non-fictionProfessor of Art Linda Nochlin, and critic and art historian Thomas B. Hess respond to the question "Why have there been no great women artists?'. Nochlin writes of 'the women question' in art and beyond, addressing barriers in education and art schools negating full participation or studying the nude, the limiting definitions of 'greatness', domestic demands and class, and maintains it is the institutional structures that are the key to equality, and it is these which should be challenged and reformed. Hess addresses wrong attribution, the studio system, the relative freedoms in the Middle Ages before the Renaissance emphasised the male genius ideal and self confidence. Ten replies from artists follow, mainly responding to Nochlin's treatise. Elizabeth Baker, writes the final essay, charting the changes in regards to representation including issues surrounding quotas, recognition, the debates surrounding the contested definitions of female and feminist artists.and the frequent lack of support by female dealers, critics and curators.essays, feminism, studio practce, art history, gender, politics, discrimination, museolgy, curatorship, identity

Oil on boardSigned 'T de Kessler 1967' in lower right corner of painting.

Oil on canvas board Signed and dated 'T De Kessler 1962' in lower right corner of painting.

Pencil on paperSigned and dated lower right corner: T DeKessler 1963 10th July

Pen and ink drawing on paperDated '8.1.53 Melbourne' in lower left corner of image. Signed lower right.

Linocut printSigned and dated 'T de Kessler 1959' lower left corner under printed image.

Part of the Reverend Chaplain Major Thomas B. Williams No. 556101 Collection.Standard pattern purple ;lanyard with two monkey-fist knots.army chaplain, uniform, major thomas b. williams

Part of the Reverend Chaplain Major Thomas B Williams No 556101 Collection.Set of four religious stoles in four different colours (purple, white, green and red), representing four Christian liturgical seasons. Each is constructed in a similar manner. The fabric for each is silk damask with thistle patterning and a plain fabric lining. Each has two embroidered crests consisting of a grey Maltese cross ringed by a gold and green floral wreath and topped with a queen's crown. the mid point of each has a gold embroidered Maltese cross. .1) Purple damask with yellow lining. .2) White damask with a white lining. .3)Green damask with a yellow lining. .4) Red damask with a yellow lining..1), .3) and .4) - Inside middle - Supplier's name on a white tag with yellow lettering: 'Church Stores, Sydney, Brisbane'.army chaplains, personal equipment, major thomas b williams

People - "Gilmore,Stan & Thomas; Bess" Associated with - Jessie Swainston Collection

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. Property now known as Eversley, formerly Nulmore then Brampton. From Caulfield Heritage Management Plan 1996 by Andrew Ward In 1888, C. Hume owned lots 61, 62 and 63 in the Kooyong Park Estate, on the northwest corner of Gladstone Parade and Clarence Street. In 1889 Thomas B. Jackson, architect, of Shoobra Road, purchased the land and in the same year built a ten roomed brick house on lot 63 and part lot 62. Jackson leased the property to William Dalrymple in 1890. By 1894, the property was owned by P. Langwill and leased to James Ainslie, an accountant. By 1899, Frederick Henriques had moved into the house, which was known as ''Nulmore". In 1910, the house was vacant. In 1920, it was leased to Augustine Barbeta who continued to live there in 1930. By 1934, the house was renamed ''Brampton". ''Nulmore" is locally important as an unusually imposing Elizabethan influenced villa in Caulfield, comparing with nos. 34 and 25 Gladstone Parade. Its link with local architect Thomas B Jackson is of interest. Page 52 of Photograph Album with two exterior photographs (one landscape and one portrait) of Eversley , a double storey mansion.Hand written: (36 )[top right] / "Eversley" N.W. cnr Gladstone Parade & Clarence Street [top right] / 8 Oct 1966 [under top left photo] / 52 [bottom right] trevor hart, 1880's, 1890's, gladstone parade, eversley, victorian, clarence street, architectural features, nulmore, brampton, kooyong park estate, architect, shoobra road, hume, elsternwick, double storey mansions, thomas b jackson, william dalrymple, p langwill, james ainslie, frederick henriques, augustine barbeta, elizabethan style, house names

