Photo is possibly at an Ithacan Ball. From L- R: Dennis Varigos, Rita Varigos, Alma Paizis, Spiro Paizis, Loula Kostos, Mike Kostos.A sepia photograph of three couples dressed formally at a social event.

Whilst female residents were not permitted at International House until 1972, the House hosted several formal events with invited guests, such as Dinner Dances held in April and July of 1960. Pictured here, Andrew Deacon was an Arts student and the first co-editor of the student magazine, Satadal, in 1959, and initiated International House's 'Waste Paper Basket Club', at which tutors and guests presented papers on global affairs. He went on to tutor English at the House in 1960. Sam Dimmick was Warden at International House from 1960 to 1970. This photograph comes from an 'Album of Student Activities 1960', compiled and presented to International House by Soedjadi Satrosoegito & Richard Shiell.social events, sam dimmick

This photograph may have been taken at one of International House's 'Dinner Dances', in May and July of 1960. Bandjarnahor was a resident from Indonesia. This photograph comes from an 'Album of Student Activities 1960', compiled and presented to International House by Soedjadi Satrosoegito & Richard Shiell.dance, social events

These Silver Cadet Badges are worn on the front of slouch hats which are traditionally worn by senior cadets for all parades and by the whole unit for Final Parades and formal events (ANZAC Day and Remembrance Day ceremonies). These badges are significant as most cadet units do not have a separate unit badge for their slouch hats and instead wear the similar Australian Army Cadets badge. However, a separate badge is often commonplace within school units as community units will usually display the other badge. 2 x Silver Metal Badge showcasing the Peninsula Grammar logo in a sphere of silver. Possibility for clasps on back and comes attached with two gold hat pins to do so. Peninsula Grammar Logo with engraved 'The Peninsula School Cadet Unit'cadets, cadet badge, peninsula grammar army cadet unit, silver badge, metal badge, australian army cadets, peninsula grammar

This flag was created in 1964 for the Peninsula Grammar Cadet Unit which would be officially established in 1965. Primarily used for parades and formal events, this original flag is important to the history of the Peninsula Grammar Cadet Unit as a whole. This flag is significant as it is the original flag of the Cadet Unit created prior to the Unit's official formation. Blue flag, red and white stripes with school logo in center. Features the inscription 'T Peninsula School Cadet Unit Est. 1964. Flag is attached to a white pole with a gold top. The Peninsula School Cadet Unit Est. 1964 * note that the T and E are missing in 'THE' cadets flag peninsula grammar cadet unit, flags

This image could be one of several formal occasions attended by Lady Maie Casey and Lord Richard Casey, as both were dedicated patrons of International House. In March 1963, Lord Casey opened the Samuel Wadham Wing, named for the man in the centre of this image. Samuel Wadham (1891–1972) was a professor of agriculture at the University of Melbourne and chair of the International House Council from 1959 to 1969. He and his wife Lady Dorothy Wadham were deeply involved in fundraising and public outreach on behalf of International House.maie casey, samuel wadham

Orbost Bowling Club was founded in 1929 and still operates in Orbost today. The Bowling Club was founded by a group of farmers and businessmen. They set about providing a sporting icon for the town. Six rinks were constructed on the current site using horse drawn scoops and drags. The "Back to Orbost” 1937 book, describes the greens as "a bit rough for the first two seasons but now compare favourably with most country greens". Funds for the construction were raised by the issue of debentures at £5 each, and subscriptions were £1/1s/0d ($2.10). (info. Margaret Smith) This menu suggests that dinners for members were held regularly - at least annually and were fairly formal events. This item represents an era when formal dinners were important as a community event. Local clubs were significant in providing recreation and companionship by bringing people together and providing opportunities for social interaction.A green card dinner menu for the Orbost Bowling Club. It is dated 16/6/38 and is black print on a green background. It has 6 courses for choice.orbost-bowling-club recreation bowling

