The first classroom uses of large blackboards are difficult to date, but they were used for music education and composition in Europe as far back as the 16th century.The term "blackboard" is attested in English from the mid-18th century; the Oxford English Dictionary provides a citation from 1739, to write "with Chalk on a black-Board". The first attested use of chalk on blackboard in the United States dates to 1801, in a lecture course in mathematics given by George Baron. James Pillans has been credited with the invention of coloured chalk (1814); he had a recipe with ground chalk, dyes and porridge! The use of blackboards did change methods of education. Manufacturing of slate blackboards began by the 1840s. A green porcelain enamel surface was first used in 1930, and as this type of board became popular, the word "chalkboard" appeared. Various types of easel have been in use since ancient times, in particular for supporting paintings and other artwork. However, the schoolroom easel would have been introduced around the same time as when the blackboard started to be used in educational establishments. Wooden board painted black, resting on wooden easel with rope supporting the three easel legs.Noneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Ladies Art Class with about 25 women filling the room. The internal walls of the building appears to be timber with a tall screen to the left behind the students. Some women working at the easels are wearing long smocks. Four clumps of bamboo decorate the back of the room. Unfortunately no information is available about the class.Sepia photograph of a large group of young ladies art class. Some seated in rows, others standing and seated before easels.stawell

This painting was purchased at an exhibition at Australian Galleries in 1968. It originally hung in Robin Boyd's office in East Melbourne, and was only brought to Walsh St after he died in 1971. The Australian Galleries was established by Tam and Anne Purves in June 1956. Robin Boyd designed the Purves family home in Kew in 1967. Two figures (one seemingly with three hands) partially hidden by an artist's easel.Woods '68 in lower right cornertony woods, purves, australian galleries, robin boyd, walsh st artwork, ohm2022, ohm2022_7

Con Kroker CollectionBlack and white photo of a man standing at an easel, on Battery Point, painting a view of the harbour.

An art exhibition of Barbara Ashford Wood's paintings was held from the 21st to the 31st of March 2001 at the Australian Guild of Realist Artists Galleries in Camberwell. The exhibition was a fundraising event for the Arthritis Foundation of Victoria (AFV) incorporating Osteoporosis Victoria (OV). In this photo, the artist poses for a photo with one of her paintings. The upcoming event was promoted in the Vol 14 Issue 01, Autumn 2001 edition of Update with a photo of one of Barbara's paintings on page 17.COL photo of a woman standing beside a painting on an easel. At the top of the easel is a small sign, with the text "TRIPLE A CLUB". Further down (below the painting) is another sign, with the text "RAFFLE PRIZE" (underlined), "In the Yarra Valley", "Donated by Barbara Ashford Wood", "$2 ticket". Hanging on a door behind the woman is a blue and gold 'Arthritis Victoria' banner. Beside the door (and behind the easel), there is a large curtained window.[in black ink] March 2001?arthritis foundation of victoria, afv, osteoporosis victoria, ov, art exhibition, fundraising, barbara ashford wood, artist, guild galleries, guild house, australian guild of realist artists galleries, agra, update, 2001

As an official war artist, Dargie produced works in the Middle East, New Guinea, India and Burma. At war's end Dargie was sent to Greece to 'make good, the discrepancies in art coverage of the disastrous campaign that took place in 1941.'WWII Easel, working sketch (1942), trunk and officer's cap of William Dargie (VX 93433)Trunk marked "Wanted on voyage".william alexander dargie, war artists

