This folder contains a record of the construction of the flood marker in Forest Park, Orbost. It depicts the six highest floods since the first recording. The construction of the marker was commenced in August 1999 and took eighteen months to be completed by nine volunteers under the tutelage of Ruth Hansen.This item is a contemporary record of the construction of an iconic marker in Orbost.A loose leaf folder containing information, records and photographs about the Historic Flood Marker in Forest Park, Orbost. Most photographs and printed text are glued in. There are twelve loose photographs.The front cover and spine are dark blue, the back is a lighter blue and has a bar code and price sticker attached.flood-marker-orbost

Uniform items worn by girl students at Ballarat & Clarendon College (Years 11-12) in the 1970's. To be accompanied with fawn tights and brown lace-up shoes. The uniform was more relaxed to denote to seniority of the students. Girls were able to choose a jumper the colour of any of the lighter tones of the tartan. Box pleat, plaid skirt with fitted, adjustable, waist band, zip fastener; accompained by cream turtle neck jumperManufacturer's label sewn inside waistband: 'Flatcher Jones / 55% POLYESTER / 45% WOOL' Name tag sewn to manufacturer's label: REHFISCHuniform, ballarat-and-clarendon-college, girls-uniform, tartan-skirt, box-pleat-skirt, 1970s, winter-uniform, senior-college-uniform

This Field Survey was commissioned by the Melbourne Board of Works and was used to position the Maroondah Aqueduct bridge north of Greensborough at its crossing point on the Plenty River. It incorporated the use of wrought iron water pipes and therefore is of lighter construction than other similar bridges in the district. It features a traverse of the Plenty RiverThe Maroondah Aqueduct bridge is a significant example of late 19th century engineering. A 4 page reproduction of an Office of Titles document. Copy of handwritten report includes maps.maroondah aqueduct, watts river aqueduct, bridge, greensborough, office of titles, 1897, wrought iron water pipes, plenty river, melbourne board of works

A tape recording of Sir Edmund Herring, The Governor of Victoria, for the opening of Legacy Week in 1968. It may have been played on radio to promote Legacy. Taped voice recording messages were a common means of communication at this point in time. More compact, lighter and less cumbersone than vinyl records.A record of a launch of Legacy Week by a prominent Australian.A recording on a tape for Legacy Week 1968 in an off white cardboard box.Label, “Legacy Week” 1968, Formal Opening by His Excellency The Governor of Victoria, The Lieutenant-Governor of Victoria, Lieutenant The Honourable Sir Edmund Herring KCMG; KBW; DSO; MC; ED;KStJ; QC. At “Legacy House” Melbourne. 2/9/68 Not to be played before 2PM on Monday 2. 9. 68 Thereafter as required.legacy week, governor of victoria, sir edmund herring, legacy promotion

A tape recording of Sir Rohan Delacombe, The Governor of Victoria, for the opening of Legacy Week in 1966. It may have been played on radio to promote Legacy. Taped voice recording messages were a common means of communication at this point in time. More compact, lighter and less cumbersone than vinyl records.A record of a launch of Legacy Week by a prominent Australian.Box, cardboard. Address label, cardboard. Spool, plastic clear. Tape,film plastic.Address label, Legacy Badge, "Service to Widows of Ex-Servicemen and their Children". From, Melbourne Legacy, "Legacy House", 293 Swanston St, Melbourne, C.1, Telephone: 32 3564 Box,Klarion Enterprises Proprietary Ltd, telephone 329-7900,321 William St., Melbourne, C.1, Original & Multicopy Recording. His Ecellency, The Governor of Victoria, Major General sir Rohan Delacombe K.C.M.G., K.B.E., C.B. ,D.S.O.,K.ST.J. "Legacy Week" Message 28/8/1966 Time 2 min. 28 secs. For broadcast as from Sunday Noon. 28th August and then throughout " Legacy Week" to and incl. 1st Sept. (in red type). Note: Tape is not required again by Melbourne Legacy. Label on reverse side of box. Note For all details in respect of the enclosed tape see the reverse side of this box.legacy promotion, governor of victoria, legacy week

