'Mandalay' at 3 Molesworth Street, Kew was originally named 'Kaikoura'. Pru Sanderson's 'Kew Urban Conservation Study' (1988) describes the house as: "The first documentary evidence of this property records that William Dawson was the original owner and occupier of this substantial two-storey mansion, built at the outset of the economic depression of the 1890s. Having an initial N.A.V. of £120 4, the house was occupied by Dawson until at least 1904. This two-storeyed rendered house is Italianate in styling and is dominated by a two-storeyed loggia that spans two facades. At ground floor level it is supported on coupled cast iron colonettes and above has single colonettes that support stilted segmental arches. The house is quite typical of its time, however it bears a strong resemblance to 39 Sackville Street probably by Beswicke and Coote (q.v.), and 'Kawarau'.in Hawthorn, designed by Coote. The similarity of these buildings and the fact that Beswicke and Coote called tenders for a house in Molesworth Street, both suggest that this house was also by that firm.Large original, black and white print positive photograph of 3 Molesworth Street, Kew The two storey Italianate mansion has a double loggia and two bay windows on the side of the property. A car is parked in front.manadaly - molesworth street (kew), historic houses -- kew, italianate architecture -- kew (vic.), kaikoura -- molesworth street -- kew (vic.), beswicke & coote

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)Built in 1968-1970 to a design by Graeme C Gunn, 76 Molesworth Street is one of a series of innovative townhouse developments undertaken by Merchant Builders in the late 1960s, this particular example was the recipient of the Bronze Medal at the Victorian Architecture Awards in 1970. The drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 2/72 Molesworth Street, Kew by Margaret Picken.2/72 MOLESWORTH ST., KEW / MARGARET PICKEN ~98 / WOODARDS ~ HAWTHORN (REAR VIEW)artist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 2/72 molesworth street - kew (vic)

One of a series of photographs donated by the City Engineer of the former City of Kew, relating to road works and rubbish removal.One of a series of photographs of core local government services as practised by the City of Kew. The photographs are an accurate record of council works of the period.Original black and white photographic of the Yarra Boulevard near the corner of Molesworth Street, Kew"BOULEVARD AT MOLESWORTH ST"city of kew, local government -- city of kew, yarra boulevard, molesworth street

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 33 Molesworth Street, Kew by Margaret Picken.33 MOLESWORTH ST., KEW / MARGARET PICKEN ~93 / WOODARDS ~ KEWartist -- margaret picken 1950-, 33 molesworth street, 33 molesworth street - kew (vic)

In 1979, a series of photographs of significant gardens in Kew (Victoria) were taken during a tour by Peter Watts, Historic Gardens Coordinator of National Trust Victoria. These were later purchased to add to the collection. In the case of each photo the colour had badly degraded over time. Original colour (degraded) positive photograph of 'Mynda', 5 Molesworth Street , Kew. Architect - Lloyd Taylor.Annotated in ink on reverse: "Miss Anderson's cottage garden and home / Front view / Built 1884 by Lloyd Taylor architect / Photo taken by Peter Watts, Historic Gardens Project Coordinator, National Trust / Purchased by Society 14/11/1979."gardens -- kew (vic.), mynda, 5 molesworth street -- kew (vic.)

'A suburban villa of 1885 designed by Lloyd Tayler for his daughter and son-in-law on a plan centred upon an octagonal top-lit hall. A square bay window to the drawing room projects from the front corner of the house at 45 degress, showing for the first time the diagonal emphasis which was to be developed in other works of the architect and to become in due course a characteristic of the Federation Style.' (National Trust Victoria Citation)Original colour positive photograph (Kodak print) of the front garden of 'Mynda', 5 Molesworth Street, KewInk on reverse: "Miss Anderson's / No.5 Molesworth St. / Cottage garden / Taken and ***"historic gardens -- kew (vic.), mynda, 5 molesworth street -- kew (vic.)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 7 Molesworth Street, Kew by Margaret Picken.7 MOLESWORTH ST., KEW / MARGARET PICKEN ~91 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 7 molesworth street - kew (vic).

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 12 Molesworth Street, Kew by Margaret Picken.12 MOLESWORTH ST., KEW / MARGARET PICKEN ~98 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 12 molesworth street - kew (vic).

