1 Russell Street was built in 1888 and from 1888–1905 (maybe 1911, as his death notice says he died at Russell Street) it was the home of James Burrell, a blacksmith. His smithy was on the corner of Canterbury Road. In 1893 a block of land (No.3 ) was bought to establish the fire station and James Burrell acted as fire officer and stored the reel and hose until the station was built. From 1911–1928 it was the fire station residence, as the brigade gained status. James Burrell (1860-1911) married Elizabeth Wilson (1862-1925). She was daughter of Edward Wilson. They had 4 children: James Herbert, known as Bert (1888-1953); Aleck (1890-1951); William Spencer, known as Bill, (1893-1976) and Elsie May (1898-1990). Both James and Elizabeth Burrell are buried in Burwood Cemetery. From 1930–1943 Michael Ginnane, retired station master, and members of his family lived in the house. Michael Ginnane (1864-1935) married Annie Mary Brock (1868-1945). Both were born in the Ballarat area. They had 10 children. From 1913-1917 he was station master at Woodend. In the 1925 electoral rolls the family is listed as living at Surrey Hills station. There was a station master's house adjacent to the station (demolished and the site now part of the car park accessed off Blackburn Street). They are again listed here in the 1925 electoral roll. By 1931 they are at 1 Russell Street and he is listed as a retired station master. The following children lived in Surrey Hills: John James (Clerk) - 1922 Mary Ellen (HD) - 1922, 1925, 1931 Michael Thomas (labourer) - 1922 Annie Florence (dressmaker) - 1925, 1931 William Patrick (railwayman) - 1925 Elizabeth Catherine (sales) - 1931 Patrick Leo (postman) - 1931. A black and white photograph taken on an angle from across the street of a mid-late Victorian style cottage with multi-coloured brickwork. There is a large tree in the front garden, no fence and a letterbox on a lean.(mr) james burrell, blacksmiths, canterbury road, surrey hills, fire officers, (mr) michael ginnane, station masters, fire stations, mid-victorian style, (miss) elizabeth wilson, (mrs) elizabeth burrell, james herbert burrell, aleck burrell, william (bill) spencer burrell, elsie may burrell, (miss) annie mary brock, (mrs) annie mary ginnane, john james ginnane, (miss) mary ellen ginnane, michael thomas ginnane; (miss) annie florence ginnane; william patrick ginnane; elizabeth catherine ginnane; patrick leo ginnanean), late-victorian style, russell street

Peter Haeffner’s birth details have not been found but he was the son of Henry Norman Neil and Mabel Haeffner, who in 1922 lived at 'Spring Creek' near Tallangatta, close to Henry’s parents Henry Thomas Haeffner (1858-1935) and Eliza Jane (ms Chesney - 1868-1940), farmers near Tallangatta. Henry and Mabel moved to 22 Wharton Street, Surrey Hills before moving back to the Tallangatta area to help out on his parents' farm during the Depression. They moved back to Surrey Hills c1932 to 33 Clyde Street. Peter had a sister Marjorie and brothers Jack and Donald. His service record has not been found, possibly due to a mis-spelling of the surname Haeffner. Marj, Jack and Donald were pupils at Chatham Primary School. A black and white photograph of a young man in uniform standing next to a lady standing on a kerb or garden edging.(mr) peter haeffner, uniforms, armed forces, world war, 1939-1945, clyde street, surrey hills, (miss) marjorie haeffner, (mrs) marjorie higgins

Marjorie Joyce Haeffner informed that she was born at Mosgiel Hospital in Mont Albert Road, Surrey Hills in 1924, soon after it opened. According to electoral rolls, her parents Henry Norman Neil and Mabel Haeffner were living at 22 Wharton Street, Surrey Hills at this time. Henry's parents Henry Thomas Haeffner (1858-1935) and Eliza Jane (ms Chesney - 1868-1940) were farmers in the Tallangatta area. Their farm was called 'Ferndale'. Another farm in the area - 'Spring Creek' - was the address of Marj's parents in 1922 before they moved to Melbourne. Some time after 1926 and by 1931 Marj's parents had moved back to Tallangatta to help out on his parents' farm. This was lost during the Depression. Marj's family moved back to Melbourne; her grandparents stayed in the North Albury area until they died. Electoral roll entries show that there was considerable movement of extended family members between town and country. Marj's parents moved back to Surrey Hills; the electoral roll lists them at 33 Clyde Street in 1936 but Chatham Primary School's list of students records that Marj was there from 1932-1937. She had siblings Jack (enrolled in 1933) and Donald (enrolled in 1934). In 2019 this Edwardian timber home still stands. Marj was an enthusiastic member of a women's cricket club in the 1940s and 1950s. According to Jocelyn Hall's photo register, this photo was taken at the Haeffner home in Clyde Street. After she married Marj did not moved far from her childhood home in Clyde Street. She and her husband Brian Lindsay (known as Lindsay) Higgins bought 31 Langford Street, Surrey Hills, a Californian bungalow on a wide block, and between 1961 and 1970 Marj's children Margaret, Wendy, Deborah, Robyn, Adam and Christopher Higgins were also enrolled at Chatham. Marj's home in Langford Street was sold in April 2019 for $2.08M.A black and white photograph of a lady dressed in white cricket gear standing in front of a house.cricket, women's cricket, (miss) marjorie haeffner, (mrs) marjorie higgins, clyde street

