This wood fragment comes from a red gum tree which was planted in the Bacchus Marsh Primary School grounds in the 1860s. It was one of the first trees planted in the school ground in Lerderderg Street. For many years the school bell was hung from this tree. This practiced ceased about 1969 and some years later the tree had to be removed as it had become damaged. This wood fragment was saved from the 'bell tree' when this was done. The wood fragment is an indicator of a once common, but now generally non-existent school practice of the ringing of a bell to communicate school commencement and finishing times during the school day. It has particular significance because Bacchus Marsh Primary School was the first government funded public primary school in Victoria.Red Gum tree wood fragmentschools, bacchus marsh primary school

This fragment is a piece of a cup that came from the Criterion Hotel in Warrnambool. This hotel, on the western side of Kepler Street near Lava Street, Warrnambool, was opened in 1872 with John Tate as the first licensee. Two notable families associated with the Criterion Hotel were the Humm family, (late 19th and early 20th centuries) and the McGennan family ( from the late 1920s on) The name on the fragment is that of Theresa Lynch who was the licensee of the hotel from 1919 to 1926 and the owner for most of that time. The hotel was closed in 2008 and, following a fire, the building was demolished in 2013.This fragment is of interest as it is one of the few items we have that date from the time of Theresa Lynch and the Criterion Hotel.This is a curved piece, one half of a white china cup. The fragment has been broken and mended. The fragment has imprinted on it in a red circle the name of a Warrnambool hotel and its proprietor. ‘Lynch’s Criterion Hotel Warrnambool’ theresa lynch, warrnambool

This fragment was found in Bridge Road, Woodford on the site of the Travellers’ Rest Hotel, Woodford and it is believed that it may date from the time when the hotel was operating. The Travellers’ Rest Hotel in Woodford was established some time in the 1840s with the first known date, 1847. It pre-dates the settlement of Warrnambool founded in late 1847. The Travellers’ Rest Hotel was established by William Kirby and his wife Mary took over the hotel management when her husband was drowned in August 1847. The hotel had seven other licensees and closed in 1875. If this item comes from the time of the Travellers’ Rest Hotel in Woodford then it is of considerable interest as an early memento of that hotel and the early days of Woodford. This is a fragment of a black bottle or other domestic item. It is made of heavy glass and is curved and could be part of the base of the object. history of woodford, travellers’ rest hotel, woodford, warrnambool history

Wallpaper fragment from an early workman's cottage in Weller St, Geelong West built in 1854. This property was refurbished following its sale in the early 1990s. Over time many layers of wallpaper had been pasted to the original paper. The wallpaper was damp and hanging off the walls. It was removed to reveal packing case 'slats' on the stud wall. When the skirting board was removed the original wallpaper was revealed. Although not a Warrnambool artefact, the Weller St property was owned by a local resident. It shows the wallpaper design of the period and the manner in which wallpaper was attached in the mid 19th century.Wallpaper fragment with maroon flowers and olive green leaves on a bone-coloured background mounted on hessian backinggeelong west, weller st, workman's cottage, interior decoration, wallpapers

This plate fragment came from the Hotel Mansions in Warrnambool. This building was opened in 1890 as the Grand Ozone Coffee Palace (a temperance hotel) and it was at the corner of Koroit and Kepler Streets in Warrnambool. It was built by a company of local businessmen and was leased out. In 1891 the Coffee Palace was granted a wine licence. In 1895 Thomas Randall was the proprietor and it was re-named the Ozone Hotel. The building was closed in 1915 and re-opened in 1920 as the Hotel Mansions. In 1923 the Hotel Mansions became a fully-licensed hotel. In 1929 it was destroyed by fire and the present day Hotel Warrnambool was built on the site. This plate fragment is significant as it came from the Hotel Mansions in Warrnambool and was probably recovered from the fire that destroyed the building. The Grand Ozone Coffee Palace/Ozone Hotel/Hotel Mansions was the grandest building ever erected in Warrnambool and its destruction by fire was a major loss to the town. This is a piece of a white china plate. On the side of the plate is embedded the name of the hotel in a circular pattern. The plate fragment is badly stained and crazed. ‘H D Hotel Mansions’ ‘Ironstone’ grand ozone coffee palace/ozone hotel/hotel mansions warrnambool

The house at 113 Mountain View Road Briar Hill, formerly the home of Bob Barling, scoutmaster in the 1950s, was totally destroyed by fire. These items were salvaged from the site.Two items salvaged from house fire: Tile fragment & teapot spouttile, teapot

