This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. At least 2 of these houses (17 and 84) are contributory properties to HO72 Elsternwick Estate and environs.Page 172 of Photograph Album with four photographs of differerent properties on Regent Street.Handwritten: Regent Street [top right] / 17 [under bottom left photo] / 84 [under bottom right photo] / 172 [bottom right]trevor hart, regent street, elsternwick, houses, mansions, cast iron work, verandahs

This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. House still in place per Google image capture June 2019. It is Wanda Road, not street. Page 198 of Photograph Album with one photograph of a house on Wanda Street.Handwritten: Wanda Street [top right] / 19 WANDA STREET [under photo] / 198 [bottom right]trevor hart, porch, garden, verandah, single storey, return verandah, decorative brackets, wanda street, ridge capping, spire, protruding bays, decorative fretwork, queen anne style, queen anne, conical tower, wanda road, caulfield north

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. While the page heading says "architect: Walter Burley Griffin", in fact Edward F. Billson designed it.From the Victorian Heritage Register Database - Citation for 45 Balaclava Road https://vhd.heritagecouncil.vic.gov.au/places/35562 (as at 12/10/2020) The house at 45 Balaclava Road, Caulfield North has architectural importance as an early example of the work of Edward F. Billson, whose work demonstrated the influence of the internationally distinguished American architect Frank Lloyd Wright and his one time colleague, Walter Burley Griffin with whom Billson worked in partnership for a period. It is presumed to be the earliest important example Billson's work and attains special importance as an early example of modern architecture in Australia, the earliest work of Griffin preceding it by only five years.Page 28 of Photograph Album with four photographs - two interior and two exterior photographs.Hand written: 45 Balaclava Rd architect Walter Burley Griffin [top right] / Neg 265 [under top right photo] / Neg 266 [under right bottom photo] / 28[bottom right]trevor hart, caulfield north, balaclava road, edward f. billson, frank lloyd wright, walter burley griffin, modern architecture, 1910's, gables, double storey houses, attics, windows

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. While the page heading says "architect: Walter Burley Griffin", in fact Edward F. Billson designed it.From the Victorian Heritage Register Database - Citation for 45 Balaclava Road https://vhd.heritagecouncil.vic.gov.au/places/35562 (as at 12/10/2020) The house at 45 Balaclava Road, Caulfield North has architectural importance as an early example of the work of Edward F. Billson, whose work demonstrated the influence of the internationally distinguished American architect Frank Lloyd Wright and his one time colleague, Walter Burley Griffin with whom Billson worked in partnership for a period. It is presumed to be the earliest important example Billson's work and attains special importance as an early example of modern architecture in Australia, the earliest work of Griffin preceding it by only five years.Page 29 of Photograph Album with four photographs of close up views of architectural details of a window and doors including three interiors and one exterior view.Hand written: Neg 263 [under top left photo] / Neg 269[under top right photo] / Neg 261 [under bottom left photo] / Neg 267 [under bottom right photo] / 29 [bottom left]trevor hart, caulfield north, balaclava road, edward f. billson, frank lloyd wright, walter burley griffin, modern architecture, 1910's, gables, double storey houses, windows

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. While the page heading says "Walter Burley Griffin arch", in fact Edward F. Billson designed it.From the Victorian Heritage Register Database - Citation for 45 Balaclava Road https://vhd.heritagecouncil.vic.gov.au/places/35562 (as at 12/10/2020) The house at 45 Balaclava Road, Caulfield North has architectural importance as an early example of the work of Edward F. Billson, whose work demonstrated the influence of the internationally distinguished American architect Frank Lloyd Wright and his one time colleague, Walter Burley Griffin with whom Billson worked in partnership for a period. It is presumed to be the earliest important example Billson's work and attains special importance as an early example of modern architecture in Australia, the earliest work of Griffin preceding it by only five years.Page 30 of Photograph Album with three photographs of the exterior of this double storey house and one photograph of a carport.Handwritten: Walter Burley Griffin arch. 45 Balaclava Road [top right] / Neg 272 [under top left photo] / Neg 270 [under top right photo] / Neg 262 [under bottom left photo] / Neg 264 [under bottom right photo] / 30 [bottom right] trevor hart, caulfield north, balaclava road, edward f. billson, frank lloyd wright, walter burley griffin, modern architecture, 1910's, gables, double storey houses, windows, attics, carports, gardens