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. From Caulfield Heritage Management Plan 1996 by Andrew Ward In 1889, Thomas B Jackson, an architect in Shoobra Road, owned lots 61-63 at the north­ west intersection with Clarence Street. He built the two red brick houses, each of 10 rooms, known as "Kenly" and "Nulmore" (later "Brampton") in that year. By 1894, P. Langwill had purchased the property, leasing it to Fred Henriques, an accountant. Alfred Pearson a government chemist, was occupying tenant by 1899. The property was known as ''Kenly''. In 1910, the house was vacant, however, in 1920, James Edmends was living there and continued to do so in 1930. By 1941, Edmends had moved to No. 32, and Alfred Williamson was in residence. "Kenly'' is important as an unusually imposing Elizabethan influenced villa in Caulfield, comparing with nos. 25 and 36 Gladstone Parade. Its importance is enhanced by its substantially intact state whilst its link with local architect Thomas B Jackson is of interest.Page 53 of Photograph Album with two exterior photographs (one portrait and one landscape) of a double storey brick mansion.Hand written: 34 Gladstone Parade [top left] / 53 [bottom left] trevor hart, 1880's, 1890's, gladstone parade, eversley, victorian, double storey, clarence street, architectural features, nulmore, brampton, kooyong park estate, architect, shoobra road, elsternwick, kenly, elizabethan influence, thomas b jackson, p langwill, fred henriques, alfred pearson, james edmends, alfred wiliamson, house names