The vacant land was the site of Norman Carter's future home at 21 Everton Grove. Norman Broadley Carter (1899-1984) married Mabel Annie Moore in 1927. Norman was an engineer with a passion for photography. Norman took many photos of Surrey Hills and Mont Albert from the 1920s and particularly of events and activities of the Church of England. For many years the house on the left located at 14 Harding Street belonged to the Kenneth Rothwell Culliton and his wife (Fanny) Molly Culliton. The house is located next to the Harding Street Reserve. Ken was an engineer and Molly was an early member of the Surrey Hills Historical Society. Ken was born and died in Surrey Hills. His father Harry Culliton was a well known golfer. His mother Christina Mary Rothwell was the daughter of Thomas Talbot Rothwell, known as a tea merchant and importer; also lived in Surrey Hills. This image is significant for its documentation of pre-urban Surrey Hills.Black and white photo of an area of gently sloping mown grass. On the horizon is a line of trees and on the LHS the outline of a (?) Victorian house can be seen. A man and a young boy are playing in the open space.everton grove, harding street, kenneth rothwell culliton, miss fanny molly arthur, mrs fanny molly culliton, norman broadley carter, mabel annie moore, mabel annie carter

Maitland' was built in 1889 for Thomas Zeplin, who was a Professor of Music. He owned all the land bound by Union Road, Wilson and Montrose Streets and the railway line. 1 Bedford Avenue stayed in family ownership until purchased by Camberwell Council in 1986, initially for a car park. However it was renovated to become part of Surrey Hills Neighbourhood Centre. It was opened on 23 November 1990. No 3 Bedford Avenue was built for Thomas Zeplin's daughter and named 'Mervyl' or 'Merryl'. Mrs Brodecky (donor) was the great-granddaughter of Thomas Zeplin. The 2 girls are granddaughters of Thomas Zeplin. Electoral roll information: 1972 & 1977: Albert Vojteck Brodecky, manager, 1 Bedford Avenue. 1977: Ray Nanette Brodecky. There are 2 copies. Thomas had this built for his son and family. The house was occupied by his family, though sometimes rented out. His great-grand-daughter Mrs. A. Brodecky sold to the Camberwell Council in 1986. This was the only surviving photo in the family after the fire. Courtesy: Mrs. A. BrodeckyBlack and white photo of 2 houses taken from the street front. On the LHS is a Victorian double-fronted single-storey villa of Hawthorn brick construction, with wrought iron lacework to the veranda, slate roof and picket fence, with an established garden. Next door at No 3 is a double-storey Victorian terrace with a similar fence and building materials. There are 2 young girls standing in front between the properties.maitland, bedford avenue, 1900, surrey hills neighbourhood centre, victorian style, mervyl, merryl, mr thomas zeplin, mrs nanette brodecky, mr albert vojteck brodecky

Ref: Alan Holt records - This property has had a number of different names throughout its history. William Cook, a farmer, bought the land it stands on in 1876. In 1882 he was rated for a house (not the current one) on 11 acres. The present house was built in 1885 by John Clark, an auctioneer. In 1888 the Tower Hill estate and the home (Tower Hill Lodge) were auctioned, but the house was not sold. In 1889 the house was purchased by Captain Shepherd. Records show that in 1894 the owners were Mr Thomas and Mrs Hortenzia Howell. They named the house 'Corcovado'. Later they added a study with a corner designed to provide views from the Dandenong Ranges around to Mt Macedon. In 1944 Mr and Mrs Lionel Adams renamed the house 'Varndean'.This is one of the earliest surviving houses in Surrey Hills.A colour photo taken from the street at the rear of a Victorian-style house with ornate chimneys and a slate roof. A parked car is seen in front of the house. The house sits behind a timber fence and is partly hidden by mature shrubs and trees.victorian style, tower hill lodge, corcovado, varndean, tower hill estate, mr william cook, mr john clark, mrs hortenzia howell, mr lionel adams, mrs lionel adams, surrey hills, captain louis shepherd, mr thomas howell

Thomas Carlyle Lothian (1880-1974) was born on 7 May 1880 at Newcastle-upon-Tyne, England, eldest child of John Inglis Lothian, bookkeeper, and his wife Lillias Charlotte, née Smith. The family arrived in Melbourne in July 1888, John having come to represent the publishing firm of Walter Scott. His father started his own company in c1890. Thomas joined the business in c1897. In 1911 he established the Standard Publishing Co. Pty Ltd to sell the publications of the Caxton Press direct to the public. In 1912 he married Effie Marian Vines, who had worked for several years in his father's office. His father retired the same year and Thomas formed the company of Thomas C. Lothian Pty Ltd to carry on representing numerous well-known British and American publishers. However, he also published in his own right as the Lothian Book Publishing Co. Pty Ltd. In time he handed over his businesses to his two younger sons. His wife Effie pre-deceased him; he died at ‘St Abs’ on 19 April 1974. People in the photo are identified as: Left: daughter Lilian and centre front daughter Jean Back: Son Noel who studied horticulture and became Director of the Adelaide Botanical Gardens for 30 years; son John who managed the Standard Publishing Co. and sons John and Louis who became directors of the publishing firm. Grandson Peter, son of John became a later director.A black and white photograph of a group of 7 people in the garden of a house with veranda with fretwork and balustrade. It appears to be of timber construction. The two older people in front are seated; 4 younger people, a young woman and 3 boys, stand behind them and a young girl stands between them.(mr) thomas lothian, (mr) john lothian, (miss) lilian lothian, (miss) jean lothian, (mr) louis lothian, (mr) peter lothian, st abbs, house names, york street, surrey hills, lothian book publishing