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. 376 Glen Huntly Road is a contributory building to HO72 - Elsternwick Estate and Environs, City of Glen Eira.Page 64 of Photograph Album with four photographs of different properties on Glen Huntly Road - 2 in portrait mode and 2 in portrait photographs of photographs.Hand written: Glen Huntly Road [top right] / 376 GLENHUNTLY ROAD [written in blue pen on the bottom edge of the top left photo] / 216-218 Glen Huntly Rd [under bottom left photo] / 64 [bottom right] trevor hart, glen huntly road, elsternwick, shops, streetscapes, vintage cars, carriages and coaches, glenhuntly road

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. Melbourne Mansions database indicates that its architect may have been Charles Webb.Page 66 of Photograph Album with three exterior photographs (two portrait and one landscape) of Glentana, a single storey Victorian residence, focussing on views of its verandah.Hand written: "Glentana" 805 Glenhuntly Road [top right] / 66 [bottom right] trevor hart, brick, polychrome brickwork, cast iron frieze, decorative brackets, italianate, return verandah, glentana, glen huntly road, caulfield, cast iron work, verandahs, glenhuntly road, charles webb, glen tana, house names

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. This house is part of HO14 Caulfield North and Environs - Heritage Overlay as a contributing property.Page 42 of Photograph Album with one photograph of a double-storey house on Carnarvon Road.Handwritten: Carnarvon Road [top right hand corner] / 42 [bottom right]trevor hart, caulfield north, carnarvon road, houses, verandahs, balconies, gardens

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. This church has since become the Greek Orthodox Church. From Victorian Heritage Database: Citation for Greek Orthodox Church HO84 https://vhd.heritagecouncil.vic.gov.au/places/43587 (as at 19/10/2020) The former Primitive Methodist, later Congregational, church at 152 Grange Road, Glenhuntly, is a small timber building, erected in 1885 (89?) in South Melbourne and relocated to Glenhuntly in 1909. It is a highly individual picturesque timber structure with distinctive spire and timber enrichment. It has aesthetic, historical and social significance. Its aesthetic value is derived from the choice of materials and picturesque Gothic Revival character showing American influence. Its historical value is derived from its survival as a rare example of a Primitive Methodist Church building whilst its social value hinges on its early roles as a place of worship for the Primitive Methodists in South Melbourne and the Congregationalists in Glenhuntly.Page 72 of Photograph Album with two photographs (one portrait and one landscape) of the upper exterior and tower of the Congregational Church on Grange RoadHand written: Congregational Church, Grange Road [top right] / 72 [bottom right] trevor hart, congregational church, grange road, gothic revival, carnegie, glen huntly, glenhuntly, greek orthodox church, primitive methodist church, spire, timber buildings

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. This church has since become the Greek Orthodox Church. From Victorian Heritage Database: Citation for Greek Orthodox Church HO84 https://vhd.heritagecouncil.vic.gov.au/places/43587 (as at 19/10/2020) The former Primitive Methodist, later Congregational, church at 152 Grange Road, Glen Huntly, is a small timber building, erected in 1885 (89?) in South Melbourne and relocated to Glenhuntly in 1909. It is a highly individual picturesque timber structure with distinctive spire and timber enrichment. It has aesthetic, historical and social significance. Its aesthetic value is derived from the choice of materials and picturesque Gothic Revival character showing American influence. Its historical value is derived from its survival as a rare example of a Primitive Methodist Church building whilst its social value hinges on its early roles as a place of worship for the Primitive Methodists in South Melbourne and the Congregationalists in Glenhuntly.Page 73 of Photograph Album with two photographs (both portrait) of front and side views of the spire of the Congregational Church on Grange RoadHand written: 73 [bottom left] trevor hart, congregational church, grange road, gothic revival, carnegie, glen huntly, glenhuntly, greek orthodox church, primitive methodist church, spire, timber buildings

