A press release in 2006 issued by Public Relations Officer Carmel McConnell. It asked for privacy of the Kovco family after the death of Private Jake Kovco who had died in Iraq. It mentions Legacy were in contact with Shelley Kovco and were supporting her and her children. Document was from a folder of documents donated to the archive by Legatee Bill Rogers that related to his time as President (March 2006 - March 2008).A record that Melbourne Legacy supplied updates to the media.One A4 page of a press release asking for space to mourn after the death of Private Jake Kovco.press release, widows

E.E. Pescott no longer Principal in 1927, did part-time teaching at Burnley Horticultural College. Had a strong interest in native flora. Excursion to Boronia probably to study flora under EEP's guidance. Such excursions were a feature of the Certificate Course. eg. Ringwood, Heathmont, Greensborough, Frankston-Langwarren, Beaumaris ones under Charles French Jnr, Bill Nicholl and myself." E.B. Littlejohn.Collection of photographs donated 1991. Sepia and black and white prints (1) "First outing with hair up." "Burnley H.S. Boronia picnic 1927." (2) "Mr. E.E. Pescott? At Boronia-1927." (3) Lunch at Boronia as newspaper clip 1927 E. Chalmers." Also photographs of B91.112, B91.113, B91.114, B91.273(1, 2), B91.377, B91.384, B91.399, B91.405, B93.713, B93.716, B98.1036, B98.1037 catalogued separatelyboronia, picnic, 1927, e.e. pescott, ella chalmers (née fry), principal, burnley horticultural college, ella chalmers, ella fry

Archibald Clarkson Jones enlisted on 17.7.1915 aged 20 years 6 months, No 2672 6th Reinforcements 23rd Battalian AIF, embarked for Eygpt on 27.10.1915. He was attached to several Signal Companys namely 5th Div Sigs, promoted Cpl 6.6.16, embarked for France 17.6.16, promoted Sgt 9.10.17, discharged from the AIF on 29.7.1919. Part of the William (Bill) Thomason collection refer Cat No 4136P for more items.Medal set,Court mounted, set of (3) re A.C Jones. 1. 1914-15 Star. 2. War Medal 1914-18 3. Victory Medal 1914 - 1919.1. "2672. PTE. A.C.JONES 23 BN A.I.F." 2 & 3. "2672 SGT A.C JONES 23 BN A.I.F"2672, a.c.jones, 23rd btn, aif, medal set

Various documents relating to the establishment of East Burwood Reserve including acquisition of land, details, plans, locality map, news cuttings and photographs. Appears to be copy of Nunawading City Council File April 1993Various documents relating to the establishment of East Burwood Reserve sportsgrounds, east burwood reserve, soilleur (dr), hitchens, anna, blue moon fruit co-operative ltd., jacobson and logan, king family, central methodist mission, aussat, tally ho, sewart, bill

Black and white photo of Protest Meeting of Mahoneys Road, Forest Hill Residents objecting to traffic increase, mainly generated by Forest Hill Chase. The Meeting took place in Nunawading Council Chambers. Councillors present, from front - W. Coyne, P. Dempsey, W. Riddell, A. Bowden, P. Allen.resident action, mahoneys road, forest hill, city of nunawading, coyne, bill, dempsey, peter, riddell, wal, bowden, anthony peter., allan

Book, soft cover, black print on front, back & spine. Black & white photograph of military tank & 2/29 Battalion colour patch on front cover with light yellow colour background. 224 cut plain pages, illustrated black & white photographs. Handwritten in black in on title page: To Bill Toan Thanks for getting me (nice and pissed in Singapore) Feb 1992 My son Peter joins me in sending best wishes Kind regards Clem Sheppard. Donated by Bgo Y Mens Club In black ink on front page: RSL Stampbooks, military history

Murray Comrie Collection.Monochrome photograph of a group of children assembled in rows for a school photograph. Accompanied by two sets of handwritten notes (catalogued separately as a Research Notes) with children's names. Names of children combined from both set of notes are believed to be: Left to Right Back/4th row: Alice Duggan, Eva Newton, Mary Darling (or M. Emerson), Iris Heraud, Vida Cottle, Phyllis Cottle, Sadie Taylor (or M. Radnell), May Lamprell, Mavis Comrie, Nell Alexander, Madge Whimpey, Kath Duggan. 3rd row: Headmaster/teacher A. "Boss" Alison, Dulcie Goltz, Annie Grey, Enid Stobie, Ettie Jenkins, Lil Comrie, Mary Riordan, Clara Radnell, Ena Bock, Edith Gedling, Rose Heraud. 2nd row: Olive Jenkins, Winnie Duggan, Pearl Lamprell, Betty Radnell, Edna Jenkins, Dora Goltz, Murray Comrie, Ron Heraud, Theo Riordan, Syd Goltz, Tom Comrie, B. Radnell, Stan Whimpey, Andy Heraud. Front/1st row: Bill Gedling, Jim Duggan, Frank (or Stan) McNamee, Andy Graham, Angus Comrie, Jack Grey, Bill Graham, Alan Alexander, Roy Alexander, Bill Riordan. tarnagulla, school, education, children, alexander, alison, bock, comrie, cottle, duggan, darling, emerson, gedling, goltz, grey, heraud, jenkins, lamprell, graham, mcnamee, newton, radnell, riordan, stobie, taylor, whimpey

