Handwritten, 3 page carbon copy of a classification request for victoria Hill. Notes give locality, housing program in the area, immediate surrounds of the area, prominent citizens, buildings, mines, geographical formations and gold production. Notes prepared by Albert Richardson.mining, parish map, victoria hill, classification request for victoria hill, gold mines hotel, john brown knitwear factory, lansell's fortuna villa, army survey corp, housing commission, hercules, energetic, ironbark, manchester arms hotel, bendigo goldfield, old miners homes, george lansell, sir george lansell, bendigo advertiser, theodore ballerstedt junior, mr c t c johann ballerstedt, mr wm rae, david sterry, adventure, wittscheibe's 'jewellers shop', luffsman & sterry's rich claim, ballerstedt open cut and mine, lansells 180, victoria quartz, rotary club of bendigo south, bendigo cemetry

This photograph was captured sometime between an estimated 1940s-1950s. It depicts the Beechworth Benevolent Asylum (later the Ovens and Murray Hospital for the Aged) which was built in 1862. It is located on an elevated site in Beechworth, Victoria because it was believed the height was beneficial to the health of the patients at the Benevolent. Later wings were added to the original building between 1867 and 1890. The building was constructed in an unusual Flemish Gothic Revival style which contrasts with the classical style of the Mayday Hills Hospital in close proximity to the Benevolent. The Hospital was designed in Italianate Revival architecture. The appearance of buildings like the Mayday Hills Hospital and the Ovens Benevolent Asylum are representative of the importance of Beechworth as a town shortly after the goldrush. During the 1850s and 1860s, administration buildings were erected alongside churches, shops and structures of justice. This marks a movement away from the "chaotic" structure of life on the goldfields and towards a more civilised and cultural lifestyle. This social phenomenon is also witnessed in Melbourne with the creation of buildings like the State Library and the University of Melbourne. The Beechworth Benevolent Asylum was renamed the Ovens Benevolent Home in 1935. The Asylum had been set up to provide accommodation and care for permanently injured gold miners, and for women and children who were penniless, homeless, or whose parents were guests of the state. In 1954 it was renamed as The Ovens and Murray Home (as pictured in this photograph). The purpose of this building was to provide a refuge for the poor and destitute, homeless older men, deserted women and children along with providing care for the mentally ill. These buildings were built at the government's expense and are of great historical and architectural significance.This photograph depicts the Ovens and Murray Home (previously the Ovens Benevolent Home) during the 1940s or 1950s. Since this building is of great historic and architectural significance, photographs like this are especially valuable in reconstructing the use history and any changes/additions to the building over a period of time. This building is important for what it can reveal about society in Beechworth and also architectural styles. This building is made in the Flemish Gothic Revival style which is quite unusual for the 1860s. It is important as an early example of a building constructed for a specific purpose, in the case of this particular building: caring for the aged/destitute. This building is important for research into the civic development of Beechworth as an early Gold Rush town located in Victoria's North-East. During this period, Beechworth was developing as the main center of administration in this region which made it a very influential and quickly developed town. Photographs like this one which depict a building during one period in history can reveal important information for the use and alterations of a building and for preferences in architectural style. It can also be studied for what it reveals about society in Beechworth and compared and contrasted to similar institutions across Australia and with additional photographs in the Burke Museum collection.Black and white rectangular photograph printed on gloss photographic paperObverse: OVENS & MURRAY HOME / Reverse: KODAK PAPER / 727 / J. Collins BMM 8689.1 /mayday hills, beechworth benevolent asylum, ovens benevolent home, asylum, refuge, poor and destitute, goldrush, flemish gothic revival, architecture