[see inscriptions] Black and white mounted photograph. Approximately 160 men (171 according to inscription on the back) sitting on large tables at a formal dinner event; all weatinh suits and posing for photograph. Photo was taken in a large rooom with a stage, Malvern Town Hall accoring to inscriptions on the back - tables occupy centre and front of photograph - but in the background: [left] Australia flag, WWII poster; [center] stage with painted landscape and piano; [right] WWII poster and Britain flag. [information of event on newspaper cutting stuck on the back - as described on Inscriptions]Handwritten: 171 PRESENT // FEB 1945 // (?) OFF SUPT KNOTT // INSPT SAMBLEBE // CONST GRAMBEU /// MALVERN TOWN HALL Newspaper cutting glued to frame: Supt. J. R. H. Knott, has rettired from the Police Force after 38 and half years' service, was farewelled by citizens and police officials at Malvern Town Hall on Tuesday night, The mayor of Malvern (Cr. J. Johnson) presided and presented SUpt. Knott with a chair and a wallet of notes. Similar presentations were made to Inspector C.H.D. Samblebe and First Constable O. Grambau, who have also retired. Supt. A.D. McKinnon of Ballarat will succeed Supt. Knott // handwritten: SUN 1/2/45victoria police museum, police officers, police academy, police force, superintendent mckinnon, superintendent knott, cr johnson, inspector samblebe, first constable grambau, poulter, william

Carnaval is an important annual event in the Southern Provinces of The Netherlands, with each village often having its own Carnavals Club and traditions. The Dutch People coming from the Southern Provinces continued in many cases this tradition and formed their regional Carnavals Clubs in Australia. Each Carnalvals Club has its own colourful uniforms, including a hat. There are potentially three types of hats: A Formal Hat for official events, a Work Hat for use during normal club nights and for those members lucky enough to be for a year chosen as the "Prince" of the club, a Prince Hat.For people from the Southern Provinces of the Netherlands, Carnavall is an important cultural event.Decorative hat from silky type silver, gold, blue and aqua material, finished of with bells at front of hat (see picture - also see items 6351 and 6352).has a 6 on the insideprince carnaval limburg brabant dutch migration

Carnival (Dutch: Carnaval) is an important annual event heralding Lent in the southern provinces of The Netherlands, with each village often having its own "Carnavalsclub" and traditions. Many Dutch immigrantsg from the southern provinces have continued this tradition and formed their regional Carnavals Clubs in Australia. Each club has its own colourful uniforms, including specific hats. There are potentially three types of hats: A formal hat for official events, a work hat for use during normal club nights and for those members lucky enough to be chosen for a year as the "Prince" of the club, a Prince's Hat. Dutch Carnival is primarily a festival celebrating human folly which is why the hats are like jesters' caps. "Carnaval" comes with a rich tradition of ridiculing people and institutions of authority, and so, for instance, the "Prince" is saluted with military salutes which are performed the wrong way round, to the great merriment of onlookers. Special songs celebrating the foolishness of people in high places, such as politicians, are composed each year for "Carnaval". For people from the southern provinces of the Netherlands, the annual "Carnaval" is an important cultural event.Decorative hat from silk-like material, coloured orange, green and cream and finished off with silvery gold band and other decorative items (see picture - also see items 6352 and 6353).Has the name "L. Havel" on the inside.carnival hat; brabant; limburg; dutch migration

The Morepork is a small brown and white spotted owl found in New Zealand, Tasmania and Norfolk Island. It is known by around twenty different names which are all onomatopoeic which emulate the birds distinctive two-pitched call. They are mostly nocturnal and carnivorous (eating insects and small vertebrates). They reside in habitats with trees, they sleep in roosts and hunt mainly in the evenings and early morning. Females are slightly bigger than males. This species attains full plumage in its third or fourth year. They can turn their heads 270 degrees." In Māori tradition the morepork was seen as a watchful guardian. It belonged to the spirit world as it is a bird of the night. Although the more-pork or ruru call was thought to be a good sign, the high pitched, piercing, ‘yelp’ call was thought to be an ominous forewarning of bad news or events." (NZ Department of Conservation). This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Morepork (also known as the Masked Owl) is covered in brown and white plumage on its head and body. The white feathers delineate its round yellow eyes. Its belly and back are brown and white with the white feathering appearing spotted. This Morepork specimen sits on a wooden perch with his head turned to the left. A swing tag is attached to its left leg.Swing tag: 10 / Masked Owl / See Catalogue, page 3 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, ruru, spotted owl, tasmanian spotted owl, morepork, mopoke, new zealand owls, new zealand birds, tasmanian owls, tasmanian birds, norfolk island owls, norfolk island birds