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. Caulfield Town Hall is now known as Glen Eira Town Hall.From Victorian Heritage Database: Citation for Town Hall, Corner Glen Eira and Hawthorn Roads - HO106 https://vhd.heritagecouncil.vic.gov.au/places/43613 as at (19/10/2020) The former City of Caulfield (now City of Glen Eira) Municipal Offices, located at the south-west corner of Hawthorn and Glen Eira Roads, Caulfield South, were commenced for the Borough of Caulfield in 1884 when they also included a Post and Telegraph Office and Court of Petty Sessions. They were designed by the Borough surveyor, Sydney Smith. The hall was completed in 1890 to the design of Alexander Rankin and the present hall, foyer and portico completed to the design of Goldsmith and Jenkin, architects, in 1931. The complex is historically, aesthetically and socially significant. It is historically significant {Criterion A) as the centre of Local Government services in the area since 1885 and as a centre of post and telegraph and legal services for a period. Its association with architect and Borough surveyor, Sydney W. Smith is important in that the east elevation and facade (ground floor level only)as far west as the tower (lower two stages) survive as evidence of his work, the practice which his son continued after his death in 1886, becoming highly successful. The work of Goldsmith and Jenkin is historically important in that it indirectly demonstrates the growth of the City sustained during the Inter-war period, the work proceeding in spite of the Depression. It compares with other similar work of that time including the refurbishment of the Malvern Municipal Offices and Hall in 1927 (Hudson and Wardrop), the Melbourne Corporation Offices and Hall in 1925-28 (Stephenson and Meldrum, A. and K. Henderson) and the Camberwell Offices and Council Chamber in 1924 (Leighton Irwin and Roy Stevenson), other comparable municipal projects being undertaken during the 1930s. Finally, the Goldsmith and Jenkin works are important as a project of the Depression years organised specifically to alleviate unemployment problems in the Municipality. The complex is aesthetically important (Criterion E) as a prominent and imposing Classically derived complex of its type with individually noteworthy interior spaces being the entry hall and staircase, main Hall, Foyer and Council Chamber. The Adamesque plasterwork, timber panelling and furniture, Art Nouveaux enrichment and Classically derived treatment with sparing use of Australian decorative motifs are contributory elements. Exterior .elements of note include the remains of the original design prepared by Sydney Smith and the clock tower and portico which have come to symbolise important Municipal complexes erected prior to the Second World War. The complex is socially important (Criterion G) for the value placed on it by the community which has made use of it for activities including that of Local government for well over a century.Page 74 of Photograph Album with four photographs (three portrait and one landscape) of different views of the Caulfield Town Hall.Hand written: Caulfield Town Hall cnr Hawthorn & Glen Eira Rds [top right] / 74 [bottom right] trevor hart, caulfield, glen eira, caulfield town hall, sydney smith, sydney w smith, municipal, adamesque plasterwork, adamesque, art nouveaux, portico, council chambers, alexander rankin, foyer, local government, timber panelling, tower, unemployment, clock tower, hawthorn road, glen eira road, city of glen eira, municipal offices, post and telegraph office, goldsmith and jenkin, courthouses, surveyors, architects, classical architectural style, streetscapes, gardens, cars, glen eira town hall, depression 1929-1939

