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Melbourne Tram Museum
Ephemera - Ticket, The Met, Zone 3 Weekly ticket, 1991 to 1992
3004.1 - Zone 3 Weekly ticket, No. 10176, printed on card, red front with white diagonal strip "The Met" safety paper in the validity area, with the Available until "14 Apr 1991" stamped in black ink. Has the "The Met" logo on the front, with conditions of use and The Met details on the rear. 3004.2 - Zones 1 & 2 Weekly Concession ticket, No. A62646 , printed on card, yellow and blue front, white diagonal stripe "The Met" safety paper in the validity area, with the Not Valid after "27 Sept 1992" stamp in large black letters. Has the "The Met" logo on the front, with conditions of use and The Met details on the rear along with images of "protecting Melbourne's Environment". Both tickets have "Sandown Park" station stamp on them.trams, tramways, the met, weekly tickets, mta -
Melbourne Tram Museum
Newspaper, The Age, "Last chance to save the Ws, for whom the bell tolls", "Joy ride bid to save the W's for whom the bell tolls", "Something in sway means a ride back in time", "For the love of Melbourne's W class tram", 10/10/2010 12:00:00 AM
Newspaper clipping - set of three different pages - from the Sunday Age 10/10/2010, titled "Last chance to save the Ws, for whom the bell tolls". Article looks at the future of the W class trams, a possible tourist route, union and crew viewpoints, Page 1 has a photo of SW6 884, crossing the Latrobe St bridge, written by Ruth Williams. Page 4 - "Joy ride bid to save the W's for whom the bell tolls" and "Something in sway means a ride back in time". Article written by John Elder and Craig Sillitoe. Page 16 - Editorial "For the love of Melbourne's W class tram" - promoting the retention of the trams, use for tourist services and upgrading them for use.trams, tramways, w class, sw6 class, save the w's, tram 884 -
Melbourne Tram Museum
Accessory - Paint Sample, The Met, nine paint samples or swatches painted onto card, c1980s
Set of nine paint samples or swatches painted onto card - no details as to date or who made them. Each swatch has the colour printed on top in ink. Assumed c1980s 1 - Tramways Ivory 2 - Sash Paint 3 - Tramways Cream 4 - Gully Green - has paint over run on the rear - this colour used on bumper bars during the 1960's and 1970's - refer to Destination City 5th edition. 5 - Lino Brown - appears to be used on the frame of the chocolate coloured cars at Hawthorn, eg No. 380 6 - Floor Paint - with over run on the rear 7 - Panel Green - ditto 8 - u/seat green (under seat) 9 - Chocolate browntrams, tramways, paint, colour schemes, tramcars, the met -
Bendigo Historical Society Inc.
Document - GERTRUDE PERRY COLLECTION: BENDIGO OPERATIC SOCIETY PROGRAMMES, 1953 - 1963
Document. Gertrude Perry Collection. Eighteen programmes from Musical Productions staged by The Bendigo Operatic Society dating 1953 - 1963. Some of which featured Gertrude Perry. 'Floradora' program inside typed sheet with a poem with Floradora 1954 Verses composed by G Perry for song 'Tact'. 2 small black cards with white writing on them. Floradora program signed by Norman Lee producer of the show. Other plays: The Chocolate Soldier; Merry Widow; Floradora; The Maid Of the Mountains; Wildflower; The Arcadians; Katinka (2 copies); Dick Whittington and His Cat; No! No! Nanette; The Desert Song; You're in love; The Student Prince (2 copies); Rose Marie; Viktoria and Her Hussar; Show Boat; The New Moon:entertainment, theatre, musical, gertrude perry collection, the chocolate soldier, the merry widow, floradora, the maid of the mountains, wildflower, the arcadians, katinka (2), dick whittington and his cat, no! no! nanette, the desert song, you're in love, the student prince (2) -
Mt Dandenong & District Historical Society Inc.