The Morepork is a small brown and white spotted owl found in New Zealand, Tasmania and Norfolk Island. It is known by around twenty different names which are all onomatopoeic which emulate the birds distinctive two-pitched call. They are mostly nocturnal and carnivorous (eating insects and small vertebrates). They reside in habitats with trees, they sleep in roosts and hunt mainly in the evenings and early morning. Females are slightly bigger than males. This species attains full plumage in its third or fourth year. They can turn their heads 270 degrees." In Māori tradition the morepork was seen as a watchful guardian. It belonged to the spirit world as it is a bird of the night. Although the more-pork or ruru call was thought to be a good sign, the high pitched, piercing, ‘yelp’ call was thought to be an ominous forewarning of bad news or events." (NZ Department of Conservation). This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Morepork (also known as a Masked Owl) is covered in brown and white plumage on its head and body. The white feathers delineate its round yellow eyes. Its belly and back are brown and white with the white feathering appearing spotted. He sits on a wooden perch with his head turned to the left. A swing tag is attached to its leg.11 / Masked Owl / See Catalogue, page 3 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, ruru, spotted owl, tasmanian spotted owl, morepork, mopoke, new zealand owls, new zealand birds, tasmanian owls, tasmanian birds, norfolk island owls, norfolk island birds

Taken around 1960s, this photograph shows the banks of Lake Sambell. Lake Sambell is named after Mr. L. H. Sambell who was instrumental in the lake's formation. Lake Sambell is the original site of the open sluice operation of Rocky Mountain Mining Company in the 1800s and the early 1900s. In the early 1920s, it was reconstructed as a recreational lake and was formally opened to public on 6 October 1928. The opening event was attended by townspeople and Beechworth's Minister of Lands Mr. Bailey. In the late 1930s to early 1940s, Lake Sambell redeveloped. The first development aimed to raise the banks by six feet to double its present area and to make the water cleaner. Another redevelopment in the 1940s was made possible by the Beechworth and District Progress Association. It involved raising the banks to five feet to provide swimming facilities, paddling pool and caravan park. This photograph holds Historic significance because of its connection to the development of Beechworth district.Sepia rectangular photograph printed on matte photographic paperObverse: Reverse: 3533 /beechworth, water scheme, water reserve, catchments, beechworth water reserve, beechworth catchments, municipal council, lakes, reserve, water supply, political projects, environmental changes, mr. l. h. sambell, sambell, rocky mountain mining company, recreational lake, minister of lands, mr. bailey, swimming pool, paddling pool, caravan park, swimming facilities, lake redevelopment, funding

The platypus is a semi-aquatic, egg-laying mammal endemic to eastern Australia. It is the sole living representative of its family and genus. They can grow up to 63cm in length and weigh up to 3kg, and their life span is typically 6-15 years. The unique mix of physical features of the platypus make it an important subject in the study of evolutionary biology, and a recognisable and iconic symbol of Australia. Furthermore, the platypus is culturally significant to several Aboriginal peoples of Australia. The animal has also appeared as a mascot at national events and features on the reverse of the Australian twenty-cent coin, and is the animal emblem of the state of New South Wales. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.A long, stocky platypus with a streamlined body and a flat bill. The platypus has four short limbs with webbed feet, and the front-right foot is positioned upright. The hair is short and dense; the upperbody fur has an auburn tint, and the underbody fur is a silver/cream colour. The platypus has two beady black glass eyes.On tag: BMM / 5899 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, platypus, monotreme, mammal, ornithorhynchus anatinus

Estimated to be taken in the early 1900s, this photograph was likely taken in the federal Hall, Loch Street, Beechworth at a ball-like event. Depicted are 89 attendees dressed in formal evening wear, positioned in tiers and in front of the stage. This photograph provides insight into the lives and activities of residents of Beechworth during the early 1900s. Black and white rectangular photograph printed on matt photographic paper, mounted on card. Obverse: Frazer & Vallance PHOTOGRAPHERS Melbourne Reverse: A02487 / 1997.2952 entertainment album, beechworth, burke museum, regency house, ball, debutante ball, black and white photography

