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Ararat Gallery TAMA
Textile, Frances Burke, Unknown, 2 pieces, 1939-1950
Frances Burke: Designer of Modern Textiles Australia’s most influential and celebrated textile designer of the mid-20th century, Frances Burke (1904-1994), employed Australian native flora, garden flowers, marine subjects, Indigenous culture and increasingly, abstract motifs in her stunning modern fabrics. A confident, determined designer and businesswoman; Burke made the shift from fine art to design in 1937. While she began by designing dress fabrics for Melbourne’s fashionable Georges Department store, printing them on linen using lino blocks, she was an early adopter of the screen-printing process and during the war years began printing on cotton. Burke’s furnishing fabrics took their place in influential modern buildings Australia-wide through collaborations with leading architects and interior designers. They included Robin Boyd’s 1949 House of Tomorrow, Roy Grounds’ Quamby flats, Guilford Bell’s Royal Hayman Island Resort for Ansett Airlines, and Yuncken, Freeman Brothers, Griffiths and Simpson’s Canberra Civic Centre Theatre. In the post-war period, Burke made regular trips to the United States and Europe, on her return advising homeowners and manufacturers on the latest trends in products, colours and home design in lectures and interviews. At New Design her fabric showroom and interior design consultancy Burke introduced furniture by emerging designers Clement Meadmore and Grant Featherston in the early 1950s and presented local and imported homewares, mostly from the United States. She was enthusiastic about the convenient and comfortable lifestyle experienced by ordinary American women. Her fabrics and advice were regularly featured in Australian Home Beautiful, Australian House and Garden and the newspapers of the day. Some of Burke’s designs had remarkable longevity. Tiger Stripe (1938) for example, continued to be produced in a wide range of colours until 1970 and Crete (1946) remained a popular choice for interiors into the 1960s. Drawing from a rich variety of sources including Indigenous culture in Goanna (c.1954) and Pacific Island tapa cloth designs in Bird and Tree (1940), Burke also looked to Japan in designs such as Plum Blossom (1948) and Zen (1965). She loved exploring the potential of native flora, seen in designs including Waratah (1955) and Flannel Flower (1955), while garden flowers were the source for many other designs including Belladonna (1940), Periwinkle (n.d.) and Rose (1947). Burke’s clever interplay of a single striking printed colour with lively gestural lines revealing the white base fabric, gave her designs a vibrancy that characterised the optimistic post-war era. This can be seen in Burke’s fabrics for Hayman Island including Angel Fish and Seapiece (both 1949) which expressed the freshness and excitement of the luxurious new tropical resort and led to further commissions. Burke’s three decades in business (1937-1970) were an unparalleled success in the story of Australian design. Her fabrics have been collected by the NGA, the Powerhouse Museum, NGV, RMIT Design Archives and Sydney Living Museums in addition to Ararat Gallery TAMA. Written by Nanette Carter and Robyn Oswald-Jacobs. -
Ararat Gallery TAMA
Textile, Frances Burke, Shields (pair of curtains), 1965
Frances Burke: Designer of Modern Textiles Australia’s most influential and celebrated textile designer of the mid-20th century, Frances Burke (1904-1994), employed Australian native flora, garden flowers, marine subjects, Indigenous culture and increasingly, abstract motifs in her stunning modern fabrics. A confident, determined designer and businesswoman; Burke made the shift from fine art to design in 1937. While she began by designing dress fabrics for Melbourne’s fashionable Georges Department store, printing them on linen using lino blocks, she was an early adopter of the screen-printing process and during the war years began printing on cotton. Burke’s furnishing fabrics took their place in influential modern buildings Australia-wide through collaborations with leading architects and interior designers. They included Robin Boyd’s 1949 House of Tomorrow, Roy Grounds’ Quamby flats, Guilford Bell’s Royal Hayman Island Resort for Ansett Airlines, and Yuncken, Freeman Brothers, Griffiths and Simpson’s Canberra Civic Centre Theatre. In the post-war period, Burke made regular trips to the United States and Europe, on her return advising homeowners and manufacturers on the latest trends in products, colours and home design in lectures and interviews. At New Design her fabric showroom and interior design consultancy Burke introduced furniture by emerging designers Clement Meadmore and Grant Featherston in the early 1950s and presented local and imported homewares, mostly from the United States. She was enthusiastic about the convenient and comfortable lifestyle experienced by ordinary American women. Her fabrics and advice were regularly featured in Australian Home Beautiful, Australian House and Garden and the newspapers of the day. Some of Burke’s designs had remarkable longevity. Tiger Stripe (1938) for example, continued to be produced in a wide range of colours until 1970 and Crete (1946) remained a popular choice for interiors into the 1960s. Drawing from a rich variety of sources including Indigenous culture in Goanna (c.1954) and Pacific Island tapa cloth designs in Bird and Tree (1940), Burke also looked to Japan