CHINESE MINERS AND MARKET GARDENERS OF LYAL AND MYRTLE CREEK - 62 pages with photos, illustrations and mapsKen Jameshistory, chinese miners/lyal and myrtle cree, chinese miners, market gardeners, lyal creek, myrtle creek.

Found at Wet Flat ("Chinaman's Flat") near Linton, an area once occupied by many Chinese miners. This object was once thought to have been the lid of a container (possibly one used for storing snuff) and it is sometimes referred to as the "Chinese tin lid".Small, flat, rectangular piece of metal on which Chinese characters have been inscribed. It is understood that the fragment may once have been part of a container used to store tea leaves or spices. Three characters are inscribed, the top one is indecipherable due to wear, the middle one denotes a place (Candong province in China), the third denotes a successful business.containers, chinese miners, wet flat

Black and white image of a man with moustache, wearing working clothes and boots. Bundles of twigs propped against fence post and rail behind him. The clothing appears quite ragged in appearance. His trousers are held up by rope tied at his waist. Jimmy was said to be the last Chinese miner to live in the Linton area. The photograph shows Jimmy in his market garden on Snake Valley Road, Linton, circa1900.jimmy lee ching, chinese, miners, linton

This image of a man on horseback is thought to have been taken in Beechworth in approximately 1900. The man pictured may be Chinese. Chinese miners were a significant cultural group in Beechworth's gold rush period. Carole Woods' history of Beechworth, 'A Titan's Field', details a rapid increase in the Chinese population beginning in 1856 that led to Government discrimination and hostility from other miners. Many Chinese people who came to the Victorian goldfields had formerly worked as merchants, mechanics, farmers and shop-keepers. The pictured individual is wearing Western-style clothes indicating prosperity, such as a top hat, so may have held an official position or provided services to the community rather than working as a miner. Lantern slides, sometimes called 'magic lantern' slides, are glass plates on which an image has been secured for the purpose of projection. Glass slides were etched or hand-painted for this purpose from the Eighteenth Century but the process became more popular and accessible to the public with the development of photographic-emulsion slides used with a 'Magic Lantern' device in the mid-Nineteenth Century. Photographic lantern slides comprise a double-negative emulsion layer (forming a positive image) between thin glass plates that are bound together. A number of processes existed to form and bind the emulsion layer to the base plate, including the albumen, wet plate collodion, gelatine dry plate and Woodburytype techniques. Lantern slides and magic lantern technologies are seen as foundational precursors to the development of modern photography and film-making techniques.This glass slide is significant because it provides insight into Beechworth's cultural and social relationships in the early Twentieth Century, in particular the experiences of Chinese people. It is also an example of an early photographic and film-making technology in use in regional Victoria in the time period.Thin translucent sheet of glass with a circular image printed on the front and framed in a black backing. It is held together by metals strips to secure the edges of the slide.burke museum, beechworth, lantern slide, slide, glass slide, plate, burke museum collection, photograph, monochrome, magic lantern, indigo shire, north-east victoria, nineteenth century, 1900s, twentieth century, emulsion slides, chinese, chinese miners, immigration, racism, classism, social groups, cultural groups, horse riding, horses, equestrian, horseback