Photograph, The Busy Corner, 1907
View of Kalorama gap taken in 1907 showing Eliza Hand outside Beulah Tea Rooms, Briartys Coach, Dodd's Grocery cart and Meat Cutting cart. In foreground Fred Jeeves is standing and Theo Hand on hay. Mountjoy is in the background.This photograph has a detailed inscription on the back handwritten by John Lundy-Clarke in 1974.The Kalorama Gap in 1907. The coach road comes from right behind old stump. The shop was Hand's Beulah Tea Rooms soon to become the Mt Dandenong North Post Office. Big woman in black was Mrs Hand. wagon was Dodd's Grocery cart. "Mountjoy" on hilltop. The wagon with man was the first coach on the mount (Briartys). Small cart was Dodd's meat cutting cart. Horse at sledge was "Blossom" boy at her head was Fred Jeeves. Boy on sledge was Theo hand. Elm trees in centre of picture with Prices sign advertising shop and newsagency above them.mountjoy, beulah tea rooms, fred jeeves, theo hand, dodd's grocery cart, cart, coach, briartys -
Melton City Libraries
Letter, Letters from Fred to Mattie, 1910-11, 1913-14, 1916, 1920
Letters sent to Martha (Mattie) dated from 1907 to 1920. Each letter is an edited version of the original pertaining to aspects of Fred Myers life as a shearer. Cobran Stn via Deniliquin Thursday Sept 1st 1910 …I got a reply from Eynesbury and a favourable reply, it starts on the 13th Oct so I will have plenty of time to get there, in fact far to much as we will finish here in a month full time so that will leave a fortnight to spare. We got rain here at last and it has put us back considerably as we only worked Monday. I have been idle ever since. We will probably start again Saturday. The weather has taken up nice and fine again…. I hope it will keep up to the cut out now I have 800 sheep shorn up to date and am fifth among thirty men so I’m doing well I think. Did you get the pound I sent? I’m sending two more this time, which I drew on Saturday. I don’t like sending too much as there is a chance of it going astray. Postcard Cobran Sept 18 1910 Just a note to let you know I am all right. I was disappointed not getting a letter yesterday, Saturday…I won’t get it now till next Saturday. We have three weeks here yet. I am sending 2 and tell me if you got the other 1. Cobran Stn via Deniliquin NSW Sunday 21st August (1911) ..I’m having a good time here, a good cook and the best of everything, no fires to lights or kettles to boil just get up and wire in but plenty of hard work. The sheep here a pretty rough but much better than Wandook. I am well among them here we had a little rain on Friday but not enough to stop us so we have got one full week in and the weather is now lovely I have been basking in the sunshine all morning and feel strong and fit as a fiddle. They are all a grand lot of men here I only knew one out of the lot but now them all pretty well now. We have a bit of a concert here every night almost. There are a few good singers here and we also had a phonograph up from the station with all the latest records. We have has two dances amongst ourselves, very boisterous affairs indeed they do make the dust fly. I have not ventured to take part in them yet and don’ think I will either. I get enough dancing all day long and besides I have to furnish the music. You ought to see them going when I rattle up the concertina they do make the dust fly. Sample of letters written by Fred Myers to his wife Mattie Myerslocal identities -
The WAMA Project : The National Centre for Environmental Art
Painting, Marianne Wehl (1867 - 1926), Untitled (Boronia pilosa, Pultenaea subalpina, Boronia latipinna), c1887 to 1924
The artist: Marianne Louise Charlotte Amalie Wehl (19 Sept. 1867, Mt Gambier; 26 Oct. 1926, Melbourne), a flower painter who was active in South Australia and Victoria, and not to be confused with Marie Magdalene Wehl. Connection with Baron von Mueller: Von Mueller’s younger sister, Clara married Doctor Eduard Wehl and they lived in South Australia. They had 14 children, 6 of whom collected and painted botanical studies – some now in the National Herbarium, Melbourne. A cousin of Doctor Wehl – Carl Wehl – married Sophia Caroline (née Gorte) and one of their daughters was Marianne Wehl. It is recorded that von Mueller visited the Wehls and D’Altons in Halls Gap (Henrietta D'Alton was also a painter of wildflowers), so it is hard to believe that there is no influence at least. Von Mueller had over 1,400 collectors/artists working for him and 225 of them were women and children. Their work is housed in the National Herbarium, Melbourne. The donor believes that Marianne