in designs such as Plum Blossom (1948) and Zen (1965). She loved exploring the potential of native flora, seen in designs including Waratah (1955) and Flannel Flower (1955), while garden flowers were the source for many other designs including Belladonna (1940), Periwinkle (n.d.) and Rose (1947). Burke’s clever interplay of a single striking printed colour with lively gestural lines revealing the white base fabric, gave her designs a vibrancy that characterised the optimistic post-war era. This can be seen in Burke’s fabrics for Hayman Island including Angel Fish and Seapiece (both 1949) which expressed the freshness and excitement of the luxurious new tropical resort and led to further commissions. Burke’s three decades in business (1937-1970) were an unparalleled success in the story of Australian design. Her fabrics have been collected by the NGA, the Powerhouse Museum, NGV, RMIT Design Archives and Sydney Living Museums in addition to Ararat Gallery TAMA. Written by Nanette Carter and Robyn Oswald-Jacobs. -
Ararat Gallery TAMA
Textile, Frances Burke, Periwinkle
Frances Burke: Designer of Modern Textiles Australia’s most influential and celebrated textile designer of the mid-20th century, Frances Burke (1904-1994), employed Australian native flora, garden flowers, marine subjects, Indigenous culture and increasingly, abstract motifs in her stunning modern fabrics. A confident, determined designer and businesswoman; Burke made the shift from fine art to design in 1937. While she began by designing dress fabrics for Melbourne’s fashionable Georges Department store, printing them on linen using lino blocks, she was an early adopter of the screen-printing process and during the war years began printing on cotton. Burke’s furnishing fabrics took their place in influential modern buildings Australia-wide through collaborations with leading architects and interior designers. They included Robin Boyd’s 1949 House of Tomorrow, Roy Grounds’ Quamby flats, Guilford Bell’s Royal Hayman Island Resort for Ansett Airlines, and Yuncken, Freeman Brothers, Griffiths and Simpson’s Canberra Civic Centre Theatre. In the post-war period, Burke made regular trips to the United States and Europe, on her return advising homeowners and manufacturers on the latest trends in products, colours and home design in lectures and interviews. At New Design her fabric showroom and interior design consultancy Burke introduced furniture by emerging designers Clement Meadmore and Grant Featherston in the early 1950s and presented local and imported homewares, mostly from the United States. She was enthusiastic about the convenient and comfortable lifestyle experienced by ordinary American women. Her fabrics and advice were regularly featured in Australian Home Beautiful, Australian House and Garden and the newspapers of the day. Some of Burke’s designs had remarkable longevity. Tiger Stripe (1938) for example, continued to be produced in a wide range of colours until 1970 and Crete (1946) remained a popular choice for interiors into the 1960s. Drawing from a rich variety of sources including Indigenous culture in Goanna (c.1954) and Pacific Island tapa cloth designs in Bird and Tree (1940), Burke also looked to Japan in designs such as Plum Blossom (1948) and Zen (1965). She loved exploring the potential of native flora, seen in designs including Waratah (1955) and Flannel Flower (1955), while garden flowers were the source for many other designs including Belladonna (1940), Periwinkle (n.d.) and Rose (1947). Burke’s clever interplay of a single striking printed colour with lively gestural lines revealing the white base fabric, gave her designs a vibrancy that characterised the optimistic post-war era. This can be seen in Burke’s fabrics for Hayman Island including Angel Fish and Seapiece (both 1949) which expressed the freshness and excitement of the luxurious new tropical resort and led to further commissions. Burke’s three decades in business (1937-1970) were an unparalleled success in the story of Australian design. Her fabrics have been collected by the NGA, the Powerhouse Museum, NGV, RMIT Design Archives and Sydney Living Museums in addition to Ararat Gallery TAMA. Written by Nanette Carter and Robyn Oswald-Jacobs. -
Ararat Gallery TAMA
Textile, Frances Burke, Fabric piece, framed
Frances Burke: Designer of Modern Textiles Australia’s most influential and celebrated textile designer of the mid-20th century, Frances Burke (1904-1994), employed Australian native flora, garden flowers, marine subjects, Indigenous culture and increasingly, abstract motifs in her stunning modern fabrics. A confident, determined designer and businesswoman; Burke made the shift from fine art to design in 1937. While she began by designing dress fabrics for Melbourne’s fashionable Georges Department store, printing them on linen using lino blocks, she was an early adopter of the screen-printing process and during the war years began printing on cotton. Burke’s furnishing fabrics took their place in influential modern buildings Australia-wide through collaborations with leading architects and interior designers. They included Robin Boyd’s 1949 House of Tomorrow, Roy Grounds’ Quamby flats, Guilford Bell’s Royal Hayman Island Resort for Ansett Airlines, and Yuncken, Freeman Brothers, Griffiths and Simpson’s Canberra Civic Centre Theatre. In the post-war period, Burke made regular trips to the United States and Europe, on her return advising homeowners and manufacturers on the latest trends in