This brown wool felt hat with a broad brim was, by its style, used by a adolescent child for church services. This was worn in a period where church services on Sunday was an important weekly ritual by the whole family. Special (church only) dresses and hats were worn not only to show respect to the church but also part of expected community mores relating to religious beliefs. This behavioural pattern was more entrench in the rural communities than within larger cities. The closeness of smaller rural communities is the main factor regarding social norms. The visible standing within the community was uppermost. The period pre 2000 was a more coheasive family environment ( due to greater intra family activities) which provided better communication and family activities.This "church styled" hat is very significant to the rural lifestyle and its mores. It clearly demonstrates the coheasive force that religion has on the Valley population. The closeness that the semi isolation (at this time) brought about by the Valley's physical land formation and the poor roads within the valley brought families closer together. Not turning up for important social functionsw was duely noted by all (and frowned upon). Mrs E. Fisher lived at Mongan's Bridge in the Kiewa Valley.Brown child's all felt hat size 6 1/4. A broad brim with a lighter brown velvet ribbon head band. Head band has a crossover to the left front with 100 mm extension flowing over the brim. The top of the inside of the head pocket is lined with a soft silk fabric.6 and one quarter (size tag). Unreadable crest / monogramchildren's head wear, social head dress, church hats

Donated by Cliff Marshall the brother of Clyde Marshal who was a RAAF Medical Orderly and served with 2 Squadron in Vietnam from 1967 to 1968.Australian servicemen on duty in Vietnam who smoked generally had Zippo Lighters. It was a smoking accessory that was widely known worldwide and made popular in Australia by returning veterans. Rectangular stainless steel liquid fuel cigarette lighter with flip up lid.Internally a pull out receptacle that contains cotton absorbent wad to soak up the liquid fuel, flint tube and wick. The exposed top half has the flint striker roller, exposed wick, flame shield and locking toggle.On flip up lid “CLYDE / MARSHALL” on reverse VIETNAM /67-68; on case [RAAF MEDICAL INSIGNIA]. On reverse side “map of South Vietnam and North Vietnam showing names of towns, Danang, Hue Quihon Nhatrang Camranh Phanrang, Saigon Hanoi, Haiphong, Haiman, and South Vietnam flag. The base in inscribed with manufacturers name and patent number "BRANDFORD PA/ZIPPO/PAT.2517191"zippo, cigarette lighter, smoking accessories

This photo is part of the Fred Griffith Photographic Collection documenting his time with the Australian Alpine Club and the formation of the Albury Ski Club. Frederick Charles “Fred” Griffith was born in Albury, NSW on 2 March 1910. Educated in Albury and Geelong Grammar. Beginning in 1927 he spent many years working first as a jackeroo and on a range of prominent pastoral and merino stud properties in NSW and Queensland. In 1935 he repurchased his former family property “Toonallook", Bowna, NSW and developed it to be the largest Romney Marsh stud in the world, exporting rams to Argentina. He introduced many innovative practices on his property including rabbit control measures and aerial crop dusting. He was an active member of the Albury Show Society and in 1949 established the Albury Sheep Show. Fred was also the Albury representative on the Graziers’ Association Council for over 30 years. He became a life member of both the Albury and Commercial Clubs. Fred’s greatest hobby was snow skiing. His first visit to the snow was to Kosciusko in 1919. The Albury Ski Club was formed in 1935 and Fred was an inaugural member. In 1949 they were granted a site at Falls Creek to build their own lodge. Fred guaranteed the Club for finance from the Bank of NSW. The first portion of the prefabricated building was constructed in Albury. It was transported to Falls Creek on the back of Fred’s truck and erected in one day. This was the bathroom section and the rest was completed in 1950. The original lodge was burned down in 1952 and a new one built the following year. In 1955, Fred also built the Bowna Lodge for his family in partnership with David Fairbairn. He became head of the North Eastern District Skiing Association (N.E.D.S.A.) and successfully applied to run the Australian Ski Championships. Fred also inaugurated children’s races at Falls Creek and ran them for about 20 years. He also formed the company “Falls Creek Ski Tows”. In 1956 Fred along with a group of key people selected the site for Thredbo Village. Fred and his brother sold Toonallook in sections between 1951 and 1974. He moved to Albury and set up as a landscape gardener and fencing contractor. After a serious work accident, Fred retired in 1985 and moved to Rosebud, Victoria where he died on 19 August 1992. This image is from the Fred Griffith collection which documents the early development of Falls Creek.Black and white square photograph of two people wearing snow gear in the snow. The person on the left is in a lighter coloured suit and holding a ski pole and the person on the right is in a dark suit and holding skis and ski pole. There are skiers in the background, where there is mostly snow-covered hill and small amount of sky above. Stamped - SUPER / G & D . SERVICE Pencil - 61bogong, falls creek, snow, snowfields, albury ski club, skiing, snow sports, fred griffith, australian alpine club, albury