Hardcover"Peter L. Dale Architecture-Building"mathematics, walsh st library

Chu Chin Chow, Bendigo Operatic Society, opening 10th November, 1961 for six nights. Bendigo Operatic Society. President: Mr J McK. Cannon, Vice-President: Mr C Bubb, Secretary: Mr G Dart, Subscription Secretary: Mrs J Cannon, Treasurer: Mr RB Ralph, Committee: Mrs W Brown, Mrs J Smyth, Mrs W E Wright, Messes O Hamilton & M Welch, Messrs A Annison, B Thomas & L Spencely. President's Message Since its formation in 1952, the Bendigo Operatic Society has presented 23 well-known Musical Comedies, Pantomimes, and a Revue. . . Notes and photographs on Robert Watson, Sawn Beckwith, Valerie McCracken, Leonard Carr, Max O'Loghen, Carol McKenzie, Fred Trewarne, Max Beckwith, Olive Hamilton, John Stephens, Charles Phillips, Ferd Lorenz, Victor White, Peter Houston, Reg Boromeo, Joan Heard, Patricia Lyon, Miss M Welch, Mrs P House. Musical Numbers. . . Synopsis of Scenes. . . Bendigo Concert Orchestra Violins - Miss A McNair (Leader), Mesdames A Bolton, A Faulds, C Messer, F Robbins, J Weldon, Dr, J Borema, Messrs R Charlett, Dr Gault, Messrs C Gill, J Jordan, I Lacey, O Turner. Violas - Mr E Jarrett, Mr S McNeill, Mrs J Pinder. Cello - Mrs C Bubb, Miss L Slade, Mrs J Borema, Mr A Rutland. Bass - Mr C Hargreaves, Mr T French. Flutes - Mr C Bubb, Master D Bubb. Oboe - Mrs S Willis. Clarinets - Mr J McKay, Mr R Holyoake. Bassoon - Mr S Anderson. Trumpet - Mr B Armstrong, N Pearce. Trombone - Mr A Martin, Mr E Washington. Horn - Mr R Perry. Tympani - Mr J Allen. Bendigo Operatic Society presents by permission of Samuel French (Aust.) Ltd. Chu Chin Chow a Norman Lee Production. Told by Oscar Asche. Set to music by Fredric Norton. Dramatic Personnel - Robert Watson, Max Beckwith, Fred Trewarne, Leonard Carr, John Stephens, Charles Phillips, Ferd Lorenz, Peter Houston, Reg Boromeo, Victor White, Dawn Beckwith, Carol McKenzie, Valerie McCracken, Olive Hamilton, Joan Heard, Patricia Lyon. Ladies of the Ensemble - Kath Alexander, Bernice Boromeo, Joan Crane, Edna Faderson, Edith Glen, Wendy Griffiths, Joan Head, Emily Houston, Shirley Levers, Pat Lyon, Pat McCracken, Margery Reed, Ellen Stephens, Norma Trewarne. Gentlemen of the Ensemble - Alfred Annison, Ian Beckwith, Denis Cremin, Roy Cronin, Gerald Gleeson, Peter Houston, Ferd Lorenz, Keith Millar, Kenneth Nicholls, Robert Nicholls, Eric Pollock, Daryl Walker, Victor White. Ballet - Joan Harding, Shirley Harding, Jean McClellan, Kaye Miller, Carol O'Sullivan, Rosalie Panozza, Bronwen Townsend, Marion Weigard, Shirley Williams, Annette Wilson, Bill Arthur, Peter Houston. Musical Director: Mr Max O'Loghlen, Society Pianist: Mrs P House, Stage Manager: Mr Murray McGrath, Ballet Mistress and Asst. Stage Manager: Miss M Welch, Wardrobe Committee: Miss M Welch, Mrs P Lyons, Mrs N Lindrea, Mrs M Jarvis, Mrs A Annison, Mrs S Richardson. Publicity: Mrs J Smyth and Mr B Thomas. Scenery & Art Work: Messrs. N Cronin & A Watkins. Make-up: Mesdames E Wright & Miss S Cannon. House Manager: Mr B Searle. In Retrospect In mid 1952, a distinguished man arrived in Bendigo and interested several citizens, including Dr. P Goodman, the President of the Musical Advancement Society, in the formation of a Company for the production of Musical Comedy. The meeting was called at the home of Mr Fred Bush, and a group of enthusiasts made the acquaintance of Mr Norman Lee, our producer and sequently the M.A.S. and several leading citizens, sponsored the first production, by subscribing funds for initial expenses. From such humble beginning, our present Society originated. Mr Cyril Cyril Warne was appointed Musical Director, Mrs Phyllis House, Pianist, and Miss Madge Welch, Ballet Mistress. During the Season of ''Chu Chin Chow,'' the Society will stage its 100th performance - indeed an outstanding feat in such a brief history. Looking back it is interesting to recall the 23 shows which are included, and the productions are- (listing of productions included in program). Next Productions. . . Acknowledgements: 3BO, Bendigo Advertiser, Mr N Cronin, Mesdames C Neilson & T Lambert for Art Work, Messrs L Spencely, D Cremin & J Cannon for Scenery & Carpentry. Miss M Welch for use of Studio, Make-up Staff, Back Stage Staff, Front of House Management Usherettes and Programme Sellers. Advertisements: Martin Washington, Photographers, Bendigo. Hanro. Markings on front cover in black pen, Capital Theatre.Cambridge Press, Bendigoprogram, theatre, music advancement society of bendig, chu chin chow, bendigo operatic society, 10th november, 1961. president: mr j mck. cannon, vice-president: mr c bubb, secretary: mr g dart, subscription secretary: mrs j cannon, treasurer: mr rb ralph, committee: mrs w brown, mrs j smyth, mrs w e wright, messes o hamilton & m welch, messrs a annison, b thomas & l spencely. president's message formation1952, bendigo operatic society has presented 23 musical comedies, pantomimes, and a revue. . . notes and photographs robert watson, sawn beckwith, valerie mccracken, leonard carr, max o'loghen, carol mckenzie, fred trewarne, max beckwith, olive hamilton, john stephens, charles phillips, ferd lorenz, victor white, peter houston, reg boromeo, joan heard, patricia lyon, miss m welch, mrs p house. musical numbers. . . synopsis of scenes. . . bendigo concert orchestra violins - miss a mcnair (leader), mesdames a bolton, a faulds, c messer, f robbins, j weldon, dr, j borema, messrs r charlett, dr gault, messrs c gill, j jordan, i lacey, o turner. violas - mr e jarrett, mr s mcneill, mrs j pinder. cello - mrs c bubb, miss l slade, mrs j borema, mr a rutland. bass - mr c hargreaves, mr t french. flutes - mr c bubb, master d bubb. oboe - mrs s