products, colours and home design in lectures and interviews. At New Design her fabric showroom and interior design consultancy Burke introduced furniture by emerging designers Clement Meadmore and Grant Featherston in the early 1950s and presented local and imported homewares, mostly from the United States. She was enthusiastic about the convenient and comfortable lifestyle experienced by ordinary American women. Her fabrics and advice were regularly featured in Australian Home Beautiful, Australian House and Garden and the newspapers of the day. Some of Burke’s designs had remarkable longevity. Tiger Stripe (1938) for example, continued to be produced in a wide range of colours until 1970 and Crete (1946) remained a popular choice for interiors into the 1960s. Drawing from a rich variety of sources including Indigenous culture in Goanna (c.1954) and Pacific Island tapa cloth designs in Bird and Tree (1940), Burke also looked to Japan in designs such as Plum Blossom (1948) and Zen (1965). She loved exploring the potential of native flora, seen in designs including Waratah (1955) and Flannel Flower (1955), while garden flowers were the source for many other designs including Belladonna (1940), Periwinkle (n.d.) and Rose (1947). Burke’s clever interplay of a single striking printed colour with lively gestural lines revealing the white base fabric, gave her designs a vibrancy that characterised the optimistic post-war era. This can be seen in Burke’s fabrics for Hayman Island including Angel Fish and Seapiece (both 1949) which expressed the freshness and excitement of the luxurious new tropical resort and led to further commissions. Burke’s three decades in business (1937-1970) were an unparalleled success in the story of Australian design. Her fabrics have been collected by the NGA, the Powerhouse Museum, NGV, RMIT Design Archives and Sydney Living Museums in addition to Ararat Gallery TAMA. Written by Nanette Carter and Robyn Oswald-Jacobs. -
Kew Historical Society Inc
Plaque, Kew City Hall : Opened by The Hon H.E. Bolte M.L.A. Premier of Victoria 23rd April 1960 : Cr H.H. Ferguson J.P. Mayor, 1960
The Municipality of Kew was proclaimed on 19 December 1860, then upgraded to a Borough (1863), a Town (1910) and finally a City (1921). From 1865, its offices were based in the former Athenaeum Hall in Walpole Street, which, although extended in 1883, inevitably became inadequate. Plans for a new purpose-built Town Hall were first mooted in the late 1880s, but fell prey to six subsequent decades of debate. During that time, many sites were considered and rejected, and several schemes prepared. Finally, in 1945, it was resolved to build a new civic centre as a war memorial. The council acquired Southesk, a mansion on the south-west corner of Cotham Road and Charles Street – first mooted as a possible Town Hall site two decades earlier – and plans for a civic precinct were drawn up by John Scarborough. The project stalled until 1957, when a Town Hall Committee was formed and a new architect appointed: Harold Bartlett of Leith & Bartlett. He also proposed an entire civic precinct, of which a large public hall would constitute Stage One. Designed to accommodate almost any public or official function, the space had had a small stage at one end for intimate theatrical productions, a larger stage at the other (with operable sunken orchestra pit) for musical performances, plus the most up-to-date equipment for live TV transmission. The building, befitting its original intent as a war memorial, was also to include a sculpted monument, for which a separate design competition was held. First prize went to George H Allen (1900-1972), long-time head of the Sculpture Department at RMIT and a former war artist himself (the only one, in fact, to have worked in the medium of sculpture). At the time of the Kew project, Allen was best known for his Cenotaph at the Shrine of Remembrance (1955) and a controversial abstract sculpture at Hume House in William Street (1957). Tenders for the new hall were called and the contract (worth £104,986) was awarded to H F Yuncken. The foundation stone was laid by the Mayor, Cr F C O'Brien, on 1 June 1959. Completion (initially scheduled for October) was delayed by the unavailability of certain materials; it was barely finished in time for the official opening (by Premier Henry Bolte) on 23 April 1960. The war memorial was unveiled two days later (Anzac Day) by Bolte's deputy, the Hon A G Rylah. Fittingly, that year also marked Kew's municipal centenary, and many celebratory events were held in and around the new civic centre in December, including a special council meeting (attended by the Prime Minister), a tree planting ceremony and a youth ball. Source: Survey of Built Heritage in Victoria: Stage Two (Built Heritage Pty Ltd., 2010)Plaque commemorating the opening of a new town hall in KewMetal plaque recording the official opening of the Kew City Hall, 23rd April 1960. This plaque was given to the Kew Historical Society in 1991 by the former City of Kew.Kew City Hall / Opened by / The Hon. H.E. Bolte M.L.A. / Premier of Victoria / 23rd April 1960 / Cr. H.G. Ferguson J.P. - Mayor.kew city hall, foundation stones - kew (vic), sir henry bolte, local government -- kew (vic.) -
Kew Historical Society Inc
Plaque, A Special Meeting of the Kew City Council Was Held in This Hall on 13th December 1960 to Commemorate the Centenary of Kew : Cr. W.H.S. Dickinson M.B.E., J.P. Mayor, 1960