This photograph is part of the Caulfield Historical Album 1972 but is noted as taken in 1922. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. Caulfield Town Hall is now known as Glen Eira Town Hall.From Victorian Heritage Database: Citation for Town Hall, Corner Glen Eira and Hawthorn Roads - HO106 https://vhd.heritagecouncil.vic.gov.au/places/43613 as at (19/10/2020) The former City of Caulfield (now City of Glen Eira) Municipal Offices, located at the south-west corner of Hawthorn and Glen Eira Roads, Caulfield South, were commenced for the Borough of Caulfield in 1884 when they also included a Post and Telegraph Office and Court of Petty Sessions. They were designed by the Borough surveyor, Sydney Smith. The hall was completed in 1890 to the design of Alexander Rankin and the present hall, foyer and portico completed to the design of Goldsmith and Jenkin, architects, in 1931. The complex is historically, aesthetically and socially significant. It is historically significant {Criterion A) as the centre of Local Government services in the area since 1885 and as a centre of post and telegraph and legal services for a period. Its association with architect and Borough surveyor, Sydney W. Smith is important in that the east elevation and facade (ground floor level only)as far west as the tower (lower two stages) survive as evidence of his work, the practice which his son continued after his death in 1886, becoming highly successful. The work of Goldsmith and Jenkin is historically important in that it indirectly demonstrates the growth of the City sustained during the Inter-war period, the work proceeding in spite of the Depression. It compares with other similar work of that time including the refurbishment of the Malvern Municipal Offices and Hall in 1927 (Hudson and Wardrop), the Melbourne Corporation Offices and Hall in 1925-28 (Stephenson and Meldrum, A. and K. Henderson) and the Camberwell Offices and Council Chamber in 1924 (Leighton Irwin and Roy Stevenson), other comparable municipal projects being undertaken during the 1930s. Finally, the Goldsmith and Jenkin works are important as a project of the Depression years organised specifically to alleviate unemployment problems in the Municipality. The complex is aesthetically important (Criterion E) as a prominent and imposing Classically derived complex of its type with individually noteworthy interior spaces being the entry hall and staircase, main Hall, Foyer and Council Chamber. The Adamesque plasterwork, timber panelling and furniture, Art Nouveaux enrichment and Classically derived treatment with sparing use of Australian decorative motifs are contributory elements. Exterior .elements of note include the remains of the original design prepared by Sydney Smith and the clock tower and portico which have come to symbolise important Municipal complexes erected prior to the Second World War. The complex is socially important (Criterion G) for the value placed on it by the community which has made use of it for activities including that of Local government for well over a century.Page 75 of Photograph Album with one portrait photograph of the exterior of Caulfield Town Hall taken in 1922.Hand written: FEBRUARY 1922 [under photo] / 75 [bottom left] trevor hart, caulfield, glen eira, caulfield town hall, sydney smith, sydney w smith, adamesque plasterwork, art nouveaux, portico, council chambers, alexander rankin, foyer, local government, timber panelling, tower, unemployment, clock tower, hawthorn road, glen eira road, city of glen eira, municipal offices, palms, gardens, post and telegraph offices, goldsmith and jenkin, architects, city of caulfield, ivy clad walls, surveyors, depression 1929-1939, glen eira town hall

Boys from the Methodist Children's Home Cheltenham collecting Briquettes from the shed. Briquettes, made from Brown coal, were an economical source of heating for the Home The Methodist Children's Home in Cheltenham was founded c1880 to provide housing for neglected children from the inner city. The Founders aimed to provide regular nourishment, a stable environment and integrate the children into the local community thereby improving their education and lives. ( see 00561) 1950's saw a new direction for the support of children and families in poor and difficult situations . The new Burwood Homes Facility opened in 1951 and children were transferred from Cheltenham in 1952. The land was sold to the St John of God, Catholic Order in1953 who maintained an orphanage until Myer Pty Ltd bought the site in 1967 and constructed the Southland Shopping Centrec1892-1953 The Methodist Children's Home Cheltenham was founded to provide safe accommodation and education for neglected children from the inner city slums. Black & White photograph of some boys in the Briquette Shed at Methodist Children's Home Cheltenham 1935Back Handwritten informationmethodist children's home cheltenham 1892-1953, briquettes, heating, yallourn brown coal mine, city of moorabbin, county of bourke, moorabbin roads board, parish of moorabbin, shire of moorabbin, henry dendy's special survey 1841, were j.b.; bent thomas, o'shannassy john, king richard, charman stephen, highett william, ormond francis, maynard dennis, cheltenham state school no.84, methodist chapel cheltenham, methodist school cheltenham, beaumaris west state school, meeres frederick, meeres walter, education, early settlers