contributed to this work. There is no record of that, however, as only 169 of the artists have been identified, it may be a possibility. Marianne was one of six children of Carl Jakob Wilhelm Wehl (1830–1899) and Sophia Caroline Wehl (née Gorte) (1843–1920). She never married. https://data.environment.sa.gov.au/Content/Publications/JABG34P001_Dowe.pdf The plants: All of the plants painted by Marianne Wehl's in this donation were identified by Botanist Neil Marriott & Wendy Marriott, in July 2022. Neil Marriott said that the quality and beauty of these botanical studies made it easy for them to identify all the plants. He suggested they may be some of the first paintings of Grampians wildflowers. This makes the paintings highly important scientifically and botanically. Visitors to WAMA will be able to compare them with today’s plants in the Endemic Garden. Neil marvelled that Marianne found the specimens, as some of them are endemic and found only in the highest parts of the Grampians (Mt Rosea, Mt William and Major Mitchell Plateau) and are listed as rare and endangered. Some of these same rare plants have now been propagated by the WAMA team and in winter 2022 were planted in WAMA's Endemic Garden. This framed work is considered by him to be the most significant botanically. Boronia pilosa – Hairy boronia. [Wikipedia says it’s a plant in the citrus family Rutaceae and is endemic to south-eastern Australia MH] Pultenaea subalpina - Rosy Bush-pea. Grampians endemic listed as endangered and only found on the tops of Mt William, Major Mitchell Plateau and Mt Rosea - named for the Rosy Bush-pea that grows on its top! This is the only rose-coloured bush pea in the entire genus, which occurs right across Australia!! We have plants ready to plant in the WAMA endemic garden! Boronia latipinna - Grampians Boronia. Grampians endemic only found on the higher peaks of the central Grampians ranges - listed endangered. NB In some records she is called Marianna (as the donor calls her) and in others Marianne. Wildflower art, Wildlife art, wildflowers, Marianne Wehl, Marianna Wehl, Flower paint, Botany, works on paper, von Mueller, Baron von Mueller, Ferdinand von Mueller, Henrietta D'Alton, WAM, Wild Art Museum Australia, Wildlife Art Museum AustraliaGift of Barbara Crick in memory of Marjorie and Lachlan McLennanThree small paintings of pink wildflowers mounted together in original frame. The central image is an oval, flanked by two rectangular images. The frame is probably original – smooth gloss olive green simulating wood or bamboo. It has a new backing paper.Each image LL ' MW' (underlined), central image has signature obscured by oval vignetted matt. On the reverse side it is marked in black felt pen, “McLennan 106 Bennet Rd (4)” This refers to preparation (rematting / framing?) for exhibiting at Horsham Art Gallery in 1981.wildflowers, flowers -
Orbost & District Historical Society
magazine, Woman and Home, September 1940
Women’s magazines during WWII played a “reflecting role,” meaning they cooperated with government agendas while still including topics of readers’ interests Women’s employment rate skyrocketed during WWII. However, even though the number of women working outside the home grew rapidly most of them were still engaged entirely in homemaking. Therefore women’s magazines centered mostly on the stresses and shortages of wartime. Articles as well as advertisements presented information on “product rationing, tips on keeping the family healthy, guidelines for thrifty shopping and advice on how to look good through it all.This is an example of an English women's magazine published during WW11.It gives practical advice on needlework / knitting and evidences the widespread interest in contemporary fashion. In doing so it shows what were the fashionable, but broadly affordable, women's and children's clothing styles of their day. These magazines also reflect women's interests.A 64 pp magazine, titled Woman and Home and Good Needlework Magazine. The front cover has a a coloured picture of a man in a uniform and woman sitting at a round table drinking tea and photographs of knitted jumpers, the patterns of which are inside the magazine.Handwritten on front cover in pencil -Mehlert -
Orbost & District Historical Society
magazine, Woman and Home, October 1951
