white, blue design. Photo of boy winking. Front and back in sepia, text left hand pages, pictures on right. Pages framed in grey. no page numbers.Tatura and District Historical Society 1990 -
Tatura Irrigation & Wartime Camps Museum
Document, Yuriko Nagata
Presented to Tatura museum by Mr Albert Whitmore ,Barmera O/C Engineering section . A 17 page history, written by Yuriko Nagata, a tutor in Japanese at Adelaide University. It contains a plan of Camp 9A clear plastic folder with black margin and white paper strip. Black back cover.Japanese internees at Loveday 1941 - 1946. Bottom left hand corner - Presented to Tatura Museum by Mr Albert Whitmore, 4 Laffert St, Barmera, South Australia 5345 -
Tatura Irrigation & Wartime Camps Museum
Photograph
Singapore group - Jewish refugees from Vienna, Austria, fled the Nazi occupation in 1938. Settled in Straits Settlements Singapore and Malaya (then British Territory) but arrested in 1939 when WW2 broke out between Germany and Britain. C:\Camp3\Singaporegroup02.JPG. 1940 sent on "Queen Mary" ocean liner converted to troopship to Sydney then by train to Albury, Seymour, Rushworth to nearby constructed Camp 3D compound. a. this photo was taken in the gardens of Raffles Hotel, in Singapore prior to WW2, when the refugee families enjoyed life in safety. b. Ludwig and Olga Meilich, two of the above, photos donated by their nephew Walter Smiley in 1990.Top half. Approximately 6 rows of people of all ages, about 80 in all. A shed on left side of photo, about 4 trees behind and 2 palm fronds top right hand corner. Bottom half is a lady on left, man (dark shirt, white buttons and jacket) on right.singapore refugee, ludwig meilich, olga meilich, queen mary ocean liner -
Tatura Irrigation & Wartime Camps Museum
Sketch, 1943
Camp 3. made by Gudrun and Isolde Frank, camp 3 c. Sketches for previous worksheet.Black and white sketch. Top: huts and in foreground a small tent and two youngsters centre front. The bottom sketch would appear to be the end of a hut with the inscription Weihnachtsbaum Mit Lebkuchenhauschen I Spelsesaales wird abend. the figure 9 top right handcamp 3, gudrun frank, isolde frank, frank zimmer, camp calendars, templers -
Tatura Irrigation & Wartime Camps Museum
Document, "Dem Tagebuch", 1945-1946
Made in Camp 1, Tatura to contain type written diary by Dr. Neumann, who, from Germany, had been appointed lecturer at Sydney University c.1937, until interned in 1939. This item remained in the possession of his daughter Ingrid until she brought it and presented to the Museum.Grey cardboard covers with red binding secured by cream plastic string, containing paper pages with hand written notes, mostly in German. Scrap book made and bound in Camp 1 with diary entries written fromOctober 1945 to 20.01.1946, by Dr. Neumann during his internment in Camp 1, Tatura.October 1945 (inside)camp 1 tatura, dr gerhard neumann, books, collections -
Tatura Irrigation & Wartime Camps Museum
Document, "Eliegen", Gerhard Ernst Neumann, Tatura, 1940-1945
Made in Camp 1, Tatura to contain type written elegies written by Dr. Neumann, who, from Germany, had been appointed lecturer at Sydney University c.1937, until interned in 1939. This item remained in the possession of his daughter Ingrid until she brought it and presented to the Museum.Cream cardboard covers with red binding secured by leather boot lace, containing paper pages with typed elegies and hand written notes, mostly in German. Scrap book made and bound in Camp 1 with elegies written by Dr. Neumann during his internment in Camp 1, Tatura.G. Neumann on cover, Tatura (inside)camp 1 tatura, elegies, dr gerhard neumann, books, collections -
Tatura Irrigation & Wartime Camps Museum
Document, "Aus der Weite in die Enge", 1939-1946
Made in Camp 1, Tatura to contain personal photos, sketches, and records of Dr. Neumann, who, from Germany, had been appointed lecturer at Sydney University c.1937, until interned in 1939. Remained in possession of his daughter Ingrid until she brought it and presented to the Museum.Grey cardboard covers with red binding secured by cream plastic string, containing paper pages with photos, newspaper clippings & handwritten notes. Contains one Concentration Camp Canteen Ticket- one shilling. Scrap book made and bound in Camp 1 with photos, paper clippings, sketches and hand written notes, mainly in German. A record of Dr. Gerhard Neumann from Sept. 2nd. 1939 to Feb. 14th. 1946, including his marriage in Liverpool Internment Camp to Peggy MacIntyre.german internees, liverpool internment camp, camp 1 tatura, canteen money ticket, books, autobiography, scrap -