The Municipality of Kew was proclaimed on 19 December 1860, then upgraded to a Borough (1863), a Town (1910) and finally a City (1921). From 1865, its offices were based in the former Athenaeum Hall in Walpole Street, which, although extended in 1883, inevitably became inadequate. Plans for a new purpose-built Town Hall were first mooted in the late 1880s, but fell prey to six subsequent decades of debate. During that time, many sites were considered and rejected, and several schemes prepared. Finally, in 1945, it was resolved to build a new civic centre as a war memorial. The council acquired Southesk, a mansion on the south-west corner of Cotham Road and Charles Street – first mooted as a possible Town Hall site two decades earlier – and plans for a civic precinct were drawn up by John Scarborough. The project stalled until 1957, when a Town Hall Committee was formed and a new architect appointed: Harold Bartlett of Leith & Bartlett. He also proposed an entire civic precinct, of which a large public hall would constitute Stage One. Designed to accommodate almost any public or official function, the space had had a small stage at one end for intimate theatrical productions, a larger stage at the other (with operable sunken orchestra pit) for musical performances, plus the most up-to-date equipment for live TV transmission. The building, befitting its original intent as a war memorial, was also to include a sculpted monument, for which a separate design competition was held. First prize went to George H Allen (1900-1972), long-time head of the Sculpture Department at RMIT and a former war artist himself (the only one, in fact, to have worked in the medium of sculpture). At the time of the Kew project, Allen was best known for his Cenotaph at the Shrine of Remembrance (1955) and a controversial abstract sculpture at Hume House in William Street (1957). Tenders for the new hall were called and the contract (worth £104,986) was awarded to H F Yuncken. The foundation stone was laid by the Mayor, Cr F C O'Brien, on 1 June 1959. Completion (initially scheduled for October) was delayed by the unavailability of certain materials; it was barely finished in time for the official opening (by Premier Henry Bolte) on 23 April 1960. The war memorial was unveiled two days later (Anzac Day) by Bolte's deputy, the Hon A G Rylah. Fittingly, that year also marked Kew's municipal centenary, and many celebratory events were held in and around the new civic centre in December, including a special council meeting (attended by the Prime Minister), a tree planting ceremony and a youth ball. Source: Survey of Built Heritage in Victoria: Stage Two (Built Heritage Pty Ltd., 2010)Historically significant commemorative plaqueMetal plaque relating to special Council meeting to mark centenary of Kew, 13th December 1960. This plaque was given to the Kew Historical Society in 1991 by the former City of Kew.A Special Meeting Of The / Kew City Council Was Held In / This Hall On 13th December 1960 / To Commemorate / The Centenary of Kew / Cr. W.H.S. Dickinson, M.B.E., J.P., / Mayorkew city hall, foundation stones - kew (vic), cr. w.h.s. dickinson, local government -- kew (vic.) -
Kew Historical Society Inc
Plan - Subdivision Plan, J R Mathers & McMillan, Heart of Richmond Estate : Richmond, 1928
"In 1928 the land on the east side of Johnson Street was subdivided in 60 lots for the ‘Heart of Richmond Estate’. The houses in the subdivision, along the east side of Johnson Street, and in the newly created Hollick, Cole and Kennedy streets were constructed from 1928 to 1937." (Source: City of Yarra Heritage Gaps Review One 2013)Portion of subdivision plan pasted on to cardboard. Area includes Johnson Street, Victoria Street, Kennedy Street, Cole Street, Hollick Street, Bennett StreetTitle Certificate Vol.2381, Folio 476130 Phillips, Fox & Masel, 440 Little Collins Street, Melbourne (Local estate agent: Jas. R. Mathers & McMIllan, 136 Cotham Road, Kew)subdivision plans - richmond (vic.), heart of richmond estate -
Kew Historical Society Inc
Document - Identity Card, Commonwealth of Australia, Emily Elizabeth Foley, 89 Harp Road, East Kew, 1942, 1942
... ) , particularly non-Europeans and Asian residents. (Source: Museum ...Identity card issued to Emily Foley in 1942. This type of card was issued to British subjects who were civilians. During World War II everyone in Australia was issued with a personal identity card and was required to report changes of address to the government. These cards were particularly important in the identification and monitoring of Aliens (non-citizen residents) , particularly non-Europeans and Asian residents. (Source: Museum Victoria)Local example of an identity card issued to a Kew resident.Identity card issued to Emily Elizabeth Foley of 89 Harp Road, East Kew. The card uses the for "C.R.3 - Civilian Registration British Subjects". it bears a Camberwell stamp on the front right corner. The Identity Card includes the following inscriptions: Front "V14 / F85 / 29268" Reverse Witness signature: "Ethel Foley" same address identity cards, world war 2 - ii, second world war 1939-1945, australia -
Kew Historical Society Inc
Newspaper, W D Vaughan Pty Ltd, The Kew Advertiser, Vol.16 No.37, Thursday September 25 1941, 25/09/1941