This was the home of John Inglis Lothian, father of Thomas Lothian of St Abbs 33 York Street, Mont Albert. John Inglis Lothian was a bookkeeper, who with his wife Lillias Charlotte, née Smith, arrived in Melbourne in July 1888, John having come to represent the publishing firm of Walter Scott. The children had been invited to a garden party where they entertained themselves making daisy chains. Left to right: Emily Broadfoot, David Dory, Betty Hopkinson; at back John Hopkinson; front right Jean Lothian.A black and white photograph of some children holding daisy chains they have made.tantallon, house names, york street, mont albert, (mr) john lothian, (mr) thomas lothian, (miss) emily broadfoot, (mr) david doery, (miss) betty hopkinson, (miss) joan hopkinson, (miss) jean lothian, john inglis lothian, thomas carlyle lothian

This is one of a series of photos donated by Arthur Lyons. From 1907 a cab service operated from near the railway gates in Union Road. It was established and maintained by Mr C Fraser until c1916. George Rea either took over then or set up in opposition; he retired in 1945. Fred Lyons initially worked for George until he set up his own business. In time he changed over to a motor vehicle and continued his service until 1960. Frederick Adolphus Lyons (1891-1980) was born in Surrey Hills, son of Thomas and Catherine Lyons. He married Elizabeth Ruby Hall in 1918. They lived just around the corner at 55 Sunbury Crescent. The Lyons’ home in Sunbury Crescent was called ‘Knopshambury’ - this was probably a misspelling of Knockshanbally in Co Kilkenny, the birth place of Fred’s father, Thomas Edmund Josias Lyons (1846-1915). Arthur Lyons was born in Surrey Hills on 12 Jun 1920. He became a motor mechanic / welder and lived at 55 Sunbury Crescent. W T Nisbe... is probably William Thomson Nisbet, traveller of 'Maroona', Brenbeal Street, Balwyn listed in 1903, 1914, 1919 electoral rolls. His wife was Mary Grace Nisbet, son was William Thomson Nisbet Jnr (clerk) and daughter was Olive Thomson Nisbet (dressmaker). The donation was made while he was in hospital. He died shortly afterwards (23 Sep 1990). Donation was finalised by a neighbour, Mrs Florence Ann Armitstead, wife of Glen Victor Armitstead. Glen was a local hairdresser. They moved to 11 Sunbury Crescent after their marriage in 1939. Arthur had no relatives to distribute the material to.Black and white photo of Fred Lyons in one of his hansom cabs with his horse 'Barney' taken near Surrey Hills railway station. Another hansom cab is to the right of the photo and there is another man standing on the footpath. In the background are shops and the partial hoarding of W T Nisbe... is visible. The photo was taken between 1916-1927. On rear of the duplicate print in pencil in Jocelyn Hall's handwriting : "NO 59 / and 89 / Spare ? / perhaps better than enlargement"transport, horse drawn vehicles, businesses, fred lyons, frederick adolphus lyons, william thomas nisbet

Lyons family history: From 1907 a cab service operated from near the railway gates in Union Road. It was established and maintained by Mr C Fraser until c1916. George Rea either took over then or set up in opposition. Fred Lyons initially worked for George until he set up his own business. In time he changed over to a motor vehicle and continued his service until 1960. Frederick Adolphus Lyons (1891-1980) was born in Surrey Hills, son of Thomas and Catherine Lyons. He married Elizabeth Ruby Hall in 1918. They lived just around the corner at 55 Sunbury Crescent. The Lyons’ home in Sunbury Crescent was called ‘Knopshambury’ - this was probably a misspelling of Knockshanbally in Co Kilkenny, the birth place of Fred’s father, Thomas Edmund Josias Lyons (1846-1915). Arthur Lyons was born in Surrey Hills on 12 Jun 1920. He became a motor mechanic / welder and lived at 55 Sunbury Crescent. Empire Day celebrations were held in Surrey Hills from 1906-1911 and revitalised from 1933-1938 by the Surrey Hills Progress Association. Street parades featuring decorated business vehicles and bonfires were a feature. The children are identified as (L to R) Julian Ethinney, Geoff Ethinney - from Sydney, Joyce Harris, Ken Moritz, Scoppy (the dog), Keith Harris, Ivan Moritz. This is one of a series of photos donated by Arthur Lyons.The donation was made while he was in hospital. He died shortly afterwards (23 Sep 1990). Donation was finalised by a neighbour, Mrs Florence Ann Armitstead, wife of Glen Victor Armitstead. Glen was a local hairdresser. They moved to 11 Sunbury Crescent after their marriage in 1939. Arthur had no relatives to distribute the material to.Black and white photo of Fred Lyons taxi decorated for Empire Day celebrations in the 1930s with paper flowers. Beside it are 6 children - 5 boys and 1 girl with a dog. transport, empire day celebrations, children, fred lyons, (mr) frederick alphonsus lyons, julian ethinney, geoff ethinney, joyce harris, ken moritz, keith harris, ivan moritz