This image shows six older Chinese men standing in a row with two younger non-Chinese men outside a small wooden business or official building in the Beechworth region, circa 1900. The two non-Chinese men are wearing clothes of the period that indicate relative prosperity (such as three piece suits, top hats, and a pocket handkerchief), whereas most of the Chinese men are wearing Western-style working clothes of the era. One Chinese man at the far right of the image is wearing similar garments to the non-Chinese men, including a bowler hat and longer, more tailored suit jacket. Chinese miners were a significant cultural group in Beechworth's gold rush period. Carole Woods' history of Beechworth, 'A Titan's Field', details that there were approximately 60 Chinese people in the area in 1855, more than 1000 in 1856 and 4700 (a quarter of the population) in 1857, despite the introduction in 1855 of official policies such as additional taxes formulated by the Victorian Government to limit access by Chinese immigrants. Most Chinese miners in the region came from southern China and had formerly worked as merchants, mechanics, farmers and shop-keepers. Chinese people were subjected to a 'protectorate' system, ostensibly to minimise the potential for conflict with other groups; this system required Chinese people to live in designated 'hygienic' camps with paid Chinese headmen who supervised the village and enforced the protectorate's rules. Chinese people were required to purchase an annual protection ticket to fund this system. The protectorate system was abolished in 1861, before this image was taken in approximately 1900, but it may still provide insight into social stratification or relationships between and within cultural groups in Beechworth resulting from such practices. Lantern slides, sometimes called 'magic lantern' slides, are glass plates on which an image has been secured for the purpose of projection. Glass slides were etched or hand-painted for this purpose from the Eighteenth Century but the process became more popular and accessible to the public with the development of photographic-emulsion slides used with a 'Magic Lantern' device in the mid-Nineteenth Century. Photographic lantern slides comprise a double-negative emulsion layer (forming a positive image) between thin glass plates that are bound together. A number of processes existed to form and bind the emulsion layer to the base plate, including the albumen, wet plate collodion, gelatine dry plate and Woodburytype techniques. Lantern slides and magic lantern technologies are seen as foundational precursors to the development of modern photography and film-making techniques.This glass slide is significant because it provides insight into Beechworth's cultural and social relationships in the early Twentieth Century, in particular the experiences of Chinese miners. It is also an example of an early photographic and film-making technology in use in regional Victoria in the time period.Thin translucent sheet of glass with a circular image printed on the front and framed in a black backing. It is held together by metals strips to secure the edges of the slide.burke museum, beechworth, lantern slide, slide, glass slide, plate, burke museum collection, photograph, monochrome, magic lantern, indigo shire, north-east victoria, nineteenth century, 1900s, twentieth century, emulsion slides, chinese, chinese miners, protectorate system, protection licence, immigration, racism, classism, social groups, cultural groups, taxes, hygiene camps

Frances Gertrude Gladstone was born on the 18th of September 1919 to Arthur George Ladson and Gertrude Hunrick Irving. France's grandfather, Alfred Ladson, came Beechworth from Norfolk, England, during the gold rush. Alfred had a grocery business, and was well known for writing letters for the miners to send to their families. Alfred also travelled to Beechworth with his sister, who was a trained nurse and helped establish a hospital for the goldfields. Frances remembers her father saying the Chinese miners were not allowed to bring their families to the goldfields, hence there were no Chinese children in schools around Beechworth. Frances was an avid botanist, and wrote a book called 'The Little Huntsman', which she wrote while watching her husband gold mining. This oral history recording was part of a project conducted by Jennifer Williams in the year 2000 to capture the everyday life and struggles in Beechworth during the twentieth century. This project involved recording seventy oral histories on cassette tapes of local Beechworth residents which were then published in a book titled: Listen to what they say: voices of twentieth century Beechworth. These cassette tapes were digitised in July 2021 with funds made available by the Friends of the Burke.Frances Gladstone's story is significant, as she remembered important information about Chinese miners in the gold rush, explained the role of women in the 20th century in Beechworth, and the history of the hospitals in the region. This is a digital copy of a recording that was originally captured on a cassette tape. The cassette tape is black with a horizontal white strip and is currently stored in a clear flat plastic rectangular container. It holds up 40 minutes of recordings on each side.listen to what they say, beechworth, oral history, burke museum, botanist, chinese miners, goldmining, gladstone

Digitised video (2.07GB) Duration: 50 minutes. Recorded July, 2023 (Video is available for viewing at Ringwood & District Historical Society Archives by appointment)Ken James is a prolific historical writer and is a regular to our Society's meetings. In this presentation, Ken talks about another book he is writing, involving the Chinese community in the small town of Lyal, between Castlemaine and Heathcote. In 1861, there were more than 24,000 Chinese immigrants on the goldfields of Ararat, Ballarat, Beechworth, Bendigo, Castlemaine and Maryborough. The Chinese were particularly industrious, with techniques that differed widely from the Europeans. This and their physical appearance and fear of the unknown led them to being persecuted in a racist way that would be regarded as untenable today.