willis. clarinets - mr j mckay, mr r holyoake. bassoon - mr s anderson. trumpet - mr b armstrong, n pearce. trombone - mr a martin, mr e washington. horn - mr r perry. tympani - mr j allen. samuel french (aust.) ltd. chu chin chow a norman lee production. told by oscar asche. set to music by fredric norton. dramatic personnel - robert watson, max beckwith, fred trewarne, leonard carr, john stephens, charles phillips, ferd lorenz, peter houston, reg boromeo, victor white, dawn beckwith, carol mckenzie, valerie mccracken, olive hamilton, joan heard, patricia lyon. ladies of the ensemble - kath alexander, bernice boromeo, joan crane, edna faderson, edith glen, wendy griffiths, joan head, emily houston, shirley levers, pat lyon, pat mccracken, margery reed, ellen stephens, norma trewarne. gentlemen of the ensemble - alfred annison, ian beckwith, denis cremin, roy cronin, gerald gleeson, peter houston, ferd lorenz, keith millar, kenneth nicholls, robert nicholls, eric pollock, daryl walker, victor white. ballet - joan harding, shirley harding, jean mcclellan, kaye miller, carol o'sullivan, rosalie panozza, bronwen townsend, marion weigard, shirley williams, annette wilson, bill arthur, peter houston. musical director: mr max o'loghlen, society pianist: mrs p house, stage manager: mr murray mcgrath, ballet mistress and asst. stage manager: miss m welch, wardrobe committee: miss m welch, mrs p lyons, mrs n lindrea, mrs m jarvis, mrs a annison, mrs s richardson. publicity: mrs j smyth and mr b thomas. scenery & art work: messrs. n cronin & a watkins. make-up: mesdames e wright & miss s cannon. house manager: mr b searle. in mid 1952, arrived in bendigo dr. p goodman, the president of musical advancement society, formation of a company musical comedy. mr fred bush, mr norman lee, m.a.s.. society originated. mr cyril cyril warne musical director, mrs phyllis house, pianist, miss madge welch, ballet mistress. during the season of ''chu chin chow, '' the society will stage its 100th performance. recall the 23 shows. acknowledgements: 3bo, bendigo advertiser, mr n cronin, mesdames c neilson & t lambert messrs l spencely, d cremin & j cannon for scenery & carpentry. miss m welch.. advertisements: martin washington. hanro. capital theatre. chu chin chow, bendigo operatic society, 10th november, 1961. president: mr j mck. cannon, vice-president: mr c bubb, secretary: mr g dart, subscription secretary: mrs j cannon, treasurer: mr rb ralph, committee: mrs w brown, mrs j smyth, mrs w e wright, messes o hamilton & m welch, messrs a annison, b thomas & l spencely. president's message formation1952, bendigo operatic society has presented 23 musical comedies, pantomimes, and a revue. . . notes and photographs robert watson, sawn beckwith, valerie mccracken, leonard carr, max o'loghen, carol mckenzie, fred trewarne, max beckwith, olive hamilton, john stephens, charles phillips, ferd lorenz, victor white, peter houston, reg boromeo, joan heard, patricia lyon, miss m welch, mrs p house. musical numbers. . . synopsis of scenes. . . bendigo concert orchestra violins - miss a mcnair (leader), mesdames a bolton, a faulds, c messer, f robbins, j weldon, dr, j borema, messrs r charlett, dr gault, messrs c gill, j jordan, i lacey, o turner. violas - mr e jarrett, mr s mcneill, mrs j pinder. cello - mrs c bubb, miss l slade, mrs j borema, mr a rutland. bass - mr c hargreaves, mr t french. flutes - mr c bubb, master d bubb. oboe - mrs s willis. clarinets - mr j mckay, mr r holyoake. bassoon - mr s anderson. trumpet - mr b armstrong, n pearce. trombone - mr a martin, mr e washington. horn - mr r perry. tympani - mr j allen. samuel french (aust.) ltd. chu chin chow a norman lee production. told by oscar asche. set to music by fredric norton. dramatic personnel - robert watson, max beckwith, fred trewarne, leonard carr, john stephens, charles phillips, ferd lorenz, peter houston, reg boromeo, victor white, dawn beckwith, carol mckenzie, valerie mccracken, olive hamilton, joan heard, patricia lyon. ladies of the ensemble - kath alexander, bernice boromeo, joan crane, edna faderson, edith glen, wendy griffiths, joan head, emily houston, shirley levers, pat lyon, pat mccracken, margery reed, ellen stephens, norma trewarne. gentlemen of the ensemble - alfred annison, ian beckwith, denis cremin, roy cronin, gerald gleeson, peter houston, ferd lorenz, keith millar, kenneth nicholls, robert nicholls, eric pollock, daryl walker, victor white. ballet - joan harding, shirley harding, jean mcclellan, kaye miller, carol o'sullivan, rosalie panozza, bronwen townsend, marion weigard, shirley williams, annette wilson, bill arthur, peter houston. musical director: mr max o'loghlen, society pianist: mrs p house, stage manager: mr murray mcgrath, ballet mistress and asst. stage manager: miss m welch, wardrobe committee: miss m welch, mrs p lyons, mrs n lindrea, mrs m jarvis, mrs a annison, mrs s richardson. publicity: mrs j smyth and mr b thomas. scenery & art work: messrs. n cronin & a watkins. make-up: mesdames e wright & miss s cannon. house manager: mr b searle. in mid 1952, arrived in bendigo dr. p goodman, the president of musical advancement society, formation of a company musical comedy. mr fred bush, mr norman lee, m.a.s.. society originated. mr cyril cyril warne musical director, mrs phyllis house, pianist, miss madge welch, ballet mistress. during the season of ''chu chin chow, '' the society will stage its 100th performance. recall the 23 shows. acknowledgements: 3bo, bendigo advertiser, mr n cronin, mesdames c neilson & t lambert messrs l spencely, d cremin & j cannon for scenery & carpentry. miss m welch.. advertisements: martin washington. hanro. capital theatre.