Photo is likely to have been taken pre-1924 when the land was subdivided. Donor information is that this was taken from a home in Churchill Street, Mont Albert; it would be looking south towards Mont Albert Road. Black's dairy farm occupied the area just east of Hamilton Street to near Elgar Road. It was subdivided into 88 house allotments along Churchill Street, Bruce Street, Black Street, Proudfoot Street and View Street. The solicitors were Proudfoot & Horton, 360 Collins Street; estate agents were Duncan & Weller, 29 Queen Street. The real estate subdivision notice on the SLV website states that Neil Black had been the owner for 50 years. To date no trace of a Neil Black has been found. Box Hill rate books simply give BLACK as the owner in 1877 (no first name); the entry for 1878-1884 states Robert Black. The 1909 electoral roll has entries for Mont Albert Road for Robert Black (farmer), Thomas Black (carter) & Elizabeth Black (HD). The 1912 electoral roll has entries for Mont Albert Road for Robert Black (farmer), Thomas Black (labourer), John Arthur Black (carter) & Elizabeth Black (HD). Robert Black died in 1920 (b. 1836) and is buried in Box Hill Cemetery (CE-*-0057). His parents were John and Margaret Black. He married Lizzie Foley in 1878. She was the daughter of Margaret & John Foley, born in 1859. She died in 1902 aged 43 years and is probably buried in the same grave, although the cemetery records record her age as 0 years. Children: 1. James Hughbert (1880-1954) 2. John Arthur (1881-1959) 3. Alice (1882-1883) - died aged 6 months 4. Laura Elizabeth (1883-1951) 5. Thomas (1885-1965) 6. Isabella (1887-1963) 7. Eleanor (1889-1963) 8. Ada Maud (1890-1968) 9. Robert (1892-1930). BDM Victoria states places of birth as Box Hill, Surrey Hills or Mont Albert. Many of the family are buried in Box Hill Cemetery. None of the girls appear to have married. Communication from a descendant of John Arthur Black gives the following: "John Arthur Black, son of Robert & Lizzie Foley, married Gladys Anne Layton had 4 children, Robert, Elenore, Marion (Follett) & Annie; they had farm on Stud Road, Dandenong where they milked 30 cows that he retired to after being a earth-moving contractor with draft horses and dug irrigation ditches around Shepparton." This is important as documentation of the area's early farming land use.Black and white photo of a paddock with cows and sheep grazing. On the horizon is a simple cottage with a small veranda and 2 chimneys and scattered trees.black's dairy farm, dairying, farms, churchill street, black street, proudfoot street, bruce street, view street, neil black, proudfoot & horton, duncan & weller, robert black, lizzie black, lizzie foley, james hubert black, john arthur black, alice black, laura elizabeth black, thomas black, isabella black, eleanor black, ada maud black, robert black jnr, box hill cemetery

Beatrice Eliza Dacomb died 12 Feb 1947 at her residence, 120 South Street, Sth Yarra, aged 83. Her parents were Eliza Evans and Edmund Dacomb; she was born 22 Nov 1863 in Portland. Her sister Clara Thurston Dacomb b 15 Oct 1867 Portland, Victoria; died 19 Oct 1946 aged 79 years at her residence, 120 South Street, Sth Yarra. Their mother Eliza died aged 47 years in 1875; parents = Thomas Evans and Frances Thurston. Their father Edmund Dacomb was a merchant; both parents born in England. They were the 6th and 8th children in the family. Other siblings: Geoffrey (b1860; died Box Hill 1936 aged 76 years), Walter Alfred (b 1857; died Qld 20 Jul 1936), Annie Frances (b. 1862; died Lilydale 1901 aged 39 years), Lydia Harrt (b. 1855; died Balwyn 1925 ged 70 years), Leonard (b. 1866; died 1872 aged 6 years), Emily Maud (b. 1869; died 1874 aged 5 years). Clare and Beatrice Dacomb lived at 4 Wilson Street, Surrey Hills from 1909-1918. (1903 also Margaret Thomas Dacomb) Originally teachers of the Pitman method of shorthand, they invented the Dacomb method which was originally called Web Speed. In 1933 the method was trialled at Coburg High School and found to have a far superior skill uptake to Pitman. Its simplicity made it particularly useful in South America, Tonga and other Pacific Island countries. Their book 'Web speed-quick shorthand' was published in 1922. Their method lost currency after 1975 when a simplified form of Pitman was adopted by high schools and colleges of advanced education. This image is thought to be Clara.Black and white photocopy of a head ad shoulders portrait of a well-dressed middle-aged woman idetified as either Clara or Beatrice Dacomb.Black and white photocopy measuring W 11.2 cm x H 16.3 cm. Photocopy was taken from a framed photo.wilson street, dacomb school of shorthand, melbourne dacomb college, secretarial services, miss clara dacomb, miss beatrice dacomb, george a h lang's business college