The Ritz was situated near the corner of Lava and Liebig St. The site was originally a hotel which traded under various names, including The Prince of Wales Dining Room, The Stork The Red Lion and later the Princess Royal after a fire in 1880 and it was delicensed in 1900. it later became the Mia mia cafe before a change to the Ritz. A fragment from Warrnambool's past.Fragment of white plate with black and white check edge and logo of Ritz with Warrnambool in banner below it.Ritz Warrnambool.warrnambool, ritz cafe warrnambool

Produced as a souvenir from two Japanese Midget submarines sunk during attacks on Sydney Harbour in WWII. This souvenir was produced to raise funds for the RAN relief fund and King George's Fund For Sailors. It was sold as a souvenir as part of a touring exhibition around the country accompanying a composite midget submarine constructed of the two sunken vessels raised from Sydney Harbour.The souvenir submarine has tangible connections to the Japanese Midget Submarines sunk during attacks on Sydney Harbour in 1942. It is historically significant for its links to defending Australia and for its connections to tourism and fund raising relating to war time efforts.A cut square fragment of metal with possibly some Japanese characters etched on it. Attached to a paper label by a piece of cloth.A Guaranteed Souvenier/ from the Japanese Midget Submarine/ Sunk in Sydney Harbour/ Sunday, May 31st 1942/ G.C. Muirhead - Gould/ Proceeds to Rear Admiral in Charge, Sydney/ RAN Relief Fund and King George's Fund for Sailors.japanese midget submarine, world war ii, sydney harbour, ran relief fund, geelong naval and maritime museum, king george's fund for sailors

The Criterion Hotel was located on the western side of Kepler Street near the corner of Lava Street. John Tate of Woodford was the first licensee of the Criterion Hotel in 1873. The Humm family and the McGennan families were licensees for a considerable amount of time in the late 19th and 20th centuries. It was one of the last venues in the town to host live music. The last publican, John Palmer remembered it as a workers pub popular with local truckies and football clubs, in particular, Bushfield, Russell’s Creek and South Rovers. The Criterion closed in 2008 with the aim of turning it into office space but it was burnt beyond repair in 2010 and the remains were demolished in 2013.The Criterion Hotel was one of the earliest and longest licensed hotels in Warrnambool. As such it has local historical significance. The original building was an impressive landmark and the hotel itself has significant social importanceWhite plaster fragment with floral pattern enclosed within two plain borders. It is roughly five sided but edges are broken.criterion hotel, history of warrnambool, warrnambool hotels

Fragments of paper that have been removed from the ink bottle. Some printed text is visible. Handwritten text is illegible and written in a different orientation.OHMS: Officer Charge of Police archaeology, historic building, ballan court house

The Magazine "Fragments from France" was produced during WW1 and was basically a comic and sold to troops at the front..1) Titled - "Fragments from France" No. 4 - green cover and 36 pages inside of various cartoons. A cartoon on front and a poem on the back. .2) Titled "More Fragments from France" by Capt Bruce Bairnfather. Dark green magazine with 42 pages. Inside cover is some ads and cartoon on front and series of cartoons and a foreword inside. This is 2nd Edition..1) On front No. 4, The Bystanders "Fragments from France" by Capt Bruce Bairnsfather, Price on back. .2) On front "More Fragments from France" by Capt Bruce Bairnsfather. .3) On front "The Bystanders Fragments No. 5" by Bruce Bairnsfather.magazine, fragments from france, cartoons, ww1

Found at Wet Flat ("Chinaman's Flat") near Linton, an area once occupied by many Chinese miners. This object was once thought to have been the lid of a container (possibly one used for storing snuff) and it is sometimes referred to as the "Chinese tin lid".Small, flat, rectangular piece of metal on which Chinese characters have been inscribed. It is understood that the fragment may once have been part of a container used to store tea leaves or spices. Three characters are inscribed, the top one is indecipherable due to wear, the middle one denotes a place (Candong province in China), the third denotes a successful business.containers, chinese miners, wet flat