Women’s magazines just after WWII played a “reflecting role,” meaning they cooperated with government agendas while still including topics of readers’ interests Women’s employment rate had skyrocketed during WWII. However, even though the number of women working outside the home grew rapidly most of them were still engaged entirely in homemaking. Therefore women’s magazines centered mostly on the stresses and shortages of wartime. Articles as well as advertisements presented information on “product rationing, tips on keeping the family healthy, guidelines for thrifty shopping and advice on how to look good through it all.This is an example of an English women's magazine published post WW11.It gives practical advice on needlework / knitting and evidences the widespread interest in contemporary fashion. In doing so it shows what were the fashionable, but broadly affordable, women's and children's clothing styles of their day. These magazines also reflect women's interests.A 64 pp magazine, titled Woman and Home and Good Needlework Magazine. On the front cover is a coloured drawing of a fashionably dressed and made-up woman with red hair and holding a bunch of similarly coloured flowers (gerberas?) At the bottom left are knitted baby clothes - pattern inside - as well as a man and woman wearing fashionable clothing - suggesting patterns are inside the magazine. The magazine cost 1/6 and is dated October 1951.magazine-woman-and-home -
Orbost & District Historical Society
blackout shield, Lucas Industries, WW 11
By 1941, the threat of Japanese invasion caused restrictions to daily life. Blackouts became the norm. To prevent identification from enemy planes all lights had to be turned down, including car headlights that had to be covered to minimize light exposure. In Australia more relaxed regulations led to the Australian air raid precautions being dubbed the “brownout”. These shields limited the amount of light emitted by a vehicle. To drive at night without them was an offence; however, the increase in road accidents led to the removal of headlight masks everywhere in Australia south of Rockhampton from 15 February 1943. These shields, though not rare, evoke a period of restrictions, fear, rationing and confinement.A circular metal disc painted black - car light blackout shield. It has a small glass slot in front and a scooped out front to cover the light.ww11 blackout-shield -
Orbost & District Historical Society
buckles, !930's -1940's
These items are probably American ). A lot of carved bakelite jewellery/buttons/buckles were manufactured in the U.S.A. The orange (red?) one is especially reminiscent of American bakelite, due to its polished look. The other one is probably butterscotch bakelite. Originally it would have been white or cream, but the plastic oxidises over time and changes colour to a butterscotch colour. The rectangular one is probably a belt slide. Some types of belts don't have any holes in them. The belt is just slid through the clasp. There is no notch in the centre bar indicating that there was never a hasp. ( Info. from Button Bower)These two items are good examples of dress accessories typical of the first half of the 20th century era.Two buckles probably made of bakelite. 1950.1 is orange/ red, circular with a metal prong. 1950.2 is a slide, rectangular shape, light salmon pink (butterscotch) with no prong.buckles dress-accessories women's-clothing bakelite -
Ringwood and District Historical Society
Document, Ringwood Ladies Benevolent Society 1929-1939
The constitution states that the object of the Society is to relieve the wants of the poor -especially women and children- by suppyling them with clothing ,boots, food, fuel and other necessaries. The members of the Society to be councillors wives and representatives of Religious organisations.The President shall be the Mayoress. the positions of Treasurer and Secretary shall be Honorary. Mrs. McCaskill , whose husband was a Councillor at that time was the first President, a position she held for many years. There were 32 Ladies Benevolent Societies in the metropolitan area at this time. By the early 2000s there only a few left and Ringwood was one of the last to close about 2008 when it was absorbed into the Citizen's Advice Bureau. Various typed and hand written documents relating to the Ringwood Ladies Benevolent Society formed in 1929. 1- Constitution and Rules. 2- First Annual Report dated 1930. 3- Financial report submitted to The Charities Board of Victoria. 4- Receipts and expenditure for year ending 30th June 1930. 5- List of Societies affiliated with the Central Council of Victorian Ladies' Benevolent Societies. 6- Notification of first Annual Meeting of the Society in 1930. 7- Miscellaneous documents and newspaper clipping relating to the Ringwood Ladies Benevolent Society. -
Warrnambool and District Historical Society Inc.