Beatrice Eliza Dacomb died 12 Feb 1947 at her residence, 120 South Street, Sth Yarra, aged 83. Her parents were Eliza Evans and Edmund Dacomb; she was born 22 Nov 1863 in Portland. Her sister Clara Thurston Dacomb b 15 Oct 1867 Portland, Victoria; died 19 Oct 1946 aged 79 years at her residence, 120 South Street, Sth Yarra. Their mother Eliza died aged 47 years in 1875; parents = Thomas Evans and Frances Thurston. Their father Edmund Dacomb was a merchant; both parents born in England. They were the 6th and 8th children in the family. Other siblings: Geoffrey (b1860; died Box Hill 1936 aged 76 years), Walter Alfred (b 1857; died Qld 20 Jul 1936), Annie Frances (b. 1862; died Lilydale 1901 aged 39 years), Lydia Harrt (b. 1855; died Balwyn 1925 ged 70 years), Leonard (b. 1866; died 1872 aged 6 years), Emily Maud (b. 1869; died 1874 aged 5 years). Clare and Beatrice Dacomb lived at 4 Wilson Street, Surrey Hills from 1909-1918. (1903 also Margaret Thomas Dacomb) Originally teachers of the Pitman method of shorthand, they invented the Dacomb method which was originally called Web Speed. In 1933 the method was trialled at Coburg High School and found to have a far superior skill uptake to Pitman. Its simplicity made it particularly useful in South America, Tonga and other Pacific Island countries. Their book 'Web speed-quick shorthand' was published in 1922. Their method lost currency after 1975 when a simplified form of Pitman was adopted by high schools and colleges of advanced education. This image is thought to be Beatrice.Black and white photocopy of a head ad shoulders portrait of a well-dressed middle-aged woman idetified as either Clara or Beatrice Dacomb.Black and white photocopy measuring W 11.2 cm x H 16.3 cm. Photocopy was taken from a framed photo.wilson street, dacomb school of shorthand, melbourne dacomb college, secretarial services, miss beatrice dacomb, miss clara dacomb, george a h lang's business college

Lyons family history: From 1907 a cab service operated from near the railway gates in Union Road. It was established and maintained by Mr C Fraser until c1916. George Rea either took over then or set up in opposition. Fred Lyons initially worked for George until he set up his own business. In time he changed over to a motor vehicle and continued his service until 1960. Frederick Adolphus Lyons (1891-1980) was born in Surrey Hills, son of Thomas and Catherine Lyons. He married Elizabeth Ruby Hall in 1918. They lived just around the corner at 55 Sunbury Crescent. The Lyons’ home in Sunbury Crescent was called ‘Knopshambury’ - this was probably a misspelling of Knockshanbally in Co Kilkenny, the birth place of Fred’s father, Thomas Edmund Josias Lyons (1846-1915). Arthur Lyons was born in Surrey Hills on 12 Jun 1920. He became a motor mechanic / welder and lived at 55 Sunbury Crescent. Empire Day celebrations were held in Surrey Hills from 1906-1911 and revitalised from 1933-1938 by the Surrey Hills Progress Association. Street parades featuring decorated business vehicles and bonfires were a feature. This is one of a series of photos donated by Arthur Lyons.The donation was made while he was in hospital. He died shortly afterwards (23 Sep 1990). Donation was finalised by a neighbour, Mrs Florence Ann Armitstead, wife of Glen Victor Armitstead. Glen was a local hairdresser. They moved to 11 Sunbury Crescent after their marriage in 1939. Arthur had no relatives to distribute the material to. Empire Day celebrations were held in Surrey Hills from 1906-1911 and revitalised by the Surrey Hills Progress Association from 1933-1938. The evening parade of floats, and vehicles both horse-drawn and motorised, proceeded along Union Road to the Surrey Gardens beneath festoons of candlelit lanterns, bunting and flags. The paper flowers used extensively on trade and business vehicles were the result of hours of work by families and friends. The Empire Day Celebrations were a great community event, in some years augmented by bonfires, including the ones in Beckett Park.Black and white photo of Fred Lyons' taxi decorated for Empire Day. The cab is parked in the street and is festooned with flowers and ribbons on the hood, bonnet radiator, running board and in the tyre spokes. Three women stand beside the cab. There are houses in the background. motor vehicles, festivals and celebrations, taxis, empire day, fred lyons, frederick adolphus lyons

This is one of a series of photos donated by Arthur Lyons. From 1907 a cab service operated from near the railway gates in Union Road. It was established and maintained by Mr C Fraser until c1916. George Rea either took over then or set up in opposition. Fred Lyons initially worked for George until he set up his own business. In time he changed over to a motor vehicle and continued his service until 1960. Frederick Adolphus Lyons (1891-1980) was born in Surrey Hills, son of Thomas and Catherine Lyons. He married Elizabeth Ruby Hall in 1918. They lived just around the corner at 55 Sunbury Crescent. The Lyons’ home in Sunbury Crescent was called ‘Knopshambury’ - this was probably a misspelling of Knockshanbally in Co Kilkenny, the birth place of Fred’s father, Thomas Edmund Josias Lyons (1846-1915). Arthur Lyons was born in Surrey Hills on 12 Jun 1920. He became a motor mechanic / welder and lived at 55 Sunbury Crescent. The donation was made while he was in hospital. He died shortly afterwards (23 Sep 1990). Donation was finalised by a neighbour, Mrs Florence Ann Armitstead, wife of Glen Victor Armitstead. Glen was a local hairdresser. They moved to 11 Sunbury Crescent after their marriage in 1939. Arthur had no relatives to distribute the material to.A black and white studio portrait of a man wearing round eye glasses, a white shirt and dark coloured striped tie.George Lyonssunbury crescent, surrey hills, union street, taxi proprietor, fred lyons, frederick adolphus lyons

