315 pages, black and white photographs, dust jacket with book cover.non-fictionjames bisset, ww2, howard timbury, first fleet fellowship victoria, interest group

Barrels in the DomeA4 size two-fold flyer on brown papercultural events, 2019, norla dome, community

stage, piano, chairs, concerts, seamen's mission, woodfloor, billiard, flinders street, seamen, sailors, newspapers, bentwood chairs, vienna chairs

Padre Oliver is shaking hands with sailors. On the flyer behind him we can read: The war is over. Funds are hard to get. If you want to "throw in", here's your chance with an arrow pointing to the donation slot in the wall. On the left is a notice about the social events at the mission.Medium size black and white photograph depicting Padre Oliver shacking hands with a sailor near the entrance door of the hall. Three other sailors are waiting to do the same probably. padre frank leslie oliver, ww2, wartime, 717 flinders street, mission to seamen, donations

Thelma Jessie Forster (1892-1945) was a member of the Ladies Harbour Lights Guild. Daughter of Henry William Forster and Jessie Graham Wheeler. On electoral Rolls she is registered as typist so it is likely she was typing the documents, newsletter or administrative documents for the Mission or the Guild.Arched windows st peter chapel, flinders street, mission to seafarers, seamen's mission, mission to seamen, st peter, sailors, seamen, stained glass windows, win, memorial chapel, ww2, jesus, hlg, thelma forster, n. martin, b. martin, typist

The photograph on the front of the postcard depicts a game of billiards being played in the Billiard Room of the Mission to Seafarers Melbourne. The Flinders Street extension building opened for use in 1917 after relocating from Australia Wharf. The billiard pool was likely made by the Alcock company.The scene on the postcard shows the typical use of the Billiard Room at the Mission to Seafarers Melbourne as well as what is presumably the original layout of the room and gives an insight into men's fashion of the time.Sepia toned postcard with photograph of a man in shirt sleeves taking a shot on the billiard table with a second man standing to the left and rear wearing a hat and watching the shot. There are two seated men to the right of the photograph. The man on the left is wearing a suit including hat, the man on the right is wearing a cap and sitting with his arms crossed. There are three pendant lights above the billiard table and bench seating in front of the window.Printed on the bottom of the front of the postcard: "IN THE BILLIARD ROOM. SEAMEN'S MISSION. MELBOURNE, VICTORIA. REAL PHOTO SERIES M.826" Printer's logo on rear of postcard: "VALENTINES/REAL PHOTO SERIES POSTCARD" Printed sideways on left hand rear of postcard: "Published by the Valentine & Sons Publishing Co. Ltd/Melbourne, Sydney & Brisbane" Printed in right hand corner rear of postcard: "BRANCHES/SYDNEY/LONDON/DUNDEE/DUBLIN/CAPETOWN/MONTREAL/TORONTO" postcard, windows, floorboards, valentine-and-sons-publishing-co-ltd, billiard room, pool table, billiard table, billiard cue, seamen's mission, mission to seafarers, melbourne, flinders street, bench seat, pendant lighting, bentwood chairs, coat rack, valentines postcards, real series postcards, real photo series, m.826, vienna chairs

This photograph is a snapshot of how the Celia Little Room was used in the late 1950s, and the people who visited the Mission to Seafarers Melbourne at the time.The Mission to Seafarers Melbourne is a place of respite for visiting seafarers since 1917. The image shows a particular point in history in the Celia Little Room at the Mission, where the services provided to seafarers are being used.The image depicts a group of people in the foreground of the Celia Little Room at Mission to Seafarers Melbourne. A Priest is sitting to the left of a table with a number of tea cups and saucers. There is a man sitting in the middle with his arms crossed with his elbows on the table. A lady sits to the right of the table and she is holding a cup and saucer. Another man is sitting between the lady and the man with his arms crossed, he is bald. There are two men in the background who appear to be reading, one man is partially blocked from view by the man at the table with his arms crossed. The walls are timber lined.The reverse side of the photograph in the top right corner is an "O" with what appears to be a "9" in the middle of the "O". table, tea, reverend, reading, mission-to-seafarers-melbourne, celia-little-room, priest, wains-coting, flinders-street