Tatura Irrigation & Wartime Camps Museum
Sketch, 1941 - 1943
Army hut, 4 windows, door midway, tree partly covering door, lady in ankle length approaching door. A rainwater tank is on the end of the hut which has a central brown door with 4 1/2 brown stripes. Behind is a long pole and fence. The windows are yellow as are tall flowers along the side. Yellow wooden frame.Anni Lorenz und ihrer mutter frau Martha Graze zur erinnerung an labutt (?). Bottom left hand corner in Hospital Camp 3. Tatura Aust. 1941-1943 DV or 1943. B Comp C D S Tat.sketch - pencil, lorenz a, camp 3, tatura, illustrations, pencil -
Williamstown Botanic Gardens- Hobsons Bay City Council
Photographs - Williamstown Botanic Gardens, 1936
Ernest Anderson (head gardener) and Harry (gardener) worked at Williamstown Botanic Gardens. The Anderson family lived in the curators lodge on the grounds in the 1930s. Horses were used at the gardens until the 1960s when the council bought a truck. Mr Biggs drove as Mr Anderson did not have a licence. He rode his bike to the Town Hall every Friday to put in the time sheets. The collection is the only known photos of the Gardens working horses and demonstrates Edwardian Municipal gardening techniques that continued into the 1960s. They are photographic evidence of the planting styles, species choices and structures. Details inscribed on the reverse of some of the photos confirm names of staff at this time. Photo 13 (m) m: Only known photo of Ernest Anderson to be held by the Gardens2013.001.a-l is a collection of 12 small format photographs from the Anderson family album dated from 1917-1936 plus one large image of donor's wedding c1953. Ernest Anderson (head gardener) and Harry (gardener) worked at Williamstown Botanic Gardens. The Anderson family lived in the curators lodge on the grounds in the 1930s. Photo 1 (a) Sepia photo of young girl (Chic Anderson) on horse with no saddle. Two men, with hands on hips, standing alongside wearing hats. All are on a small hill (a compost heap) with a shrub on the left of the image. Photo 2 (b) Young girl and horse standing on the top of a small hill (compost heap). Girl has short hair and is wearing a jumper, skirt and long socks. Horse has no saddle and has its head down as if to eat. Photo 3 (c) Horse and foal standing in a fenced enclosure. Part of yard is paved. Horse has a white blaze and white feet. Foal has white blaze and white legs and is looking up at the horse. Photo 4 (d) Horse pulling a mower. Two men standing with mower. One is holding mower, the other the reins of the horse. Both men are wearing hats, with one wearing a vest. Horse has hessian wrapping on his hooves. Photo 5 (e) Horse and man. Horse has a rope bridle. Man holding bridle and is dressed in trousers, shirt, cardigan and hat. They are in front of a hedge and closed timber gate. Tall palm is in background. Horse is side on to the camera. Photo 6 (f) Man and horse standing in front of hedge and open timber gate. Palms in background. Man wearing trousers, shirt, vest, tie, hat. Trousers look to be tucked into boots. He is looking at the horse. The horse is facing the camera. Photo 7 (g) Three horses looking over a picket fence. All with a white blaze. There is a timber wall with a window to the right of the photograph. A man’s arm holding something is seen on the right of the photo. Photo 8 (h) Large palm tree, understorey of shrubs with two palms in the background. Photo 9 (i) Scene of the Gardens. Path dividing at a conifer tree. Woman in long skirt and hat looking up at the conifer. Different varieties of palm trees with understorey of shrubs. Photo 10 (j) Garden bed of Dahlias surrounded by a wire fence. Palms and other trees in background. Photo 11 (k) Avenue of tall palm trees with under storey of shrubs. Photo has angles cut at top corners and two large crease marks at the bottom right hand corner. Photo 12 (l) Set of cast iron gates – double carriage gates with single pedestrian gates on either side and supported by four cast iron posts with ornamental finials on top. Photo 13 (m) Ernest Anderson and daughter Chic prior to her wedding. Ernest is holding his gloves in his left hand and Chic’s hand with his right. Palms trees in the background. Photo 1 (a) 'Ern & Harry / May 8th 1936' Photo 2 (b) ‘Jack aged 36 / Chic 5 years / (unclear) 1936’ Photo 3 (c) ‘foal born in / back shed’ Photo 4 (d) ‘The Olde Firm / Jack Ernie Harry / 1917’ Photo 6 (f ) ‘Before the / council provided / a truck all / work was done / with the horses’ Photo 7 (g) ‘our work horses’ Photo 9 (i) ‘Panoramic view of Gardens / looking South from Lodge / Wms Town Botanical Gardens / 15-10-17’ Photo 12 (l) ‘Gates Public Gardens’hobsons-bay-city-council, curator, lodge, horse, transport, dahlia, compost, anderson, williamstown, botanic, gardens, williamstown-botanic-gardens, hobsons-bay, hobsons, edwardian, gardening, 1936, 1917, -