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 24 Molesworth Street, Kew by Margaret Picken.24 MOLESWORTH ST., KEW / MARGARET PICKEN '87 / WOODARDS ~ CAMBERWELLartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 24 molesworth street - kew (vic).

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 27 Molesworth Street, Kew by Margaret Picken.27 MOLESWORTH ST., KEW / MARGARET PICKEN ~98 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 27 molesworth street - kew (vic).

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 33 Molesworth Street, Kew by Margaret Picken.33 MOLESWORTH ST., KEW / MARGARET PICKEN ~93 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 33 molesworth street - kew (vic).

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 42 Molesworth Street, Kew by Margaret Picken.42 MOLESWORTH ST., KEW / MARGARET PICKEN '88 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 42 molesworth street - kew (vic)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 68 Molesworth Street, Kew by Margaret Picken.68 MOLESWORTH ST., KEW / MARGARET PICKEN ~95 / WOODARDS ~ BALWYNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 68 molesworth street - kew (vic)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)The R Haughton James House (former) was built to a design by Robin Boyd in 1956-57. With its unusual plan form, this is one of Robin Boyd’s most important residential commissions of the period. The house was identified in heritage study as being of architectural significance at the state level. Alterations to the house were made in 1967, 1989, and 1999. This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 82 Molesworth Street, Kew by Margaret Picken.MARGARET PICKEN © 2001 / 82 MOLESWORTH ST, KEW ~ HOCKING STUARTartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 82 molesworth street - kew (vic)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of the rear of 7 Molesworth Street, Kew by Margaret Picken.7 MOLESWORTH ST., KEW / MARGARET PICKEN ~91 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 7 molesworth street - kew (vic).

No 1 Molesworth Street was at one stage the home of our member Elizabeth Mackie. She believed the house, like Mynda at 5 Molesworth Street was designed by the architect Lloyd Tayler. The Melbourne Mansion Database confirms that the house was built by Lloyd Taylor & Fitts in c.1898.Small, square, original colour positive photograph of 1 Molesworth Street, Kew, taken in 1979 by Elizabeth Mackie. Carport and driveway with grey rendered two storey house at left. Annotated in ink on reverse: " No.1 Molesworth St. / Architect - Lloyd Tayler 1880s [sic] / Gift of E Mackie"historic houses -- kew (vic.), mansions -- kew (vic.), architects -- lloyd tayler, 1 molesworth st -- kew (vic.)

Small, square, original colour positive photograph of 'Mandalay', Molesworth Street, Kew, taken in 1979 by Elizabeth Mackie. Side view showing double-storey colonnade faced with cement pilasters on first floor and projecting bay window on both floors.Annotated in ink on reverse: " Mandalay, 3 Molesworth St. / once Morrissey family home / Donated by E Mackie 1979"mandalay, historic houses -- kew (vic.), mansions -- kew (vic.), morrissey family

This yearly train ticket was issued to Frederick Noble to travel from the Kew Railway Station to Melbourne. The Kew Branch Line ceased operations as a passenger service in 1952, the year after the ticket was issued. The Kew Railway Station was demolished in 1957. The ticket was donated to the Society by the City of Kew in 1989.Brass VR First Class Rail ticket issued to Frederick Noble. The token is dated 1.1.51. It names the owner as Mr F.H. Noble. Frederick Noble lived in Molesworth Street at this time and worked as a sports journalist on The Age.1-1-51 / Kew / Mr F.H. Noble / Melbourne 1-1-51 / Kew / First Class / Melbournekew railway station, frederick noble --molesworth street -- kew (vic.)

The Kew Historical Society's Pictures Collection is comprised of photographs, postcards and original works of art. The postcards include original (mainly) images dating from the 1900s to the present. A number of postcards, some of which have numerous variants, were published as parts of series. Others are original images customised as postcards. Many of the postcards in the collection depict places within the suburbs of Kew and Kew East. Others depict locations in Victoria or internationally.View of two women and two children in a canoe at Macauleys' Boat Shed at the end of Molesworth Street, Kew. At the left of the image stands a man and his dog, presumably the manager of the boat shed. On the bak of the seat of one of the canoes is its name - sunbeam. Another item in the collection includes one of these name boards."Lower Molesworth Street, 1900. Home restored still standing 1980."postcards, recreation - yarra river - kew (vic), yarra river - kew (vic), macauley's boat house -- boat shed