Joseph Wilder, a professional photographer, came to Warrnambool in 1860 and took a series of photographs, two of which survive today. One was of the local Volunteer Corps and the other was a series of photographs taken from Cannon Hill showing Merri Street and the town and buildings beyond. It seems that copies of these last-mentioned photographs were framed to produce a large panoramic view of 1860 Warrnambool and one of these was given to the old Warrnambool Museum in the 1880s by James Astley Bromfield. He had established a chemist’s shop in Warrnambool in 1854 and showed his interest in the history of the young town by producing a map in 1856 showing the first landowners, a seminal resource today for historians. He again demonstrated this interest when he included the names of the people and places in the 1860 photograph he gave to the museum in the 1880s. The frame fragment was found amongst the collection of items from the old Museum at Flagstaff Hill Maritime Museum and brought to the Historical Society to accompany the original series of photographs. Bromfield went to live in Melbourne in the 1880s. It is presumed that the plastic cover has been placed on the frame fragment at a much later date than the 1880s.This frame fragment is interesting and very important for several reasons:- 1. It is one demonstration of the interest that James Astley Bromfield had in local history 2. It came from the old Warrnambool Museum and shows how that institution kept items of historical interest 3. It gives us the names of the people and places in the Joseph Wilder photographs of 1860 that placed together form a panorama that reveals what a major section of Warrnambool looked like only 13 years after its foundation. The list enables us to correctly identify the early places and people and so is invaluable for research purposes 4. It links a Museum exhibit of the 1880s with the original 1860 photographs which are held by the Historical Society This is a piece of wood broken from a frame containing a photograph. It has jagged edges. It contains the list of people and places depicted in the Joseph Wilder panorama photograph of Warrnambool in 1860. The list is handwritten in ink on paper which has been attached to the frame with a piece of plastic. Warrnambool in 1860 Photographed by Wilder. Showing children of the late Andrew Semple etc In red pencil – ‘Keep’, in ink, ‘Keep’ On separate piece of paper - Presented to Warrnambool Mechanics’ Muzeum by James Astley Bromfield, August 3rd 1886 joseph wilder 1860, panorama of warrnambool

Tile fragment after Nuclear Blast at Hiroshimaephemera, c1945, general

Wallpaper fragment with brown and white textures background. A floral border has been attached to one edge. The border is a floral design, possibly hand painted, with black, pink, green, yellow and white flowers. The fragment is backed with newspaper.Newspaper print of back of fragment.buildings, painting/decorating, wallpaper, wall, floral design, flowers, hand painted, newspaper, interior, decorations.

This item is part of the Dodgson Collection, which was bequeathed to Queen's College in 1892 by the Rev. James Dodgson. The collection was created by Aquila Dodgson, brother of James. Aquila Dodgson was a friend of the English Egyptologist Flinders Petrie, and it was through this friendship the Aquila was able to acquire ancient Egyptian artefacts. A detailed study of the collection was made by Christine Elias "Discovering Egypt: Egyptian Antiquities at the University of Melbourne", M.A. thesis 2010.Fragment of skullSmall paper label inscribed with 'Skull Bones from Sakhara' glued to one of the fragments.skull fragments, james dodgson, aquila dodgson, flinders petrie

Handwritten draft for a speech, date uncertain. Considers the question of Australian identity: whether it exists, what can be done to foster it in the arts, design and culture as a whole. Boyd argues that the only route to a distinctive Australian identity is to develop and foster new ideas rather than taking cultural cues Britain or America.Handwritten, quarto, 3 pagessydney opera house, australian identity, australian culture, robin boyd, manuscript

The Kyeema airline crash took place on 25 October 1938 when the Australian National Airways Douglas DC-2 Kyeema, tail number VH-UYC, flying from Adelaide to Melbourne, commenced final approach to Essendon Airport through heavy fog and crashed into the western slopes of Mount Dandenong, killing all 18 on board instantly. There is strong evidence that the pilots were becoming unsure of their position. According to Macarthur Job's book, Disaster in the Dandenongs, the radio operator had requested the controller at Essendon give them a radio bearing. Essendon had acknowledged and told them to leave their transmitter on, but the signal stopped and no further contact was made. It is thought that this is the moment that Kyeema hit the mountain. There were 18 people on board the DC-2: 14 passengers, the captain, the first officer, an air hostess, and a cadet pilot who operated the radio during the flight. The victims were :— THE CREW. CAPTAIN A. C. D. WEBB, 32, pilot, married, of Essendon, Victoria. JUNIOR CAPTAIN ALAN J. STEEN, 25, pilot, married, of Essendon North, Victoria. ELVA JONES, 27, air hostess, single, of Toorak, Victoria. PHILIP D. PRING, about 20, cadet pilot attached to Australian National Airways' Aeronautics School, Sydney. PASSENGERS. CHARLES ALLAN SEYMOUR HAWKER, M.P., 44, single, of Adelaide. LEONARD SYDNEY ABRAHAMS, K.C., 51, married, barrister, of Sydney. SIDNEY HILL SMITH, 41, married, managing director of S. Smith and Son, of Yalumba, South Australia. ALFRED CECIL GAIN, 42, married, barrister, of Sydney. GORDON H. GODDARD, 30, single, accountant, of North Sydney. LANCELOT WILLIAM SHIRLEY, 27, single, solicitor, of Manly. JAMES IAN MASSIE, 25, single, solicitor, of Sydney. VAUGHAN PATE, 42, refrigeration cabinet manufacturer, married, of Unley, South Australia. THOMAS M. HARDY, 48, married, head of the firm of Thomas Hardy and Sons, vignerons, of Seacliff, South Australia. GEORGE WILLIAM LING, 72, of Kingswood, South Australia, former building inspector of the Municipal Tramways Trust, Adelaide. LOUIS HUGO GRAMP, 43, married, managing director of G. Gramp and Sons, Ltd., vignerons, Rowlands (sic) Flat, South Australia. Mrs. ELIZABETH MARY SCHRADER, 69, widow, of Adelaide. Mr. and Mrs. HANS L. GLOE, of Perth.Small section of the Kyeema DC-2 fuselage made up of 5 pieces of piece of twisted and torn aluminium riveted together. Marking can be seen in red but is indistinct. Aluminium has gold, silver and green colouring.kyeema, a webb, j steen, elva jones, philip pring, charles hawker, leonard abrahams, sidney hill smith, alfred gain, gordon goddard, lancelot shirley, james massie, vaughan pate, thomas hardy, george ling, hugo gramp, elizabeth schrader, mr hans gloe, mrs gloe