This photograph was captured sometime between an estimated 1940s-1950s. It depicts the Beechworth Benevolent Asylum (later the Ovens and Murray Hospital for the Aged) which was built in 1862. It is located on an elevated site in Beechworth, Victoria because it was believed the height was beneficial to the health of the patients at the Benevolent. Later wings were added to the original building between 1867 and 1890. The building was constructed in an unusual Flemish Gothic Revival style which contrasts with the classical style of the Mayday Hills Hospital in close proximity to the Benevolent. The Hospital was designed in Italianate Revival architecture. The appearance of buildings like the Mayday Hills Hospital and the Ovens Benevolent Asylum are representative of the importance of Beechworth as a town shortly after the goldrush. During the 1850s and 1860s, administration buildings were erected alongside churches, shops and structures of justice. This marks a movement away from the "chaotic" structure of life on the goldfields and towards a more civilised and cultural lifestyle. This social phenomenon is also witnessed in Melbourne with the creation of buildings like the State Library and the University of Melbourne. The Beechworth Benevolent Asylum was renamed the Ovens Benevolent Home in 1935. The Asylum had been set up to provide accommodation and care for permanently injured gold miners, and for women and children who were penniless, homeless, or whose parents were guests of the state. In 1954 it was renamed as The Ovens and Murray Home (as pictured in this photograph). The purpose of this building was to provide a refuge for the poor and destitute, homeless older men, deserted women and children along with providing care for the mentally ill. These buildings were built at the government's expense and are of great historical and architectural significance.This photograph depicts the Ovens and Murray Home (previously the Ovens Benevolent Home) during the 1940s or 1950s. Since this building is of great historic and architectural significance, photographs like this are especially valuable in reconstructing the use history and any changes/additions to the building over a period of time. This building is important for what it can reveal about society in Beechworth and also architectural styles. This building is made in the Flemish Gothic Revival style which is quite unusual for the 1860s. It is important as an early example of a building constructed for a specific purpose, in the case of this particular building: caring for the aged/destitute. This building is important for research into the civic development of Beechworth as an early Gold Rush town located in Victoria's North-East. During this period, Beechworth was developing as the main center of administration in this region which made it a very influential and quickly developed town. Photographs like this one which depict a building during one period in history can reveal important information for the use and alterations of a building and for preferences in architectural style. It can also be studied for what it reveals about society in Beechworth and compared and contrasted to similar institutions across Australia and with additional photographs in the Burke Museum collection.Black and white rectangular photograph printed on gloss photographic paperBack of photograph. Handwriting: "For John Beckingsale"mayday hills, beechworth benevolent asylum, ovens benevolent home, destitute, gold town, beechworth, victoria, north-east vic

Europeans arrived in the Kiewa and Ovens Valleys in the 1830's and 40's. Following the drought of 1838-44, seeking out the rich pastures in the fertile Valleys. It proved to be perfect conditions for dairy farming and the raising of cattle. Miners Cottages and other similar wooden structures were a common sight in the area as they were a modest form of accommodation for their period, were quick to erect and economical as they made use of locally available building materials such as local timbers.These photographs provide a snapshot into the early dwellings and architecture of the Kiewa and Ovens Valley regions, including buildings such as the church, which provided an important gathering place for social interaction, especially in these isolated areas.1-Wooden church building with no identification. Large tree in the foreground in front of church 2&3- Black and white photographs of farmland and assorted dwellings, mostly miners style cottages in a valley with mountains in the background. A bridge with wooden railings is visible over the river in the middle of the photograph, also a more modern dwelling is visible in the north east of the photograph close to the river. 4-Black and white photograph of residential homes and farmland with an unsealed road running through the middle. Foreground shows a field which has been semi cleared of trees (stumps remaining). In the background are larger farming properties with the road disappearing into the distant hills. This might be Old Tallangatta before the town was moved in 1956. 1-3 - No inscriptions 4- Signature written on back in lead pencil - Sandra Templebuildings; church; farmland

