"My Corps Cavalry: a history of the 13th Australian Light Horse" was written by Lieutenant Colonel Douglas Hunter (Retired) and launched by Deputy Prime Minister Hon Tim Fischer. Tim Fischer served with 1st Battalion Royal Australian Regiment; Doug Hunter served with 8/13 Victorian Mounted Rifles. The 13th Light Horse Regiment (AIF) was raised at Broadmeadows Victoria in March 1915. Following service at Gallipoli the regiment was broken up with squadrons going to France as Divisional Cavalry Squadrons of 2nd, 4th and 5th Divisions. The regiment was reformed as firstly 1st Anzac Corps Mounted Troops and later Australian Corps Mounted Troops.Colour photograph of Hon Tim Fischer speaking at the launch of the book "My Corps Cavalry: history of the 13th Australian Light Horse at Buna Barracks Albury 13 March 1999.13th, light horse, world war one, wwi, fischer, hunter, book

"My Corps Cavalry: a history of the 13th Australian Light Horse" was written by Lieutenant Colonel Douglas Hunter (Retired) and launched by Deputy Prime Minister Hon Tim Fischer. Tim Fischer served with 1st Battalion Royal Australian Regiment; Doug Hunter served with 8/13 Victorian Mounted Rifles. The 13th Light Horse Regiment (AIF) was raised at Broadmeadows Victoria in March 1915. Following service at Gallipoli the regiment was broken up with squadrons going to France as Divisional Cavalry Squadrons of 2nd, 4th and 5th Divisions. The regiment was reformed as firstly 1st Anzac Corps Mounted Troops and later Australian Corps Mounted Troops.Colour photograph of display of light horseman and horse of the 13th Australian Light Horse prepared for the launch of the book "My Corps Cavalry: history of the 13th Australian Light Horse", at Buna Barracks Albury 13 March 1999.13th, light horse, world war one, wwi, fischer, hunter, book

"My Corps Cavalry: a history of the 13th Australian Light Horse" was written by Lieutenant Colonel Douglas Hunter (Retired) and launched by Deputy Prime Minister Hon Tim Fischer. Tim Fischer served with 1st Battalion Royal Australian Regiment; Doug Hunter served with 8/13 Victorian Mounted Rifles. The 13th Light Horse Regiment (AIF) was raised at Broadmeadows Victoria in March 1915. Following service at Gallipoli the regiment was broken up with squadrons going to France as Divisional Cavalry Squadrons of 2nd, 4th and 5th Divisions. The regiment was reformed as firstly 1st Anzac Corps Mounted Troops and later Australian Corps Mounted Troops.Colour photograph of RAAC Historian Major Paul Handel (Retired), Major John Baines and Lieutenant Colonel Doug Hunter (Retired) at the launch of the book "My Corps Cavalry: history of the 13th Australian Light Horse at Buna Barracks Albury 13 March 1999.13th, light horse, world war one, wwi, hunter, book, baines, handel

Photos of gathering at the Legacy Garden of Appreciation for the installation and dedication of the 'Widow and Children' statue on Tuesday 29th September 1998. The 'Widow and Children' statue was sculpted by Louis Laumen, a Melbourne artist. The photos show Legatees, including President Tom Butcher, making speeches, a crowd seated for the ceremony and some of the crowd singing. Also a girl laying flowers at the plaque which reads: "Legacy Garden of Appreciation. A living tribute to the generous support of Victorians for the work of Legacy. The sculpture symbolises the work of Legacy caring for the widows and children of veterans. The Flanders Poppies which bloom around November have their origin on the World War I battlefields of Belgium and France."A record of the 'Widow and Children' statue being dedicated in 1998.Colour photo x 8 of the dedication of the Widow and Children statue in the Legacy Garden of Appreciation.widow and children statue, statue, garden

The 8th Light Horse was raised at Broadmeadows Victoria in September 1914 and sailed for overseas in December 1914 so this trial must have taken place during that period. The Wiles mobile cooker was developed by a Ballarat engineer, James Fletcher Wiles, on the advice of Sir Stanton Hicks, first Director of Catering for the Australian Army. The horse drawn cooker was operated by steam, raised by burning oil, to cook food and heat a baking oven. About 300 units were produced during WW1 (1914-18) and were in service in Egypt, France, and Australia. They could be operational in 20 minutes, and cooking could take place while being towed up to 50 kph..The first trial of this major innovation in military cooking together with this fine study of a light horse regiment on the march makes this object a significant one to the Australian Army and Victoria.Large framed photograph of a regiment of mounted horsemen on the march. Frame is of stained molded wood with glass front. Name panel at lower centre."The famous 8th Light Horse / returning from Greensborough Camp / After the first trial of the Wiles Cooker / Victoria 1914-1918"wiles cooker, greensborough, world war one, wwi, light horse