This wedding photograph is an illustration of the intermarriage of notable Victorian (and Kew) families. The parents of the groom were the Hon. James Balfour MP., and his wife, Frances Charlotte (Henty) [the eldest daughter of James Henty] who married at Hawthorn in 1859. The Balfour lived at 'Windella' in Studley Park Road. Henry Rairey (Harry) Balfour was the youngest son of Mr & Mrs Balfour who married Katie Harrison of 'Horley' in Molesworth Street, Kew. Miss Harrison's father was the T.S. Harrison (merchant and importer, b. Banbury, Oxon, 1829, d. Melb 1901). Portrait of the wedding party in the garden of Horley in Molesworth Street, following the marriage of Elizabeth Kate (Katie) Harrison to Henry Rairey (Harry) Balfour at the Kew Presbyterian Church in 1905. The outfits worn by the women were reported in Punch, on 9 February 1905]. The bride wore a frock of ivory white satin, with bertha of duchesse lace and a yoke of ruched chiffon. The bridesmaids … wore white muslin dresses, inserted with Valenciennes, made in early Victorian style. The white straw hats were trimmed with lace and blue hydrangea, and their flowers were blue hydrangea, delphiniums and cornflowers. … The bride’s mother [right] wore a well-cut dress of black silk. The bridegroom’s mother [left] wore a gown of black silk voile, and smart black bonnet grouped with roses. L. to R. Christian Balfour, Jean Mackintosh, Mrs James Balfour (nee Henty), Bridegroom, Bride, Dr. Lewis Balfour, Genevieve Harrison, Hon. James Balfour, Henry Harvey, Marion Harrison (nee Borodin) [Married by Mr Alec Scholes at Kew Presbyterian Church] .Individuals identified in ink on reverse plus donor name and date.balfour, henty, harrison, horley, molesworth street, kew

16mm film of schoolyard activities.school, schoolyard, canterbury

One of five group and individual portraits of the Noble family of Kew, two in the rear garden of what is presumed to be ‘Charnwood’, in Station Street, Coburg. The photographs date from the period c.1890-1914. One of the larger framed photographs is a portrait of the entire family group, while another is of two of the children, Frederick and Winifred. The father, Frederick William Noble was a businessman, and, at one period Secretary of the Victorian Creamery & Butter Company in South Melbourne. Later he was to manage J. Bartram & Co., Ice & Cold Storage Department in Flinders Lane. By 1906, the Noble family had moved to Kew, living for almost 20 years at 100 Walpole Street before relocating to 26 Molesworth Street in the mid 1920s. The five photographs in the collection reveal details of family life and social values as expressed through attire. The family is formally costumed in a manner indicative of their social status. Mrs Noble, in one of the large framed portraits, is dressed in a sombre manner in a long, dark-coloured long-sleeved, high-necked gown. It is difficult to know whether she is dressed in mourning wear in this black and white photograph. It was not uncommon for a woman to regularly wear mourning attire due to the high mortality rate in the Victorian era. This situation was compounded for women due to the size of extended families. A woman might rarely be out of mourning due to the death of a parent, a sibling, a husband, a child or a near relative. The portraits of the Noble family children, particularly Frederick and Winifred, show the elaborateness of formal attire worn by the children of wealthy families during the late Victorian era. Winifred is dressed in a long cotton dress and a broad-rimmed hat; both liberally covered in lace. Winifred and Frederick’s lace collars extend to their shoulders. Winifred’s diaries, covering the period 1908-50, are now in the collection of the State Library of Victoria. The most detailed of the diaries is from 1914, just before the outbreak of World War 1, and includes ‘Accounts of my Dancing Evenings - Season 1914’. The diaries were the inspiration for an art exhibition by Jim Pavlidis in 2014. One of the family’s two sons, Frederick, was to work at The Age newspaper for 50 years. His obituary records that “He was regarded as the epitome of accuracy and a fount of knowledge on many subjects, but especially cricket, the Royal Melbourne Show and Gilbert & Sullivan”. With Robert Morgan he compiled Speed the Plough, a history of the Royal Agricultural Society of Victoria and its role in developing agriculture in Victoria.Framed photographic half portrait of Winifred Noble in the original carved wooden frame. Winifred lived at 'Avalon' in Molesworth Street, Kew.Handwritten label on rear "Winifred Noble c 1910-12"noble family, winifred noble, photographic portrait, kew