Alan Charles Quinn went to sea at 16 years of age and photographed his work and the places he visited. His collection of photo albums form a pictorial autobiography. The Alan Charles Quinn collection also includes a series of letters written to and from his mother.Black and white photograph of a number of yachts moored in San Francisco Bay. There is a jetty or pier visible to the right of frame and trees along the background to the left.Blue/green ink, handwritten on reverse: "30/9/49" Handwritten in pencil: "K9/A"sailing boats, moorings, san francisco, alan charles quinn

This series of photographs captures life at sea and the conditions on the ship M/S "Mongabarra" in 1950. This photograph was reproduced and exhibited by the Mission to Seafarers as part of the exhibition "Letters from Abroad" in 2012.This photograph is part of the Allan Quinn collection, which is a pictorial autobiography, and it represents one of many moments of his time abroad as a seafarer.Black and white photograph of the M/S "Mongabarra" Goteborg in Eriksbergs dockyard, Gothenburg, Sweden. The ship is directly in the middle of the photograph taking from the very front of the ship in the dry-dock. There are several ladders lined up along the left-hand side of the ship beginning from the ships front. There are several wooden planks lying on the ground in front of the ship and walls either side of the ship.ship, sweden, mongabarra, allan quinn collection, allan quinn, gothenburg, drydock, shipyard, dockyard, eriksbergs, letters-from-abroad

Photograph of the side of the Goonawarra loading wool at Melbourne. Allan Charles Quinn worked on the Goonawarra during 1946. The Goonawarra worked between Sydney, Melbourne, Palmyro Island, San Francisco, Los Angeles, Panama Canal, Falworth, Le Havre and Goteborg.The Allan Charles Quinn collection is a collection of letters and photographs taken and written when Allan went to sea at 16 years of age. They provide a snapshot of life at sea in the period immediately following World War II.Black and white photograph of the Goonawarra at berth in Melbourne, loading wool.Black in on reverse: Goonawarra loading wool at/ Melbourne 13 Jan 1946allan-charles-quinn, goonawarra, sydney, melbourne, palmyro-island, san-francisco, los-angeles, panama-canal, falmouth, le-havre, goteborg

The photograph is part of a series of five, depicting the Ariston in dry docks in Hoboken, New jersey, on the 26th of August, 1947. This photograph shows the front and side of the ship while in the dry dock.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A black and white photograph of the Ariston in dry dock, in Hoboken, New Jersey.Handwritten in black ink on reverse: ARISTON IN DRY SOCK / 26.8.47 / D (handwritten in pencil). There is also a small mark in blue ink in the bottom right hand corner.allan-quinn, photograph, dry-docks, hoboken, new-jersey, ariston

The photograph is part of a series of five, depicting the Ariston in dry docks in Hoboken, New jersey, on the 26th of August, 1947. This photograph shows the front of the ship while in the dry dock.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A black and white photograph of the Ariston in dry dock.Handwritten on reverse in black ink: ARISTON IN DRY DOCK / 26.8.47 / D (in pencil). There is also a small mark in blue ink in the left hand bottom corner.allan-quinn, photograph, dry-docks, hoboken, new-jersey, ariston

The photograph is part of a series of five, depicting the Aniston in dry docks in Hoboken, New jersey, on the 26th of August, 1947. This photograph shows the front of the ship while in the dry dock.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.Black and white photograph of the Aniston in dry dock, in Hoboken, New Jersey.Handwritten in black ink on reverse: ANISTON IN DRY DOCK / HOBOKEN NEW JERSEY / 26.8.47 / D (in pencil). There is also a small blue mark in the bottom left hand corner.allan-quinn, photograph, aniston, dry-docks, hoboken, new-jersey