An art show (incorporating an art competition and sale) was held at Eastland Shopping Centre from the 11th to the 23rd of October, 1976. The art show was a fundraising event for the Rheumatism and Arthritis Association of Victoria (RAAV). The opening night, which was compered by 3AW radio personality, John Tingle, included a chicken and champagne supper. In this photo, Cliff Semmler, Col G Touhy, Prof Barry Preston, and Bob Glasson are gathered around the winning painting in the Open section. This photo appears on page 6 of the Vol 3, December 1976 edition of RAAV News Review - the Rheumatism and Arthritis Association of Victoria's quarterly newsletter. It accompanies an article on the previous page, titled "R.A.A.V. ART SHOW AND COMPETITION". This photo is captioned, "(Left to right) Mr Cliff Semmler, Col. G. Touhy, Prof. Barry Preston, Mr Bob Glasson enjoy a glass of champagne as they discuss the winning painting in the open section. Photo: Ben Baxter." The painting, titled "Derwent River, Battery Point", was painted by Judith Wills. Another photo of this painting appears on page 12 of the Vol 8, March 1978 edition of RAAV's News Review. It depicts RAAV's Executive Officer, Joan Barratt, hanging the painting up on the wall at Action House, RAAV's new premises, situated on the grounds of the Royal Talbot General Rehabilitation Hospital in Kew.B&W photo of four men gathered around a painting sitting on an easel. One of the men is holding a beer glass, while the other three men are each holding a glass of champagne. Affixed to the easel (below the painting) is a sign with the text, "WINNER Open Competition".[in blue ink] Cliff Semmler Barry Preston Bob Glasson with winner of art competitionrheumatism and arthritis association of victoria, raav, art show, art competition, art sale, fundraising, eastland shopping centre, radio, 3aw, cliff semmler, colonel g touhy, professor barry preston, bob glasson, judith wills, artist, painting, artwork, derwent river, battery point, hobart, ben baxter, photographer, news review, 1976

Also, black and white photograph number 02892.2 of three children performing Nativity Play at Kindergarten.Black and white photograph child dressed in art smock, painting at easel, at Heatherlea Grove Kindergarten, Lakes Entrance.education

On the 27th of May, 1994, the foundation plaque of the Arthritis Foundation of Victoria's new headquarters was unveiled. Named the Percy Baxter Arthritis Centre, the official unveilling was conducted by the Premier of Victoria, the Honourable Jeff Kennett (1948-). Located at 263-265 Kooyong Rd, Elsternwick, the construction of the new building was nearing completion. In this photo, Dr Leslie Koadlow (Rheumatologist and Foundation founder), takes to the microphone while Premier Jeff Kennett, looks on.COL photo of two men standing at the front entrance of a reddish-brown brick building. One of them is behind a microphone on a stand. Behind them, there is an easel onto which rests a rectangular bronze plaque on a board. The board has a small gold curtain, which has been drawn open to reveal the plaque. There is also a freestanding, vertical "Move it or Lose it" banner on a stand. There are two people (partially obscured) standing in the background.[On a yellow sticky note, handwritten in blue ink] Dr Les Koadlow welcomes The Hon. The Premier. [On a MOVE-branded sticky note, handwritten in blue ink] Arthritis Update 1994 Vol. 7 No. 3 Unveiling a plaque commemorating the construction of the naw ['naw' is crossed out] new Elsternwick buildingarthritis foundation of victoria, afv, percy baxter arthritis centre, new building, new premises, foundation plaque, unveiling, jeff kennet, premier of victoria, dr leslie koadlow, rheumatologist, founder, bronze plaque, easel, gold curtains, move it or lose it, 1994

Used in Port Melbourne Town HallTapering vertical polished wood frame (easel shape) made to hold wooden strips on which was written the names of the dances in the order in which they were to be performed. Hinged support at rear held board upright.arts and entertainment, social activities, port melbourne town hall

B/W copy from Grampians Community Health Centre Book Val is sitting in front of an easel with a paint brush in her right hand painting a canvas. She is wearing a floral shirt and has a bracelet on her right arm. There is a cupboard in background with children's paintings on the wall.