ELTHAM HERITAGE TOUR The Society excursion on 24th May 1992 was arranged by David Bick, leader of the team carrying out the Shire's heritage study. David selected a number of sites or buildings identified in the study, some of them lesser known components of the Shire's heritage. The tour commenced at the Eltham Shire Office at 10.00 am. Travel was by private car and mini-bus with stops at about twelve locations for commentary by David.It included a short walk in Hurstbridge and lunch at Kinglake. Highlights of the tour included: - 10 am Leave from Shire Offices - 3 Important Trees - A Physical Link to Eltham's First Settlers - Toorak Mansion Gates - A Surviving Farm House - An Intact Circa 1900 Main Street - First Settlers - Gold Miners, and Timber-getters - An Early Hotel - A Pioneering Homestead - Changing Eltham Shire - 20th Century - 4 pm Afternoon Tea and Finish Tour Extract from ELTHAM CULTURAL HERITAGE TOUR (Newsletter No. 85, July 1992, by Bettina Woodburn) "In some respects Eltham is a 'back-water' and it has its own distinctive flavour. On the outskirts the homes date from the 1960's, 70's and 80s with a sprinkling of 'earth homes', mud-brick or pise, rammed dirt. Crossing Main Road into Beddoe Street and Thompson Crescent a very pleasant drive past pines and old fence lines, front lawns unfenced, the occasional ·old farm building, we eventually looked down on a huge circular roof of a 1992 adobe home. Other distinctive places included the Pauline Toner Butterfly Reserve, Gordon Ford's splendid garden at Fulling in Pitt Street, cypress hedges and old houses in Bridge Street and in every direction Eltham's special feature - a totally treed horizon. We were now in the part of the Shire closest to Melbourne - Montmorency - not on the way to anywhere, with no through road going across it, developed in the 1950's and 1960's with conventional gardens, now converted to native plants. The rail looped between Greensborough and Eltham and a shopping street (Were Street) served the area, growing up the hill from the station. It was a typical outer Melbourne suburb with lawns and roses with patches of originality. The shopping precinct still has 1950 characteristics - walls which sloped back, projecting roofs, the original shop fronts are nearly all tiled below the old windows. There's an air of past times about the School, the Dairy, the Butcher's (now a milk bar) and the Castlemaine stone face of the Commonwealth Bank. The final stop for the tour was at the mud-brick Woodburn residence, adobe of 1949 with additions. After War Service, Bill Woodburn had commenced an Architecture course at Melbourne University and after second year in the Christmas vacation, with his wife, Betti, built the two bedroom house - with amazing saving of costs. In the three and a half months they made over 3000 bricks (external walls 18" x 12" x 4", internal walls 12" x 9" x 4"), sifted top soil for mortar and laid them, on concrete foundations and slab floor, made all the structural window frames, door frames and roof members to carry 'super six' asbestos sheets, laboured for the electrician and plumber, did all the glazing and, still without electricity, moved in in March 1949. Rooms have been added, at first with glass walls, later using concrete blocks, to accommodate three daughters and a son. The house not only grew from the earth, but also with the family."Record of the Society's history and activities and highlighting various aspects of the Heritage Study undertaken by David Bick used to create the future heritage overlay for the Shire of Eltham and later Nillumbik Shire.Roll of 35mm colour negative film, 4 stripsKodak Gold 100 5095shire of eltham historical society, activities, heritage tour, woodburn house

Queenstown (St. Andrews) District. A gold miner with his home made dry blower device used for extracting gold particles from dry soil with out the use of water. In 1929, St Andrews was known as Queenstown. Originally published in The Leader, Nov. 2nd, 1929, with the title "Relics of the Old Mining days in the Queenstown District," a series of eight numbered photographs. 'The Leader'; a weekly journal of news, politics, agriculture, literature, science and sport.This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image 4 x 5 inch B&W Neg Print 11 x 24.5 cmsepp, shire of eltham pioneers photograph collection, queenstown, gold mining, gold miner, st. andrews, old timer