This photograph is part of series of four, the only colour photographs taken by Allan Quinn while docked in Rio De Janeiro on-board the M/S Fenris. The photographs are mentioned in one of Allan Quinn's leters to his mother (Object 0150).This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.Colour photograph of Copacabana Beach in Rio De Janeiro. The photograph has been mounted on a 7.4x9.8 white card.Date on verso: 25-12-48allan-quinn, colour-photograph, fenris, rio-de-janeiro, copacabana

The photograph is part of a series of six, depicting the Fenris in dry docks in at Finn Boda ship yards, in Stockholm, Sweden, between the 4th and the 27th of May, 1948. This photograph shows the front and side of the ship while in the dry dock.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A black and white photograph of the M/S Fenris in dry dock, in Stockholm.On reverse: STOCKHOLM / 18-5-49 handwritten in blue ink. There is also an indecipherable mark handwritten in pencil below this.allan-quinn, photograph, fenris, dry-dock, sweden, stockholm, 1949

This photograph is one in a collection known as the Allan Charles Quinn collection. These photographs were taken during his time at sea in the period immediately after World War II. This photograph has a complementary letter that was written by Allan to his mother outlining his first experience of Carnival.As a whole the Allan Charles Quinn collection offers insight into the life of a young man working at sea in the period immediately after World War II. The photographs are complemented by a collection of letters written between Allan and his mother.Black and white photograph of a carnival float taken in Rio de Janeiro. There is a large crowd visible in the foreground and the background. The float is in the centre of the photograph. There is a white fountain on the float with two women dancing. Their dresses are flowing outward as they twirl. Blue ink on reverse: CARNIVAL IN RIO./ 1-3-49allan-quinn, photograph, rio, carnival, floats, dancers, crowd, 1949, merchant navy

This photograph shows a scene from the first time Allan Charles Quinn attended Carnival in Rio. Although having made several trips to South America previously, he had not experienced Carnival before. The photograph is also complemented by a letter written to his mother including a description of Carnival.The Allan Charles Quinn collection forms a pictorial autobiography of life at sea for a young man in the period immediately following World War II. The collection also includes a series of letters between Allan and his mother, some explaining the photographs and some talking about other experiences or mundane situations.Black and white photograph of Carnival float in Rio de Janeiro. To the fore of the float there is a man holding a bow and arrow with several elaborately dressed women sitting atop a structure. There is also a large crowd visible in the foreground.Blue ink on reverse: CARNIVAL IN RIO/ 1-3-49allan-charles-quinn, south-america, rio, carnival, floats, crowd, bow, arrow, 1949, rio de janeiro, brazil

This photograph shows a scene from the first time Allan Charles Quinn attended Carnival in Rio. Although having made several trips to South America previously, he had not experienced Carnival before. The photograph is also complemented by a letter written to his mother including a description of Carnival. This photograph was exhibited by the Mission to Seafarers as part of the exhibition "Letters from Abroad" in 2012.The Allan Charles Quinn collection forms a pictorial autobiography of life at sea for a young man in the period immediately following World War II. The collection also includes a series of letters between Allan and his mother, some explaining the photographs and some talking about other experiences or mundane situationsBlack and white photograph of Carnival float in Rio de Janeiro. There is a large crowd visible in the foreground. The float has several places for the elaborately dressed women to sit, each of which resembles a throne of some kind. There are four women on the float and what appears to be a driver holding onto reins.Blue ink on reverse: CARNIVAL IN RIO/ 1-3-49allan-charles-quinn, south-america, rio, carnival, floats, crowd, letters-from-abroad, rio de janeiro, brazil