The photograph depicts a young man and woman dressed in formal clothing inside a hall. They are holding hands. There's a group of people dressed similarly in the background.The photograph provides insight into entertainment, performance and recreation in Beechworth during the 1950s. The item's interpretive capacity is enhanced by its strong relationship to other photographs in the catalogue. Collectively, these records enrich the community's understanding of how the arts have developed in Beechworth since the mid-twentieth century.Black and white rectangular photograph printed on matte photographic paper.Reverse: J3276-1G / 5659 / TYPE 107 / POLAROID /entertainment album, entertainment, dance, performance, theatre, theatrical group, dancing, event, festival, party, 1950s, beechworth

These four photographs were taken during a 2/4 RAR Pipes and Drums visit to the Army Survey Regiment, Fortuna Villa, Bendigo probably in 1990. Although the reason for their visit is unknown there were several events held at the time commemorating the 75th anniversary of the formation of the Royal Australian Survey Corps, such as the Freedom of Entry to the City of Bendigo Parade, an Open Day, visits by the Prime Minister Hon. RJ Hawke and the Chief of the General Staff, the opening of the new printing press building Wayzgoose Hall on Corps Day and formal Officer and SGTs Mess Dinners.These four photographs were taken during a 2/4 RAR Pipes and Drums visit to the Army Survey Regiment, Fortuna Villa, Bendigo probably in 1990. The black & white photographs were printed on photographic paper and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 300 dpi. .1) - Photo, black & white, c1990, unidentified 2/4 RAR Pipes and Drums Sergeant-Major .2) - Photo, black & white, c1990, unidentified 2/4 RAR Pipes and Drums personnel .3) - Photo, black & white, c1990 L to R: RSM WO1 Neville Stone, CO LTCOL Rene van den Tol, unidentified 2/4 RAR Pipes and Drums Sergeant-Major. .4) - Photo, black & white, c1990, L to R: CO LTCOL Rene van den Tol, unidentified 2/4 RAR Pipes and Drums Sergeant-Major .1P to .4P – no annotationsroyal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr

Newspaper article: $6000 grant to Our Lady's, The Advertiser, July 2, 1996 - Grant given to Parish of Our LadyHelp of Christians which is taking over the use of the Eltham War Memorial Hall in Main Road and the Nillumbik After School Program. (Other items include: St Andrews Submission Re application to subdivide 1726 Heidelberg-Kinglake Road; Minister's decision awaited - A six-eight lot subdivision at Eagles Nest Road, Strathewen; Mt Pleasant Rd petition - Need for a shared pathway; Policy on ad signs - Amended policy on advertising signs for community events; Main Rd streetscape plan - Plans for streetscape improvement in Main Road to go on display; Special meeting dates set - Special meetings to consider formal submissions and then adopt a final proposal for Shire's electoral structure for Ministerial approval and gazettal. Letter Eltham District Historical Society to Nillumbik Shire Council, 16 September 1996: Proposed roundabouts Main Road Eltham at Dudley Street and Panther Place. Newspaper article: Diamond Valley News 16 October 1996, Pre-school welcomes plan for traffic lights.main road, eltham, property, roundabouts, dudley street, panther place, eltham pre-school, eltham war memorial