Typed copy of the Bendigo Gold Fields , collected and arranged by V. R. Dwyer, 1968. On front cover: Australian Gold Production Bendigo Gold Field. Image of tin dish washing. Cover has an image of two people tin dish washing. Notes include a brief history of gold in Australia, Bendigo Goldfield yields, Bendigo Gold Nuggets, Victorian Nuggets, gold prices, yield for the years 1851 to 1890, lines of reef, mine shafts and depth, location, public buildings and organisations and mines listed for each reef. Typed copy of this document is held in Folder 130, number 3621.18.cottage, miners, mining in bendigo, bendigo gold fields index, v r dwyer, strzelecki, edward hargreaves, thomas hancock, henry frenchman, wittscheibe, ballerstedt, fortuna villa, george lansell, the rocks, victoria nugget, dascombe nugget, welcome stranger, welcome nugget, canadian nugget, sarah sands, lady hotham, maryborough, heron nugget, blanche barkley, vicount canterbury, precious nugget, poseidon, gold prices, gold yield 1851 - 1890, location of shafts, mechanics institute, old masonic hall, court, st killians, forrest st methodist church, hospital, baptist church, bendigo gas company, st andrews presbyterian church, bendigo benevolent home, railway, st marys church of england, bendigo m p building society, st pausl church of england, high school, city family hotel, fire brigade, b u f s dispensary, synagogue, beehive store, school of mines, bendigo miners association, st marys convent, dr backhaus, st mathews long gully, salvation army, post office, art gallery, sacred heart cathedral, eaglehawk town hall

Black & white photograph of Mr & Mrs Lefoe and niece Mrs Maude Hayes in front of wooden house covered in creepersOn the back - "Old home in Reid street fromerly owned by Mr Alfred Lefoe who used to drive a cab for the miners shifts. Approximately 1876 +. Mrs Maude Hayes was the little girl (in black because her mother, Mrs Terry had died) with her uncle and aunt Mr & Mrs Lefoe. The creeper is a dolichos." Also illegible inscription: "Your loving...Ettie Maud......."maude hayes, alfred lefoe, reid street, dolichos, maude terry

Enlargement of photograph taken by Norman Rowse in 1917 that shows the first home of Isaac Jeeves built at the Running (Olinda) Creek. This photograph has a detailed inscription on the back handwritten by John Lundy-Clarke in 1974.Enlargement of photo taken by Norman Rowse in 1917 of the group of buildings erected as his first home by Isaac Jeeves at the 800° contour on the Running (Olinda) Creek on Crown Allotment 925A. The small building on the right behind the pony and the fowls was Isaac’s first substantial home and was occupied in 1858 he having lived in camp on the creek as a miner since 1855. The tall building on left was barn built in the sixties and the large roof behind was the five roomed house with a tree fern floor. This last building was of blackwood entirely above the floor and was built in the early sixties. The two old homes were pulled down by the Rowses in 1918 and the tree fern floor was pulled up by Len Childs in 1933.norman rowse, isaac jeeves, len childs, running creek

Henry Richardson came from England in 1852 and this was his home from 1871 to 1888. His son Henry, better known as Harry, managed the property from 1888 until his death in 1926. The property was sold in 1932 and has been known as Old Barnawartha for over 140 years. The homestead exhibited no particular style, it looked like a Cornish Miner’s cottage, and appeared as if pieces were added on as the need arose. The property is well known for topping both sheep and cattle sales at Newmarket.This item is significant because it depicts the home of an early Wodonga District pioneerA black and white image of an old homestead. There is a white picket fence across the front of the building.old barnawartha, early settlement, wodonga and district

This photograph is believed to have been taken in the 1890s at the Crosier property at Happy Valley (the Crosiers lived along the road leading to the Happy Valley School. Crosier descendants still live on this site). People in the photo are thought to be, L-R: Nell Crosier, Mary Crosier (née Hogan), Maggie Crombie (née Crosier), Jack Crombie. Mary Crosier was the second wife of Henry Crosier (1825-1901), a miner and farmer at Happy Valley. They had eight children. Their oldest daughter Maggie Crosier (1865-1932) married John Charles (Jack) Crombie in 1893. The Crombies farmed at Durham Lead.Black and white copy of original photograph showing a small weatherboard house with climbing plants along the verandah. Standing in front of the house are two women, with an older lady sitting between them, and a gentleman standing on the right, next to one of the women.crosier family home, miss crosier, mrs crosier, jack crombie, maggie crombie (nee crosier), happy valley