A returning Boomerang is one that comes back to you when you throw it. These were used for hunting smaller creatures such as birds, but more so for sport. This type of boomerang has a simple curved shape and is much lighter than a non-returning boomerang. returning Boomerangs were only developed in the last 200 years.The necessary tools and equipment for hunting, fishing and warfare were one of the very few items that Aboriginals carried with them from place to place. Most were used for a multiplicity of purposes. Because many were made from raw natural materials, such as wood, generally only partial remains are found today. This returning boomerang is an example of a wooden tool used by the Indigenous people of Eastern Australia.A very old hand-made wooden returning boomerang that is black in colour. Very dinted.boomerang aboriginal hunting

Barking Owls are a nocturnal, medium sized bird of prey native to Australia, parts of Papua New Guinea, and the Moluccas. Average size ranges between 390-440mm in length. Females are generally slightly smaller than males and they are only one of a small number of owl species that do not exhibit marked sexual dimorphism. Barking Owls have characteristic vocalisations, ranging from a 'woof woof' barking dog sound, to shrill, human-like screams, which reportedly alarmed early European settlers to Australia. The Barking Owl's shrill and explosive vocalisation is sometimes associated with Bunyip mythology or referred to as 'the screaming woman call'. The female call is slightly higher in pitch than the male, and males and females often duet, contrasting low and high pitches. Barking Owls may be vulnerable in some parts of Australia due to woodland habitat loss. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This female Barking Owl is of an average size. It has brown, grey and white spots and vertical streaks. The face and breast are lighter in colour than the wings and the dorsal plumage. The glass eyes are large and dark in colour while the tarsi and toes are yellowish. This specimen stands on a wooden perch with identification tags attached to its leg. [torn] / 16. / Winking Owl / See catalogue Page, 4 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, owls, barking owls, screaming woman call, yowing, woodland birds, birds of prey, australian owls, endangered, loss of habitat, woodland habitat, bunyip, australian early settler mythology

Portrait - Thomas Kinsella c1895 part shareholder Moonlight and Magdala Mine. Half shareholder Magdala cum Moonlight Mine. Photo taken at back of old Kinsella house in Patrick Street before the brick house was built.Copy of original photo held by family. Mr. Thomas Kinsella seated wearing bowler hat and double breasted jacket over white shirt and tie lighter trousers. Seated in cushioned chair. Black curly haired dog on bent wood chair. Both in front of ivy terrace , showing part of house.stawell

A 32 page book, primarily humorous drawings that provide a lighter look at life in the trenches of France. The drawings were drawn by Captain Bruce Bainsfather and published in The Bystander, a London publication. Then compilations of the drawings were published as 'The Bystander's Fragments from France'. This is the fifth volume. It was published in Australia by Sands and McDougall of Melbourne and sold for 1/9.Illustrations from World War One that would have been significant to the founding legatees.A book containing black and white humorous drawings from World War One.world war one, france, soldiers

This chair is one piece of the parlour or lounge suite in the front room at Hymettus Cottage, Ballarat. The suite consist of this grandfather chair, a grandmother or nursing chair and four balloon back chairs all in Australian cedar. The furniture and decoration in this room is Victorian and a much lighter tone and feel to that in the dining room which is much heavier of an Edwardian style.This suite is a light Australian cedar and a contrast to the heavy Edwardian furniture elsewhere in the cottage.Nilparlour suite, chair

This container is a piece of trench art. It has been made in 1917 in World War One. The container is made from a 4.5 inches Howitzer shell. The 4.5 Howitzers were British artillery units made with a short barrel and used to fire missiles over a high trajectory. It is probable that the container was made by an Australian soldier while on active service overseas during World War One. This container has no known local provenance but it is a very interesting and attractive piece of World War One trench art. This is a heavy brass container made from a Howitzer shell. The container is round with four-leaf clover –type patterns on the side and three round knobs welded on to the bottom to give it a base. There are many markings on the base of the shell and these may all be the original markings. The lid is made of lighter brass and has an octagonal-shaped knob on top. ‘4.5 Howr 11’ ‘B.A. 3 3 17’ ‘1917’ M.A.C.’ etc world war one, warrnambool