Romantic, charming . . . ''SUNNYBROOK'' ON the slope of a hill on the East side of Bolton street and overlooking willows that trail gracefully in a creeklet which shows no great haste to blend with Diamond Creek and so to the Yarra, there stands a great old-fashioned home. Outwardly it speaks of past opulence rather than beauty of design, but the velvet green lawns and the formal neatly weeded rose gardens, the well established trees, tennis courts, wisteria covered pergolas and the great curved fronds of old palms produce an atmosphere that cannot be built-up in less than decades. Here is irresistible old-world charm. The jangle of today cannot penetrate ... it is a place to remember ... a place where events to be remembered have a perfect setting ... it is "Sunnybrook." From the neighbouring ‘Beranto Lodge’ Mrs. Lenne can catch glimpses of ‘Sunnybrook,’ but the old home is well hidden from all quarters and only the faultlessly kept lawn can be seen by the curious. Like many other people, Mrs. Lenne was curious. Who can blame her. ‘Sunnybrook’ is a name to conjure with in Eltham. When the elderly men of the township were young bucks ‘Sunnybrook’ stood alone, a proud home that was known and established. Amongst the simple homes of the valley of the Diamond Creek, ‘Sunnybrook’ was Queen. In the roistering days of the Diamond Valley, when Kangaroo Ground was the seat of the Shire and when five pubs dotted the road from Lower Plenty to the civic centre, ‘Sunnybrook’ was off the track of the boisterous and tipsy. ‘Sunnybrook’ is still off the beaten track . . . but only slightly so; it no longer looks over cow pastures, but the neat, newly built houses which dot the length of the Main Road. They are still no closer than half a mile and while these houses have sprung up the fine trees and shrubs have quietly closed in around the boundaries of ‘Sunnybrook' as if to keep the old place to itself. That is how it has become something to whet the curiosity. When the course of events put the place on the market Mrs. Lenne bought it. When a modern house is bought it is pliable in the sense that the owner moulds it according to personality. It can remain severe, utilitarian and with a little neglect soon run to an ugly shabbiness. But with old 'Sunnybrook' it is different. There is in existence a character indelibly written into every line of the place . . . it is a LOVE OF ENGLAND. Upon ‘Sunnybrook’ has been lavished the devoted love of England to such a degree that it must be seen. The gardens and lawns are formal, and though lovely and speaking of the leisure of past years they are not English . . . they are just lovely, with the beauty that only the long established seem to possess. It is inside ‘Sunnybrook’ that the intense love of England is seen. Years ago the home was bought by a Mr. Martin, who was getting on in years, as a home for his much younger wife. The couple spent thousands of pounds as well as endless care and imagination in the complete redecorating of their home. Oak panelling imported from England was built in. Huge fireplaces shed their Colonial appearance to be become the fireplaces of England . . . and they were so in every sense because they were also imported from England. One lovely specimen whose gracious lines are remarked upon by all who see it, is a certified antique of finest English Oak. Care was taken to see what hand made wrought iron light fittings were in keeping. The old place has three lounge, dining or living rooms according to taste and requirements, and all are bigger than the biggest attempted in a “big” modern home. This does not include an outside living space of ample proportions, all fine flywired in and enclosing a fernery. A turn of a tap and spray as fine as mist is released over the rockery. On a scorching summer day when no relief short of a swim could help ordinary people, the resident of ‘Sunnybrook’ found the coolness of a dell in which to sit and enjoy their evening meal. What is more, the temperature of the whole house could be reduced by merely turning on this extensive spray water system. Yes, comfort to luxury standard is built in. And what happens to 'Sunnybrook' now? Mrs Lenne is famous to thousands for her quite fabulous catering. Her home and her "Wanda Inn" at Hepburn Springs have long been a Mecca for those who want the different in catering . . . different in the sense that every client is treated as a friend, not a customer and the hospitality and attention one would give to an honoured friend is accorded. And the food! – ask anyone who has enjoyed the privilege. Ask those who attended the reception given to Mr. Menzies by Eltham Shire Council; ask those members of the Diamond Valley Chamber of Commerce who enjoyed it! [See EDHS_04736-1/2 https://victoriancollections.net.au/items/5d4c2fb521ea6727d892df72] There is only one word anyone ever uses . . . “unbelievable!” it must be seen and eaten to be believed. And ‘Sunnybrook’ will ring to the laughter, and offer its spaciousness for the fun of all who join in the happiest occasion in the life of those just married, whose wedding reception is intended to be “remembered.” Mrs. Lenne is a dynamic ball of energy whose enthusiasm is not to be brooked. She has acquired the home of her dreams. 13 March 2020 Note: Historian Stella M. Barber via the GSV members Forum cites that Clair Samwell and Doris Good ran a nursing home in Balwyn called Penquite (1946-1952). Prior to that the women had run a rest home called Beranto in Eltham. Single newsprint page separated rest of paperberanto lodge, bolton street, houses, mrs. lenne, prime minister, properties, robert gordon menzies, sunnybrook