Annual report of the Association for the Advancement of the Blind outlined activities and events over the year, including withdrawal of the Country Concert Party due to the influenza epidemic, efforts being made to develop a Sewing Guild, continuation of Bark Plaiting to make small baskets, introduction of a French Polishing and Boot Repairing classes, the need for a separate building at Brighton to house the ill and the establishment of fund towards this with a 100 pound donation from the Felton Bequest, and the unfortunate increase in deaths amongst members due to the epidemic including past President T. Lowe, Country Concert Party singer Miss N Gray, and the return from active service of Dr Grey.1 volume of printed material with some illustrationsassociation for the advancement of the blind, annual reports

A photo of the Menin Gate war memorial in Ypres. It appears to be a professional photograph purchased as a souvenir. See also 01025 Tyne Cot Cemetery Passchendale as it is by the same manufacturer and is dated 1930. The Menin Gate Memorial to the Missing is a war memorial in Ypres, Belgium, dedicated to the British and Commonwealth soldiers who were killed in the Ypres Salient of World War I and whose graves are unknown (source Wikipedia). The source of these photos is not known but they were stored together in the archives. The source of these photos is not known but they were stored together in the archives. The founders of Legacy were returned servicemen from the first world war and may have returned to France in the 1930s. Manufactured by L. Duhameeuw, Ypres.The professional photos from France imply that Legatees were making pilgrimages to the battlefields of France in the 1930s in memory of their comrades.Black and white photo of Menin gate in Ypres, Belgium.Indistinct round stamp on the back.world war one, souvenir, memorial, ypres

A photo of the Legacy Garden of Appreciation at the Shrine of Remembrance taken from the balcony of the Shrine in September 1998 after the installation of the statue of the Widow and Children. It is called the Garden of Appreciation 'marking the generosity of Victorians in supporting Legacy in its work of assisting widow sand children of deceased veterans'. The 'Widow and Children' statue was commission by Legacy and installed in 1998. The Garden is in a cruciform shape and is on the eastern side of the Shrine Reserve near Birdwood Avenue. It was formerly called the Garden of Memory from 1980-1986 according to Monument Australia website. One plaque explains 'the garden features the Flanders Fields poppies, the seeds which came from Villers-Bretonneux, France'. A record the Legacy garden at the Shrine after the statue was installed in 1998.Colour photo of the Legacy Garden of Appreciation at the Shrine of Remembrance.Handwritten on the reverse in blue pen 'Sept 1998'.shrine of remembrance, memorial garden

The dinner took place on Tuesday 25th November 1958 at The Naval and Military Club; there is no indication of what the occasion might have been. The two caricatures are clearly of the same person and are signed by Pat Hanna, in the same style as the drawings in 01293 and 01290, it is possible that 'Donno' might have been Donovan Joynt though his name isn't in the autographs. (Donovan Joynt was a prominent original Legatee and VC winner in France in 1918, and looks similar to the drawing). It may not have been an official Legacy occasion but simply a gathering of Legatees at the Naval and Military Club. The artist Pat Hanna was a founding member of Melbourne Legacy. Legacy kept some of his works in the archive.As well as demonstrating the conviviality of Legatees, it attests to the food usually offered at dinners in the 1950s. The 'Papa au Rum' listed for dessert might have been a misprint for 'Baba au Rhum' which was popular at the time. Printed and folded menu card, black on white, with the menu printed in purple by a spirit duplicator; two handrawn blue ballpoint caricatures, autographed in blue biro by participants.14 autographs: F.Meldrum, James G. Gillespie, Frank Doolan, Aaron Beattie, Pat Hanna, J Wallace, R. Mitchell, Brian Armstrong, and the rest illegible. In black ink: 'The One & Only DONO' underlined on back page,' DONNO THE ONE & ONLY' inside front cover.comradeship, donovan joynt, hanna

This document was written to celebrate the 60th birthday of Legatee Leigh Johns in 1983. It is a collection of poems written about L/ Johns by different authors as a tribute to him reaching 60 years of age. Leigh Johns was born in 1923, the date of the founding of Melbourne Legacy, and became a Legatee in 1956, serving on 15 ML Boards and as an executive member of the Legacy Co-ordinating Council . He had a distinguished war record in the RAF during WWII and survived 32 bombing raids over France and Germany. He was an enthusiastic contributor of poetry to the Melbourne Legacy Bulletin which explains why this document is in the form of a poem. He was granted Reserve status in 2001 and died in 2008.The tone of the document reveals the affection with which Leigh Johns was regarded amongst his peers, and illustrates the collegiality which existed in the organisation during his membership.White A4 photocopy paper with black type x 13 pages.'Box 16' on title page. Typed title 'Leigh F Johns / 60th Birthday / 10 February 1983'.legatee, birthday