"The Kew Advertiser , published by WD Vaughan Pty Ltd, commenced publication in January 1926 and, before the year's end, a modern printing plant had been established at 128 Denmark Street (demolished). This later became the nerve centre for publication of four other local newspapers: The Hawthorn Standard (1932), the Eastern Suburbs Advertiser (1934), the Coburg Courier (1935) and the Brunswick Sentinel (1936). The last two were later sold to another publisher, and the remaining three merged in 1959 to form the Eastern Suburbs Standard. This, in turn, continued under that name until 1974, when it merged with a counterpart from Doncaster, the Whitehorse Standard, and then carried on (under various names) until 1980." (Source: City of Boroondara : Thematic Environmental History, p. 75)Kew Newspaper produced in 1941 by W D Vaughamn Pty Ltd. The newspaper was printed at his offices in Denmark Street. The banner headline claims that it had a distribution of 6,000 copies.the kew advertiser, newspapers -- kew (vic), wd vaughan pty ltd -
Kew Historical Society Inc
Archive (Sub-series) - Subject File, Kew Historical Society, Kew Association of Boroondara Inc, 1994
Various partiesReference, Research, InformationSecondary Values (KHS Imposed Order)This subject file contains information about the second Kew Association, formed in 1994 to ensure that residents of Kew were adequately represented in the new amalgamated City of Boroondara. In 2000, the group mounted a case [unsuccessfully] for Kew to secede from the new City. The Discussion Paper for Secession is included in the file. The latest reference to the Association is a newspaper article form 2004. The file mainly contains proposals, agendas and minutes of meetings, and the Association’s Constitution. Many of its office bearers were active in other community groups.kew - history, kew association - kew (vic), kew association of boroondara inc, local government restructure - kew (vic)kew - history, kew association - kew (vic), kew association of boroondara inc, local government restructure - kew (vic) -
Kew Historical Society Inc
Archive (Sub-series) - Subject File, Kew Bands, 1992
Various partiesReferenceKHS OrderThere have been a number of Bands in Kew’s history. The subject file contains three newspaper articles/files on the Kew Citizen’s Band, the Kew Youth Band (1989-) and the Kew Band. Other references to bands and their histories are included in published local histories. kew historical society - archives, performing arts - kew (vic), kew band, music - bands - kew (vic), kew youth band (1989-), kew citizen’s bandkew historical society - archives, performing arts - kew (vic), kew band, music - bands - kew (vic), kew youth band (1989-), kew citizen’s band -
Kew Historical Society Inc
Archive (series) - Subject File, Kew, City of - Amalgamation, 1994, 1994
... sources. kew - history local government - amalgamations - kew (vic ...Various partiesReferenceKHS OrderThe City of Kew was amalgamated into the City of Boroondara in 1994. The new city comprised the former Cities of Hawthorn, Kew and Camberwell. This archive file contains primary sources and publications relating to the amalgamation. The earliest item in the file is a newspaper article/clipping from the Eastern Standard (1986) recording a request from Hawthorn Council to Kew Council to consider amalgamating. The file also includes other newspaper articles/cuttings (some undated) reporting on opposition to the amalgamation. An interesting item in the file is a photocopy of a coloured digital photograph of the members of the last Kew Council. [The original still has to be discovered]. The file also contains a commemorative edition of Kewriosity [magazine] (1994), which lists all the chairmen and mayors of Kew (1861-1994) and three copies of the City of Kew Final Commemorative Council Meetingb14 June 1994. kew - history, local government - amalgamations - kew (vic) - boroondara (vic)kew - history, local government - amalgamations - kew (vic) - boroondara (vic) -
Kew Historical Society Inc
Archive (Sub-series) - Subject File, Kew, City of - Community Directories, 1958
... sources. kew - history local government - kew (vic) - publications ...City of KewReference, Research, InformationKHS OrderN/Akew - history, local government - kew (vic) - publications, community directories - kew (vic)kew - history, local government - kew (vic) - publications, community directories - kew (vic) -
Kew Historical Society Inc
Archive (Sub-series) - Subject File, Kew, City of - Management, 1958
City of KewReference, Research, InformationKHS Imposed OrderKew in Victoria was declared a City in 1921, and remained so until it was amalgamated into the City of Boroondara in 1994. This is a single large archive file, primarily comprised of Kew Council documents, a number of which date from an earlier period. Interesting early primary sources include: 1914 Amendments to the Local Government Act of 1903 [copy owned by Mr W.J. Muntz C.E.]; a Cleansing Contract [for the removal of night-soil] (1913); an Annual Statement of Accounts (1923); and By-Law No.66 (1939) [relating to the “Erection Construction and Removal of Buildings, Advertising Signs, Etc.”; and the Councillor’s Handbook (1939). In addition to these, later publications relate to Financial Statements (1986, 1987, 1988); Model Local Laws (1989); a Municipal Emergency Management Plan (1990); Mobile Bin Recycling Trial (1991); a School Project Kit (1991-2); and Committee Minutes (1992). There are also a number of newspaper articles/clippings on Council management issueslocal government - kew (vic) - publications, city of kew - management, city of kew - amendments to the local government act 1903, city of kew - by-laws, city of kew - financial statements, city of kew - councillor's handbook, city of kew - municipal emergency management plan 1990, city of kew - mobile bin recycling trial (1991)local government - kew (vic) - publications, city of kew - management, city of kew - amendments to the local government act 1903, city of kew - by-laws, city of kew - financial statements, city of kew - councillor's handbook, city of kew - municipal emergency management plan 1990, city of kew - mobile bin recycling trial (1991) -