Cycling shoes first appear in the 1880s and progressively became more sophisticated. Cleats first appear on cycling shoes in the late 1930s - before this toe cages and straps were used. The cleat design on these shoes was commonly used from the 1970s. Detto Pietro cycling shoes were probably the most commonly used cycling shoes in the 1970s and early 1980s.Black leather cycling shoes with lace and slotted cleats. The leather uppers have punched holes in them to make them lighter and for ventilation. These shoes are made by Detto Pietro, Italy - a well known Italian footwear manufacturer of that time. First pair has leather soles and second pair features hard nylon soles."Detto Pietro"cycling shoes; detto pietro;

Abstract scene of a rainforest. Image of trees in greens, browns, blues and yellows. Strong brush strokes and bold shapes give the impression of dense trees. It is darker towards the bottom and lighter at the top giving the impression of light falling through treetops from the sun. Mounted on cream matt in pale green frame, with glass glazing.Front: Enid Denton (lower right) (brown paint) Back: Rain Forest $600.00 Enid Denton, Smith Avenue, Croydon 3136cema, portland artists society, female artist, female, female artists, trees, abstract

Register: Index of residence areas for register 19. Dark Maroon cover with lighter material on spine and corners, hard cover containing alphabetical index. Holders of residence area licenses, names and addresses and page number, no book number. On spine ' Index Residence Areas: Written in front in black ink ' Index Book 19'residence areas, bendigo, sandhurst, land sales, register

This book was written with the aim of assisting students attending the Fitting and Turning classes at New South Wales Technical Schools early in the 20th century. The book is inscribed with the name ‘N.F.Heazlewood’. This surname is a common one in the 20th century history of Warrnambool, in particular South Warrnambool. But no specific details have been found on N. Heazlewood. This book is mainly of interest because it is a good example of a technical school text book in the first half of the 20th century. It is also of interest as belonging to a member of a family whose name is known in Warrnambool’s history This is a hard cover book of 128 pages. The cover is dark green with a lighter green binding on the outside of the cover. There is black lettering on the front cover. There are blank pages for notes at the back of the book and some trade advertisements at the front of the book. The book has a dedication and a preface. On the first page are a stamp from a publisher and an inscription hand-printed in red ink.‘N.F.Heazlewood’ heazlewood (warrnambool), history of warrnambool

This ceramic cover was recovered from the wreck of the 1882-1883 George Roper between the late 1960’s to early 1970’s. It is one of the shipwreck artefacts in the John Chance Collection. The purpose of the cover is unclear. The holes could be for ventilation. The cover may have been used to protect food or keep it at an even temperature. It may also have been used for covering fragrant petals, allowing some scent to escape through the holes. The residue around the underside of the holes and their random placement indicate that the cover could be partially handmade. The discolouration could have come from its time in the sea. The GEORGE ROPER 1882 - 1883 - The George Roper was a 4-masted iron sailing ship built in Liverpool, England, in 1882 for fast international trade with Australia. The large vessel was launched in February 1883. The ship was on its first trip, departing Liverpool for Melbourne, captained by John Ward and a crew of 31. She had almost reached her destination on July 4 1883, approaching Port Phillip Bay and being towed by the steam tug William. The weather changed to rough with fog and both the George Roper and the William hit the dangerous Lonsdale Reef at Port Phillip Heads. The Captain and crew were eventually rescued and taken to Queenscliff. Salvage syndicates were able to recover a lot of the cargo before the George Roper broke up and sank. Amongst the cargo was soft goods, draperies, household items, spirits of malt and distilled liquors, chemicals, dynamite, and 1,400 tons of steel rails for the Victorian Government. Also in the hold were Russell Stourbridge bricks, as paying ballast. The ventilated cover is as an example of domestic ceramic ware of the 1880s. The cover also holds significance as it was recovered by John Chance, a diver from the wreck of the George Groper in the 1960s-70s. Items that come from several wrecks along Victoria's coast have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. The George Roper is considered historically and archaeologically significant and as such, is listed on the Victorian Heritage Database, VHR S286. It is an example of a vessel built specifically for fast travel to and from Australia with a large shipment of cargo. The George Roper’s cargo of steel rails adds to the historical significance of international trade to the growing colony of Australia and Victoria in particular, with rail transportation soon to become a faster and safer form of transportation between colonial towns. Divers can still access parts of the scattered wreck and other artefacts recovered in the 1970s and 1980s can be viewed in both public and private collections. Cover; unglazed white ceramic, oval shape. The cover has holes randomly poked through its surface, one large hole is a six pointed star shape. Underneath there is a narrow rim placed slightly inside the edge. There is residue on the underneath around the holes. There is orange-brown discolouration and areas where the surface is lighter coloured. flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, john chance, west coast trader, george roper, w. h. potter & sons, w.t. dickson and son, captain john ward, russell stourbridge bricks, port phillip heads, lonsdale reef, dive wreck, vhr s286, coastal trader, ceramic, vintage, ventilated cover, domestic item