The tin was made by Wilson Bros, Melbourne, for Edwards' Ensign Tea Pty Ltd, Melbourne, Victoria, Australia, 1900-1940. There was a fire at their factory in Flinders Street Melbourne on April 30, 1921 which completely destroyed the building. New premises were obtained at 310/18 King Street Melbourne in 1923. there continued to be bill board advertisements for Ensign tea at the King Street address, also regular adverts in the Argus newspaper during1942.An Australia icon during the first half of the 20th century as tea drinking was a popular past time and social activity.Container for tea with hinged lid. Label yellow with map of Australia. Lid is coming away on one hinge. "Edwards Ensign Tea" On label "Edwards Ensign Tea"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, tea tin, tea caddy, drink, container, wilson bros, ensign tea

The tin was made by Wilson Bros, Melbourne, for Edwards' Ensign Tea Pty Ltd, Melbourne, Victoria, Australia, 1900-1940. There was a fire at their factory in Flinders Street Melbourne on April 30, 1921 which completely destroyed the building. New premises were obtained at 310/18 King Street Melbourne in 1923. there continued to be bill board advertisements for Ensign tea at the King Street address, also regular adverts in the Argus newspaper during1942.An Australia icon during the first half of the 20th century as tea drinking was a popular past time and social activity.Container for tea with hinged lid. Label yellow with map of Australia. Lid is coming away on one hinge. "Edwards Ensign Tea" On label "Edwards Ensign Tea"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, tea tin, tea caddy, drink, container, wilson bros, ensign tea

Photograph: From left, John Brumby and Bill Williams at Creswick. Includes several unidentified persons. Photography has been taken outdoors. John Brumby was Victorian Treasurer and later Premier of Victoria. His government was defeated by the Liberal Party headed by Ted Baillieu in 2010. Brumby subsequently left politics. Prior to Brumby's career in state politics, he served as a federal MP in the seat of Bendigo until his defeat in 1979.Photographbtlc, ballarat trades hall, ballarat trades and labour council, brumby, john, williams, bill, state premiers, politicians, alp, australian labor party

Arthur was on 19 June 1874 in Ballarat, Victoria, Australia, son of John Smith WATSON and Robina MARSHAL. He moved to Queensland in the early 1900’s and was a champion rower in Victoria and Queensland and a noted cyclist who rode in three Warrnambool to Melbourne races, and footballer Arthur Watson was married to Kathleen and had two children Mercia and Bill (Brisbane Qld). He died on 12 July 1954. Arthur's sister was Robina (Ruby) WATSON. Portrait of Arthurlocal identities

A document that relates the origins of the Flanders Field poem by John McCrea and the origin of the Poppy Appeal. The photocopy is page 92 from N'Oublions Jamais L'Australie (Never forget Australia) - Australia and Villers-Bretonneux 1918-1993. It was published by the Villers-Bretonneux 75th Anniversary Pilgrimage Project Committee in 1994. Document was from a folder of documents donated to the archive by Legatee Bill Rogers that related to his time as President (March 2006 - March 2008) or as a legatee.A record that the origin of the poem was significant to the Legatees that this page was collected by Bill Rogers in 2007.One A4 page about of the significance of poppies copied from a book.Top right is printed N'Oublions Jamais L'Australie.tradition, poppy appeal

Legatee Rogers collected information about Stan Savige after attending an unveiling of a statue of Savige and this print out was additional information about him on the from when Latrobe Council and Advance Morwell were planning the bronze bust as a memorial. It recounts Savige's DSO citation and his service. Document was from a folder of documents donated to the archive by Legatee Bill Rogers that related to his time as President (March 2006 - March 2008).A record of the life and service of Legatee Stan Savige, founder of Legacy.Photocopy x 4 pages of a document by Advance Morwell and Latrobe City outlining hopes to create a memorial to Stan Savige.stan savige, assyrians, dunsterforce