Kew Historical Society Inc
Archive (Sub-series) - Subject File, Kew, City of - Proclamation, 1921
Various partiesReference, Research, InformationKHS OrderKew was declared a City in 1921. The subject file contains two items relating to this proclamation: a photocopy of newspaper pictures showing Lord Stradbroke declaring Kew a City (Weekly Times, 19 March 1921 and a brochure produced in 1921 by Council to commemorate the event. kew - history, city of kew - proclamation, kew in 1921, local government - kew (vic.)kew - history, city of kew - proclamation, kew in 1921, local government - kew (vic.) -
Kew Historical Society Inc
Equipment, Handheld Directional Compass, 1960s
This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand.The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.Circular compass, marked by degree to 360. Metal case with cracked glass upper surface. Metal ? with brass pivot. North marked by an exterior metal knobInterior labelled with N,S,E, and W in large print. NW, NE, SE and SW in smaller print. Outer circle marks the degrees, notated in 20 degree steps Numbered KH311compass, handheld compass, dorothy rogers -
Kew Historical Society Inc
Equipment, A Martin's Improved Horse Clipper
Horse drawn vehicles were used by the City of Kew to draw a number of vehicles including garbage carts. These clippers were used to groom council-owned horses. A well-provenaced piece of equipment used to groom council-owned horses. The item has local significance as a representative piece of equipment made redundant by the introduction of motorised vehicles.Metal horse clippers with wooden handles of a red colour. Manufacturers label on box : "A. Martin's Improved Horse Clipper : Albert Martin & Co., Patentees and Manufacturers, London, England" Similar manufacturer's markings on handles of the clipper. The box notes that it was sourced from the City of Kew.horse clippers, city of kew -
Kew Historical Society Inc
Photograph, Richardson Family at Dight's Falls, 1920
Dight’s Falls in Studley Park is an artificial weir built on a natural rock bar across the Yarra. The weir was built in the 1840s to provide water to the ‘Ceres’ flour-mill, one of the first in Victoria. The falls were later to become known as Dight’s Falls after the owners of the mill. Later, a pumping station was built on the Kew side of the river, which pumped water uphill to a reservoir in Walmer Street that provided water to the Melbourne Botanical Gardens and to Albert Park Lake. The area around Dight’s Falls was and is frequently used for recreational activities.This photograph forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.Black and white photograph of the Richardson family seated on the Kew side of Dight's Falls in 1920. One of the girls in the photograph was to become the Melbourne historian Dorothy (Richardson) Rogers.Annotation on reverse: "Mrs D. Rogers, 29 Park Crst Kew. Dights Falls 1920"dight's falls - kew (vic) - fairfield (vic), sport and recreation - kew (vic), dorothy rogers -
Kew Historical Society Inc
Archive (series) - Subject File, Aged Care Facilities (Kew), 1958
Various PartiesReference, Research, InformationKHS OrderReference file containing information about aged care providers in Kew, including newspaper articles/cuttings, mostly dated, from local newspapersaged care facilities - kew (vic)aged care facilities - kew (vic) -
Kew Historical Society Inc
Archive (series) - Subject File, BARNARD Family, 1958
Various PartiesReference, Research, InformationKHS OrderMembers of the Barnard Family were significant and notable pioneers of Kew. Francis Barnard established the first Kew Post Office and also a pharmacy. The post office was on the corner of Cotham Road and High Street. It later moved to another location in High Street. His son, F G A Barnard wrote the ‘Jubilee History of Kew, Victoria’ (1910). [An index to the publication is in the file]. Both Barnards were mayors of Kew. The extensive file of information includes some primary sources and a number of photocopies of secondary sources. The primary sources include two letters, the first from F G A Barnard dated 29-9-10, to W Derrick Esq, Cambooya requesting information on early settlement in Kew, and a handwritten reply from W Derrick recalling this period. Another primary source [laminated] relates to The Intermediate Examination conducted by the Pharmacy Board of Victoria (1917). The Kew Historical Society has many items relating to the Barnard family in its collection. One is the wall clock, which was donated by a Mrs McArthur of North Balwyn in 1973. The correspondence relating to its acquisition, and an article written by Mavis Rolley is in the file. While the collection includes an original copy of ‘Bear and Forbear: A genealogical study of the Prentice, Barnard and related families in Great Britain, Ireland and Australia’ (Prentice, Sydney & Mildred, 1985) in its library, a photocopy of parts are included in the file, with a number of letters from Mildred Prentice. The Society also has a number of bottles etc., from the pharmacy, which were donated by Kathleen Murphy of Surrey Hills. There are also various copies of birth certificates, biographies etc.francis barnard, fga barnard, mayors of kew, pharmacists - kew (vic), postmasters - kew (vic), registrars of births deaths and marriages - kew (vic), historians - kew (vic)francis barnard, fga barnard, mayors of kew, pharmacists - kew (vic), postmasters - kew (vic), registrars of births deaths and marriages - kew (vic), historians - kew (vic) -