Prior to the Second World War Tarakan Island was part of the Dutch East Indies and an important oil-producing centre. In early 1942 it was occupied by the Japanese. The primary objective for the Allied attack on Tarakan (code-named "Oboe One") was to secure and develop the island's airstrip so that it could be used to provide air cover for subsequent landings in Brunei, Labuan and Balikpapan. The secondary objective for the operation was to secure Tarakan's oilfields and bring them into operation as a source of oil for the Allied forces. As part of the 26th Brigade the 2/24 Battalion landed at Tarakan on May1 1945. The task of capturing Tarakan's airstrip was assigned to the 2/24th Battalion. The Battalion's initial attack on the airstrip on the night of 2 May was delayed when the Japanese set off large explosive charges, and the airstrip was not secured until 5 MayThe 2/24th Battalion was an infantry battalion of the Australian Army, which served during World War II .A unit of all-volunteers, it was formed in July 1940 from primarily Victorian volunteers and was known as "Wangaratta's Own" because of the time the battalion spent in the town during its formative period prior to deployment overseas. It served in North Africa in 1941–1942 as part of the 26th Brigade, which was assigned to the 7th Division, before being reassigned to the 9th Division. In early 1943, the battalion returned to Australia and later took part in campaigns against the Japanese in New Guinea in 1943–1944 and Borneo in 1945, before being disbanded in 1946. The 2/24th suffered the highest number of casualties of any 2nd AIF infantry battalion. The Unit was granted the Freedom of the City by the Rural City of Wangaratta in 1996 and one of the first, if not the first, to receive this type of honour. Reproduced black and white photograph of metal pylon structures with man standing in bombed foreground Handwritten on rear - Oil wells on Tarakan2/24th battalion, tarakan, ww2

These letters from 1978, record the first known attempts by Melbourne Legacy to preserve and store their history and what "The Wardens" of the archives believed was the most appropriate way to proceed with the project. Legatees Brian Armstrong and Frank Doolan were appointed by the Board of Management to scope the work to establish and archive as 'The Wardens'. They mention in their report to the BOM that many original files were lost in a fire 'many years ago' and they had collected material from many sources. They felt that a proper storage facility and indexing was required and were not able to complete those tasks. It would appear most of their work remained in their envelopes and storage system until the Victorian Collections archive was created. Came from an envelope labelled 'P2 Archives Origin' in red pen as per the archive system used by the original archive.Significant in that the Board of Melbourne Legacy understood and valued the importance of preserving and documenting the history of Melbourne Legacy. A record that Frank Doolan and Brian Armstrong had done considerable work at creating the initial archive for Legacy in 1978.Two letters about the original attempt to create an archive. 00456.1 Copy of a letter typed on Legacy A4 letterhead, dated 7 February 1978, to the Legacy secretary from Legatees Frank Doolan and Brian Armstrong. 00456.2 Letter typed on quarto Legacy letterhead, dated 10 March 1978, from the secretary advising their letter had been tabled at the Board Meeting.00456.1. Handwritten, "L/tee Brian Armstrong" in blue ball point pen. Stamped COPY ONLY, in purple ink. Signed Frank Doolan and HB Armstrong. 00456.2 Signed Legatee L. F. Johns. Hon Sec Melbourne Legacy.history, frank doolan