Photos of an event at Legacy House for the Legatees approximately 1992 or 1993.There are flags including the Union Jack, Australian flag, the Navy flag and possibly a French flag. There is a display of military hats as well. Likely to be a 'Dugout Night' where Legatees have a comradeship event around the time of Anzac Day in April. As well as flags there are signs such as 'Tiger Balm, Arrack, Jack Juice, Rice Wine, Suez Canal Water'. Identifiable legatees include John Stevenson (President in 1992), Fred Holdsworth (in airforce cap), Don Simonson (President in 1991) and Charles Munnerley who was chairman of the widows committee for many year to 1993. Also a legatee playing piano. A record of the comradeship of the Legatees.Colour photo x 8 of a legatee event with flags and military hats.legatee event, comradeship, dugout

Photographs and medals of brothers Leslie and James HANDLEY both killed in action in FRANCE 2458 Leslie Lionel HANDLEY was born at Benalla and enlisted at Wangaratta on 28/5/1915 aged 18 years. He served with the 14th Battalion and was killed in the field on 7/8/1916. He is buried at Pozieres in an unknown grave. 2813 James Albert HANDLEY was born at Williamstown and enlisted at Wangaratta/Melbourne on 3/10/1916 aged 29 years. He served with the 38th Battalion and was killed in the field on 18/7/1918. He is buried at Villiers-Brettoneux. Parents James and Elizabeth resided in various locations including Wangaratta and Laceby West.Timber frame with rising sun badge, two coloured patches, two photographs of soldiers and 5 medals2458 Pte Leslie L HANDLEY 14th Battalion KILLED IN ACTION POZIERES 7th August 1916 2813 Pte James A. HANDLEY 38th Battalion KILLED IN ACTION THE SOMME 18th July 1918killed in action, ww1, leslie lionel handley, james albert handley, 14th battalion, 38th battalion

A tribute to Captain Kenneth Malcolm Mortimer by his nephew Dr Owen Campbell Mortimer. Kenneth was born on the 9th October 1895 at Leneva near Wodonga and went to Agricultural High School in Wangaratta in 1912 before entering the Royal Military College Duntroon in 1913. He was killed in action on 20th July 1916, three months before his 21st birthday, at the Battle of Fleurbaix, Fromelles in France. His remains were unknown for 102 years when DNA testing confirmed the identity of nine Australian soldiers found buried in a mass grave near Pheasant Wood. The graves of these nine soldiers will be rededicated on July 19 2018.Mortimer entered the Royal Military College, Duntroon on 10 March 1913 and was graduated early, along with the rest of his class, on 28 June 1915. Mortimer had been a member of the college's photography club and took numerous pictures of his fellow cadets. He was appointed as a Lieutenant with the 29th Battalion on 1 July 1915 and embarked with his unit for Egypt in November 1915. He was promoted to Captain in February 1916 and arrived in France four months later. Died (killed in action) on 20 July 1916 near Fromelles, France aged 20 yearsGrey plastic folder with clear front cover over image of young male.KENNETHkenneth malcolm mortimer, ww1, kia

The 59th Battalion was an infantry battalion of the Australian Army. Initially raised for service during World War I, the battalion fought on the Western Front in France and Belgium between 1916 and 1918, before being disbanded in 1919. In 1921, it was re-raised as a part-time unit of the Militia in Victoria. They remained in existence until 1942 when, due to a manpower shortage in the Australian economy, the decision was made to amalgamate the battalion with the 58th Battalion to form the 58th/59th Battalion. Together they remained linked throughout World War II, serving in New Guinea and Bougainville in 1943–1945. In 1952, the 59th Battalion was re-raised and subsequently was absorbed into the Royal Victoria Regiment in 1960.Brown timber frame containing cream coloured mount and photograph of large group of soldiers and bandsmenPlaque -59th Militia Circa 193959th militia, ww1, ww2, 1939

SHILLINGLAW Ernest Samuel : Service Number - 1689 : Place of Birth - Eltham VIC : Place of Enlistment - Melbourne VIC : Next of Kin - (Sister) SHILLINGLAW Mary Service Record https://recordsearch.naa.gov.au/SearchNRetrieve/Interface/DetailsReports/ItemDetail.aspx?Barcode=8082612&isAv=N Enlisted 25 Feb 1916 Embarked overseas 20 Jun 1916 Served with the 38th Battalion in France Wounded in action 29 May 1917 with a severe gunshot wound to the left eye. Promoted to Lance Corporal 3 Sep 1918 Awarded the Military Medal 17 Mar 1919 (Gazetted London 17 Jun) Diembarked Melbourne 30 Apr 1919 Discharged 25 Jun 1919 from AIF, medically unfit with influenza POSTCARD 1905-1940s Like the carte-de-visite, postcards enjoyed a collecting craze by large numbers of people, and were often kept in albums through which the interested visitor could browse. Postcards were posted or exchanged in huge numbers. Postal authorities in Australia only allowed the private printing of postcards from 1898. At this time the back of the card was reserved for the address and postage stamp, and the front was used for the message and a picture. In 1902 British authorities allowed a "divided back", so that the left side could be used for the message, the right side for the address and stamp, and the whole of the front was devoted to the picture. France followed suit in 1904, Germany and Australia in 1905, and the United States in 1907. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991marg ball collection, postcard, 1916, aif, ernest samuel shillinglaw (1888-1958), first world war, world war 1