Bell, James Barwell, Animal, C 19th century
Bells of this type were normally used to hang around the necks of cows, horses or bullocks to prevent them from being lost and were used from around the 1860's onwards. The initial J B identify the bell as being made by James Barwell who made bells for the Australian market from around the 1860's. His bell and brass foundry manufactured all sorts of bells from school bells to full church peals as well as plumbing fittings. The four marks on the edge of the bell are typical of those used by drovers or owners to identify their animal. While this bell has no known local provenance, it is a link to the early cattle and agricultural life in Australia and most likely the Western District. Its significance lies in the fact that it is typical of bells used for a purpose at that time and as such can be used for discussion in a social and interpretive context.This is a brass bell of the type used to hang around the necks of animals such as cows, horses and bullocks. The mechanism for the attachment to a collar or harness has been sheared off and the clapper is detached from the inside hook. The bell has an inscription incised around the top and there are four small cuts or incisions made into the bell at the wider end. The bell is a little tarnished.‘Success to 4 in horse teams J.B.’history of warrnambool, animal husbandry, animal bell, james barwell bells -
Lara RSL Sub Branch
Memento, Sweetheart Cards WW1, World War 1
Sweetheart cards WW1 Woven silk postcards were produced in Krefeld in 1898 , Germany. Embroidered silk postcard were first made in Paris in 1900. The popularity of the silk postcard peaked during World War 1. The different examples shown reflect what, and to whom the soldiers sent them to during this period. An estimated 10 million hand made cards were produced from 1915 1919. Tjhe cards were generally hand embroidered by French women in their homes on strips of silk mesh, with as many as 25 on strip. They were then sent to a factory for cutting and mounting on postcards. Rectangular post cards , cream coloured with silk embroided silk motifs on the frontpostcards, sweetheart cards, silk embroidered cards, world war 1, lara rsl, france -
Kiewa Valley Historical Society
Ticket Theatre, Circa 1950
This ticket was used in the 1950's to gain entry into the Mount Beauty Cinema, located in the community Hall. This ticket was donated by the person who attended one film shown in this theatre. This was in an era where before the start of screening, the "British" anthem was played and all patrons were required to be up-stand. Sometimes if somebody was not standing the usher would advise the patron of their patriotic duties to the "Queen" required them to stand unless they were physically incapacitated. This act demonstrated the strong bond to "mother England". From the late 1960's onward this strong show of loyalty "faded away" into history.This theatre ticket is very significant to Mount Beauty because it was the access by the Kiewa Valley residents to "big city" movies. This was in a time frame when television was just beginning to be a popular household entertainment appliance. The Kiewa valley was for a very long time "out of range" for television reception and the only form of screen images were attending the Mount beauty Theatre (just like the big cities but on a more intimate level). Just like the city movie Theatres, the Mount Beauty Theatre, was the centre of the "after five o'clock" entertainment hub. This was a time when going to the theatre was a big event and townsfolk "got dressed up" for this special occasion.It was the gathering place for young and old.This thick cardboard Cinema ticket to the Mount Beauty Theatre (cinema) has two distinctive sections separated by a single perforation. One section for the doorkeeper and one section to "kindly retain". The colour is light green with black print. The ticket was printed by RENWICK PRIDE.On each side of the perforation is printed, "Mt. BEAUTY" underneath in smaller print "THEATRE" underneath a dividing line "RES. SEAT" and stamped underneath "F" "13". Below these on the left side "DOORKEEPER" and on the right side "KINDLY KEEP"ticket, small theatre, local entertainment, public movie theatre, mount beauty cinema -
Orbost & District Historical Society
shields - blackout, Swan, Wally, WW11