Williamstown Botanic Gardens- Hobsons Bay City Council
Postcard - Williamstown Botanic Gardens
The original postcards in this series (2013.002 to 2013.018) were generously loaned to Williamstown Botanic Gardens by a private collector for copying. The postcards are evidence of the interest the gardens held as a subject for postcard publishers. The text and images provide a snapshot into fashions, social interests and concerns of the time. The professionally produced images provide a pictorial history of Gardens including changing planting styles, various structures and features of the Gardens eg the aviary, cannons, the fountain, the second Curator’s Lodge and gates. The images offer an opportunity to compare garden vistas with the present day. This postcard shows the main east-west axial path with a typical Victorian/Edwardian mown grass strip which in turn borders formal shrub beds with herbaceous plantings. The Cordylines which line and avenue in this image were replaced by Mexican Fan Palms (Washingtonia robusta) planted in 1915, which in turn were replaced with the same species in 1987. Black and White image of main path looking towards the statue of A C Clark. There is a man wearing a boater hat on the right side of the path and a woman and two children on the left side of the path. The path is lined with grass, shrubs and cycads. This image is before the border of the path was planted with palm trees, which was 1915.Front: ‘The Botanic Gardens, Williamstown’. Reverse: Top Centre ‘POST CARD’. Top left hand side ‘This space may be used for Correspondence. / Postage to any Address in Victoria, 1 d; / to other States, 11/2 d.’ Right side and top centre of card in pencil 'C1908' and '$3' [believed to be inserted by the vendor of the card]postcard, gardens, post-card, williamstown-botanic-gardens, hobsons-bay-city-council, garden-path, cycads, 1908, clark -
Tatura Irrigation & Wartime Camps Museum
Drawing - Woodcuts, 1943
Camp 3. made by Gudrun and Isolde Frank, camp 3 c.Black and white sketches for calendar. 1943. 6 sketches. 1 - Cloudy sky, with hut and tree to the right and a truck front right; 2 - a guard tower on left hand side, 4 water tanks in Centre and a cloud to the right. front shows some rocks; 3 - Cloudy sky, 2 big trees (one on left and one on right), 3 bare trees in Centre. Across the front are 4 sheep and 4 four posts; 4 - 1 horse in foreground the 3 in back ground with trees in background; 5 - two children picking vegetables with a small hut to the right and a fence in front of 2 trees; 6 - 5 men working in a garden, 1 with wheelbarrow.the number 4 top right hand cornercamp 3, gudrun frank, isolde frank, frank zimmer, camp calendars, templers -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Photograph - gelatin silver photograph, Frazer & Vallance, Unveiling Ceremony, Statue of Sir Thomas Bent, Brighton, 1913
politician, mayor, premier, bust, sculpture, margaret baskerville, speaker, member of parliament, member of lower house, local government, councillor, brighton, public art, bayside, thomas bent, unveiling, ceremony, mayoress, sculptor, councillor wilson, crowd, 1913, nepean highway, mrs bent, elizabeth bleazby, fountain, memorial -
National Wool Museum
Machine - Shearing Motor, Sunbeam, 1960-69
With more and more woolsheds being connected to power lines, the need for electric shearing gear markedly increased from the 1960s onwards. The greater economy made electric gear an attractive proposition to many graziers. Requiring only an electric shearing motor, for small and medium scale operations, electric shearing motors were a more economical way of shearing a wool clip. The other option for graziers was Overhead shearing gear, which also required an Engine to provide shared power to a row of shearing stations. Still working, this Sunbeam Electric Shearing Motor – Heavy Duty Model, features a slow speed motor totally enclosed for protection against dust and insects. The full bearing down