SHILLINGLAW Ernest Samuel : Service Number - 1689 : Place of Birth - Eltham VIC : Place of Enlistment - Melbourne VIC : Next of Kin - (Sister) SHILLINGLAW Mary Service Record https://recordsearch.naa.gov.au/SearchNRetrieve/Interface/DetailsReports/ItemDetail.aspx?Barcode=8082612&isAv=N Enlisted 25 Feb 1916 Embarked overseas 20 Jun 1916 Served with the 38th Battalion in France Wounded in action 29 May 1917 with a severe gunshot wound to the left eye. Promoted to Lance Corporal 3 Sep 1918 Awarded the Military Medal 17 Mar 1919 (Gazetted London 17 Jun) Diembarked Melbourne 30 Apr 1919 Discharged 25 Jun 1919 from AIF, medically unfit with influenza POSTCARD 1905-1940s Like the carte-de-visite, postcards enjoyed a collecting craze by large numbers of people, and were often kept in albums through which the interested visitor could browse. Postcards were posted or exchanged in huge numbers. Postal authorities in Australia only allowed the private printing of postcards from 1898. At this time the back of the card was reserved for the address and postage stamp, and the front was used for the message and a picture. In 1902 British authorities allowed a "divided back", so that the left side could be used for the message, the right side for the address and stamp, and the whole of the front was devoted to the picture. France followed suit in 1904, Germany and Australia in 1905, and the United States in 1907. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991marg ball collection, postcard, 1916, aif, ernest samuel shillinglaw (1888-1958), first world war, world war 1

The Bow Tie is a type of men's necktie that consists of a ribbon of fabric tied around the collar in a symmetrical manner such that the two opposite ends form loops. Ready-tied Bow ties are available, in which the distinctive Bow is sewn and a band goes around the neck and clips to secure. Bow ties may be made of any fabric material, but most are made from silk, polyester, cotton, or a mixture of fabrics. The Bow tie originated among Croatian mercenaries during the Prussian wars of the 17th century when the Croat mercenaries used a scarf around the neck to hold together the opening of their shirts. This was soon adopted under the name cravat, derived from the French for "Croat", by the upper classes in France, then a leader in fashion, and flourished in the 18th and 19th centuries. The most traditional Bow ties are usually of a fixed length and are made for a specific size neck. Sizes can vary between approximately 14 and 20 inches just like a comparable shirt collar. Fixed-length Bow ties are preferred when worn with the most formal wing-collar shirts, so as not to expose the buckle or clasp of an adjustable Bow tie. Bow ties are worn by magicians, country doctors, paediatricians, lawyers, professors musicians and by people hoping to look like the above and clowns also wear oversized ones. In the 1980’s fashionable and professional women wore a type of Bow tie. Most men only wear Bow ties with formal dress. A man's pre-tied black bow tie with a metal spring clip to attach to the shirt collar. The 2 spring clips have 'alligator teeth' to grip the collaron spring clip MADE IN AUSTRALIA SPRINGmenswear, clothing, bow ties, cheltenham, moorabbin, bentleigh, early settlers, pioneers, market gardeners, male neckwear

The Bow Tie is a type of men's necktie that consists of a ribbon of fabric tied around the collar in a symmetrical manner such that the two opposite ends form loops. Ready-tied Bow ties are available, in which the distinctive Bow is sewn and a band goes around the neck and clips to secure. Bow ties may be made of any fabric material, but most are made from silk, polyester, cotton, or a mixture of fabrics. The Bow tie originated among Croatian mercenaries during the Prussian wars of the 17th century when the Croat mercenaries used a scarf around the neck to hold together the opening of their shirts. This was soon adopted under the name cravat, derived from the French for "Croat", by the upper classes in France, then a leader in fashion, and flourished in the 18th and 19th centuries. The most traditional Bow ties are usually of a fixed length and are made for a specific size neck. Sizes can vary between approximately 14 and 20 inches just like a comparable shirt collar. Fixed-length Bow ties are preferred when worn with the most formal wing-collar shirts, so as not to expose the buckle or clasp of an adjustable Bow tie. Bow ties are worn by magicians, country doctors, paediatricians, lawyers, professors musicians and by people hoping to look like the above and clowns also wear oversized ones. In the 1980’s fashionable and professional women wore a type of Bow tie. Most men only wear Bow ties with formal dress. A pre tied white Bow tie sewn on a neckband with an elastic clip fastenermenswear, clothing, bow ties, cheltenham, moorabbin, bentleigh, early settlers, pioneers, market gardeners, male neckwear