Horace Monshing was born in Beechworth in 1935. In this oral history, he relates his understanding of the life of his Grandfather, Peter Monshing (Munshing), as a Chinese immigrant to Australia in the mid-nineteenth century, as well as his life as the last descendent of Chinese goldminers to live in Beechworth. While Peter, who was originally from Hong Kong, was not a particularly successful goldminer, he was a very talented gardener, and made his living growing a market garden and selling the produce. He died in 1947 in his nineties, in the same year that Horace and his parents moved to Myrtleford. Horace relates the discrimination he faced as a child based on his grandfather’s ethnicity, as well as how his grandmother, mother and wife have all faced discrimination for marrying into a family with a Chinese name. This oral history recording was part of a project conducted by Jennifer Williams in the year 2000 to capture the everyday life and struggles in Beechworth during the twentieth century. This project involved recording seventy oral histories on cassette tapes of local Beechworth residents which were then published in a book titled: Listen to what they say: voices of twentieth century Beechworth. These cassette tapes were digitised in July 2021 with funds made available by the Friends of the Burke. Mr Horace Monshing’s account of his life in Beechworth and Myrtleford and the local area during the 20th century, as well as his understanding of his grandfather, Peter Monshing’s life as a Chinese immigrant in the mid-nineteenth century, is historically and socially significant to the cultural heritage of the region, especially as it relates to Chinese settlers in the region. He details the discrimination he and his family have faced as the result of being related to a Chinese immigrant, as well as describing his life in general. This oral history account is socially and historically significant as it is a part of a broader collection of interviews conducted by Jennifer Williams which were published in the book 'Listen to what they say: voices of twentieth-century Beechworth.' While the township of Beechworth is known for its history as a gold rush town, these accounts provide a unique insight into the day-to-day life of the town's residents during the 20th century, many of which will have now been lost if they had not been preserved. This is a digital copy of a recording that was originally captured on a cassette tape. The cassette tape is black with a horizontal white strip and is currently stored in a clear flat plastic rectangular container. It holds up 45 minutes of recordings on each sideMr Horace Monshing / peter monshing, peter munshing, horace monshing, monshing, munshing, beechworth chinese community, chinese immigration, chinese community, chinese miners, immigration, gold rush immigration, beechworth goldfield, marketing and promoting agricultural products, market garden, garden, racism, discrimination, oral history, jennifer williams, myrtleford, eurobin, beechworth primary school, beechworth state school., school, listen to what they say: voices of twentieth century beechworth, listen to what they say, burke museum

Small, round metal tag from plug tobacco. Look Out brand, found at an old Chinese camp at Misery Creek, Berringa, Victoria.tobacco, smoking, misery creek, berringa, chinese, miners

Found at Wet Flat, Linton by Geelong Bottle Prospectors Club.Round Chinese coin with square hole in centre; coin has break in it from the square inside to the outer edge, also damage to the lower edge of the square hole. Coin is believed to date from the 19th century.Chinese symbols on back and front.china, coins, chinese miners

Mrs Stella Surman recalled "Ginge" as always having a smile for everyone (quoted in "Linton Makes History", p. 85). However, the early LDHS index to photographs says that his temper matched his hair colour - fiery!Small, faded and damaged photograph which shows "Ginge", a Chinese hawker who sold his goods in Linton and other towns in the district in the early 1900s. Legend says that his name derived from having red hair.ginge, ginger, chinese traders, chinese miners

A poem that was written about a journey taken by a local miner's daughter to the Sir John Franklin gold mine from Gooleys Creek.A poem that was written about a journey taken by a local miner's daughter to the Sir John Franklin gold mine from Gooleys Creek.sir john franklin gold mine, gooleys creek, stander's track, goulburn river, wood's point, johnstons hill, chinese miners, black friday