This photo is thought to have been taken at the time of Alfred Mica Smith's retirement from the Ballarat School of Mines. It is most probably also the unveiling of the Max Meldrum portrait of Smith. Alfred Mica Smith retired from the Ballarat School of Mines in 1922 after an association of 41 years and aged 78 years. At the August meeting of the Ballarat School of Mines Council in 1881 it was resolved that 'Alfred Mica Smith Esq., B.Sc., be appointed Professor in Chemistry and Metallurgy and be Superintendent of the Laboratories, for the period of twelve months at a stipend of five hundred pounds per annum, and to commence duty as soon as possible'. (signed: James Oddie, Vice-President) Smith played a major role in the years of 1887-1893 when SMB was affiliated with Melbourne University. In 1912 he became Professor of Metallurgy and received an annual salary of 250 pounds. Alfred Mica Smith presented many scholarly papers, gave evidence at government enquiries into the safety of mines and became an authority on mine safety and ventilation. He was on the Mines Ventilation Board. Professor Smith was the public analyst for the City of Ballarat and Town of Ballarat East, as well as to a number of other boroughs and shires. He was also Chief juror to the Adelaide International Exhibition, chemical section. He provided information to the Royal Commission on gold mining (1889, 1891), and was President to the chemistry section of Australian Association for the Advancement of Science, Associate of American and Australasian Institute of Mining Engineering, Member of the Science Faculty Melbourne University, and Hon. Life Member of the Miner Managers' Association of Australia. He also was involved in many educational and community affairs such as President of the SMB Students' Association, President of the Ballarat Science Society, first President of the Ballarat Camera Club, Vice President of the Field Naturalists' Club, and he presented Ballaarat Fine Art Gallery with his collection of paintings and porcelain ware. His legacies include the mutual regard between him and his students, the many tributes by former students, the Mica Smith scholarship (established in 1923) and now known as the Corbould-Mica Smith Travelling Scholarship, his portrait in oils by noted artist Max Meldrum, and the marble bust of Smith sculptured by Paul Montford. Money for a scholarship in sanitary science at the University of Manchester in the name of his uncle R. A. Smith was left being set up in 1928. Smith died of cancer on 14 May 1926 and his remains, cremated at Springvale, were interred in the Ballaarat New Cemetery. See http://guerin.ballarat.edu.au/curator/honour-roll/honourroll_Smith,%20Alfred%20Mica.shtml Black and white mounted photograph showing a number of men sitting around two dining tables at Craig's Royal Hotel in Ballarat. Professor Alfred Mica Smith of the Ballarat School of Mines is standing 15 from the left, and is the subject of the painting on an easel to the left. The painting was presented to the Ballarat Fine Art GalleryLower right of mount 'Victa Studios Ballarat' Verso (typed and glued on): Presentation to professor Mica Smith, Craig's Hotelballarat school of mines, craig's hotel, craig's royal hotel, alfred mica smith, art gallery of ballarat, ballarat fine art gallery, portrait, frederick martell, daniel walker

During a visit to Violet Town in 1993, Dr Elsie Koadlow (1922-2010) and Dr Leslie Koadlow AO (1920-2006), pose for a photo with Grandparent of the Year entrant, Pat McGuigan. This photo, attributed to the Euroa Gazette, appears on the back cover (page 16) of the Vol 6 No 2 issue of the Arthritis Foundation of Victoria's quarterly magazine, Arthritis Update. The photo is captioned: "Bottom Left: Pat McGuigan, right, an entrant in the Grandparent of the Year, is pictured with Dr Les (AFV President) and Dr Elsie Koadlow when they visited a function at Violet Town. Picture courtesy of Euroa Gazette."B&W photo of three people standing in front of a framed painting on a stand or easel. One woman is wearing a badge or sticker on her top with the text "ARTHRITIS WEEK". Another framed painting, on the floor and leaning against something, is evident to the left of the frame. The reflection of a chandelier light fitting is evident in the windows behind them.[Stamped in the top right corner, in purple ink] Euroa Gazette Photo [Handwritten in pale orange/brown ink] 16D [Handwritten in red pencil or ink] 78%arthritis foundation of victoria, afv, outreach, arthritis week, outreach, dr leslie koadlow, president, dr elsie koadlow, pat mcguigan, grandparent of the year, gpoty, entrant, paintings, violet town, euroa gazette, arthritis update, 1993