Collection of material relating to events that acknowledged EDHS's 40th anniversary. Including a formal printed invitation to the celebration lunch, handwritten speech notes in Harry Gilham's handwriting, a copy of the commemorative booklet which includes history of the Society and a copy of the July 2007 newsletter including a report on the celebations and history. Folder 89 also includes 12 pages of handwritten and typed lists of names of committee members which were probably drafts for final list which was included in the commemmorative booklet prepared by H.G.Invitation, booklet, newsletter and handwritten notesHG Booklets 55 and 89harry gilham collection, eltham district historical society, celebrations, 40th anniversary, names, list, 2007

Longmore set aside his life as a farm-hand in Geelong, Victoria, when he enlisted in the Australian Imperial Force at age 21. Private (Pte) Roy Longmore, 3rd Reinforcements, 21st Battalion, of Bannockburn, Victoria enlisted on 13 July 1915; and he embarked from Melbourne aboard HMAT Anchises on 26 August 1915.[2] After training in Egypt, was sent to the Battle of Gallipoli where he was a tunnel digger with the 2nd Division, burrowing underneath the Turkish positions and laying mines. After evacuation from Turkey, he fought at Pozières, Armentières, and Villers-Bretonneux.[1] He was wounded three times in France and was momentarily given up for dead when he was shot as the Armistice in November 1918, approached. He later recalled, "We were patrolling in a gully when suddenly half a dozen Germans appeared over a hill armed with machine guns and opened fire. Jerry riddled me, knocking me flat on my back, and the last I heard was 'Longy's had it, they got him.'" Fortunately, his fellow soldiers saw him move and rescued him.[3] Lance Sergeant (LSgt) and returned to Australia on 16 March 1919 as a member of the 2nd Pioneer Battalion.[2] Civilian life[edit] After returning to Australia in 1919, his injuries made returning to farm work impossible, so he drove a taxi in Melbourne. Another change caused by the war was more telling. Before, he had hunted rabbits; but he later explained that when he returned home, he no longer had an appetite for firing at anything alive.[3] Longmore married and had one son, Eric.[1] The one-time LSgt Longmore died peacefully in his sleep at a Burwood Nursing Home aged 107 on 21 June 2001. He was the second last Anzac to die.[2] At his death, Australia honored him one final time with a state funeral.[3] Australian "legend"[edit] In 2000, Longmore was recognized as one of the "Australian Legends." His name and photograph were honored as part of an annual series of commemorative postage stamps issued by Australia Post since 1997. The stamps commemorate living Australians "who have made lifetime contributions to the development of Australia's national identity and character".[4] Longmore lived to fully enjoy this honor.[3] Longmore's 45-cent Legend stamp displays the soldier's portrait as a young man, photographed just prior to his departure for Gallipoli. Formal photographs of the other two ANZAC centenarians complete this stamp set. In addition, a fourth stamp features the 1914-15 star medal which was presented to all those who fought in campaigns during those war years.[5] These stamps, designed by Cathleen Cram of the Australia Post Design Studio, commemorate the story of events and people shaping contemporary Australia.[6] The Longmore stamp honors him as an individual and as a representative of all 68,000 soldiers at Gallipoli whose actions affected Australia's evolving self-image.[7] http://en.wikipedia.org/wiki/Roy_LongmoreFramed painting of Roy Longmore wooden frame glass fronted