tube is easily removed and stored to be out of the way when not in use (not pictured). Providing 0.5 hp, which is twice the power ever needed for shearing sheep, this buffer allows for fluctuations in voltages that can occur in rural districts. Inventor Frederick Wolseley made the world's first commercially successful power-shearing system in Australia in 1888. US company Cooper, which had been founded in 1843 as a maker of sheep dip, began selling Wolseley equipment in the USA in 1895. The Chicago Flexible Shaft Company successfully entered the power-shearing market a few years later and entered into a joint venture with Cooper. It set up a branch in Sydney and sold shearing sets, and engines to power them, into the Australian market. In 1921 the US parent company, realising it needed to make products whose sales were not as seasonal as those of shearing equipment, made its first household appliances and branded them Sunbeam. In 1933, changes in exchange rates and taxes led the company to manufacture engines and shearing equipment in Australia via subsidiary Cooper Engineering, which changed its name to Sunbeam in 1946. Although most Australians know of this company as a major manufacturer of household appliances, its rural division flourished and retained the Sunbeam name for shearing equipment even after it was taken over by New Zealand company Tru-Test in 2001. This 0.5 horsepower vertical brushed motor air-cooled engine was designed to drive a single shearing plant. From the central cylinder which features a yellow “Sunbeam” sticker, a grey 240v power lead can be found on the left-hand side. A blue capacitor is located next to this power lead. Below, two legs extend and meet to form a foot which is fastened to a wall. On the right-hand side of the engine, a specification plate is located on the central cylinder. A yellow directional arrow sticker is located on the rotating section of the engine below the specification plate (location for photography, this section is designed to rotate and hence this sticker is not fixed in this location). At the rear of the cylinder, a plastic cap with small air cut outs protects the air-cooled engine from contaminants. At the front of the engine, the location for securing the bearing down tube is located. On the right-hand side of the lock for the bearing down tube is the handle, to which a string is often attached for switching the motor on and off by a shearer bent at the waist (not pictured). Sticker. Gold writing. Front of shearing motor “Sunbeam” Plate. Inscribed. Side of shearing motor. “Sunbeam / SHEARING MOTOR / MADE IN AUSTRALIA / 0.5 H.P. / 220/240 V / 1 PHASE A.C. / 4.0 AMPS / 50 C/S. / CONT. RTG. / 1425 R.P.M. / CLASS A INSUL / NO. J244560 / TYPE: NSB5C2/49." sheep sheering, shearing equipment, sunbeam, electric shearing motor -
National Wool Museum
Textile - Hand Knitted Glove - in progress, 1930s
Hand knitted glove, finer than possible with machine knitting. Still has knitting needles, which provide further context for how fine the knitting is. Knitted by Pat Bell's mother Agnes May Elliot c.1930. Honourable mention in the Victorian Centenary Empire knitting competition [see 8336].Hand knitted green glove in progress with knitting needles attached. -
Stawell Historical Society Inc
Photograph, Car Park in Sloane Street looking towards Main Street Stawell c 1978 - Large coloured photograph
Colour photograph of Car Park Sloane Street looking towards Main Street Stawell. The car park was created when Main St. Stawell became a Pedestrian Mall c 1978Large coloured photograph taken from Sloane Street, looking towards Main St. The photo has a bus on the left hand side and cars in the car park. The photo is taken in front of a garden bed with a No Entry sign in the middle of the photograph.stawell -
Stawell Historical Society Inc
Photograph, C. Hewitt Stawell Photographic Co, Thelma Philips nee Raitt as a baby in a cane pram c1900
The photograph of the baby in the cane pram is Thelma Phillips nee Raitt. The donor of the photograph was her daughter Mrs. Beverley Biggs.Sepia photograph of a baby seated in an elaborate cane and seagrass pram. The pram has metal wheels. The baby is dressed in a fluffy overcoat and bonnet with a broach pinned to the bib. c1900Stawell Photographic Co., Main Street Close Railway C. Hewitt, Manager printed on the front. On the back is hand written Mrs. Biggs mother Mrs. Thelma Phillips nee Raitt, Nana. Also the stamp of the Stawell photographic Co.stawell portrait