On the 27th of May, 1994, the foundation plaque of the Arthritis Foundation of Victoria's new headquarters was unveiled. Named the Percy Baxter Arthritis Centre, the official unveilling was conducted by the Premier of Victoria, the Honourable Jeff Kennett (1948-). Located at 263-265 Kooyong Rd, Elsternwick, the construction of the new building was nearing completion. In this photo, a few people are gathered at the front entrance to the new building. Among them is CEO Shirley Caulfield speaking to an unidentified man.COL photo of five people standing at the entrance of a newly built reddish-brown brick building. At the front of the entrance, on the left, there is a "Move it or Lose it" A-frame sandwich board next to a brick pillar. Behind it, there is a board with a closed gold curtain resting on an easel or A-framed stand. At the back of the entrance, to the right, there is a "Move it or Lose it" vertical sign or banner (partially obscured).arthritis foundation of victoria, afv, percy baxter arthritis centre, new building, new premises, foundation plaque, unveiling, shirley caulfield, ceo, 1994

These labels were used in the business of E.B.Phillips, firstly when he as in partnership with Thomson in the late 1890s and later when he was the sole proprietor. Ernest Brighton Phillips (1875-1924) was a furniture maker and seller with a business at the corner of Liebig and Koroit Streets. At the beginning of the 20th century it was the largest furniture warehouse and factory in Victoria outside of Melbourne. Samples of his furniture making are still in use in various parts of Australia. Philips built his home, ‘Heatherlie’, diagonally opposite his business and this site today is occupied by ‘Heatherlie’ flats for the elderly.These labels are of interest as mementoes of the Warrnambool furniture shop and factory of E.B.Phillips, a prominent businessman in Warrnambool a hundred or more years ago. .1 A sheet of cream-coloured paper with cream printing on an orange background and a space for an address. The sheet has two ragged edges. .2 A circular label or sticker pasted on to an irregular-shaped sheet of brown paper (part of the original wrapping). The label has an image in brown and white tonings of a woman with an easel, some stylized decoration and blue and white printing. The edges of the label are worn away. .1 Late with J.J.O’Mullane From Phillips, Thomson and Co. General House Furnishers Corner Liebig & Koroit Sts. Warrnambool .2 Framed by E.B.Phillips The Artistic House Furnisher and Picture Framer Warrnambool ernest brighton phillips, history of warrnambool, labels, heatherlie

A clipping from "The Australian Women's Weekly," "What Women are Doing" section. A short article about Hilda Kirkhope, assistant at the Burnley Horticultural College, Melbourne. Includes a photo of Miss Kirkhope with 3 female students looking at an easel, with the caption: "Miss Hilda Kirkhope instructing senior pupils how to prepare a plan for a landscape garden. She teaches all aspects of garden design."the australian women's weekly, hilda kirkhope, burnley horticultural college, garden design, students in class