"Infant Department The interest in this branch of the school work (under the able guidance of Misses F. Chapman and A.E. Ratten) is well maintained. It is largely through the generosity of Nr. and Mrs. Griffiths that the officers were enabled to have a new brick school hall built. The foundation stone was laid on 21st October, 1905, by Mrs. John M. Griffiths, the new building being erected on the site of the old church. It is both attractive and comfortable and is well lighted. It is also used for the week-night services. The old building which for so long had served as a schoolroom for the little ones was not considered suitable and was in 1905 disposed of for removal. When removed it was renovated, and is now used as a mission church in a neighbouring district." Source: Kew Baptist Church History 1856-1906The trowel is historically significant for its association with the Kew Baptist Church and its ownership by and association with the Griffiths family of Kew who were important tea merchants in Australia.Silver-plated commemorative trowel with bone handle, in black leather case lined with blue velvet. The trowel is engraved with information about the occasion.It was presented to Mrs J.M. Griffiths, who lived at Goldthorns, Normanby Road, Kew. [The trowel in its case was presented to the Kew Historical Society on 24 April 2018 by the Manager of Bupa Aged Care, Edithvale.]Engraved front: "Presented to Mrs. J.M. Griffiths on the occasion of her laying the foundation stone of the Baptist School Hall, Kew, Oct 21st 1905". Maker mark on reverse: "PA & S E P"griffiths family - kew (vic), mrs. j.m. griffiths, commemorative objects, baptist church (kew), presentation trowels

"This society was founded in 1891, when there was a considerable amount of distress on account of the collapse of the land boom. The first office-bearers were: President, Mrs. F. R. M. Wilson; Hon. Secretary, Mrs. S. Kellett; and Hon. Treasurer, Mrs. J. Lorimer. The society has had a useful career and been of great assistance to many families. One of its best workers was Mrs. G. Wharton. The present committee consists of Mrs. H. Collier (President), Mrs. Holdsworth (Vice-President), Mrs. Archer (Hon. Treasurer) Mrs. E. J. Dunn (Hon. Secretary), and Mesdames. Berry, Gillespie, Israel, Jellis, Kerr, Lilley, McCrea, Paton, Spring, Tappin, and Wishart." (Source: Barnard FGA, Jubilee History of Kew, 1910)The Kew Ladies' Benevolent Society was one of the most important women's groups in Victoria in the late 19th to mid-20th century. It was led by women with a national profile and was instrumental in the establishment of the State umbrella organisation. The Minute Book was presented to KHS by the Victorian Association of Benevolent Societies in 1991.Seller label on inside cover.kew ladies' benevolent society, social welfare - history - kew (vic), social services - history - kew (vic), volunteer organisations - kew (vic)

"The Kew Advertiser , published by WD Vaughan Pty Ltd, commenced publication in January 1926 and, before the year's end, a modern printing plant had been established at 128 Denmark Street (demolished). This later became the nerve centre for publication of four other local newspapers: The Hawthorn Standard (1932), the Eastern Suburbs Advertiser (1934), the Coburg Courier (1935) and the Brunswick Sentinel (1936). The last two were later sold to another publisher, and the remaining three merged in 1959 to form the Eastern Suburbs Standard. This, in turn, continued under that name until 1974, when it merged with a counterpart from Doncaster, the Whitehorse Standard, and then carried on (under various names) until 1980." (Source: City of Boroondara : Thematic Environmental History, p. 75)Kew Newspaper produced in 1941 by W D Vaughamn Pty Ltd. The newspaper was printed at his offices in Denmark Street. The banner headline claims that it had a distribution of 6,000 copies.the kew advertiser, newspapers -- kew (vic), wd vaughan pty ltd

1860: Kew's first library was the Kew Literary and Scientific Society, which opened on 6 August 1860. 1884: Kew Town Hall was extended and the library transferred to a room on the upper floor. This was not an ideal arrangement as the room was required for Council purposes. 1904: A cottage adjoining Kew Town Hall was purchased for use as a library. 1937: The library was closed for a major overhaul of stock and renovation of the building. It reopened in December 1937 and remained there for more than 35 years. 1973: When the Civic Centre opened in Charles Street, Kew, the library moved in. 1987: Kew Library moved to its current location in the converted city hall, overlooking the beautiful Alexandra Gardens. The library was officially opened at this site on Friday 23 October 1987 by the Mayor of Kew, Cr James Tutt. (Source: Boroondara Library Service)Early original photograph of a children's library service taken by a notable Melbourne photographerOriginal photograph, in original frame, of the Junior Section of the Kew Public Library in Walpole Street, Kew. The photograph was taken by Stuart Tompkins who was the photographer of choice by the City of Kew from the 1930s to the 1960s. The details of the photograph are inscribed on the water-damaged mount, with the photographers signature at lower right. . "Junior Section, Kew Public Library, May 15th 1945"kew public library, photographers - c. stuart tompkins - camberwell (vic), children's libraries