The Marriage Register lists Harold Priestley Simpson and Amy Dora Walker as the bride and groom, and the wedding date as 14th of February 1928. The photograph uses the personal Harry and Dora, instead of the formal Harold and Amy. In the Register, Amy started signing her name as Dora. before correcting it. The photograph shows that weddings took place at the Chapel during the late 1920's, and the style of weddings at the time. This includes the type of outfits worn, such as the length of the veil and the type of bouquet carried. Dora's Bridesmaids are depicted in 2 other images in the MTSV collection also an image of the chapel decked with flowers for the occasion. The article in the Herald of the day describes the event: "WEDDING AT SEAMEN'S CHAPEL Reception at Hotel Windsor The pretty little chapel at the Sea men's Institute was packed with interested friends this afternoon, when Miss Dora Walker, one of the Mission's most enthusiastic and efficient voluntary helpers, chose it as the setting for her marriage with Mr H. P. Simpson, son of Mr and Mrs J. H. Simpson, of Mornington. A group of her fellow workers decorated the chapel with lovely pink and white gladioli, carnations and roses. The ceremony was performed by the Rev. J. R. Weller, chaplain of the Mission, and the bride was given away by her father, Mr A. W. Walker, of Manning road, East Malvern. She wore a lovely ivory georgette frock, the finely tucked skirt being fashioned with a deep transparent hem of Chantilly lace. Over it fell a beautiful Honiton lace veil mounted on tulle and arranged to give the ef fect of a train. Fragrant white roses composed her bouquet. Two attendants followed her down the aisle — her sister, Miss Molly Walker, and Miss Ella Kendall — both wearing dainty shrimp pink georgette frocks and large crinoline straw hats in the same shade with a dainty edging of tulle. They carried bouquets of pink cactus dahlias nnd delphiniums. Mr Louis Buscombe was best man, and Mr George Thompson grooms man. After the ceremony Mr and Mrs Walker entertained about 50 guests at the Hotel Windsor."The photograph shows St. Peter chapel was being used for weddings in 1928. The Anglican church has been used for weddings since being finished in 1917. The Marriage Register shows that these weddings were legal in the Commonwealth of Australia, and lists Church of England as the denomination for this wedding. Miss Amy Dora Simpson (nee Walker) had a long association with the Mission, first as a young Volunteer with the Ladies Harbour Light Guild circa WW1, and through to her wedding in early 1928 and beyond. Square sepia, glossy photograph of a bride and groom, taken as they leave a building. Guests are throwing rice at the newlywed. The groom is turned towards the camera, while the bride is looking ahead, carrying a bouquet. There is a white border around top, bottom and left edges, the photograph seems to have been cut in half along the right edge.On the reverse: handwritten in blue pen JUST MARRIED!/DORA & HARRY/28/2/28. 618 is stamped in blue ink . (date is incorrect as wedding took place on 14/2/28)bride, wedding, groom, 1928, dora simpson, dora walker, st peter chapel, harry simpson, lhlg, flinders street, harold priestley simpson, valentine's day, amy dora walker, ladies harbour lights guild, mr and mrs a.w. walker, malvern, manning road, reverend j.r weller, molly walker, ella kendall, david simpson

This Summer Mess Dress Jacket was made in 1990 there is no information to who is was issued.The Jacket would have been when attending formal mess events during summer. White Jacket with Sergeants Insignia.There are no inscriptions or markingssummer mess dress jacket, australian army, 1990

Black and white photograph mounted on grey frame. Passport 3x4 photograph stuck on top right of larger photograph - middle age men, unknown. 9 men on photograph are in dinner event. On the far left, possibly former Chief Commissioner Thomas Blamey, on army uniform. Other men are in formal suits, younger looking one in glasses faces the camera cheerfully. 2 men standing on the back, one with piece of paper and the other smoking a cigarette.Handwritten: EP 1victoria police museum, police officers, police academy, police force, victorian police association, police council, blamey, thomas, chief commissioner, sir thomas blamey; chief commissioner of police

Three unknown women wearing hats enjoying an horderve with unknown waiter at the early residents reunion as part of the centenary celebrations for the Shire of Eltham in August 1971. The event was held in the West Riding Hall, Henry Petrie Community Centre, Montmorency. This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book, "Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital imagesepp, shire of eltham pioneers photograph collection, centenary celebrations, shire of eltham, shire of eltham centenary, early residents, early residents' reunion, horderve, henry petrie community centre montmorency

Three unknown women sharing stories over photographs at the early residents reunion as part of the centenary celebrations for the Shire of Eltham in August 1971. The event was held in the West Riding Hall, Henry Petrie Community Centre, Montmorency. This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book, "Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital imagesepp, shire of eltham pioneers photograph collection, centenary celebrations, shire of eltham, shire of eltham centenary, early residents, early residents' reunion, henry petrie community centre montmorency, guests

Mr. H. Masefield pointing out an interesting photograph to his wife as they look at a photo wall, part of the reunion function for the centenary celebrations for the Shire of Eltham in August 1971. The event was held in the West Riding Hall, Henry Petrie Community Centre, Montmorency. This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book, "Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital imagesepp, shire of eltham pioneers photograph collection, centenary celebrations, shire of eltham, shire of eltham centenary, early residents, early residents' reunion, h. masefield, henry petrie community hall montmorency, display, exhibition, display board