This card table is part of a special bequest to the Mont De Lancey Museum of hand carved furniture and items made by Mr Franz Striezel by his grandaughter Mrs Dorothy Adamson. Dorothy was a friend of Nella Lord (nee Sebire). Dorothy passed away in 2007. It was to be known as The Franz Striezel Collection. Franz Streizel came from Germany in 1886 and was one of the three recognised craftsmen (Art Carvers) in Australia who contributed to the wood carvings in public buildings and honour boards throughout Australia. The National Gallery at their request had two small panels and a tobacco jar (some of his work), donated by Mrs D Adamson. They considered these pieces highly valuable.A handmade square wooden card table featuring an ornately patterned inlaid top of lighter coloured woods. It has a beautifully carved four legged base with a shelf at the bottom above the four clawed feet. The top lifts up to reveal a storage box below which is attached with screws to the base. The lid is attached with brass hinges and screws.furnitue, tables, card tables

Acquired by Portland Council for the Encouragement of Music and the Arts (CEMA) as a winner of its annual Art Price in 1964; later presented by CEMA to Portland Town Council.View of the interior of a cave. In foreground is a triangular pool of dark blue water with lighter highlights. The walls of the cave curve up both sides of the water, meeting at the back of the cave. At back of cave is a ledge with 7 seals on it. One seal is diving into the water. The walls are painted in brown and dark blue, the seals in pale blue with highlights in white.Front: Malseed (lower right, red paint) Back: Nancy Malseed "Seal Cave" Portland Art Gallery Trust, c/c C. Woolcock (upper and mid left, black felt tip pen).sea, seals, coastal, seascape

Journal or ticket record wallet, consisting of two very heavy and hard pieces of brown coloured leather joined by a sewn (brown cotton) lighter piece of leather to form foldable wallet. The outside covers have been polished. Used to hold the ticket records or trip journals of a conductor. See also Reg Item 125 and 1206See images for stamps into the leather.trams, tramways, mmtb, tickets, conductors, outfits

Silver coloured metal petrol iron with removable top plate and cylindrical tank. Metal handle with blue painted wooden top attached and metal plaque with maker's details and insignia between screws on bottom section of handle. Plastic knob to remove top section. Pumpless Iron, with Wooden Handle and Attached Canister for Shellite (lighter Fuel).Metal Plaque on the left side says "All British Pumpless Iron. Manufactured by Handiworks Brisbane" Other writing in the metal is not legible. the letter "H" has been engraved into the top of the iron under the handle. "CLOSE HANDI" with an arrow pointing right on the black plastic knob on top of the iron and the back of the iron.clothes iron

Used in Mobile Intensive Care Ambulances (MICA) 1, 2 and 3 during the 1970s and 1980s. These units were effective and reliable. Paramedics were happy, however, when they were replaced by the Lifepak 5 as the new unit was much lighter and smaller. Source Ian Donaldson AHSV assistant curator. This particular item was donated to Ambulance Service Melbourne by the Collier Charitable Fund. Cream and brown plastic medical equipment with carry handle.PHYSIO-CONTROL PRESENTED TO AMBULANCE SERVICE - MELBOURNE BY COLLIER CHARITABLE FUND collier charitable fund, paramedic, mica

The Kookaburra is a sociable bird commonly seen in small flocks. These flocks mainly consist of family members. If not in flocks, these birds are commonly seen in pairs. They have a distinct appearance with brown wings, back and brown around the eyes, with majority of the plumage being white. This species reside in woodlands and open forests, however they can be seen in parks, wetlands, farms and any other space that is open with grass. This native Australian bird can mainly be found across the eastern Australia, however they have been introduced Tasmania, South-west Western Australia and New Zealand. Although this is a taxidermy mount, it looks exactly like a Kookaburra in real life. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Kookaburra has a predominantly white body. The back, wings and tail are a light shade of brown. There is a strip of brown going across the eyes. This specimen stands upon a wooden branch and has an identification tag ties around its leg. This bird is stout in shape and has a medium length tail and a broad bill. This bill is darker on top and lighter in colour on the bottom.W8083 / taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, kookaburra, australian birds, laughing kookaburra