Colour photograph of a view through a blast hole made through basalt at Hepburn by Chinese Miners to divert the Jim Crow Creek.blowhole, hepburn, chinese, jim crow creek

The Blowhole was blasted by Chinese miners to divert Sailor's CreekA black and white photographic image of the Blowhole at Hepburn.blowhole, hepburn, sailors creek

This photograph is taken from the original engraving the plate of which is held by the Clunes Museum.1 ORIGINAL SEPIA PHOTOGRAPH MOUNTED ON BROWN MATT BOARD CHINESE MINERS ON LEFT, POLICEMEN MOUNTED AND ON FOOT ON RIGHT MINERS AND LADIES IN BATTLE .2 PHOTO COPY OF ABOVE IMAGEOn Front; PRINTED AT THE BOTTOM OF THE IMAGE; "DISTURBANCE AT CLUNES - MINERS RESISTING THE INTRODUCTION OF CHINESE LABOR. 9-12-1873" On Reverse; Handwritten in black ink W. J. Champion Clunesmining, disturbance at clunes, chinese labor

The City of Moorabbin Historical Society was formed c 1960 by a group of Moorabbin residents who were concerned that the history of the area should be preserved. A good response to a call for items related to the historical area of Moorabbin Shire brought donations of a wide variety of artefacts which are now preserved by the current members of CMHS at Box Cottage Museum . Helen Stanley, Secretary of CMHS, began producing a Newsletter for members in April 2007 to provide current information and well researched items of historical interestHelen Stanley has produced a bi-monthly Newsletter, 2007 - 2013, for the members of the City of Moorabbin Historical Society that contains well researched interesting historical items, notification of upcoming events, current advice from Royal Australian Historical Society , Museums Australia Victoria and activities of Local Historical Societies. The Newsletter is an important record of the activities of the CMHS5 x A4 paper printed on 1 side Issue 15 of the bi-monthly, City of Moorabbin Historical Society Newsletter produced by Society member and Secretary, Mrs Helen Stanley in February 2010. Notices for the meeting February 28th , subscriptions due, and this is 50th Anniversary of CMHS. Water flooded Joyce Park, the grounds of the Cottage and a little seeped into Grace Lewis Room in December 2009 when a water main at the neighbouring Bowling Club burst, but little damage occurred and the Glen Eira Council will install drainage pipes between Box Cottage and the Bowling Club. In January, 2 brush tailed possums had taken up residence in the Barn and after failed attempts by Helen and Dennis to move them, Glen Eira Council relocated them. A description of the establishment of Cobb & Co Coaches by Freeman Cobb in 1853, for cartage between Melbourne and the Ports but they soon began transporting people and mail to the gold fields around Victoria. 3 photocopied photographs of Cobb & Co Coaches and 1 photo of the 2 Possums CITY of MOORABBIN HISTORICAL SOCIETY / February 2010 NEWSLETTER city of moorabbin historical society, stanley helen, maynard dennis, melbourne, moorabbin, cheltenham, ormond, bentleigh, market gardeners, pioneers, early settlers, moorabbin shire, box cottage museum, lewis grace, cobb freeman, cobb and co coaches, ballarat, goldfields, gold miners, bendigo, castlemaine, governor latrobe, victoria, sydney road, sutherland alexander, chinese gold miners

The Blowhole is an artifical diversion tunnel in the Jim Crow Creek made by Chinese miners seeking gold around the 1870s. Ann Gervasoni and Clare Gervasoni stand on the edge of the pool associated with The Blowhole. hepburn, hepburn regional park, blowhole, mining, heritage, chinese

The Blowhole resulted after Chinese miners diverted Jim Crow Creek so they could search for gold in the riverbed. Black and white postcard of the Blowhole in Hepburn Regional Park.the blowhole, hepburn, chinese, jim crow creek