The Bow Tie is a type of men's necktie that consists of a ribbon of fabric tied around the collar in a symmetrical manner such that the two opposite ends form loops. Ready-tied bow ties are available, in which the distinctive bow is sewn and a band goes around the neck and clips to secure. Bow ties may be made of any fabric material, but most are made from silk, polyester, cotton, or a mixture of fabrics. The Bow tie originated among Croatian mercenaries during the Prussian wars of the 17th century when the Croat mercenaries used a scarf around the neck to hold together the opening of their shirts. This was soon adopted under the name cravat, derived from the French for "Croat", by the upper classes in France, then a leader in fashion, and flourished in the 18th and 19th centuries. The most traditional Bow ties are usually of a fixed length and are made for a specific size neck. Sizes can vary between approximately 14 and 20 inches just like a comparable shirt collar. Fixed-length Bow ties are preferred when worn with the most formal wing-collar shirts, so as not to expose the buckle or clasp of an adjustable bow tie. Bow ties are worn by magicians, country doctors, lawyers, paediatricians, professors musicians and by people hoping to look like the above and clowns also wear oversized ones. In the 1980’s fashionable and professional women wore a type of Bow tie. Most men only wear Bow ties with formal dress. This white bow tie is a 'fixed length' type that needs to be tied by the person wearing it. MAKO SIZE 15 1/2 menswear, clothing, shirts, collars, early settlers, fashion, cheltenham, moorabbin, dairy farmers, market gardeners, bow ties, mako pty ltd

The Bow Tie is a type of men's necktie that consists of a ribbon of fabric tied around the collar in a symmetrical manner such that the two opposite ends form loops. Ready-tied bow ties are available, in which the distinctive bow is sewn and a band goes around the neck and clips to secure. Bow ties may be made of any fabric material, but most are made from silk, polyester, cotton, or a mixture of fabrics. The Bow tie originated among Croatian mercenaries during the Prussian wars of the 17th century when the Croat mercenaries used a scarf around the neck to hold together the opening of their shirts. This was soon adopted under the name cravat, derived from the French for "Croat", by the upper classes in France, then a leader in fashion, and flourished in the 18th and 19th centuries. The most traditional Bow ties are usually of a fixed length and are made for a specific size neck. Sizes can vary between approximately 14 and 20 inches just like a comparable shirt collar. Fixed-length Bow ties are preferred when worn with the most formal wing-collar shirts, so as not to expose the buckle or clasp of an adjustable bow tie. Bow ties are worn by magicians, country doctors, lawyers, paediatricians, professors musicians and by people hoping to look like the above and clowns also wear oversized ones. In the 1980’s fashionable and professional women wore a type of Bow tie. Most men only wear Bow ties with formal dress. A man's pre tied black bow tie with an elastic fastening clipmenswear, neckties, bow ties, cheltenham. moorabbin, bentleigh

These photographs were taken in and around Falls Creek by Samuel Keith Pearce and printed for him as a foldout postcard by NuColor Vue. The postcards state they were printed for S. K. Pearce Pty. Ltd of Tawonga and Mount Beauty. Samuel Keith Pearce was born on 24 June 1917 in Armadale, Victoria. By the late 1940s he owned the Mt Beauty Supermarket, Newsagency, Drapery and Hardware store at Mount Beauty and also a store at Tawonga in partnership with his brother Gordon Cathew Pearce. For some time, they operated as Pearce Brothers. In the early 1960s Keith also opened a mini mart In Falls Creek. As well as being a keen photographer and an astute businessman, Keith Pearce was a well-known identity in the Kiewa Valley, making many contributions to the development of the area over a long period. This included serving as a member of the Bright Shire Council for many years. He worked hard to promote the interests of the Upper Kiewa Valley. As a sign of recognition and appreciation for his contribution to the community, the park opposite the grocery store in Mount Beauty was named the SK Pearce Gardens in his honour. Samuel Keith Pearce died on 7 July 1994 in Mount Beauty, Victoria. The first Poma tow to open at Falls Creek was the Nursery Poma in 1964. The name "Poma" originates from the inventor of this style of lift Jean Pomagalski who was born in Krakow, Poland, He fled Poland with his family and settled in France. As an engineer he developed the first surface lift with a tow rod which was installed in Alpe d'Huez (France) in 1934.This collection of postcards and images is significant because they were commissioned by a highly successful businessman in Falls Creek, Victoria.A colour image of skiers on the chair lift at Falls Creekfalls creek, falls creek chairlifts, poma lift falls creek