By 1941, the threat of Japanese invasion caused restrictions to daily life. Blackouts became the norm. To prevent identification from enemy planes all lights had to be turned down, including car headlights that had to be covered to minimize light exposure. In Australia more relaxed regulations led to the Australian air raid precautions being dubbed the “brownout”. These shields limited the amount of light emitted by a vehicle. To drive at night without them was an offence; however, the increase in road accidents led to the removal of headlight masks everywhere in Australia south of Rockhampton from 15 February 1943.These shields, though not rare, evoke a period of restrictions, fear, rationing and confinement.Pair of handmade car light blackout shields. Black round metal with scoop at front as well as small glass partition.shields-blackout ww11 transport-motor-vehicles -
Orbost & District Historical Society
doll, late 19th century -early 20th century
By the 19th century, porcelain had become the favored material for doll heads, and starting in the 1830s, high-quality china dolls hit the market. Most of these were made in central Europe, and often the assembly work was done by individual families, which is why many antique china dolls are not marked. German-made china dolls usually have black molded hair and blue eyes. The most common china dolls are Low Brow china dolls, made in the millions in the 1890s (so called because their hairdo has bangs and lays low on their forehead, giving them a "low brow").This doll is a good example of a late 19th century china doll.China-headed doll with soft body. It has a low brow,moulded black hair and is wearing a black dress with a white collar and cuffs. Over the dress is a white pleated, embroidered pinafore. It has a broderie Anglaise petticoat.doll toys china-doll -
Flagstaff Hill Maritime Museum and Village
Tool - Caulking mallet, Mid 19th to early 20th centuries
The subject item is a vintage Nautical Shipwrights Ship Boat Caulking Hammer Mallet, Unusual Small Size. These mallets were routinely used in the 1800s when ships were made of wood. This mallet was used with caulking irons to drive the oakum (caulk) between the ship's bottom planking to seal them up. The mallet has slots to dampen the vibration of the mallet blows on the user's elbows. The head is made of a very hard wood, possibly Lignum Vitae or another dark tropical wood. The item seems to be of a very early design with the two preened-over metal rods for reinforcing the head. Item appears to be of early manufacture by an unknown maker from the mid to late 19th century and is significant as tools of this era are quite rare. This tool is also significant as it gives an insight into how ships made of wooden planks were made sea-worthy by inserting caulking material between the boards thereby making the vessel watertight. Caulking Mallet Wooden with iron ferrules on each end. Wooden head with two large bolts passing through body. Stamped W Milne. James S Steele tool box.Stamped W Milne & James S Steele tool box.mallet, flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, caulking mallet, caulking, james steele, shipwrights tools -
Blacksmith's Cottage and Forge
Wooden Spoon
Used for stirring a multitude of kitchen produced food, especially jam, scones, cakes, and soup. Also used by the mother as a threat to naughty children. The word spoon derives from an ancient word meaning a chip of wood or horn carved from a larger piece.[1] Wooden spoons were easy to carve and thus inexpensive, making them common throughout history. Wooden spoons have been made in virtually every nation on earth and (compared to silver or pewter or gold spoons) represent the ordinary artisan and reflect the life of ordinary folk: this is their "folk art". Source: www.wikipedia.org An essential item found in the kitchen. One piece wooden spoon. Turned marble-shaped decoration at end of handle.kitchen, food, spoon, wooden, stirring, mixing, jam, cakes, batter -
Federation University Historical Collection
Booklet, John Fraser & Son, Shire of Buninyong, 1858-1958, 1958
Booklet of loose pages held together with yellow ribbon. Photographs of Buninyong.non-fictioncentenary, fisken, shire council, district road board, buninyong, 1958, dallas brookes, governor of victoria, archibald fisken -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Photograph, B&W, George William Box & Elizabeth Honor Tippett Wedding 1902, c1902
Box Cottage Museum, a reconstruction of an early settler hut, is named after the Box family who resided there 1865 -1913 . George William Box 1870 -1933 was a son, and twin brother of Cecilia Eliza, of William and Elizabeth Avis Box who lived in Box Cottage and farmed the land 1865 - 1913 . George William Box married Elizabeth Honor Tippett 1902 and they had 8 children. Elizabeth Avis Box gave them a shop with a dwelling in Jasper Road where Elizabeth Honor sold groceries and vegetables while George obtained various jobs. Box Cottage Museum, a reconstruction of an early settler hut, is named after the Box family who resided there 1865 -1913 . George Box was the father of William Box who with his wife Elizabeth Avis Box and 13 children lived and