The Barking Owl is a nocturnal, medium sized (390-440 mm) bird of prey native to Australia, parts of Papua New Guinea, and the Moluccas. Males are generally slightly larger by weight than females and they are only one of small number of owl species that do not exhibit marked sexual dimorphism. Barking Owls have characteristic vocalisations, ranging from 'a 'woof woof' barking dog sounds to shrill, human-like scream sounds, which reportedly alarmed early European settlers. The Barking Owl's shrill and explosive vocalisation is sometimes associated with Bunyip mythology or referred to as 'the screaming woman call'. The male call is slightly lower in pitch than the female, and males and females often duet, contrasting low and high pitches. The owls are brown-grey in colour with white spots on the wings and vertically streaked chest. Their eyes are large and yellow. Barking Owls may be vulnerable in some parts of Australia due to woodland habitat loss. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. This male Barking Owl is average sized with brown, grey and white spots and vertical chest streaks. The face and breast are lighter in colour than the wings and dorsal plumage. The eyes are large and dark and the legs and feet are yellowish. The eyes are large and yellow irises and the legs and feet are yellowish. The specimen stands on a wooden perch pedestal with identification tags attached to its leg. 17. / Bookook Owl / See catalogue page, 4 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, owls, barking owls, screaming woman call, yowing, woodland birds, birds of prey, australian owls, endangered, loss of habitat, woodland habitat, bunyip, australian early settler mythology

The centre Timbers under the glass tops came from the old Passchendaele Barracks building in Mollison Street Bendigo. The old building dated back to 1916. The building Depot was closed down and dismantled with the unit based there moved out to the new “Multi User Depot in Junortoun”. The tables were made in Bendigo and placed in the new Meeting Room of the Bendigo District RSL in Havilah Road which was named “Kokoda Room”. In another round of renovations to the Club the two tables were placed in the Soldier's Memorial Museum Pall Mall now Bendigo Military Museum. One was placed in the old Meeting room which at that time was part of the Museum, the second was placed in the old kitchen which had been converted into an BDRSL Office. With more renovations the two tables were returned to the Bendigo District RSL in a new meeting room. The two computer insets for cabling was then put into the tables. .1) .2) Two tables solid construction brown stain colour, the top has in inset of Timbers narrow a lighter brown stain laying across the width dimension, a glass top sits over these Timbers level with the heavy outside frame. Each table has an inset centre to accomodate computer cabling. There is a small plaque on each table.On the small plaques, “ Original Timbers from Passchendaele Barracks Bendigo”.brsl, smirsl, bdrslinc

This collection of photos is of President George Rennie and councilors W.H.Uren (M.L.A.),J.P.Spiers, J.Lester, James Baird,J.Dalgleish, J.King, J.Innes, C.Edmonston and Mr. H.Bregenzer (Secretary).and is for the council year 1885-86Original Historic Photo.Collection of photos Of President George Rennie and Councilors,1885-86.Sepia in colour and set in brown frame with decorative carving and inner edge light brown.Main mount is grey with secondary mount,lighter in shade, in shape of horse shoe which contains the photos.The central photo is surrounded by a shaped gold edging.In each of the four corners are painted heads of wheat.Presented by the President G.Rennie Esq. to the Ballarat Shire Council 1885-86ballarat shire council, president 1885 1886, rennie george esq

A part of a yearly marketing and information material promoting Falls Creek region for the summer holidays. It focuses on Falls Creek's location in the High Plains and its connection to the Bogong National Park. Large amounts of information about activities, facilities and regulations for the use of Park facilities are included,This item is important because it documents seasonal activities at Falls Creek Alpine ResortGreen A4 size brochure for summer holiday program at Falls Creek 'Gateway to the Bogong High Plains'. Dark green printed text and images on lighter green card paper, with image of Wallaces Hut framed at bottom of page and titles above. Opens to A3 size with internal and back pages of images and information for Summer Holidays at Falls Creek. falls creek, bogong high plains, bogong national park, northeast victoria

Used to hold the ticket records or trip journals of a conductor. Originally stamped for use by a cable tram depot, no. 49 and then "No. 66". Possibly made when the MMTB introduced paper tickets onto the cable trams. See item 1206 for another example.Demonstrates a cable tram era leather journal cover used tor record trips and tickets sold.Journal or ticket record wallet, consisting of two very heavy and hard pieces of brown coloured leather joined by a sewn (light brown cotton) lighter piece of leather to form a foldable wallet. The outside covers have been polished. Has two holes on the lower rear cover where possibly a brass number was attached - see item 125.In ink on the inside "M Collyer"tramways, mmtb, tickets, conductors, outfits