This hut came from the Tanjil goldfields, and was in use around 1900, and was the home of two miners on the Tanjil River gold field. The township of Tanjil came into being above what is now the Blue Rock Dam, in about 1867.A small, rectangular bark hut with a bark roof. The fireplace and chimney are made of corrugated iron with stone base. It has a timber framework.tanjil, gold, mining, old gippstown, west gippsland, gippsland, gippsland heritage park, goldfields, moe, historical village, tanjil valley, blue rock dam, baw baw shire, blue rock lake, old gippstown heritage park, latrobe valley, latrobe city council

Two copies of document : nineteen handwritten pages of notes on 'The Rich Victoria Hill and Its Historical Association' Signed by A Richardson and dated 30 - 8 - 1971. and a typed copy of same. Notes include: Introduction, Hotels, Mines, Mining History and descriptions of features where the signposts are. Mines mentioned in the text are: North Old Chum. Ballerstedt's first open cut, Lansell's Big 180. 20 head stamper, Lansell's Cleopatra Needle, Victoria Quartz Mine. Cleopatra's Needle was a square sectioned brick chimney with this four sided pyramidal chimney top with four vents to allow the smoke to escape whatever the direction of the wind. It was demolished in the 1950's as it had a bend in it and it was considered unsafe. Lansell had two other mines with similar chimneys, the '222' in Chum Street and his 'Sandhurst' or 'Needle' mine near the Bendigo, Eaglehawk boundary. Notes prepared by Albert Richardson.mine, gold, victoria hill, victoria hill, the rich victoria hill and it's historical association, j. n. macartney, quartz miner's arms hotel, ironbark methodist church, greek orthodox church, john brown knitwear factory, little 180 mine, geo lansell, conrad heinz, british & american hotel, victoria reef gold mining coy, manchester arms hotel, housing commission homes, ironbark (victoria reef gold mines, hercules and energetic, midway, wittscheibe, gt central victoria, wm rae, mr & mrs conroy, wm rae jr, central nell gwynne, moorhead's shop, gill family, gold mines hotel, david chaplin sterry, pioneer, new chum and victoria, burrowes and sterry, new chum and victoria tribute, rotary club of bendigo south, big 180, victoria quartz mines, jeweller's shop, bendigo and district tourist association, north old chum mine, john wybrandt, ballerstedt's first open-cut, j c t christopher ballerstedt, ballerstedt's mine, bendigo cemetry, lansell's 'cleopatra nedle' type chimney, 222 mine, sandhurst or 'needle' mine, victoria quartz mine, victoria reef quartz company, mr e j dunn, eureka ext'd, new chum railway, pearl, bendigo advertiser 16 june 1910, victoria consols, shamrock, shenandoah, victoria quartz dams, rae's open cut, prospecting tunnels, floyd's small 5 head crushing battery, gt central victoria (midway) shaft, midway no 2, midway north, ballerstedt's small 24 yard claim, the humboldt, the tribute coy, advance, luffsman and sterry's claim, a round shaft, chinese joss house, lansell's fortuna, p m g repeater station, a richardson

Handwritten carbon copy and typed copy of notes on 1st and 2nd stage plans for a tourist area on approx. 20 acres at Victoria Hill. First stage was to clean up the area, locate and sign post shafts, engine beds, etc and prepare a topographical map with these features on it. Second stage was to arrange for the purchase of typical miners homes and shops in the vicinity to be restored for inspection by visitors. Mining equipment to be placed in the area. Prepare brochures for sale. Set up a mining museum.Prepare an area near BCV 8 with direction finder to mining and general features, as this has the best natural ground level view in the City. Notes prepared by Albert Richardson.mine, gold, victoria hill, victoria hill, visitor plans for victoria hill, darrel mcclure, bendigo city council, bendigo historical society, central nell gwynne, caleb thomas, bcv 8, lazarus, old chum, new chum, victoria, repeater station (p. m. g.)