Birthday Books are personal record books for names and birth dates of friends and relatives. This book includes a quote from Charles Dickens for each day of the year. The books were published in many editions, with different publishers, illustrators, covers and designs. This Dickens Birthday book was presented as a gift to fifteen-year-old Clara Skirrow on January 19th 1911, by Mr and Mrs B Watson, perhaps the 'Benji Watson' in the book, whose birthday was July 1st, 1887. The entries in the book include several with the surnames Watson and Skirrow. Interestingly, names are entered in various writing styles, perhaps because each entry was written by the person of that name, similar to an autograph book. Curiously, there are two entries for Connie Watson, one in brackets on March 16th, the other on March 23rd, without brackets. The artist, Pilford Fletcher Watson (1892-1907), was born in London. He moved to Sydney, where he became a prominent and well-established artist and a founding member of the Academy of Arts, Australia, established in 1891. His works included local scenery, architecture, and the interiors of historic buildings. Many of his pieces were bequeathed to the State Library of New South Wales. The firm, Raphael Tuck & Sons Ltd, was a printer and publisher that operated in London from 1866 to 1960. Its logo was the artist's easel, palette and brush. The firm that specialised in greeting cards and produced puzzles. It also became the world’s largest postcard publisher. In 1960, the firm amalgamated with others to become the British Printing Corporation. The fly page states that Ralph Tuck & Sons, Ltd. was the publisher to Their Majesties, the King and Queen, and Their Royal Highnesses, the Prince and Princess of Wales. This would suggest that this book was published from 1901 to 1910, when King Edward VII and Queen Alexandra, and Prince George and his wife Princess Mary were permitted to use these titles. NAMES LISTED IN THE BIRTHDAY BOOK (the museum has photographs of every entry in the book, which are available on enquiry): - January 1 Mrs J (or S) Watson January 11 Wilfred Skirrow, 1904 January 16 Elsie Watson, 1897 January 17 Elsie Hartley, 23/06/2012 [error?] January 21 Frances Victoria Haieck January 29 Annie Skirrow, 1884 February 14 Willie Illingworth February 17 Bessie Watson February 19 Mrs Butterfield, 22 Apperley Rd, Idle [UK] February 27 William Ernest Futter ? March 13 Carrie Barker March 16 Connie Watson March 19 Hilda Graham March 20 Mrs W. Illingworth March 23 Connie Watson April 5 Mrs Ruth Ann Skirrow April 6 William Dickinson Goldsbrough April 11 Norman Goldsbrough April 16 May Jessen April 19 Mrs A Dixon April 20 Mrs S Watson April 23 John Fred Stansfield, 1912 April 24 Reginald Goldsbrough May 12 Bertha Ellis May 18 Gladys McInnes May 28 Mrs Arthur Watson June 3 Jack Watson, 1910 June 10 Mr James Watmough June 18 Miss Hilda Hodgson, 1895 June 26 Sarah Atkinson, 1894 June 30 Mary A Bannister, 1896 July 1 Benji Watson, 1887 July 1 Ester Watmough, 1896 July 2 Clara Skirrow, 1896 July 2 Aunt Jinni July 2 Aunt Hannah July 10 Ellen Gertrude Connolly July 11 Violet Mathieson July 23 Hady Rogers July 26 Sarah Atkinson August 2 Allan Watson August 3 George Skirrow August 6 Thomas Skirrow August 6 Gladys Patten August 8 John Waite, 1909 August 21 Lilian Pattison, 1909 August 25 Ethel Watson, 1889 August 25 Evellyn Goldsbrough September 4 Miss Frances Barker September 12 Ernest Hartley, 1888 September 14 Harry Stansfield, 1895 September 20 Harry Padgett September 25 Leslie Watson September 26 Florrie Wise, 1896 September 27 Dorothy Watson, 1909 October 1 Madge Ferrier October 3 Elizabeth Padgett, 1896 October 5 Violet Altridge, 1895 October 13 Elsie Hodgson, 1893 October 18 Arthur Watson October 21 Emily Bradshaw November 14 Mr A Dixon December 27 Laura Hartley, 1890 December 29 Arther Skirrow, 1894 December 29 Dolly GrahamThis early 20th-century Birthday Book is significant for containing quotes by the famous writer Charles Dickens. It is also connected to the popular and prolific publisher and printer, Raphael Tuck & Sons Ltd, and the renowned illustrator and artist, Pilford Fletcher Watson. Ownership of a rare and beautifully presented book like this indicates the value placed on keeping records of family and friends, and remembering their birthdays, in the early 1900s. The book is highly significant for the entries of local family names, some with birth dates. Book: small book with padded maroon leather hard cover and embossed with gold text on cover and spine; cover also has a gold motif. The pages include coloured illustrations, sketches, and lines for personal entries. The first pages are about Charles Dickens. Title: The Dickens Birthday Book, with six illustrations in Colour by P. Fletcher-Watson Publisher: Raphael Tuck & Sons Ltd, Britain Printed in England 1901-1910 Artist: P. Fletcher-Watson This padded red leather hardcover book has embossed gold text on the front cover and spine. The six colour illustrations throughout the book were by artist P. Fletcher-Watson; one is a portrait of Dickens. Each day has a quote from Charles Dickens' works and blank lines below. The drawing on the fly page depicts a stone building with side pillars and a logo in the centre of the horizontal beam. It has a gift inscription for Clara Skirrow on January 19th, 1911. There are handwritten entries under many of the dates, some include years that range from 1884 to 1912, and one includes an address in the U.K.. Embossed on cover and spine: “The DICKENS Birthday Book” Handwritten in black ink: "From Mr & Mrs B. Watson / To Clara Skirrow / With Best wishes / January 19th 1911" Illustration on fly page: Logo [artist's palette, brush and easel] Publisher information: “Raphael Tuck & Sons Ltd, London, Paris, Berlin, New York, Montreal,” “Publishers to their Majesties the King and Queen, and T.R.H. the Prince and Princess of Wales” “Printed in England” Handwritten entries with names, some dates, and one address. flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, birthday book, p. fletcher-watson, raphael tuck & sons ltd, 1901-1910, illustrated, 19-01-1911, mr & mrs b. watson, clara skirrow, red cover, british printing corporation, king and queen and trh prince and princess, king edward vii and queen alexandra, antique book, rare book, atkinson, bannister, barker, bradshaw, butterfield, connolly, dixon, ellis, ferrier, futter, goldsbrough, graham, hartley, hodgson, illingworth, jessen, mathieson, mcinnes, padgett, patten, pattison, rogers, stansfield, waite, watmough, watson, wise, dickens birthday book, charles dickens, dickens quotes, skirrow