'Ordsall', renamed 'Southesk' in the 20th century was built for John Halfey in or before 1865. The house was rebuilt in the 1870s to designs by architect Michael Hennessy. In 1882 the house was redecorated by the firm of Cullis Hill & Co., who hired the artists 'Mr Vandenbrandt' and 'Signor Rizzi" to paint the ceilings of the ballroom and the drawingroom. The artistic triumph was described in detail in The Argus, 30 October, 1882. In 1947, Southesk was purchased by the Kew City Council. For 23 years it was used as a meeting place for community groups. The house was then demolished in 1970 to make way for a new Town Hall.Rare, and possible unique fragment of a plaster cornice from one of the most architecturally distinctive houses in Kew, demolished 1970.Section of plaster cornice removed from Southesk on the corner of Charles Street and Cotham Road, Kew, when it was demolished in 1970 by the City of Kew. The cornice has a narrow layer of previously coloured plaster which is now overlaid with a grey distemper. The foundation of the cornice is moulded cement. Remnant flowers moulded in the central band of the cornice include a rose and a sunflower. The plaster decoration was probably located in the entrance hall, dining room or ballroom, all of which were created in the 1870s by Michael Hennessy and decorated by the firm of art decorators, Cullis Hill & Co in 1882.Nilordsall, south esk, cullis hill, plasterwork, cornices, victorian interiors