A black and white photo of six junior legatees posing outside a brick house. They are Bill Corrie, Gwen Smith, Lil Edmunds (Edmonds?), Frank Holliday, Elaine Smith, Roy Gilbert. The location is not known. But presumably the teenagers all knew each other through Legacy. Was with a group of photos from around the 1930s from the early days of Legacy, including cricket team, football team, and camps at Balnarring/Somers (saved as 01915 to 01934).A record of the friendliness between junior legatees that they posed for photos together.Black and white photos x 5 of junior legatees posing in front of a brick house.Handwritten on reverse are names in blue pen, stamped with 'Printed by Harringtons' in purple ink and '1 3' in blue ink.junior legatee, junior legatee outing

The diamond firetail bird is native to inland southeastern Australia, inhabiting woodland regions. It is often described as one of the most stunningly coloured birds of the finch family. The nest is built by both partners but only the female does the weaving. Both partners incubate the eggs and care for the young. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. The diamond firetail finch it characterised by the top of its body being ash brown, with crown, forehead and neck grey. The under feathers are white with a crimson rump. There is a black band across its neck which continues down the flank to be dotted with white. The bill and eye ring are coral, and the legs and feet are dark grey. The female is similar to the male although sometimes smaller. 10057 comprises of one male and one female. This specimen stands upon a wooden platform and has an identification tag tied around its legLabel: 41a./ Firetialed Finch / See Catalogue, Page 15. /taxidermy mount, cancel, taxidermy, burke museum, beechworth, australian museum, finch, diamond firetail

Eastern Meadowlarks live throughout the grasslands and farms in eastern North America. On the ground, their brown-and-black dappled upperparts camouflage the birds among dirt clods and dry grasses. When in flight or perching, they reveal bright-yellow breasts and bellies, and a striking black chevron across the chest. The Eastern Meadowlark has a diet which consists of mainly insects and seeds. These birds forage by walking on the ground and taking insects and seeds from the ground and from low plants. In winter, these birds may choose to forage in flocks. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. This Eastern Meadowlark has a yellow breast and throat with black plumage in the shape of a 'V' on it's throat. This particular specimen has a long pointed bill which is in the shape of a spear. The crown of the bird is a dark brown and it also has lighter brown/yellow stripes on the brow. The back, wings, and tail are light brown with dark brown mottling. This specimen stands upon a wooden platform and has an identification tag tied around its leg. The legs are long and the specimen has been styalised in an upright position.Label: [illegible] Ant-Eating Thrush / Catalogue, Page 66. /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, american birds, eastern meadowlark, meadowlark

The Dusky Woodswallow is often found in flocks which can be located in two separate populations. The Eastern population if located in Atherton Tableland in Queensland south to Tasmania and west to Eyre Peninsula in South Australia. The other population is found in south-west Western Australia. They reside in open forests and woodlands. This species is surprisingly aggressive and may fight with other Woodswallows for territory and nest sights. They will even chase raptors away from their homes. This species flies in flocks of around 10 to 30 birds which cluster together. In terms of diet, these birds eat insects and nectar from flowers. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Dusky Woodswallow has largely deep brown colouring with some areas of grey on the head, neck and chest. There is a deeper brown colouring between the wings on the back of the specimen and the wings are black. This bird has a small curved bill which is grey and white. The legs are dark grey and the bird has long talons with an extra long toe in the centre. The eyes are made of brown glass with a back pupil. The bird is styalised standing on a wooden mount and has a paper identification tag attached to its right leg.[torn] / 9 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, swallow, woodswallow, dusky woodswallow

The Little Pied Cormorant is commonly seen in Australia's wetlands. These birds reside amongst large flocks in locations where fish is plentiful. On the occasion that this bird is seen on inland streams and dams they will be solitary. This particular species willingly mixes with similar sized birds including the Little Black Cormorant. They feed on aquatic animals ranging from insects and yabbies and are labelled as benthic feeders because they find their prey on the seafloor. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Little Pied Cormorant specimen is a small bird with white and black colouring. The back of the head, neck, wings and tail are black while the undersides are a creamy white. The feet are webbed and are also dark in colouring. The bird has pale glass eyes and a medium sized bill and a long tail. This specimen is styled to look over it's left wing with its long neck bent to look in that direction. It stands on a wooden mount with a paper identification tag attached to the bird's right foot. The mount has the number 152 written on the wood.Swing tag: 21a. / Pied Cormorant / Catalogue page 41 / Mount: 152 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, cormorant, little piet cormorant, waterbird

The Great Crested Grebe is a medium to large sized bird located in Australia, New Zealand, Europe, Asia and in parts of Africa. They reside in large bodies of fresh water and are renowned for their elaborate mating dances. When breeding, the Great Crested Grebe has tawny cheek "fans" and black crests; however, in the non-breading seasons the plumage of this bird turns white. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Great Crested Grebe is a medium to large sized bird. It typically has cheek "fans" on the sides of the face and elaborate crest feathers which are shed after breeding, as is the case for this specimen. This bird is in a tall standing position with its neck stretched upwards and facing left. The small dark eyes have been made from glass and a large pointed bill. It has a metal tag tied to its left leg engraved with the numbers "4401". The skin surrounding the toes are flat which assists the bird when swimming.On tag 4401taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, great crested grebe, bird