Kew Historical Society Inc
Archive (Sub-series) - Subject File, Bibliographies (Kew), 1984
Various partiesReference, Research, InformationKHS OrderSubject file containing a typed list of published histories (undated), a copy of ‘Brief Guide to Local History Resources held at the [Kew] Municipal Library’ (Green, D. & Tarr, A.,1984, 11pp) and ‘An Annotated List of Kew Newspapers from 1860-1985 (Green, Deidre, April 1985, 26pp)bibliographies - kew (vic.), kew librarybibliographies - kew (vic.), kew library -
Kew Historical Society Inc
Archive (Sub-series) - Subject File, Boroondara Bulletin, 1994
City of BoroondaraReference, Research, InformationProvenance OrderSubject file containing various copies of the City of Boroondara’s ‘Boroondara Bulletin’ including Volumes 1/1, 1/4 (1994), 2/2 (1995), 4 (1997) and Nov 2010. The file also includes some other, later Ward updates. The Bulletin was first issued by the City Commissioners following the forced amalgamation of the suburbs of Kew, Camberwell, Hawthorn etc. into the new City in 1994. The early Bulletins were like local newspapers and reported on community activities as well as Council policy. Additional copies of the Boroondara Bulletin are stored in the Society’s Library.city of boroondara - boroondara bulletin, city of boroondara - publicationscity of boroondara - boroondara bulletin, city of boroondara - publications -
Kew Historical Society Inc
Archive (Sub-series) - Subject File, Centenary Celebrations (Kew), 1934, 1958
Various partiesReference, Research, InformationSecondary Values (KHS Imposed Order)Small file containing a photocopy of a newspaper article form 1934 (The Age, 27 October 1934), and two copies of a local United Centenary Thanksgiving Service held in Kew in the Alexandra Gardens on the occasion. centenary of melbourne, commemorative events - kew (vic), alexandra gardenscentenary of melbourne, commemorative events - kew (vic), alexandra gardens -
Kew Historical Society Inc
Journal (Series) - Visitor Books from 'Fairyland', 1949-1965
Grace Tabulo > Dorothy Rogers > Kew Historical SocietyVisitor booksPrimary Values; Provenance Order'Fairyland', the home and garden of Jim and Grace Tabulo was a major local, state and international tourist attraction located at 57 Malmsbury Street, Kew. A series of visitor books record the messages of child and adult visitors to the house from the 1940s to the 1960s. These manuscripts are historically significant primary sources relating to Fairyland. They record the values and beliefs of child and adult visitors during the period of its operation as a tourist destination.jim tabulo, grace tabulo, fairyland, tourism - kew - 1945-1965, gardens - kew (vic), 57 malsbury street -- kew (vic.), houses -- kew (vic.)jim tabulo, grace tabulo, fairyland, tourism - kew - 1945-1965, gardens - kew (vic), 57 malsbury street -- kew (vic.), houses -- kew (vic.) -
Kew Historical Society Inc
Archive (Sub-series) - Subject File, Kew Historical Society et al, Human Services, 1997
Various partiesReference, Research, InformationSecondary Values (KHS Imposed Order)Subject file containing a three-part ‘Field Analysis’ / Major Assignment for RMIT Coursework by Lisa D’Acri and Simon Chambers on the History of Kew. Part 1 covers a ‘Community Area Profile’ (8 pages), Part 2 covers ‘Community Issues - The Effects of Amalgamation’ (4 pages), Part 3 covers ‘Human Service Organisation: Kew Residential Services’ (9 Pages). The research includes an analysis of demographic change over time, and summaries of interviews with residents and council officers. The file also includes the text of a talk provided by Lisa D’Acri to the Society in 1997 on Researching Kew’s History. Specific organisations covered include: Kew Cottages, St Nicholas Parents Assn. Inc.kew historical society - archives, kew - history, social services - kew (vic), local government amalgamations - kew (vic)kew historical society - archives, kew - history, social services - kew (vic), local government amalgamations - kew (vic) -
Kew Historical Society Inc
Work on paper, Alan Sumner, Preparatory Drawing for 'The Four Seasons' Window, 1985
The gouache was presented to Cr Jill O'Brien, Mayor of Kew in 1983-4, who was instrumental in the purchase of the window. The same Kewriosity article, referred to in the physical description, states that the window was originally commissioned from the artist by a Kew timber merchant, and following ownership by successive owners found its way back to Kew. The framed photograph is part of the Jill O'Brien collection which was gifted to the Kew Historical Society following her death in July 2016. The collection includes important primary sources relating to a number of areas in which Jill O'Brien made a significant contribution including the establishment of the Villa Alba Museum, local government, the Kew Historical Society, the Yarra Bend Trust, and the arts.Framed gouache on paper of the design by the artist Alan Sumner for his window, The Four Seasons. The window, now in Kew Library was purchased to commemorate Kew's 125th Anniversary. An article in a contemporary issue of Kewriosity states: The window is approximately three metres in diameter and divided into one central and four outer panels. Clockwise from the top is Autumn with sinuous lines in yellow and brown, then winter in cool blues and mauves with lines and circles suggesting rain, snow and hail. Spring follows in the bottom left quadrant with organic ovaloid shapes richly coloured and lines evoking growth. Then to the top where summer explodes with the colours of fire and blue of the sky at the height of summer. The centre panel has a powerful image of sun, moon and stars which links the surrounding panels".jill o’brien, public art - kew (vic), stained glass - kew (vic), alan sumner - the four seasons, kew library, public art -