The Kew Historical Society's postcard collection includes views of Kew, Melbourne and Greater Melbourne as well as those including overseas scenes sent or received from Europe or the Middle East. They date from the 1890s to the 2000s. These postcards may or may not include the name of the publisher or printer. A number of the cards were published as parts of popular series. A way of dating early postcards is to identify whether the reverse was divided by a central line which became the norm after 1902 in the United Kingdom. However, other postcards produced after this date do not always conform to this print layout.The item forms part of the Laurie Bennett collection of thirty-six postcards and photographs of Kew and early Melbourne, donated to the Kew Historical Society in 1980. The postcards in the Bennett collection, like other images in the Society's holdings date from the 1890s to the present and comprehensively indicate points-of-view or scenes considered historically, aesthetically or socially significant in the period in which they were produced.Monochrome photo postcard of Macauleys' Boat Shed in Kew and its position on the Yarra at the end of Molesworth Street."KH-393. Macauley's Boat Shed, Kew. Lower Molesworth St, Donated by L. Bennett"boat sheds - kew (vic), river yarra - kew (vic), macaulay's boat shed - kew (vic), recreation - yarra river - kew (vic)

Graeme Butler & AssociatesProject FilesProvenance OrderBlack 4-Ring binder that includes research about, and an assessment of buildings previously graded B in the City of Kew Urban Conservation Study 1988 by Pru Sanderson Design Pty Ltd. The files were created by the heritage architect Graeme Butler and the paper files include maps, correspondence, title searches, readings, reviews of prior classifications, newspaper and journal articles, directories etc for each property assessed.graeme butler, heritage reviews - kew, 20 yarra street, 8 yarra street, 33 wills street, 25 wellington street, 11 wellington street, 118 walpole street, 84 walpole street, 83 walpole street, 63 walpole street, 52 walpole street, 51 walpole street, 14 vista avenue, 12 tara avenue, 89 studley park road, 75 studley park road, 44 studley park road, 25 studley park road, 13 studley avenue, 21 stoke avenue, 71 stevenson street, 34 stevenson street, 12 stevenson street, 36 stawell street, 11 second avenue, 3 second avenue, 2 second avenue, 34 rowland street, 21 redmond street, 11 redmond street, 16 queen street, 27 princess street, 82 molesworth street, 28 miller grove, 26 miller grove, 24 miller grove, 24 milfay avenue, 8 milfay avenue, 4 merrion grove, 25 mary street, 24 lister avenue, 2 john street, 9 hume street, 7 hume street, 24 howard street, 20 howard street, 19 howard street, 10 howard street, 2 howard street, 26 holroyd street, 12 holroyd street, 73 high street, 69 high street, 35 high street, 6 high street, 53 harp road, 6 gellibrand street, 48 foley street, 9 eglinton street, 25-27 edgecombe street, 21-23 edgecombe street, 5-7 edgecombe street, 23 dunlop avenue, 167 derby street, 8 denmark street, 1 denmark street, 2 daracomb avenue, 2 danielle place, 340 cotham road, 294 cotham road, 241 cotham road, 221-229 cotham road, 208 cotham road, 193 cotham road, 180 cotham road, 171 cotham road, 167 cotham road, 161 cotham road, 135-137 cotham road, 46 clyde street, 4 cameron court, 1291 burke road, 1223 burke road, 1205 burke road, 5 bowen street, 35-37 belford road, 389 barkers road, 387 barkers road, 311 barkers road, 231 barkers road, 83-85 barkers road, 15 adeney avenue, 6 a'beckett streetgraeme butler, heritage reviews - kew, 20 yarra street, 8 yarra street, 33 wills street, 25 wellington street, 11 wellington street, 118 walpole street, 84 walpole street, 83 walpole street, 63 walpole street, 52 walpole street, 51 walpole street, 14 vista avenue, 12 tara avenue, 89 studley park road, 75 studley park road, 44 studley park road, 25 studley park road, 13 studley avenue, 21 stoke avenue, 71 stevenson street, 34 stevenson street, 12 stevenson street, 36 stawell street, 11 second avenue, 3 second avenue, 2 second avenue, 34 rowland street, 21 redmond street, 11 redmond street, 16 queen street, 27 princess street, 82 molesworth street, 28 miller grove, 26 miller grove, 24 miller grove, 24 milfay avenue, 8 milfay avenue, 4 merrion grove, 25 mary street, 24 lister avenue, 2 john street, 9 hume street, 7 hume street, 24 howard street, 20 howard street, 19 howard street, 10 howard street, 2 howard street, 26 holroyd street, 12 holroyd street, 73 high street, 69 high street, 35 high street, 6 high street, 53 harp road, 6 gellibrand street, 48 foley street, 9 eglinton street, 25-27 edgecombe street, 21-23 edgecombe street, 5-7 edgecombe street, 23 dunlop avenue, 167 derby street, 8 denmark street, 1 denmark street, 2 daracomb avenue, 2 danielle place, 340 cotham road, 294 cotham road, 241 cotham road, 221-229 cotham road, 208 cotham road, 193 cotham road, 180 cotham road, 171 cotham road, 167 cotham road, 161 cotham road, 135-137 cotham road, 46 clyde street, 4 cameron court, 1291 burke road, 1223 burke road, 1205 burke road, 5 bowen street, 35-37 belford road, 389 barkers road, 387 barkers road, 311 barkers road, 231 barkers road, 83-85 barkers road, 15 adeney avenue, 6 a'beckett street