The Belted Kingfisher is commonly seen near bodies of water or coasts in Canada, Alaska and the United States. During migration periods these birds may stray far from their usual habitat. Interestingly, the female of this species, as is the case for this specimen, is often larger than the male. They are also more brightly coloured. This species feed on amphibians, small crustaceans, insects, small mammals and reptiles. They lie await perched on a tree located close to water and remain there watching until they see their prey. When they have located their prey, the Belted Kingfisher plunges its head into the water and catches its food. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Belted Kingfisher stands upon a wooden perch with a light brown paper tag attached to leg. This specimen has pale cream/white and slate grey/blueplumage. The head and back are coloured the blue-grey while the neck and stomach are cream/white. The bird has a black ring around its upper chest. The stomach has a chestnut brown band which identifies this particular specimen as female. The bill is long and pointed and the eyes and legs black. The bird is small and stocky with a large head and a square-tipped tail.95.a / Belted / Kingfisher / Catalogue page, 25 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, kingfisher, small birds, belted kingfisher, king fisher, female bird

One of three Ventnor State School Student Photographs.Ventnor State School - No. 3895. School Students Photo, 1939. John Justice, Mr Alan Anderson, Olive Jenner, Joan Hunter, Una Coels Bill Jones Robbie Justice, Harry Harris, Billy Trew, Ken Clark. Cefn Price, ??Maynard, Sylvie Trew, ?? Maynard, (??understood to be the Maynard Twins, don't know First Names) Alice Clark, Shirley Hunter, Alberta Harris, Beryl Hunter, Isobel Justice, Ruth Harris. Adele Justice, Norman Jenner, Peter Justice, Audrey Harris.ventnor state school phillip island, ventnor state school student photo 1939, alice robinson (nee clark)

Book. ALEC H CHISHOLM COLLECTION. 260 page hardcover book on famous cricketers from Victor Trumper to Peter May. Authored by Jack Fingleton and illustrated with 18 B & W photos. Foreward by the Rt. Hon. R. G. Menzies, P.M. of Australia. Published in 1958 by Heinemann Ltd and printed by Billing & Sons Ltd, Guildford and London. Catalogue sticker ''2197 FIN'' on spine. Handwritten in ink on title page ''For Alec Chisholm in warm appreciation of yourself and help Jack Fingleton Canberra Sept 1958''.Jack Fingletonbooks, collections, sport, alec h chisholm collection, jack fingleton, cricket, cricketers

Black and white photograph of the Golden Square Primary School boys Marching Team. Date Nov. 2nd 1970. The twenty three boys are; David Hunter, Noel Claridge, Greg Hammond, Ricky Ervin, Paul Foley, Garry Stewart, John English, Robyn Adams, Tim Doye, Gregory Devanny, Paul Bateman, John Tresidder, Colin Grenfell, Peter Jarvis, Stewart Davey, Michael Priest, Peter McConville, Terry Blaufuhs, Ian Symons, Barry Palmer, Bill Bradley, Wayne Symons and Glenn Lloyd.education, primary, golden square laurel st p.s., golden square laurel street p.s. collection - photograph marching team, david hunter, noel claridge, greg hammond, ricky ervin, paul foley, garry stewart, john english, robyn adams, tim doye, gregory devanny, paul bateman, john tresidder, colin grenfell, peter jarvis, stewart davey, michael priest, peter mcconville, terry blaufuhs, ian symons, barry palmer, bill bradley, wayne symons, glenn lloyd

Black and white photograph of the Golden Square Primary School Runners Up - Football, dated Nov. 2nd 1970. Photograph taken under a tree. The coach is Mr. D. Munari and the nineteen boys are: Kevin McCurdy, Terry Blaufuhs, David Hill, Colin Grenfell, Leigh Hunter, Stephen Gault, Clifford Ireland, Ricky Ervin, Michael Priest, Noel Claridge, Robyn Adams, David Hunter, Gregory Devanny, Bill Bradley, Peter McConville, Ian Symons, Barry Palmer, Peter Jarvis and Colin Wright.education, primary, golden square laurel st p.s., golden square laurel street p.s. collection - photograph runners up - football, kevin mccurdy, terry blaufuhs, david hill, colin grenfell, leigh hunter, stephen gault, clifford ireland, ricky ervin, michael priest, noel claridge, robyn adams, coach - mr. d munari, david hunter, gregory devanny, bill bradley, peter mcconville, ian symons, barry palmer, peter jarvis, colin wright