This shirt has an 'R' on each board indicating that the wearer had retired. Part of the Reverend Chaplain Major Thomas Bruce Williams, No556101, Collection.Khaki short sleeved polyester shirt with two button down breast pockets. A pair of boards are attached to the epaulettes, each with a major's insignia, a letter R and chaplains' department badge. On each collar is a gold coloured metal gross. A purple lanyard is threaded under the right epaulette, around the right sleeve and secures to the right breast pocket. The manufacturer's label is faded and partially detached.Printed in black on the inside of the collar: 'SIZE 41, 81'.uniform, army chaplain, major thomas b. williams, insignia

Part of the Reverend Chaplain Major Thomas Bruce Williams, No 556101, Collection.Khaki woollen battle dress jacket with cloth major's insignia with a queen's crown sewn on each epaulette. On top of each sleeve is a cloth badge with 'ROYAL AUSTRALIAN ARMY CHAPLAINS DEPARTMENT' embroidered in white letters on a purple background. A white calico manufacturer's label with laundering instructions, is sewn on the inside. A gold coloured metal cross is pinned to each lapel.uniform, insignia, army chaplain, major thomas b. williams

Part of the Reverend Chaplain Major Thomas Bruce Williams, No 556101, Collection.Khaki woollen battle dress jacket with cloth major's insignia with a queen's crown sewn on each epaulette. On top of each sleeve is a cloth badge with 'ROYAL AUSTRALIAN ARMY CHAPLAINS DEPARTMENT' embroidered in white letters on a purple background. A white calico manufacturer's label is sewn on the inside.On manufacturer's label: 'Chest 43/44 R Trousers 37R'uniform, insignia, army chaplain, major thomas b. williams

Part of the Reverend Chaplain Major Thomas Bruce Williams, No 556101, Collection.Green full length nylon raincoat with button-up front and adjustable belt with buckle. Mesh vent covered with a flap on the back. Under each arm are four small vent holes. Sewn onto the inside neck is a manufacturer's label. Washing instructions label sewn on inside right. Two side pockets.Printed in black ink on manufacturer's label: 'M. PENNISI CLOTHING CO. PTY. LTD., VIC., 1977, (upwards arrow), CLASS 8405-66-018-1271' Handwritten in black ink on manufacturer's label: 'PADRE TOM B. WILLIAMS'.army chaplain, clothing, uniform, major thomas b. williams

Part of the Reverend Chaplain Major Thomas Bruce Williams, No 556101, Collection.Detachable light green coloured padded coat liner with long sleeves. Liner has buttons holes on neck, front and sleeve bottom for attaching to a coat. Dark green piping on edges. Open vents under arms. Khaki manufacturer's labels sewn onto inside back.army chaplain, major thomas b. williams, uniform