1860: Kew's first library was the Kew Literary and Scientific Society, which opened on 6 August 1860. 1884: Kew Town Hall was extended and the library transferred to a room on the upper floor. This was not an ideal arrangement as the room was required for Council purposes. 1904: A cottage adjoining Kew Town Hall was purchased for use as a library. 1937: The library was closed for a major overhaul of stock and renovation of the building. It reopened in December 1937 and remained there for more than 35 years. 1973: When the Civic Centre opened in Charles Street, Kew, the library moved in. 1987: Kew Library moved to its current location in the converted city hall, overlooking the beautiful Alexandra Gardens. The library was officially opened at this site on Friday 23 October 1987 by the Mayor of Kew, Cr James Tutt. (Source: Boroondara Library Services)Historically and socially significant set of regulations governing the use of the children's library in Kew in the early 1950sOriginal framed rules and regulations of the junior section of the Kew Library, dated 16.6.1953, authorised by the Mayor (W.E.R. Hope) and Town Clerk (W.D.Birrell). The document also lists opening hours of the Kew and East Kew branches.kew public library - kew (vic), kew public library - east kew (vic), city of kew - library guidelines

The first section of Studley House, now part of the preparatory school for Xavier College conducted by the Society of Jesus in Kew, Burke Hall, was built in about 1857 for Parliamentarian John Hodgson, an early settler in the district, as a two-storey residence in the Classical Revival style. The name Studley House was first recorded in the Kew ratebooks in 1862, after the housewas purchased in 1860 by James McEvoy, squattter. Alterations and an extension, designed by William J Ellis were undertaken in 1875. The house was again altered in 1919 during the ownership of John Wren, former bookmaker, ALP lobbyist, influential Irish-Catholic and millionaire. After 1969 the house was used by theschool. Studley House retains evidence of the original 1850s section, plaster and woodwork, and stained glass from its earlier period. - Source: Victorian Heritage RegisterThis work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical SocietyA photograph of the north facing facade of Studley House in Nolan Avenue before the additions made by John Wren..Studley House, Nolan Avenue. Before addition of new wing in 1915 (confirms your observations) M.K.studley house, nolan avenue, xavier preparatory school, dorothy rogers

"The Kew Advertiser , published by WD Vaughan Pty Ltd, commenced publication in January 1926 and, before the year's end, a modern printing plant had been established at 128 Denmark Street (demolished). This later became the nerve centre for publication of four other local newspapers: The Hawthorn Standard (1932), the Eastern Suburbs Advertiser (1934), the Coburg Courier (1935) and the Brunswick Sentinel (1936). The last two were later sold to another publisher, and the remaining three merged in 1959 to form the Eastern Suburbs Standard. This, in turn, continued under that name until 1974, when it merged with a counterpart from Doncaster, the Whitehorse Standard, and then carried on (under various names) until 1980." (Source: City of Boroondara : Thematic Environmental History, p. 75)This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.An original copy of the Kew Advertiser dating from 1927 the kew advertiser, newspapers -- kew (vic), wd vaughan pty ltd

"The Kew Advertiser , published by WD Vaughan Pty Ltd, commenced publication in January 1926 and, before the year's end, a modern printing plant had been established at 128 Denmark Street (demolished). This later became the nerve centre for publication of four other local newspapers: The Hawthorn Standard (1932), the Eastern Suburbs Advertiser (1934), the Coburg Courier (1935) and the Brunswick Sentinel (1936). The last two were later sold to another publisher, and the remaining three merged in 1959 to form the Eastern Suburbs Standard. This, in turn, continued under that name until 1974, when it merged with a counterpart from Doncaster, the Whitehorse Standard, and then carried on (under various names) until 1980." (Source: City of Boroondara : Thematic Environmental History, p. 75)This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.An original copy of the Kew Advertiser dating from 1933. the kew advertiser, wd vaughan pty ltd, newspapers -- kew (vic.)