This booklet gives a brief description of the local settlement in Canterbury giving the landholders names and name of the house (before street numbering was introduced) and street it was located in.This booklet gives a brief description of the local settlement in Canterbury giving the landholders names and name of the house (before street numbering was introduced) and street it was located in.canterbury, (ms) jane f portingale, postmistress, (mr) arundel wrighte, wood brothers, koonung creek, (mr) thomas power, (mr) oliver russell, (mr) frederick griffin, (mr) thomas payne, shrublands, w creek, (mr) john gardiner, (mr) james shanley, (mr)robert hoddle, (mr) michael logan, (mr) patrick moloney, (mr) hugh glass, r. larkins, t. hassett, e. sturt, d.s. campbell, (mr) joseph camm, riversdale road, w. logan, rochester road, 1843, trees, mont albert road, a. sikes, (mr) william smith, 1853, (mr) ernest carter, dentist, elgar's surrey, hindson family, (mr) george granville mercy, (mr) alfred golding, (mr)alexander patterson, (mr) thomas boanas, (mr) thomas hyde, builders, (mr) richard terrill, architects, (mr) thomas miles, drapers

"Flock Book for British Breeds of Sheep in Australia, Volume 25". Editor - Thomas J. Glynn (Assistant Secretary, Agricultural Society of Victoria), Melbourne 1933.sheep, british, australian society of breeders of british sheep, sheep - british

A dress belonging to the family of George Ward Cole in the late 1800s; possibly his wife Thomas Anne Ward Cole or one of his daughters, Margaret or Agnes. George Ward Cole was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor the Duke Of Edinburgh, Queen Victoria’s second son at St Ninians in 1867. In later years St Ninians was subsequently subdivided and later demolished. A hand sewn, brown silk, evening dress, circa 1860, consisting of a bodice and skirt. The bodice features an off the shoulder neckline edged with cream lace. A chevron design of black velvet trim, passes from the shoulders to the centre front waist, then hangs loosely to the hip line. The black velvet trim on the sleeves and the skirt is edged with a black fringe. The bodice (.1) base is finished in a v-shaped front at the natural waistline. There are short puffed sleeves also feature the black velvet fringed trim and lace at the edge along with three epaulette style strips, which pass from the shoulder seam to the edge of the sleeve. Each strip finishes with a decorative bobble. The bodice lining is cream glazed silk with steel boning, cotton tabs sewn into both sides have four eyelets for lacing. The dress has a full, floor length unlined skirt (.2) which is slightly longer at the back creating a modest train. The skirt has horizontal bands of the velvet trim and finishes with a box pleated trim of the dress fabric. The dress is fastened at the back using two connecting rows of black velvet covered buttons.brighton, st ninian's, 1860s, evening dress, george ward cole, thomas anne ward cole, margaret morison ward cole, agnes bruce ward cole

A lace head dress belonging to the women of the family of George Ward Cole’s in the late 1800s. George Ward Cole was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor the Duke Of Edinburgh, Queen Victoria’s second son, at St Ninians in 1867. In later years St Ninians was subsequently subdivided and later demolished. A hand sewn cream lace cap from late 1800s. A silk satin ribbon that encircles the back of the crown of the head, creates the structure of this cap. Towards the front it also has a net and wire-reinforced peak. Over the top of this support is a central diamond shaped lace piece of seven and a half centimeters diameter to which is attached a fine lace net that is gathered and stitched around the edge of the central lace. Two decorative bows of the same silk satin fabric are positioned on the support over the top of the lace at either temple of the wearer. "W-COLE" hand stitched on inside of band. It is unknown when and by whom this inscription was made.st ninians, george ward cole, headwear, late 1800s, brighton, margaret morrison ward cole, agnes bruce ward cole, thomas anne ward cole

A cotton bonnet belonging to the family of George Ward Cole’s in the late 1800s. George Ward Cole was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor the Duke Of Edinburgh, Queen Victoria’s second son, at St Ninians in 1867. In later years St Ninians was subsequently subdivided and later demolished. A hand sewn ivory cotton, embroidery anglaise child’s bonnet from the late 1800s. The bonnet fabric design combines features a combination of narrow pin tucking and embroidered flowers on a vine. The bonnet edge is finished with a double-layered delicate gathered lace ruffle around all the edges. The bonnet secures under the chin with a delicate tie made of a similar but plain fabric.george ward cole, st ninians, late 1800s, bonnet, margaret morrison ward cole, agnes bruce ward cole, thomas anne ward cole, brighton