Part of the Reverend Chaplain Major Thomas Bruce Williams, No 556101, Collection..1) Khaki battle dress trousers in wool fabric with pleated front. Waistband and pockets lined with light khaki cotton drill fabric. Wide waistband secured with three brown bakelite buttons Inside the waistband are six brown bakelite buttons used to secure braces. On each outer side of the waistband are two tabs with metal fasteners used to adjust the waistband. Extra buttons are sewn onto the outside of the waistband. A zipper fly is on the front of the trousers. Pockets consist of two hip with button down flaps, two lined side and one left leg cargo with button down flap. A light khaki heel protector is sewn into the hem of each trouser leg. .2) Set khaki elastic and leather braces are attached to the trousers via khaki coloured leather button attachments..1) On white calico manufacturer's label - stamped in black ink: 'YF 34". Handwritten on manufacturer's label in black ink: 'PADRE Tom, 556101'.un iform, battle dress, army chaplain, major thomas b. williams

Part of the Reverend Chaplain Major Thomas Bruce Williams, No 556101, Collection.Khaki battle dress trousers in wool fabric with pleated front. Waistband and pockets lined with light khaki cotton drill fabric. Wide waistband secured with three brown bakelite buttons Inside the waistband are six brown bakelite buttons used to secure braces. On each outer side of the waistband are two tabs with metal fasteners used to adjust the waistband. Extra buttons are sewn onto the outside of the waistband. A zipper fly is on the front of the trousers. Pockets consist of two hip with button down flaps, two lined side and one left leg cargo with button down flap. A light khaki heel protector is sewn into the hem of each trouser leg.On white calico manufacturer's label - handwritten in black ink: '556101, PADRE Tom'.uniform, army chaplain, battle dress, major thomas b. williams

Part of the Reverend Chaplain Major Thomas Bruce Williams, No 556101, Collection.Four current issue gold coloured metal Rising Sun hat badges with Queen's Crown beneath the rising sun shape. The scroll beneath the crown reads 'THE AUSTRALIAN ARMY'. There are two pins soldered to the reverse side with two brass press clips attached. rising sun badge, army chaplain, major thomas b. williams

Part of the Reverend Chaplain Major Thomas Bruce Williams , No 556101, Collection.Two gold coloured metal shoulder insignia with the word 'AUSTRALIA' on a curved metal bar. Each has two pins soldered on the back with brass press clips attached for fastening to a shoulder board.army chaplain, insignia, major thomas b. williams

Part of the Reverend Chaplain Major Thomas Bruce Williams, No 556101, Collection.Eleven gold coloured circular plastic buttons each featuring a Christian army chaplain's raised insignia. On the reverse is a loop for sewing to a uniform.Stamped on the reverse: 'STOKES MELB.'army chaplain, army uniform, major thomas b. williams

Part of the Reverend Chaplain Major Thomas Bruce Williams, No 556101, Collection.A pair of khaki shoulder boards stiffened with cardboard inserts. Each has three pips attached signifying the rank of captain. The pips are attached with press clips. On the underside of each board are two fabric straps for attachment to an epaulette. On the straight end are holes for the attachment of a curved 'AUSTRALIA' insignia.rank insignia, army chaplain, major thomas b. williams

Part of the Reverend Chaplain Major Thomas Bruce Williams, No 556101, Collection.Fifteen gold coloured circular plastic buttons each featuring a Christian army chaplain's raised insignia. On the reverse is a loop for sewing to a uniform.Stamped on the reverse: 'STOKES MELB.'army chaplain, army uniform, major thomas b. williams

Part of the Reverend Chaplain Major Thomas Bruce Williams, No 556101, Collection.a pair of round cuff links in gold coloured plastic. Each is embossed with a Christian army chaplain's insignia. Attached on the back is a brass pillar and round plate for securing to a shirt cuff.Stamped on the back of each link: 'STOKES MELB.'army chaplain, major thomas b williams

Part of the Reverend Chaplain Major Thomas Bruce Williams, No 556101, Collection.A pair of khaki coloured hard shoulder boards stiffed with cardboard inserts. On the underside of each board are two fabric strips for attachment to an epaulette.Stamped on the back of each in white ink: 'SMALL 14/15 1/2'army chaplain, uniform, major thomas b. williams

Part of the Reverend Chaplain Major Thomas Bruce Williams, No 556101, Collection.Two pairs of slide shoulder boards in camouflage pattern. Each is embroidered with a black queen's crown indicating the rank of major. Each pair is in its original packaging.army chaplain, major thomas b. williams