These photographs were taken in and around Falls Creek by Samuel Keith Pearce and printed for him as a foldout postcard by NuColor Vue. The postcards state they were printed for S. K. Pearce Pty. Ltd of Tawonga and Mount Beauty. Samuel Keith Pearce was born on 24 June 1917 in Armadale, Victoria. By the late 1940s he owned the Mt Beauty Supermarket, Newsagency, Drapery and Hardware store at Mount Beauty and also a store at Tawonga in partnership with his brother Gordon Cathew Pearce. For some time, they operated as Pearce Brothers. In the early 1960s Keith also opened a mini mart In Falls Creek. As well as being a keen photographer and an astute businessman, Keith Pearce was a well-known identity in the Kiewa Valley, making many contributions to the development of the area over a long period. This included serving as a member of the Bright Shire Council for many years. He worked hard to promote the interests of the Upper Kiewa Valley. As a sign of recognition and appreciation for his contribution to the community, the park opposite the grocery store in Mount Beauty was named the SK Pearce Gardens in his honour. Samuel Keith Pearce died on 7 July 1994 in Mount Beauty, Victoria. The first Poma tow to open at Falls Creek was the Nursery Poma in 1964. The name "Poma" originates from the inventor of this style of lift Jean Pomagalski who was born in Krakow, Poland, He fled Poland with his family and settled in France. As an engineer he developed the first surface lift with a tow rod which was installed in Alpe d'Huez (France) in 1934.This collection of postcards and images is significant because they were commissioned by a highly successful businessman in Falls Creek, Victoria.A colour image of skiers and instructors gathered at the Meeting Place, Falls Creekfalls creek, falls creek chairlifts, poma lift falls creek

The plaque of Oppy reads: Hubert Opperman was born in Rochester, his early job as a Telegraph Boy encouraged his love of cycling. Throughout the 1920’s and 1930’s “Oppy” was the dominant figure in Australian cycling. He first won the Australian Road Cycling Championship in 1924. He won it again in 1926, 1927 and 1929. At the same time he was becoming and international star. This statue is modelled on his on his stunning victory at the Bol D’Or in Paris in the same year that he was highly placed in the prestigious Tour de France. His first place in the 1265 kms Paris - Brest- Paris road race was the highlight of his sporting career. That year he was voted Sportsman of the Year by a French newspaper. In 1991 Sir Hubert attended the Centenary Celebrations of the race and was honoured with Gold Medal of the City of Paris “Oppy” retired from cycling in 1940. Typically he celebrated his retirement with a 24 hour marathon at the Sydney Velodrome breaking one hundred and one records in the process. After war service with the RAAF he entered Federal politics holding the Victoria seat of Corio for the Liberal Party from 1949 until 1967. During this period he served as Minister for Shipping and Transport and Minister for Immigration. In 1967 he was appointed Australian High Commissioner for Malta, receiving the OBE in 1952 and was knighted in 1968. This Statue was officially unveiled by SIR HUBERT OPPERMAN On his 90th birthday, 29th May 1994Oppy signing Edna Barrie's leatherbound copy of 'Melton-Plains of Promise'. . The Inscription reads - To Edna with my Melton remembrances as the place I first rode a bicycle Hubert Opperman ‘Oppy’ [ 29/5/1904 – April 1996]. Edna Barrie contacted and organised for Hubert Opperman to launch the book. (She was also present at his last bike ride at Rochester in 1995.)local identities, local significant events

An iconic image of a soldier, eyes raised to the sky, taken by photographer Jack Cato in 1932. He used the artist/entertainer Pat Hanna as a model in the photoshoot. Pat wrote down his experience in a moving two page document 'The Story Behind the Picture', it tells how he was moved to imagine the action in France when posing. The image is described as the portrait of a soldier, eyes raised to the sky. This portrait is a study which is called 'The spirit of Anzac' or 'The Digger'. Pat Hanna, said he tried to recreate the "look something between fear and defiance which we have all seen so often, and which will always remain in my memory as typical of our gallant old cobbers 'the Diggers'". A colour image is held in the AWM collection. The photo was stored with other items including a letter to Frank (possibly L/- Frank Doolan who was making an attempt to collect items relevant to Legacy's history for an official archive project - see items 01400 to 01404). Pat Hanna was an entertainer, comedian, artist and producer of reveues, plays and movies. One of his first revues was performed just after the armistice in France. His popular stage show was 'Diggers' that performed in many towns in Australia post-war and adapted into a film in 1931. He was born George Patrick Hanna, 18 March 1888 in Whitianga, New Zealand and served in the First World War, was a founding member of Melbourne Legacy and was involved with Legacy for many years.Pat Hanna was a founding member of Melbourne Legacy and an artist and producer. Legacy kept some of his works in the archive.Black and white photo of Pat Hanna as a 'Digger' and a two page recollection of the photoshoot with Jack Cato.Handwritten on photo 'Digger' in black ink in Pat Hanna's handwriting. Handwritten on reverse " 'The Digger', sometimes called 'The spirit of Anzac' / photo Jack Cato / model -Pat Hanna" in black ink. Typed on a paper note 'Spirit of Anzac / Pat Hanna'. Stamped with copyright of The Age in blue ink.hanna, solider, portrait