The Young Workers Patriotic Guild was originally established in World War I and reestablished in World War II. The Collection includes a number of items produced under this banner from both the First and Second World Wars. This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.Young Workers Patriotic Guild Certificate - An illuminated Young Workers Patriotic Guild certificate issued by the Education Department Victoria. The certificate testifies that John Rogers who was a pupil at Kew East School raised £1 for War Relief objectives in 1941. young workers patriotic guild, second world war 1939-1945, george rogers

A set of architectural drawings of additions to Goathland (originally Byram, and later Goathland and Lowan). The drawings, by the architect William Pitt represent additions to the size of Goathland. Pitt had previously worked with the original architect of the house, Edward George Kilburn, of Ellerker & Kilburn, who had designed Byram for the industrialist George Ramsden in 1888. 'Lost Glories: a memorial to forgotten Australian buildings' was published by David Latta in 1986. It tells the story of a number of significant Australian buildings that had previously been demolished. A chapter in the book was devoted to Goathland, later known as Tara Hall. To supplement the text, he sourced photographs from a range of suppliers, chiefly the Royal Women's Hospital which had once owned Tara Hall, but had sold it in 1960. This is one of the photographs donated to KHS by the author.Six black and white architectural drawings by the architect William Pitt for additions to the home of Sir Malcolm McEacharn in Studley Park Road. The original is in the collection of the State Library of Victoria."Sir Malcolm D. McEacharn, Kew"william pitt, malcolm mceacharn, architects -- melbourne (vic.) -- william pitt, architectural drawings, byram, tara hall, goathland

Plaque commemorating the support of Alfred E. Clarke. A passionate supporter of Blind Cricket for 20 years, he was taken ill whilst umpiring a match and passed away at his Middle Park home on November 28th, 1950. Mr Clarke was one of South Melbourne's best cricketers in his youth, and after retirement continued his involvement in the sport he loved through committee and various management roles. He continued to watch matches with his friend Sam Morris - a fellow South Melbourne player who have gone blind - and became involved with the Blind Cricket Association, spending most weekends umpiring matches. Source: Record (Emerald Hill), Sat 2 Dec 1950, p4 "The Final Call" http://nla.gov.au/nla.news-article164499137Metal plaque attached to woodIn Memory Of Alfred E. Clarke Obit. November 28th 1950 A True Friend of the Blindassociation for the advancement of the blind, nameplates, victorian blind cricket association

Articles include the production of Christmas cards for purchase, a visit by the Chief Secretary Hon. A. Rylah who advised that the Free Library Scheme was for municipal councils and that instead a State Library Council (which was being formed) would be a better source of relief, offers of help to contact potential overseas suppliers for electronic and braille equipment, the organisation of the Reservoir auxiliary, establishment of a Machines Committee to look at mechanized forms of Braille production and the possibility of entering into talking book production, improvements to heating, cooking and lighting, needing to use discretion when hiring hall due to an unfortunate incident, donations of Perkins Braillers, brailling of Decimal conversion charts, agreement in prinicipal to a National Braille Reference Library in Canberra, and purchase of Perkins and Stainsby Braillers to improve output of Braille books.32 pages of text with drawingsbraille library of victoria, corporation records

Annual report of the Association for the Advancement of the Blind outlined activities and events over the year, including the continued support for Country Concert Parties, the addition of the Brunswick and Coburg Tramway Trust to the Railways Pass concession scheme, appointment of two lady collectors in lieu of a single male collector with very gratifying results, the Association wishes to compile statistics on the sources of blindness with the aid of its visitors, a committee has been formed to inquire on the possibilities of cigarette and cigar making as a light handicraft, a garden party was held to celebrate the 'coming of age' of the Association since it was formed 21 years ago, and the passing of Mr W Hall, who was a vice-president of the Society and placed his devotion to the cause above his physical disabilities, and will remembered by a lasting memorial at the Home.1 volume of printed material with some illustrationsassociation for the advancement of the blind, annual reports