Multiple handwritten and carbon copies referring to Victoria Hill. Mentioned in the notes are places of interest between Ironbark and Victoria Hill areas, history of the area and signposts for the Victoria Hill area.document, gold, victoria hill, victoria hill, the rich victoria hill and it's historical associations, j n macartney, quartz miners' arms hotel, ironbark methodist church, greek orthodox church, conrad heinz, john brown industries knitwear factory, little 180 mine, george lansell, british & american hotel, victoria reef gold mining coy, manchester arms hotel, housing commission homes, the ironbark (victoria reef gold), hercules & energetic, midway, wittscheibe, gt central victoria, wm rae, mr and mrs conroy, mrs lavery, central nell gwynne, moorhead's shop, gill family, gold mines hotel, david chaplin sterry, new chum and victoria mine, p m g repeater station, old chum mine, pioneer, rotary club of bendigo south, north old chum mine, ballerstedt's first open cut, lansell's big 180 mine

Copy and a photocopy of notes titled 'The rich Victoria Hill and its Historical Associations. The photocopy does not have copies of the photos. Notes include Introduction, directions for getting to Victoria Hill, North Old Chum Mine 2310 ft deep, Ballerstedt's First Open Cut, Geographical Features, Lansell's Big 180, Crushing Battery, Lansell's Cleopatra Needle type chimney, Victoria Quartz Mine 4613 ft deep, Victoria Reef Quartz Company, Victoria Quartz Company, Victoria Quartz Dams, Rae's Open Cut, Quartz Roasting, Floyd's small 5 Head Crushing Battery, Great Central Victoria (Midway) Shaft, Ballerstedt's Small 24 yard Claim, The Humboldt, The Adventure, The Advance and Luffsman and Sterry's Claim. Copies of photos include: Victoria Hill from Rae's Open Cut, Looking North from Old Chum Hill to the Victoria Hill, the Victoria Quartz Mine and Wm. Rae's Crushing Works.document, gold, victoria hill, the rich victoria hill and its historical associations, j n macartney, quartz miners' arms hotel, ironbark methodist church, john brown knitwear factory, little 180, george lansell, conrad heinz, british and american hotel, victoria reef gold mining company, manchester arms hotel, housing commission homes, the ironbark, hercules and energetic, midway, wittscheibe, great central victoria, wm rae, mr & mrs conroy, moorhead's shop, central nell gwynne, gold mines hotel, david chaplin sterry, new chum & victoria, old chum, burrowes & sterry, rotary club of bendigo south, big 180, north old chum mine, ballerstedt's first open-cut, lansell's bit 180 shaft, victoria quartz mine, victoria reef quartz company, a roberts & sons, mr e j dunn, h harkness & sons, new chum drainage scheme, eureka extended, new chum railway, the pearl, inrush of water, shamrock, shenandoah, victoria quartz dams, rae's open cut, floyd's small 5 head crushing battery, great central victoria (midway) shaft, midway no 2, midway north, the humboldt, the adventure, the advance, luffsman & sterry's claim, chinese joss house, fortuna, p m g repeater station, bendigo and vicinity 1895, j n macartney 1st edition 1871, mr rae anderson, 'gill family, annals of bendigo obituary notices 1904, mining records and australian mining standard special edition 1/6/1899, bendigo advertiser 22/6/1871, b m l records mines department, patterson's goldfields of victoria, dickers mining record 23/11/1861, annals of bendigo, bendigo advertiser 24/7/1933, 27/8/1908, 30/6/1910, 16/6/1910, 17/6/1910, mining reports for 1910, australian mining standard special edition 1/6/1899 p40, bendigo mines ltd, mines department records, the bendigo goldfield 1851 to 1954, the victoria hill 1854 to 1949, wm rae's crushing works