3 pages. First page has an image of a bouquet of flowers and the words 'in loving memory' , the second page depicts the crossed Australian and New Zealand flags C. F. Willcox's death date and his age, as well as a poem. The third page includes three quotes.IN LOVING MEMORY OF C. F. WILLCOX WHO GAVE HIS LIFE FOR THE EMPIRE IN FRANCE. JULY 28, 1916, AGED 21 YEARS He gave his life for his Country, For honor, faith and right: With us his memory ever lives, He fought a noble fight. 'Midst the roaring of the battle. And the rain of shot and shell, Fighting for Home and Country He like a hero fell. "To live in hearts we leave behind is not to die"

Black and white photograph (2 copies)Written on backing sheet, "Marie Herry, eldest daughter of L. H. Louis Herry, youngest son of L. H." Marie's father, Louis Herry, was born in Purdu Purdu, France in 1855. He married Kate Handforth at Walhalla, Vic. in 1879 and came to Ringwood in 1887 where he erected a weatherboard house and bakery opposite the Club Hotel, using a Miner's Right to secure the land. (Source: Ringwood, Place of Many Eagles - Hugh Anderson)

Taken on an unknown date, depicted is a portrait of a young, unidentified male soldier kneeling beside a grave in a cemetery. He is dressed in an Australian military uniform. The cemetery pictured is the Arnos Vale Cemetery in Bristol, United Kingdom. There are multiple crosses marking graves in this photograph, all marked in memory of different soldiers who fought with the Australian Imperial Force (AIF) during World War I. It is believed that the soldier who is kneeling was also part of the Australian Imperial Force. This can be inferred by the chevron rank insignia visible on the uniform. The placement of this insignia on the sleeve of the right arm suggests that this soldier was either a Warrant Officer or a Non-Commissioned Officer (NCO). Another signifier of the Australian Imperial Force uniform are the three inverted chevron stripes positioned on the lower part of the left sleeve, near the wrist. These are called Good Conduct Stripes and were worn by Warrant Officers and NCOs. This patch consisted of a single chevron stripe for each year of military service meeting certain requirements of good conduct. Additionally, the man in this photograph is also wearing a 'Rising Sun' collar badge on his coat. Australia, unlike most other Commonwealth countries, did not adopt metal regimental badges during the First World War. All units were issued with the Australian Army General Service Badge, better known as the 'Rising Sun’ badge. This insignia is almost always identified with the Australian Imperial Force. Furthermore, the grave that this unidentified soldier is kneeling next to is the resting place of Private John James (J. J.) Simpson. He was born in Stanley, Victoria in 1883. He enlisted in the Australian Imperial Force in Melbourne, Victoria on 12 July, 1915, with the service number 4909. John James Simpson was then posted to the 60th Company Depot at Seymour for military recruit training. John James Simpson was reported wounded in action in France on 19 July, 1916. He was admitted to 13th General Hospital, France with gunshot wounds to his legs. From Boulogne, France, he traveled to the United Kingdom aboard the Hospital Ship 'St. Denis' for medical care. Upon arrival, he was admitted to 2nd Southern General Hospital, Bristol, England on 27 July, 1916. John James Simpson passed away from his wounds on 1 August, 1916. He was 33 years old.The record is historically significant due to its connection to World War I. This conflict is integral to Australian culture as it was the single greatest loss of life and the greatest repatriation of casualties in the country's history. Australia’s involvement in the First World War began when the Australian government established the Australian Imperial Force (AIF) in August 1914. Immediately, men were recruited to serve the British Empire in the Middle East and on the Western Front. The first significant Australian action of the war was the Australian Naval and Military Expeditionary Force’s (ANMEF) landing on Rabaul on 11 September 1914. The ANMEF took possession of German New Guinea at Toma on 17 September 1914 and of the neighbouring islands of the Bismarck Archipelago in October 1914. On 25 April 1915, members of the AIF landed on Gallipoli in Turkey with troops from New Zealand, Britain, and France. This specific event holds very strong significance within Australian history. The record has strong research potential. This is due to the ongoing public and scholarly interest in war, history, and especially the ANZAC legend, which is commemorated annually on 25 April, known as ANZAC Day.Sepia rectangular photograph printed on matte photographic paper mounted on card.Obverse: A.I.F. / AUSTRALIA / 441, PTE.T. / T (?) / 26B (?) / 6.1.17 / (?) / LANGTON RD. / ST. ANNES PK. / BRISTOL / A.I.F. / AUSTRALIA. / 708, GNR B.L.CRAWFORD. / FR / 5 D.A.C. / 13.2.17 / A.I.F. / AUSTRALIA. / 4481, P (?) D.MORRIS. / (?) / 31.12.(?) / A.I.F. / AUSTRALIA. / 4909, PTE J.J.SIMPSON. / 608(?) / 1.8.16 / Winchester / LANGTON RD. / ST. ANNES PK / BRISTOL / Reverse: 2641 /military album, military, war, world war i, wwi, australian imperial force, aif, j. j. simpson, uniform, cemetery