Graeme Butler & AssociatesProject FilesProvenance OrderBlack 4-Ring binder that includes research about, and an assessment of buildings previously graded B in the City of Kew Urban Conservation Study 1988 by Pru Sanderson Design Pty Ltd. The files were created by the heritage architect Graeme Butler and the paper files include maps, correspondence, title searches, readings, reviews of prior classifications, newspaper and journal articles, directories etc for each property assessed. graeme butler, heritage reviews - kew, 25 mary street, 4 merrion grove, 24 milfay avenue, 24 miller grove, 26 miller grove, 28 miller grove, 82 molesworth street, 27 princess street, 16 queen street, 20 yarra street, 84 walpole street, 118 walpole street, 11 wellington street, 83 walpole street, 25 wellington street, 8 yarra street, 33 wills street, 63 walpole street, 14 vista avenue, 89 studley park road, 12 tara avenue, 75 studley park road, 21 redmond street, 52 walpole street, 51 walpole street, 71 stevenson street, 34 rowland street, 21 stoke avenue, 34 stevenson street, 44 studley park road, 25 studley park road, 13 studley avenue, 2 second avenue, 11 second avenue, 3 second avenue, 36 stawell street, 12 stevenson streetgraeme butler, heritage reviews - kew, 25 mary street, 4 merrion grove, 24 milfay avenue, 24 miller grove, 26 miller grove, 28 miller grove, 82 molesworth street, 27 princess street, 16 queen street, 20 yarra street, 84 walpole street, 118 walpole street, 11 wellington street, 83 walpole street, 25 wellington street, 8 yarra street, 33 wills street, 63 walpole street, 14 vista avenue, 89 studley park road, 12 tara avenue, 75 studley park road, 21 redmond street, 52 walpole street, 51 walpole street, 71 stevenson street, 34 rowland street, 21 stoke avenue, 34 stevenson street, 44 studley park road, 25 studley park road, 13 studley avenue, 2 second avenue, 11 second avenue, 3 second avenue, 36 stawell street, 12 stevenson street

This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.Rosebank Estate (Kew). A photographic reproduction of a plan in the Vale Collection of the State Library of Victoria made for the historian Dorothy Rogers. This plan is a later version of the original subdivision plan after a number of lots had been sold.rosebank estate (kew), studley park, thomas ham, c.j. & t. ham, rosebank estate, kew, wills street, barry street, fellows street, redmond street, molesworth street, thomas wills, wills family