CHINESE MINERS AND LOCAL MINERS CLASHED - 9.12.1873. PHOTOGRAPH DEPICTS DISTURBANCE AT CLUNES - MINERS RESENTED THE INTRODUCTION OF CHINESE LABOUR.BLACK AND WHITE COPIES OF PHOTOGRAPHS OF CLUNES UPRISING AT CLUNES 9/12/1873 4 COPIES OF VARYING SIZES"THE RIOT AT CLUNES"local history, photographs, mining, chinese riot

Washing Tailings No 9. Coloured illustration of Chinese gold miners , panning, cradling, whim in background.Unknownartwork, print, mining

A Difficult Case by Jong Ah Siug, an autobiography of a Chinese miner on the Central Victorian Goldfields, 148 pages with black & white plus some coloured photographs and maps, translated, annotated and historical introduction by Ruth Moore and John Tully, published and printed by Jim Crow Press Daylesford.Jong Ah Siugbooks, biography, jong ah siug

Diggers & Mining. Gold. Slide depicts lots of Chinese miners on their way to the gold fields. (Huyghue) The Overlanders. In the first six months of 1857, 14,486 Chinese landed at Guichen Bay; nearly all of them quietly overladed into Victoria. Markings: 6 994.GOL. Used as a teaching aid.hanimounteducation, tertiary, goldfields

Part of Old Lintonian collection ; No. 104. Jimmy was said to be the last Chinese miner to live in the Linton area. He died in 1928 and is buried in the Linton cemetery. Photograph shows Jimmy selling vegetables in Linton, c.1900.Black and white photograph of a man wearing long jacket, trousers and cap, balancing sacks on a pole across his shoulders."Jimmy the Chinaman".jimmy lee ching, "jimmy the chinaman", chinese settlers, old lintonian collection

Probably brought to the area by Chinese miners or shopkeepers. It was used to weigh small items at a time when goods were often paid in gold. In could also be used for weighing opium. In China it was known as a Dotchin. Creswick had a large Chinese population which arrived circa 1855 and established the Chinese Camp (now Calembeen Park) plus other satelite camps in the area. In 1859 there was over 1,000 residents in the area and many operated as shopkeepers. Joined pieces of wood (bamboo), violin shape case joined with brass rivet together. The case features a long section to house the ivory rod with the bulbous section to house metal dish with four holes. Ivory rod. Metal weight is missingIvory rod has markings to indicate weight. Metal dish has four holesscale, goldrush, gold, miners, opium smoking, shopkeeping

Established during the great Mount Alexander alluvial gold rush of 1852-54 the cemetery is located on a small hill overlooking one of the richest spots on the goldfield (the junction of Fryers Creek and Loddon River). The location of the cemetery was chosen because it was a convenient piece of ground where gold was not likely to be discovered, and burials were mainly of Chinese miners. It remained in use until 1857. The cemetery was restored in 1929 using money raised within the Chinese communities of Bendigo and Castlemaine. Colour photograph of the Chinese Cemetery at Vaughan. vaughan, vaughan springs, vaughan chinese cemetery, chinese

During the first goldrush of the 1850s, Chinese miners referred to the Bendigo region (then Sandhurst) as Dai Gum San 大金山 - literally 'Big Gold Mountain'. The Golden Dragon Museum is situated in the city of Bendigo, Victoria, Australia. The museum is dedicated to the culture and history of Chinese Australians, particularly in the region. Built on the historical site of one of Bendigo's Chinatowns, the museum's precinct also includes Chinese Gardens and a temple to Kuan Yin. Through the museum accreditation program, it was the first accredited museum in Victoria and opened in 1991. These plans are the original plans before the the Golden Dragon Museum was built on its current site.Dai Gum San Concept Plans - Chinese Tourist Village Bendigo Victoria - 4 Sheets in colour by Stephenson and Turner Victoria Architects and Planners Sheet 1 Concept Plan and Developed Site Plan Sheet 2 Arts and Crafts Buildings Sheet 3 Restaurant, Historical Museum and Temple Complex Sheet 4 Motelhistory, bendigo, eaglehawk, chinese, chinese museum, dai gum san