farmed on the block of land in Jasper Road, East Brighton ( now McKinnon / Ormond) that was part of the Henry Dendy Special Survey 1841 Inscribed inside Album : “ The early photos in this album were found by Mr (Laurie) Lewis when he was demolishing the Old Box Cottage. He gave them to Mrs Avis Box Eldridge who in turn gave them to me. They were not identified. I believe they rightly belong in the Cottage. I have attempted to identify them and present them in a way they can be preserved as a historical record of the era.” A B Leigh A black & white Wedding photograph 1902 of George William Box 1870-1933 and Elizabeth Honor Tippet Box d1953TALMA 119 Swanston Street / Melbourne / and at Sydneybox george, box mary, box william, box elizabeth, box alonzo, box mary louisa, dendy henry, were j b, dendy's special survey 1841, brighton, moorabbin, bentleigh, mckinnon, ormond, market gardeners, dairy farms, early settlers, pioneers, jasper road, gurr jabez, gurr eliza, pay henry, pay anna, ward willam, box henry, ward elizabeth emma, box john, sheldrake martha, rushall eleanor, box caroline, box william, box elizabeth avis -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Tools, stainless steel pen-knife, 20thC
A penknife, or pen knife, is a small folding knife. It was originally used to describe a knife used for cutting or sharpening a quill to make a dip pen nib. Originally, penknives were used for thinning and pointing quills to prepare them for use as writing instruments and, later, for repairing or re-pointing the quills. They did not necessarily have folding blades, but resembled a scalpel or wood knife by having a short, fixed blade at the end of a long handle. Today a penknife can have single or multiple blades, and with additional tools incorporated into the design. The most famous example of a multi-function penknife is the Swiss Army knife A folding pen-knife with 2 stainless steel bladeson long blade end; STAINLESS / MADE IN / SHEFFIELDpen-knife, scouts, cheltenham, moorabbin, bentleigh, tools, early settlers -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Rectal or vaginal irrigator nozzle associated with midwife Mary Howlett, c. 1866 - 1920
This item may have been used for enema or vaginal irrigation. Mary Howlett (1840-1922) began practising as a country midwife in 1866 in the western district of Victoria. She qualified as a 'ladies monthly nurse' in 1887 and continued to practise as a nurse and midwife until 1920.She began her six months training at the Melbourne Lying-In Hospital. She was known by many as 'Auntie', and her career spanned more than 50 years. Mrs Howlett's midwifery box and contents were given to Dr Frank Forster, and he donated them to the museum collection in 1993.Black bakelite nozzle with one entry. irrigation, midwifery -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Introducer associated with midwife Mary Howlett, c. 1866 to 1920, c1880s
This item can be used for cleaning rubber tubing or to assist with the introduction of rubber catheters and tubing. Mary Howlett (1840-1922) began practising as a country midwife in 1866 in the western district of Victoria. She qualified as a 'ladies monthly nurse' in 1887 and continued to practise as a nurse and midwife until 1920.She began her six months training at the Melbourne Lying-In Hospital. She was known by many as 'Auntie', and her career spanned more than 50 years. Mrs Howlett's midwifery box and contents were given to Dr Frank Forster, and he donated them to the museum collection in 1993.Device made of metal wire with a rounded point at one end and an eye hook the other end.surgery, midwifery -
Stawell Historical Society Inc
Photograph, Salvation Army songsters in St. Matthews Church
Group of Salvation Army personnel standing in front of pipe organ in St. Matthew's Church in 1968. Captain & Mrs. Noel Clegg Back Don Reeve, Dennis Tyler,2 Guests, Alf Perry,2 Guests, John White In front of backrow Amy Collins, Cynthia Perry, Eileen Esky, Phyllis Folkes, ?, ?, V White, Gwen Reeve In front of them, guest, Margory Brown, Eileen Clarke, Jenny Biggs, Una Watson, Anita Brown, guest, ?, Janet Tyler Front Ruby SymesMr Capt Noel Clegg, S/Lindsay BrownBlack & white photo of a group of male & female singers in front of a pipe organ. Songsters in St. Matthew's Stawell, pre-Petersham trip 1968.stawell religion -
Rutherglen Historical Society
Image, c1965