Happy New Year Greeting Card: Embossed Greeting card with Castle a scene and three blue Iris's with the words 'Wishing You A Happy New Year'. On the back is the Artistic Series Trade Mark of an easel with RTS on it and below is a paint board with six paint brushes with Artistic Series printed on the board all done in gold ink. At the bottom is 'By Special appointment' Publishers to Her Majesty the Queen. Hand written is 'George from Dav' Box 625Raphael Tuck & Sons, London ,Paris, New York. Designed at the Studios in England and Printed at the Fine Art Works in Saxony. Copyright.ephemera, mementoes, celebrations, happy new year greeting card

Trench Challenge Shield - Tennis Trophy. Stylised wooden easel holding a square of timber that has been chamfered, set in the centre is a square of metal, set 45/o on to the square of timber. Cartouche at top contains initials-- B.T.I.C. Shield engraved in centre contains The Trench Challenge Shield. A single tennis player at the net at extreme left, a palm tree left of centre, crossed tennis racquets engraved at bottom. Won in 1894 the inaugural year by W.Crowley.plaque engraved by F.Prescott jeweller of Prescott & Dawes.recreations, sports, tennis trophy

On the 27th of May, 1994, the foundation plaque of the Arthritis Foundation of Victoria's new headquarters was unveiled. Named the Percy Baxter Arthritis Centre, the official unveilling was conducted by the Premier of Victoria, the Honourable Jeff Kennett (1948-). Located at 263-265 Kooyong Rd, Elsternwick, the construction of the new building was nearing completion. This photo is a close up of the foundation plaque hanging on a board between two gold curtains.COL close up photo of a bronze plaque hanging from a chain on a board. The board has two gold curtains which have been drawn open to reveal the plaque. The text on the plaque is: "ARTHRITIS FOUNDATION OF VICTORIA IN... [partially obscured] THIS PLAQUE COMMEMORATES THE FOUNDATION OF TH... [partially obscured] PERCY BAXTER ARTHRITIS CENTRE AND WAS UNVEILED ON THIS DAY THE 27TH MAY, 1994 BY THE HONOURABLE JEFF KENNETT, MLA PREMIER OF VICTORIA FOUNDER AND PRESIDENT DR LES KOADLOW CHAIRMAN BUILDING APPE... [partially obscured] WILLIAM L DIX, AO".[On a yellow sticky note, handwritten in black ink] May, 1994 Opening Percy Baxter Centrearthritis foundation of victoria, afv, percy baxter arthritis centre, new building, new premises, foundation plaque, unveiling, bronze plaque, easel, gold curtains, 1994