A decorative, spiral shaped piece of iron. historic building, architecture

The ceramic pieces are two of five porcelain fragments washed up from the Loch Ard wreck near Port Campbell, Victoria. These fragments resemble the foot and leg of a large bird, and legend has it that another bird had drifted ashore at the same time as the Loch Ard peacock. This figurine is displayed at Flagstaff Hill Maritime Museum and regarded as the most valuable shipwreck relic. It is believed that all five fragments could belong to another peacock or a Minton porcelain stock that had been photographed in a Home Beautiful magazine in 1928. This stork appeared to be missing a leg and foot, and experts have hypothesised that the fragments could belong to this stork, the whereabouts of which are currently unknown. History of the Loch Ard: The Loch Ard got its name from ”Loch Ard”, a loch which lies to the west of Aberfoyle, and to the east of Loch Lomond. It means "high lake" in Scottish Gaelic. The vessel belonged to the famous Loch Line, which sailed many vessels from England to Australia. The Loch Ard was built in Glasgow by Barclay, Curdle and Co. in 1873, the vessel was a three-masted square-rigged iron sailing ship that measured 79.87 meters in length, 11.58 m in width, and 7 m in depth with a gross tonnage of 1693 tons with a mainmast that measured a massive 45.7 m in height. Loch Ard made three trips to Australia and one trip to Calcutta before its fateful voyage. Loch Ard left England on March 2, 1878, under the command of 29-year-old Captain Gibbs, who was newly married. The ship was bound for Melbourne with a crew of 37, plus 17 passengers. The general cargo reflected the affluence of Melbourne at the time. Onboard were straw hats, umbrellas, perfumes, clay pipes, pianos, clocks, confectionery, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were other items included that were intended for display in the Melbourne International Exhibition of 1880. The voyage to Port Phillip was long but uneventful. Then at 3 am on June 1, 1878, Captain Gibbs was expecting to see land. But the Loch Ard was running into a fog, which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4 am, the fog lifted, and a lookout aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head-on into the wind, the ship lost momentum, the sails fell limp, and Loch Ard's bow swung back towards land. Gibbs then ordered the anchors to be released in an attempt to hold their position. The anchors sank some 50 fathoms - but did not hold. By this time, the ship was among the breakers, and the tall cliffs of Mutton Bird Island rose behind. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves subsequently broke over the ship, and the top deck became loose from the hull. The masts and rigging came crashing down, knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of Loch Ard and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then, on the flood tide, came into what is now known as Loch Ard Gorge. He swam to shore, bruised and dazed, and found a cave for shelter. Some of the crew stayed below deck to shelter from the falling rigging, but drowned when the ship slipped off the reef into deeper water. Eva Carmichael, a passenger, had raced onto the deck to find out what was happening, only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved, Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke open the case of brandy, which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later, Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station, three and a half miles away. In a complete state of exhaustion, he told the men of the tragedy. Tom then returned to the gorge while the two men rode back to the station to get help. By the time they reached Loch Ard Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost her family in the tragedy. Ten days after the Loch Ard tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of Loch Ard still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged, and some items washed up into Loch Ard Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced in March 1982. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton majolica peacock- one of only nine in the world. The peacock was destined for the Melbourne 1880 International Exhibition. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck, it has now become Australia's most valuable shipwreck artifact and is one of the very few 'objects' on the Victorian State Heritage Register.The shipwreck of the Loch Ard is of significance for Victoria and is registered on the Victorian Heritage Register ( S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulation of artefacts from this notable Victorian shipwreck. The collections object is to also give us a snapshot into history so we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's social and historical themes of the time. The collections historically significance is that it is associated unfortunately with the worst and best-known shipwreck in Victoria's history. Glazed ceramic fragments; the two fragments fit together. They appear to be a leg section with foliage.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, ceramic, porcelain, piece, fragment, ceramic bird, loch ard, shipwreck, salvage, recover, 1877, 1878, minton, shard

Woollen fabric fragment from the wreck of ship "Sydney Cove" found underwater after many years.Small fragment of woven woollen fabric, brown colour. with some white fibres through it. The fragment is frayed and coming apart. It is boxed in a circular clear plastic lidded container, taped and with a typed paper label on the lid.Wording: Fabric scrap from/wreck of ship "Sydney Cove"/ NWM 940112";Method: typed;Location: on label on lidwool - history textile history textile mills textile mills, wool - history, textile history, textile mills

The fragments appear to be associated with three stoneware vessels, with two at least dating from the nineteenth century. One of the vessels is a late-nineteenth century stoneware ale or stout bottle which survives largely intact except for the base which is broken into three pieces and held together by a band wrapped around the bottle. The upper part of the bottle has a light brown glaze, and interestingly the pale stoneware body is discoloured by ash. The other items in this sub-set; two ceramic fragments from another unidentified vessel and a brown glazed short neck from a third (perhaps an ink bottle), are also fire damaged. -Ceramic Bottle & fragments, ceramic, fire damaged.

Used by lightkeeping families. The twenty shards of crockery represent tableware from the nineteenth and early twentieth centuries. The pieces were recovered from a rubbish dump in the grounds used by previous lightstation residents. They include blue and white transfer-printed tableware in the ubiquitous ‘Willow’ pattern as well as floral designs with distinctively British flowers, both of which remained in constant production by all the major Staffordshire companies and were hugely popular with the Australian market. Other pieces in the collection include part of a plate with a distinctive red and yellow border, a small Chinoiserie jug probably dating from the late nineteenth or early twentieth century, and fragments of heavier, more utilitarian white ceramic ware. A few of the shards are printed with trademarks or other insignia, and closer examination of these marks as well as the patterns should be able to yield information on their date and manufacturer. Most if not all the fragments are from affordable, everyday wares that were common in lower income homes. Numerous ceramic fragments are also held in the Cape Otway Lightstation collection.Domestic crockery fragments x 20. Some have been burnt.

Rock fragments excavated during construction work on Eastland shopping centre extensions.Five rock fragments showing reference no.141484198821 - parts of Eastland excavation in November 2014 donated by Terry Ahern, obtained through Probuild building contractors. +Additional Keywords: Eastland / Terry Ahern / ProbuildPart of the old Eastland

Two fragments of ecru linen,embroidered with silk flowers in soft shades of green, pink and blue. Meandering lines may be tambour work. Embroidered through two layers of linen.embroidery, fragment, tambour work