Caption reads: "This is the Rutherglen police station, which was described as a 'disgrace' at Rutherglen Shire Council's meeting last Friday. Walls of the tiny station are riddled with white ants and the two lock-ups at the rear are primitive. The station is said to be more than 80 years old and entirely out of character with its surroundings -- the pleasant civic square. The condition of the buildings will be brought to the attention of the Victorian Police Commissioner and Public Works Department." The two lock-ups mentioned are now (2018) property of the Rutherglen Historical Society, and are located at the back of the Museum awaiting renovations to make them into a display.Black and white photocopy, that seems to have been from a newspaper article, showing a photograph of a small cottage that served as a police station in Rutherglen for some years. The photograph and its caption are printed on two sheets of paper.Written at the left side of the photo: "Police Station Rutherglen 1965" police station, rutherglen shire, cells, lock-up -
Melbourne Legacy
Certificate - Document, certificate, Presidents' Certificate
Lt-Colonel J.H.P. Eller was the second President of the Melbourne Legacy Club and followed H.E Cohen, the Foundation President. Eller's year of office was devoted chiefly to the consolidation of membership and is notable as a period when new ideas regarding the Club's future began to be entertained. The principle of "Preference to Returned Soldiers" and finding employment for them was no longer so important and it was recognised that a wider meaning might be given to the term "Legacy" by the undertaking of active work amongst the children of deceased soldiers. (Blatchford, Claude. 'Legacy: the story of the Melbourne Legacy Club'. Melbourne, W.D. Joynt, 1932. p.22)Presented to Peter Eller in recognition of his presidential service, a tradition which has continued to the present day for all retiring presidents.Rectangular in shape, clear glass, cardboard fawn coloured border, certificate white cardboard, black metal frame. Back, brown paper, brass coloured hanging wire."Melbourne Legacy Club, Presidents' [sic] certificate, J.H.Peter Eller, Year of Office 1924-1925 In commemoration of your service to Legacy, more especially in the office of president, this Certificate is presented with the sincere regard and thanks of fellow Legatees." Thomas W. White President Frank J. Doolan Secretary Written in black ink. Legacy badge at top centre.service award, past president -
Otway Districts Historical Society
Book, Government Printer, Potato diseases in Australia, 1911
Potatoes are known for their great liability to disease, suffering more from the ravages of fungi than any other crop, and this is largely owing to the fact that they are propagated from tubers which are just swollen portions of underground branches of the stem. Portions of the parent plant in the form of tubers or cuttings are planted year after year, so that any inherent weakness in the original is transmitted to the offspring, and therefore, without a process of selection, deterioration is sure to occur sooner or later. When the tubers are raised from seed and a good selection made from them, they are less liable to disease at least for a number of years. Handbook of fungus diseases of the potato in Australia and their treatment. D. McAlpine. 1st ed. Department of Agriculture, Victoria; Melbourne (Vic); 1911. x, 314 p.; illus., map. Hard cover.potatoes; disease; fungus; agriculture; -
Heytesbury District Historical Society Inc.
Album - Underwood Photo Album
The album is described as belonging to Christopher Underwood. It has been in the possession of Marie Black nee Underwood and upon her death it was her wish that it be donated to the Heytesbury District Historical Society. The album contains 105 images, mostly professionally produced carte de visit portraits. Only 5 of the images are named. The majority of them were produced between the late 19th Century and the early 20th Century. The Underwood family were pioneers in the Newfield District One of the images shows Evelyn Underwood. Evelyn is the only woman who appears on the Port Campbell WW1 Honour Board.Leather bound photo album with brass claspphoto album, newfield, early settlers -
Surrey Hills Historical Society Collection
Photograph, Mrs Caroline de Graaf
Mrs Caroline de Graaf photographed in 1929. Caroline and James de Graaf were married in 1885 and came to live in Surrey Hills. They had two blocks of land at 13 Charles Street. At first James rode his bicycle to his work in Richmond and each week Caroline would walk to Richmond carrying her baby to see her parents. They would put their shopping on the bike and walk home in the evening. Eventually train schedules suited them and they were relieved to be able to use the train for the trip. James later became employed in the timber trade in Box Hill. A black and white photograph of a lady seated on the sand. She is wearing a coat and hat and carrying a bag. There is another bag on the sand beside her. It is possibly a camera bag.(mrs) caroline de graaf, (mr) james de graaf, charles street, surrey hills, clothing and dress