The Arthritis Foundation of Victoria's new headquarters was officially opened on the 19th of October, 1994, by the Governor of Victoria, Richard E McGarvie. Named the Percy Baxter Arthritis Centre, the new building is situated at 263-265 Kooyong Rd, Elsternwick. In this photo, Governor McGarvie, Mrs Lesley McGarvie, and the AFV's founder and President, Rheumatologist Dr Leslie Koadlow, pose for a photo beside a bronze plaque commemorating the official opening of the new building. This photo appears on page 2 of the Vol 7 No 4, Summer 1994 issue of the Arthritis Foundation of Victoria's quarterly magazine, Arthritis Update. It is captioned: "At the official opening of out [sic] new headquarters, from left AFV President, Dr L Koadlow, Mrs Lesley McGarvie and the Governor, Mr Richard McGarvie." A cropped version of the photo also appears (with other photos) on the front cover of the Vol 19 Issue 2, Winter 2006 edition of Update. The photos accompany an obituary for Dr Leslie Koadlow AO (1920-2006).COL photo of three people standing beside a plaque, which is handing on a board resting on an easel. Across the board is a small set of gold curtains, which have been drawn open to reveal the plaque. The text on the plaque is: "ARTHRITIS FOUNDATION OF VICTORIA INC. THIS PLAQUE COMMEMORATES THE OPENING OF THE PERCY BAXTER ARTHRITIS CENTRE AND WAS UNVEILED ON THIS DAY THE 19TH OCTOBER 1994 BY HIS EXCELLENCY, THE HONOURABLE RICHARD E McGARVIE AC, GOVERNOR OF VICTORIA PRESIDENT DR LES KOADLOW ARCHITECT MR GRANT ROSE".[Handwritten onto photo, in pencil] 2A [On a yellow sticky note, handwritten in pencil] Official opening of AV offices Elsternwick 1994 R Dr Les Koadlow - AV President Mrs Leslie McGarvie Mr Richard McGarvie - Governor of Vic.arthritis foundation of victoria, afv, percy baxter arthritis centre, new building, new premises, official opening, richard e mcgarvie, governor of victoria, leslie mcgarvie, dr leslie koadlow, rheumatologist, founder, bronze plaque, commemorative plaque, gold curtains, arthritis update, update, 1994

Printed coloured photographic postcard with two smaller images contained in oval frames on a green background. The left hand image is of a path through an avenue of trees and the right hand image is of a tiered waterfall with a background of trees. Both images are each framed by an oval frame supported by an easel. The words A Shady Walk are printed below the left hand image and Rushing Waters below the right hand image. On the reverse the words Printed in Saxony are printed in red on left hand side. Handwriting covers the rest of the space and a one penny stamp is affixed.Printed in Saxonypostcard

A vintage 1950's hardcover children's book with the title Bonzo's Annual printed at the top in green lettering on the front cover.There is a large coloured illustration of the dog Bonzo riding on a rocket above the town rooftops with a smiling full moon in the sky. It is bound on the left side with faded grey fabric tape. The back cover is plain grey coloured.The frontispiece illustration shows Bonzo on a swing attached by ropes to a giraffe's long neck with a monkey and two toucan birds looking on. The illustration is from the story 'Bonzo's Festival. The title page has the title, author, illustrator, publisher details and a coloured illustration of Bonzo as an artist at his easel. Pp. 92.fictionA vintage 1950's collection of Bonzo the dog stories for children with two tone coloured illustrations throughout the book. Bonzo has a lot of fun adventures. These Bonzo annuals were popular from 1935. They ceased publication during the war years and resumed afterwards.children's books, books, children's stories, dog stories, annuals