Two typed copies of notes titled 'The Rich Victoria Hill and its Historical Associations'. Notes include notes on travel to Victoria Hill, picture from Rae's Open Cut, signpost for items of interest at Victoria Hill, picture Looking North from Old Chum Hill to the Victoria Hill, picture of the Victoria Quartz Mine and Rae's 35 Hd. Crushing Battery.document, gold, victoria hill, the rich victoria hill and its historical associations, j n macartney, quartz miners' arms hotel, ironbark methodist church, john brown knitwear factory, little 180 mine, conrad heinz, british and american hotel, victoria reef gold mining company, manchester arms hotel, housing commission homes, bendigo and vicinity 1895, bendigo advertiser, victoria hill from rae's open cut, nell gwynne poppet legs, robert wallace studios, ironbark 9victoria reef gold mines) hercules and energetic, midway, wittscheibe, great central victoria, william rae's home, mr and mrs conroy, william rae junior, moorhead's shop, gill family, gold mines hotel, david chaplin sterry, john brown knitwear factory, mr rae anderson, annals of bendigo, new chum and victoria, old chum, pioneer, burrowes and sterry's, new chum and victoria tribute, rotary club of bendigo south, big 180, victoria quartz mines, north old chum mine, ballerstedt's first open-cut, j n macartney bendigo goldfields registry 1871, b m l records mines department, john wybrandt, j c t christopher ballerstedt, theodore ballerstedt, from old chum to the victoria hill, george lansell, lansell's 'cleopatra needle' type chimney, 222 mine, sandhurst mine, a roberts & sons, australian mining standard special edition 1/6/1899, dickers mining record 23/11/1861, mr e j dunn, h harkness & sons, new chum drainage scheme, eureka extd, new chum railway, pearl, shamrock, shenandoah, new chum railway, floyd's small 5 head crushing battery, midway no 2, midway north, ballerstedt's small 24 yard claim, the humboldt, the adventure, luffsman and sterry's claim, chinese joss house, lansell's fortuna, p m g repeater station, a richardson, the bendigo goldfield 1851 to 1954, the victoria hill 1854 to 1949