Kew Historical Society Inc
Photograph - Photographs, Cr Phyllis Hore, Mayor of Kew 1985-1986, 1985-1986
Phyllis Catherine Hore (née Kiss) was born in 1918. A Kew resident from 1949, she was elected to Council in 1972, after several attempts, and served for twenty- three years until her death in 1994. A secondary teacher by profession, Cr Hore represented College and Sackville Wards. While a councillor, she was a resident of High and later Pakington Streets. She served on Council committees and was a delegate to the Kew Elder Citizens Association, the Family and Community Services (FACS) Local Consultative Committee, and the Kew Music Centre Board of Management. During her Mayoral year, she was instrumental in memorialising Vance and Nettie Palmer, significant Kew writers and poets, by unveiling a plaque at the Kew Library in the year of the centenary of their births. In May 1994, the Mayor of Kew, Cr Tom Indovino, named a meeting room at Kew Library, the Phyllis Hore Room in recognition of her service to the City. She is buried in the Heidelberg (Warringal) Cemetery. (Source: Chairmen and Mayors of Kew 1960-1994, p. 88)Two colour 'proofs' of mayoral photos of Cr Phyllis Hore, donated by her daughter in 2019cr phyllis hore, mayors of kew (vic) -
Kew Historical Society Inc
Book, Rosemary Sassoon, Keeping Chronicles: Preserving history through written memorabilia, 2010
160 p. : ill. ; 26 cm.non-fictionhistory - sources - preservation -
Kew Historical Society Inc
Journal - Visitor Book, Grace Tabulo, Fairyland Lady And Children, 1958-1959
"Fairyland", the home of Jim and Grace Tabulo, was a major local, state and international tourist attraction situated in Kew, Victoria during the mid twentieth century. Located at 57 Malmsbury Street, Kew, the weatherboard house and its garden were heavily decorated with statues, crockery and other collected items. A series of notebooks were used to record the messages of child and adult visitors to the property from the 1940s to the 1960s. After Mrs Tabulo's death, these visitor books are believed to have formed part of the Dorothy Rogers Collection. They entered the Kew Historical Society's collection following her death in 1973.This series of visitor books are the most important primary sources relating to the internationally renowned 'Fairyland' cottage in Malmsbury Street, Kew. Their social significance is that they record in the post war period the values and beliefs of children and adults who visited this historically significant tourist attraction.Foolscap visitor book containing newspaper clippings, handwritten comments and drawings relating to visits to the home of Grace Tabulo, 57 Malmsbury Street Kew, known as Fairyland, June 1958 - April 1959. The book is wrapped in brown paper, which covers a grey card and red cloth strip binding. Creator's title inscription is located under the brown paper on front cover. 120pp. Mrs TABULO/ FAIRYLAND/ LADY/ AND CHILDREN./ c.1959grace tabulo, fairyland - 57 malmsbury street (kew), tourism - kew - 1945-1965, childhood - kew, collectors and collecting, gardens - kew (vic), scrapbooks - 20th century -
Kew Historical Society Inc
Journal - Visitor Book, Fairyland 1963-1965
"Fairyland", the home of Jim and Grace Tabulo, was a major local, state and international tourist attraction situated in Kew, Victoria during the mid twentieth century. Located at 57 Malmsbury Street, Kew, the weatherboard house and its garden were heavily decorated with statues, crockery and other collected items. A series of notebooks were used to record the messages of child and adult visitors to the property from the 1940s to the 1960s. After Mrs Tabulo's death, these visitor books are believed to have formed part of the Dorothy Rogers Collection. They entered the Kew Historical Society's collection following her death in 1973.This series of visitor books are the most important primary sources relating to the internationally renowned 'Fairyland' cottage in Malmsbury Street, Kew. Their social significance is that they record in the post war period the values and beliefs of children and adults who visited this historically significant tourist attraction.Visitor book containing handwritten comments and drawings primarily made by children during visits to the home of Grace Tabulo, in the period 6 January 1963 to 26 December 1965. Commonly known as "Fairyland", the house was located at 57 Malmsbury Street Kew. The book is wrapped in brown paper, which covers a black binding. Unpaginated, 93pp. On front cover: "MRS TABULO: 1879-1966/ "FAIRY HOUSE" / 1963 /- /1965" On title page: "FAIRY LAND Kew / JANUARY 6th 1963"grace tabulo, fairyland - 57 malmsbury street (kew), tourism - kew - 1945-1965, childhood - kew, collectors and collecting, gardens - kew (vic), scrapbooks - 20th century