The Heidelberg School Artists Trail was established in about 1999 with about 52 signs across four local governemnt areas including Nillumbik and Banyule. It extends from Heidelberg through Eltham and Warrandyte and to the Dandenongs. It features signs depicting paintings of artists in the location in which they were painted. This one acknowledges "On the Eltham Road", 1906. Transcription of the text states: "In this cheerful rural landscape, Walter Withers has captured the spirit of early Eltham. Eltham was a quiet, sleepy village, where geese wandered up the main Road and the locals either walked or rode their horses or bicycles around the township. Walter Withers was known to load up his bicycle with his collapsible easel, folding stool, paint box, water bottle and canvases, and would head off for a day’s painting. He was also known for his walking, as was his family, and they became known as the ‘Walking Withers’ Part of a slide show presentation "A Trip Down the Diamond Creek" by Russell Yeoman to the Eltham District Historical Society meeting of 14 Nov. 200135mm colour positive transparency Mount - Black and Whiteeltham, alistair knox park, heidelberg school artists trail, on the eltham road, public art, sign, walter withers

AUSTRALIAN LANDSCAPE ART. A FINE COLLECTION. The late Mr. Walter Withers was one of the little band of landscapists that Included Streeton Condor, who pioneered the "plein-airiste" movement In Victoria thirty years ago. Mr. Withers had been trained in Paris, but practically all his artistic life was spent in Australia, and examples from his easel are to be found in all the leading Australian galleries. He belonged to a brilliant little coterie of men whose works have since been eagerly sought for at ever-rising prices. And now collectors have an opportunity of acquiring examples of his art for a thoroughly characteristic collection of his work, both in oils and in water-color, will be open to-day In the fine art gallery at Anthony Horderns', in George Street. The collection includes 28 paintings in oil by the late Mr. Walter Withers, and 32 of his water-color drawings, while smaller collections by his daughter, Miss Margery Withers, and by his son, Mr. Meynell Withers, are also added. Among the landscapes in oils by the deceased artist may be seen examples of many moods, and also many phases of his artistic development. At different times he was a realist, a romanticist, an idealist. In his fine picture "The Easter Moon" the emotional appeal to the homing instinct is direct and compelling. This delightful work, low in tone and charming in its feeling of repose, suggests the sentiment of Gray's "Elegy." Entirely different in range, intention, and feeling, are two brilliantly-painted pictures entitled "The Young Gardener," and "The Dividing Fence," Mr. Withers here displays an unusual gift for placing effective notes in an admirably harmonised color scheme. "Sunlight in the Forest" is a pastoral poem in color. Most of these pictures were painted in the Eltham or Warrandyte country, while the "marines" are impressions at Phillip Island or on the shores of the bay. The artist was well equipped with technical knowledge and experience. His pictures are full of air and sunlight, and his realisation of cloud-forms is most convincing. The watercolor drawings which he did in the full maturity of his powers have, a softness, richness, and depth of color quite unusual. His son, Meynell Withers, shows a collection of landscapes of striking merit, recalllng his father's handling of color and selective taste In composition. Miss Margory Withers shows a charming group of watercolor portraits, and also some meritorious landscapes. The pictures have been hung with fine artistic discrimination in the grouping of the subjects, and so skilfully that in each group an essential harmony of tone has been preserved. The exhibition will be open to the public from to-day. AUSTRALIAN LANDSCAPE ART. (1918, November 18). The Daily Telegraph (Sydney, NSW : 1883 - 1930), p. 4. Retrieved August 22, 2023, from http://nla.gov.au/nla.news-article239575164Journal inscribed: "Mrs Withers 463 Collins St. West Melbourne"art exhibition, art review, artist, john withers collection, walter herbert withers