BHS CollectionBendigo Advertiser '' The way we were'' from 2002. home sweet home: an old miners hut near Bendigo. Date unknown. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Town Hall, The Bendigo Choral Society. Souvenir program 3d. With and oval picture of Mr. W C Frazier A.R.C.O.-Conductor on front cover. Gounod's 'Faust'. For Bendigo Benevolent Asylum, 5000 pounds. Town Hall, Bendigo, Wednesday, June 14th, 1992, at 8pm. Principals: Miss Phyllis Hannaford (Mrs. J R Clark); Miss Essa McSwiney, L.A.B. Mr. E H Collett, Mr. E A Miller, Mr. Gerson Krost, Conductor: Mr. W C Frazier, A.R.C.O. Pianiste: Miss Eileen Hains, A.T.C.L. Picture of Benevolent Asylum on front cover. J G Austen, Secretary Appeal Fund. J Hudspeth & Z S Martin Secretaries Choral Society. Concert to commence at 8pm. Artists; Mr. Gerson Krost, Miss Essa McSwiney, Mr. E A Miller, Miss Phyllis Hannaford. Cast; Mrs. J R Clark, Miss Essa McSwiney, Mr. E H Collett, Mr. E A Miller. Choruses, etc. by Choral Society. In the Homeland Mr. Frazier found it the increasing practice to take the great opera masterpieces and give them on the concert platform in more of less liberal excerpts. With characteristic generosity. He purchased the copies and presented them to the Choral Society. Bendigo has thus an opportunity to hear the latest idea. We are sure the musical public will appreciate this, though of course. . .. It is interesting to note that when this great work was first performed in Paris, on March 19th, 1859, it was somewhat coldly received, to the composer's great grief, as he, with the instinct of genius, . . .. The Compact: Introduction: Faust, aged and worn, weary with long pondering over learned treatises, in a pessimistic mood wonder whether the work is worthwhile. Memories of an early love stir strangely in his being, and he, in his doubting mood, questions all things, in despair he would welcome death, and finding no answer from the heavens, he appeals to the powers of ill. To his great surprise, he is at once answered by Mephistopheles and a colloquy then ensues in which the Evil One promises him Gold? Glory? A Kingdom? No! No! It must be 'Youth!' That can be done also. Faust is dubious, but on Mephistopheles bringing a vision of beauteous Margarita at is dubious, but on Mephistopheles be 'Youth!' That can be done also. Faust is dubious, but on Mephistopheles bringing a vision of beauteous Margarita at her wheel he agrees and signs the compact. 'Up Here I am at thy command, Down There thou servest me!' At The Fair: Mephistopheles then asks Faust to the Fair where they mix with the revelry of the students, soldiers and merry maidens. He gets a glimpse of Margarita. The Evil One is again busy putting Suspicious and quarrelsome thoughts into good comrades' minds. . .. The Wooing: Poor Siebel, the ardent, faithful lover of Margarita, finds himself somewhat overshadowed by the young and handsome Faust. Mephistopheles in a mocking mood tells him that every flower that he plucks will perish in his hands. He finds this prediction verified when he plucks the flowers for his lady love, but when in faith he scouts the Evil One, he conquers, and the spell is broken. Faust, filled with an ardent and pure passion, approaches the dwelling of Margarita, with an offering of priceless jewels, provided by the . . .. . The Return of Valentine: Valentine, the soldier brother of Margarita, leaves for the wars, giving the care of his sister to her faithful lover, Siebel. On his return, covered with glory, and ardent to meet his people again, he hears the story of the flouting of Margarita by Faust. In this part the soldiers are welcomed home by their comrades in the male part of the song 'Fold the flag my brothers,' followed by the celebrated chorus (usually known as the 'Soldier's Chorus' Glory and love to the men of old.' It has been set, in this edition, for full choir. Mephistopheles, the evil genius, in a spirit of raillery, and exultant that his plans are working to . . . . The Price: Faust, repentant, desires to do justice to Margarita and again be her lover. Margarita is almost demented at the loss of her brother. Mephistopheles not to be cheated, thwarts the good impulse of Faust and demands his price. He also endeavors to make Margarita despair, but owing to the simple faith of the . . . . The End. A Question You give you name, your time, your pelf To ease your woe: But what do you give of your own self To pay the debt you owe? You open a Home for helpless ones, And you shut them in with care; Of what think you is their share? You talk and you write; you organise; All this, we know, is true; But how do you spread the spark divine, The deep-down soul of you? -A Simkins. Benevolent Asylum Appeal. The Committee of Management directing the works of the Asylum desire to bring before an always generous public the claims of the Instruction for financial support. The Appeal for 5000 pounds has been launched in the full belief that the case is a good one, and in the confident hope that it will be successful. The work carried on by the Asylum covers a big field, extending as it does from Swan Hill in the north and Melbourne in the south. Inmates from all parts of the State are given a comfortable home, and properly cared for in the eventide of their lives. There are at present in the Asylum 164 old men and women. In addition to this work the Committee thoroughly investigate and dispense relief in food to from 150 to 200 adults and from 300 to 400 children each week, and also issues a large number of blankets, boots and clothing garments to necessitous applicants. The recipients of this relief are principally widow and their little ones, and the wives and children who are dependents of miners suffering from the dread Miners' Complaint. The Committee in organizing this branch of its charity work, has, to a great extent, prevented a large amount of waste, through overlapping and duplication of effort. It now appeals to the public for the above amount in order that be may still be able to continue charity work among the poor and necessitous of Bendigo and District. 'Organized Charity is Love with Judgment.'Cambridge Press Printprogram, theatre, town hall, bendigo