This nightgown is believed to have belonged to Mrs Thomas Anne Ward Cole, an early Brighton resident and wife of George Ward Cole. The item appears to have been made or altered to accommodate a pregnant belly, however purpose made maternity clothing was not common at this time. Mrs Ward-Cole’s six pregnancies took place in 1843, 1844, 1845, 1847, 1849 and 1851. The style of this garment in particular the shape of the sleeves would indicate that it is most likely to have been constructed in circa 1860, so whilst it appears to be a maternity item, and historically has been referred to as thus, this purpose cannot be confirmed. George Ward Cole was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor The Duke Of Edinburgh, Queen Victoria’s second son, at St Ninians in 1867. In later years St Ninians was subsequently subdivided and later demolishedA hand sewn ivory cotton muslin nightgown, c. 1842–1850. The bodice is made of delicately embroidered muslin in a floral design. The open flat collar features a scalloped lace frill underneath. The bodice fastens with thirteen mother of pearl buttons down the centre front. After the fourth button, the remaining buttons are concealed beneath a full gathered modesty skirt, which falls from just below the bust line. The modesty panel is secured horizontally across the bodice by six mother of pearl buttons. The sleeves finish over the back and palm of the hand in two flattened peaks. The front of the gown consisting of the modesty front is full length. The modesty gown at both sides joins two panels that are an integrated part of the bodice. At the centre back there is a very full gathered panel with lace trim that falls to create a train. It is semi-attached to the bodice with a top section secured with mother of pearl buttons and small ties. The purpose of this design feature is unknown. st ninians, george ward cole, brighton, night gown, thomas anne ward cole

This peignoir or morning gown is believed to have belonged to Mrs Thomas Anne Ward Cole, an early Brighton resident and wife of George Ward Cole. George Ward Cole was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor the Duke Of Edinburgh, Queen Victoria’s second son, at St Ninians in 1867. In later years St Ninians was subsequently subdivided and later demolished.A mid blue-green cotton and lace peignoir or morning gown, c.1860. The bodice starts at the neck with a clavicle height, rounded neckline with a turn down flat collar, and is finished with a cream lace frill next to the face. The sleeve starts at the natural shoulder line and its overall silhouette is reminiscent of a soft three quarter length imbecile sleeve constructed of four layers of alternating fabrics. At the shoulder, there is a blue-green flap, which crosses across the top and back of the shoulders towards the centre upper back in a 'v' shape. Here it finishes where it meets with the gathered top of the fabric that creates the train. Underneath this shoulder flap is a gathered, long cream frill that finishes just above the elbow. Underneath this frill is the full gathered blue-green sleeve. Finally falling from this a second gathered long cream frill finishes at the three quarter arm. The bodice buttons with five metal buttons from the neckline to just above the bust. Here it meets a heavily gathered front in two pieces, which falls with fullness to the floor. This full section is secured closed at the centre front with four hooks and eyes over the bust and then continues with shell buttons through the remainder of the garment.st ninians, george ward cole, morning gown, peignoir, brighton, thomas anne ward cole, margaret morrison ward cole, agnes bruce ward cole

Thomas Harrison (1897-1981) was a leading Melbourne milliner from the 1930s. He began his millinery career in 1920, and by the late 1930s had a salon and workshop at 163 Collins St. He later moved the business to Toorak Road, South Yarra. He continued millinery work until 1975.Pink floral dome-shaped hat made up of silk and velvet pink hydrangea petals and mauve silk stems attached to a stiffened net base.Label, printed black on white acetate, centre back: THOMAS HARRISONthomas harrison, hats, 1960s fashion, melbourne fashion

Wreath of mustard and grey silk velvet leaves with bow at centre front, covered with grey tulle. Label, woven black on grey acetate, inside side back: PHONE 50 5347 / Mary H. Thomas, 103 WATTLETREE RD. EAST MALVERNhat, millinery, 1960s

This capelet belonged to Ellen Grace Snowball, nee Anketell, (1866-1945), who lived with husband Oswald Robinson Snowball (1859-1928) at 'Wolsingham', 11 Boxshall Street, Brighton. Oswald Snowball was a solicitor and politician who was active in the Freemasons and the Orange Order. Active in Protestant moral crusades during the 1990s, he was a vocal opponent of liquor and gambling and advocated Bible reading in public schools. In 1909 he succeeded Sir Thomas Bent as Brighton's representative in the Victorian Legislative Assembly, a seat he held for close to twenty years until his death in 1928. During his last year of life, despite serious illness, he served as Speaker of the Legislative Assembly under the Hogan government.White ostrich feather capelet. Feathers sewn onto crescent-shaped cream cotton fabric, with an elaborate silk tassel at either end.ellen grace snowball, ellen grace anketell, oswald snowball, capelet, ostrich feather, 1920s

This wedding dress was worn by two Brighton brides, sisters Floss and Vera McMinn, during the Second World War. The McMinn family moved to Brighton from Castlemaine around 1924, when the sisters were still children. Their father, Horace Henry McMinn, was a fruiterer and greengrocer who ran the Fruit Palace at 123 Church Street. Florence May "Floss" McMinn (1912-2007) married William Thomas Vivian on 3 February 1940 at the Brighton Church of Christ. Her sister Vera was her bridesmaid. Vera Olive McMinn (1918-2006) wore the same dress two years later when she married Geoffrey Walter Holmes on 15 August 1942 at Scotch College Chapel.Cream silk wedding dress with a long train. High neck and long sleeves. Yoke with horizontal pintucks and self-covered buttons. Side zip.wedding dress, 1940s, wartime bride, florence may mcminn, florence may vivian, vera olive mcminn, vera olive holmes