This photograph shows a scene from the first time Allan Charles Quinn attended Carnival in Rio. Although having made several trips to South America previously, he had not experienced Carnival before. The photograph is also complemented by a letter written to his mother including a description of Carnival. This photograph was exhibited by the Mission to Seafarers as part of the exhibition "Letters from Abroad" in 2012.The Allan Charles Quinn collection forms a pictorial autobiography of life at sea for a young man in the period immediately following World War II. The collection also includes a series of letters between Allan and his mother, some explaining the photographs and some talking about other experiences or mundane situationsBlack and white photograph of Carnival float in Rio de Janeiro. There is a large crowd visible in the fore and back ground. On the float are two horses standing on their hindlegs with a woman appearing to ride one. There is also another women visible at the rear and a man standing at the back.Blue ink on reverse: CARNIVAL IN RIO/ 1-3-49allan-charles-quinn, south-america, rio, carnival, floats, crowd, horses, letters-from-abroad, brazil, rio de janeiro

This photograph records how equipment, such as ladders, were used to work on the hulls or propellers of ships while they were in drydocks. This photograph was exhibited by the Mission to Seafarers as part of the exhibition "Letters from Abroad" in 2012.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A black and white photograph of ladders arranged around the propeller of the Mongabarra while in drydock.allan-quinn, photograph, drydock, mongabarra, eriksbergs, letters-from-abroad, ship

The photograph shows how equipment was set up for work to be done on ships while they are in drydocks.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.Black and white photograph of the stern of the ship "Mongabarra" while in drydocks. There are six ladders arranged in front of the ship, in preparation for workers. The photograph has a narrow boarder of white on all four sides.allan-quinn, photograph, drydock, mongabarra, eriksbergs, letters from aborad

This photograph forms part of the collection that has been accumulated at the Mission to Seafarers Victoria. It demonstrates that that there was an ample library once in use at the Mission. The photograph is thought to have been taken in the Chaplain's office next to the chapel. The photograph is part of a serie likely to have been taken by Bill Doyle (Reverend C.J. Eldridge-Doyle), who was a keen photographer like many of the chaplains as he often uses the Ilford paper to print his images.Reading have always been an incentive at the Mission, and books were always made available to seafarers insiste or brought on board ships via reading parcels.Black and white photograph of two men in the chaplain's library. The man on the left of the frame is putting a book back on the shelf and the man to the right of frame appears to be be reading a book.Number 3 (in circle) handwritten in black ink on reverse of photograph in top right-hand corner. Reverse side also includes a numerical stamp of "1940". Ilford is étampes on the paper.library, books, literature, reading

The official history of Australia in WW1 written by C. E. W. Bean12 volumes. Hard cover, dark red binding. Maps and black and white illustrationsPresented to James Gordon Saunders Longfellow St Norman Park Q July 1950c e w bean, world war i, australia army, gallipoli

Jarrod Belbin, who plays baseball for Greensborough, will take up a college baseball scholarship in the USANews article 1 page, black text and colour image .jarrod belbin, greensborough baseball, college baseball, baseball

Photographs and brief biographies of 59 women federal parliamentarians 1943-19992 p. black & white illustrations(Special section of Sunday Herald Sun 28 November 1999australia politics and government, women

Plenty Road in Bundoora will be hit with partial lane closure between Bradshaw, Kingsbury and Grimshaw Streets from February 2-4 (2019) due to tram track maintenance works.News article 1 page, black text.plenty road bundoora, closure, tram track maintenance works, public transport

Ten thousand people a week are expected to flock to a new $150 million sports park at La Trobe University in Bundoora which will include a football oval, pavilion, baseball diamond and soccer pitch. News article 1 page, black text.bundoora, la trobe university, sports ovals, la trobe sports park

It's all about slip-slop-slap in Greensborough for a group Guinness World Record attempt at the most people to apply suncream. Diamond Valley's annual Relay for Life raises money for the Cancer Council. News article 1 page, black text.guinness world record, greensborough, relay for life, cancer council

Contains a bibliography and list of collecting organisations. A resource book on the subject of Australian nurses and midwives.76 p., stapled, printed in black & white, colour photographsnurses, midwives