William HOLMES served 6 months in the Junior Cadets prior to WW1(National Archives records) As No 6826 he enlisted in the AIF in 20th reinforcements 22nd Batt on 28.7.1917 age 18 years 10 months. Embarked 21.11.1917 and arrived Suez 15.12.1917, embark for England 9.1.1918, allotted letter A on Regt No due to duplication (6826A), hospital 16.4.1918 (unclear), rejoin unit 25.4.1918, embark for France 29.4.1918, WIA 17.7.1918 Gassed, move to overseas Training Brigade 2.11.1918, embark for Australia 8.1.1919, discharged medically unfit 14.3.1919. He again enlisted in the Volunteer Defence Corp on 28.3.1942 as No V352711, promoted to Lieutenant 10.12.1942, discharged from the Corp on 31.10.1945. Items are part of a collection. .1) Small oval portrait in dark grey mount. .2) Group photo of WWI uniformed soldiers. WILLIAM HOLMES marked with blue ink above his head - middle row RHS..1) Handwritten: “W HOLMES, Dad when a boy” .2) Handwritten: “Dad when away” Stamped in blue ink: - Kitchener Studio Broadmeadows Camp - Ainar Studio Auburnphotography-photographs, military history - army

This is a souvenir mug produced for visitors to the ‘Mary Rose’ Exhibition in Warrnambool (December 1994 to February 1995). The ship ‘Mary Rose’, built in Portsmouth, England in 1509-10, was historically of major significance. She was the spearhead of a master plan to give England superiority on the high seas. Using new technology of the time, heavy artillery was mounted on the lower decks of this ship and this overloaded the ship. In 1545 she sank in Portsmouth Harbour with the loss of 700 lives as she was about to set sail to defend the English against the French invaders. In 1982 the hull of this ship was raised to the surface and the contents recovered. Over 200 items from the wreck were brought to Warrnambool and displayed in 1994-5 at the Warrnambool Art Gallery. This mug is of interest as it is a memento of the ‘Mary Rose’ Exhibition held in Warrnambool in 1994-5. This exhibition was an important event in the 1990s in Warrnambool and attracted many visitors. This is a cream-coloured china mug with a handle and a raised black and cream image of the ‘Mary Rose’ ship on one side and printed material in brown on the other side. It has the distributor’s name on the bottom with a map of Victoria and a brown dot showing the location of Warrnambool. It is a souvenir of the ‘Mary Rose’ Exhibition held in Warrnambool in 1994-5. “Mary Rose” Exhibition Warrnambool 1994-1995 Lady Bay Creations Warrnambool Australia mary rose ship, mary rose exhibition in warrnambool, history of warrnambool

This is an early underwater camera housing for a video camera. It was sold by Wills Camera Housings from Kaniva, Victoria. It is dated around the late 1960s to the mid1970s. The history of underwater photography began with the first protective camera box for underwater photography was made in 1856. In 1914 the first underwater video footage was taken. Colour underwater photography was first shot in 1926. In 1950 the first commercially available underwater camera housing, the "Tarzan" was designed by Henry Broussard, an underwater photographer, for his own camera. It was produced by the French company Beauchat. In 1957 the revolutionary underwater camera was invented by Jaques-Yves Cousteau and Jean de Wouters. The new amphibious "Calypso" changed the nature of underwater photography.This underwater video camera housing is significant for its purpose of underwater photography. Camera housings such as this were used to record the position and layout of shipwrecks along coast of the Great Ocean Road. Flagstaff Hill Maritime Museum and Village has underwater footage of dives that show the now protected shipwrecks.Underwater camera housing for a video camera. Perspex and metal, made by Wills Camera Housings of Kaniva, Victoria. flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, camera housing, underwater camera housing, video camera housing