John Ash succeeded Thomas Harrison as the Australian Note Printer in 1927 and oversaw the printing of a new series of banknotes, known as the Ash Series. First issued between 1933 and 1934, the new banknotes sought to improve the currency's resistance to counterfeiting. A special watermark was created to increase the security of the new series. Shaped as a medallion, the watermark showed the profile of Edward, the Prince of Wales. A new portrait of the King was also introduced, depicting him frontally rather than in profile as he had appeared in the prior banknotes of the Harrison Series (1923-1925). The back of each denomination contained an individual vignette that reflected a sector of the country's economy. The wool and agricultural industries were represented, as they had been in the first series of the nation's banknotes (1913-1914), and they were joined by manufacturing and commerce. The prominent British sculptor, Paul Montford, contributed to the design of the new series. Recognised for his sculptural works on the exterior of Melbourne's Shrine of Remembrance, Montford was commissioned to produce relief sculptures that formed the basis of the banknotes' vignettes. His sculptures were translated into wash drawings by Frank Manley, the artist and engraver for the Commonwealth Bank's Note Printing Branch. Manley accentuated the sculpture's three-dimensional qualities with deep shadows and touches of illusionism. A sheep in Montford's pastoral scene, for example, stands forward from the frame as if entering the viewer's space to escape branding and Manley preserves this visual conceit in his drawing. Whereas the printing of the previous series of Australian banknotes had been criticised for its poor definition, the sculptural basis of the Ash Series clarified the banknotes' imagery. During a period of record unemployment, the scenes emphasised the strength of the human figure in gestures of labour, evoking classical, heroic qualities in their poses. The sculptural forms suggested stability in the turbulence of the Great Depression and imparted a sense of solidity to paper currency. - museum.rba.gov.auCommonwealth of Australia paper one pound note in green and white tones depicting graphics and text. The obverse has a framed design with a blank portal to the left and King George VI in the right portal. The centre shows the Australian Coat of Arms, serial number, and detail over one pound symbol on a mosaic background, with signatories below. The reverse features a framed pastoral scene with farmers tending sheep, with a blank portal to the right.Obverse: ONE / 1 / 1 / ONE / COMMONWEALTH OF AUSTRALIA / K / 58 / 790230 / K / 58 / 790230 / This Note is legal tender for / ONE POUND / in the Commonwealth and in all / Territories under the control of the / Commonwealth. / [signature] / GOVERNOR / COMMONWEALTH BANK ON AUSTRALIA / [signature] / SECRETARY TO THE TREASURY Reverse: 1 /1 / 1 / 1 / PASTORALcurrency, money, pound note, pastoral scene, industry, commonwealth of australia, paul montford, king george vi, frank manly, john ash

John Ash succeeded Thomas Harrison as the Australian Note Printer in 1927 and oversaw the printing of a new series of banknotes, known as the Ash Series. First issued between 1933 and 1934, the new banknotes sought to improve the currency's resistance to counterfeiting. A special watermark was created to increase the security of the new series. Shaped as a medallion, the watermark showed the profile of Edward, the Prince of Wales. A new portrait of the King was also introduced, depicting him frontally rather than in profile as he had appeared in the prior banknotes of the Harrison Series (1923-1925). The back of each denomination contained an individual vignette that reflected a sector of the country's economy. The wool and agricultural industries were represented, as they had been in the first series of the nation's banknotes (1913-1914), and they were joined by manufacturing and commerce. The prominent British sculptor, Paul Montford, contributed to the design of the new series. Recognised for his sculptural works on the exterior of Melbourne's Shrine of Remembrance, Montford was commissioned to produce relief sculptures that formed the basis of the banknotes' vignettes. His sculptures were translated into wash drawings by Frank Manley, the artist and engraver for the Commonwealth Bank's Note Printing Branch. Manley accentuated the sculpture's three-dimensional qualities with deep shadows and touches of illusionism. A sheep in Montford's pastoral scene, for example, stands forward from the frame as if entering the viewer's space to escape branding and Manley preserves this visual conceit in his drawing. Whereas the printing of the previous series of Australian banknotes had been criticised for its poor definition, the sculptural basis of the Ash Series clarified the banknotes' imagery. During a period of record unemployment, the scenes emphasised the strength of the human figure in gestures of labour, evoking classical, heroic qualities in their poses. The sculptural forms suggested stability in the turbulence of the Great Depression and imparted a sense of solidity to paper currency. - museum.rba.gov.auCommonwealth of Australia paper one pound note in green and white tones depicting graphics and text. The obverse has a framed design with a blank portal to the left and King George VI in the right portal. The centre shows the Australian Coat of Arms, serial number, and detail over one pound symbol on a mosaic background, with signatories below. The reverse features a framed pastoral scene with farmers tending sheep, with a blank portal to the right.Obverse: ONE / 1 / 1 / ONE / COMMONWEALTH OF AUSTRALIA / K / 58 / 790230 / K / 58 / 790230 / This Note is legal tender for / ONE POUND / in the Commonwealth and in all / Territories under the control of the / Commonwealth. / [signature] / GOVERNOR / COMMONWEALTH BANK ON AUSTRALIA / [signature] / SECRETARY TO THE TREASURY Reverse: 1 /1 / 1 / 1 / PASTORALcurrency, money, pound note, pastoral scene, industry, commonwealth of australia, paul montford, king george vi, frank manly, john ash

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed lithograph depicting people on Lydiard Street South, Ballarat art, artwork, ballarat, lydiard street, s.t. gill, samuel thomas gill, available, bath's hotel, craig's hotel