Purchased in memory of Sue Slonek, Secretary of Surrey Hills Historical Society, volunteer with the Surrey Hills Neighborhood Centre Heritage Collection (Surrey Hills historical Society Collection). A history of Canterbury Primary School written to celebrate the school's 100 year anniversary - 1908-2008A history of Canterbury Primary School written to celebrate the school's 100 year anniversary - 1908-2008canterbury primary school, primary schools, (ms) judy stewart, (mr) ian phillips, (miss) gabriela aloisio, (mrs) marjorie pitt, (miss) joan eltham, (mr) - shannon, (mr) - besant, (mrs) anne bialecki, (ms) diane western, (ms) margaret mason, (miss) hilary barr, (mrs) hilary praetz, (ms) vicki eddison, (miss) margaret kidd, (mr) don kerr, (miss) sarah pitman, (miss) linda summers, (mr) jack tanner, (miss) kate dale, (mr) strapper tanner, (ms) neva rossi, (miss) margot harris, (miss) lauren eddison, (mr) eric alway, (miss) jean alway, (miss) betty alway, (mr) thomas rule, (miss) diane fuller, (ms) barbara chapman, (ms) judy bridges, (ms) julie vango, (ms) judy pitman, (ms) joan le grand, (ms) anne lamborn, (mr) warren walsh, (ms) margaret lee, (ms) barbara gunn, (ms) christine hallman, (mr) murray haby, chris roth, (ms) sue de araugo, (ms) leslie brewer, (ms) judy jordan, sam paterson, (ms) debbie-jane andrews, (mrs) hazel young, (ms) ilse murrihy, (ms) linda summers, (mrs) georgia karatzas, (mrs) sylvia clarke, (mr) eddie clarke, (mrs) - willoughby, (mr) - hopkins, (mrs) - hopkins, (mr) graham salter, (ms) andrea thompson, (miss) - stent, (miss) - mcdonald, (mr) neville daynes, (mr) bruce margetts, (miss) doris thomas, (miss) hazel macdonald, (miss) annette mccoy, (mrs) - feldt, (miss) arwen summers, (miss) grace cameron-muller, manon merakis, terry poulton, (mr) david tolstrup, (ms) sue broadbent, (miss) florence rayment, (miss) yvonne wray, (miss) hazel jarvis, (mr) graham scott, (miss) june smith, (mrs) margaret anderson, (miss) margaret ginn, (miss) kelly jane, (mrs) patricia wion, (miss) patricia lewis, (miss) - edgoose, (mr) john merton, (ms) pauline flynn, (ms) lynne timms, (ms) marilyn taylor, (mrs) anne tonkin, (mrs) flo wilkinson, (miss) flo davies, (mr) jack hardy, (mr) john a bayford, (miss) marion greenwood-smith, (miss) - mcevitt, (miss) - ballantyne, (miss) - riseborough, (ms) (dr) kim dray, (miss) dorothy ambrose, (mrs) - lethbridge, (mrs) - le couteur, (mrs) margaret senior, (miss) margaret macgibbon, (mrs) - briggs, (mr) (major) - moloney, (mr) - poulton, (mr) adrian penniston-bird, prospect hill road, surrey hills, canterbury, canterbury road, molesworth street, highfield road, leeds street, salisbury street, (mr) patrick moloney, (mr) thomas rule, (mr) richard armitage, (mr) frank l oswell, (mr) walter g w webb, (mr) edward bright, (mr) george a allison, (mr) albert r coppin, (mr) william a lucas, (mr) alan g legg, (mr) ralph holden, (mr) dorothy ambrose, (mr) robert storey, (mr) tom neal-williams, (mr) effie miniati, (mr) geoffrey swift, (mr) - baddeley, (mrs) helen mcmillan, (miss) helen mcgibbon, (mr) don walker, (mr) howard hallo, (miss) jean cowen, (miss) felicity coleman, (miss) amanda colahan, (miss) caitlin sum, (miss) brooke webster, (miss) bridget hall, (miss) alison thompson, (mr) andrew lovitt, (mrs) barbara mihan, (miss) barbara prest, (mr) john webster, (mrs) lorna whalley, (mr) stuart margetts, (miss) elaine robinson, (mrs) nonie holman, (miss) nonie lovitt, (mr) brian webster, (mrs) alison cutter, (miss) alison horwell, (mrs) jaqueline lublin, (miss) jacqueline levy, (mrs) gilliam bell, (miss) gillian craig, pinus radiata, the secret garden, lych gate, (mr) geoff swan, talbet oaks, bedford oaks, significant trees, burgundy ash, allepo pine, golden ash, southey oaks, poulton oaks, (mr) (sgt) keith mcdowell, wattle park, (ms) caroline habgood, (mr) henry rotherham, j b cohen, (mr) (major) patrick moloney, (miss) dorothy ambrose, architects, wurundjeri william territory, (mr) - sachse, d kinnaird, builders, danks foundation, (dr) desmond gibbs, 1908, sue slonek, catherine cato, catherine charles, june smith, jenny flynn