Coloured photograph of the Whitehorse Art Centre. High roof on the left. Opened in 1986. Located at 397 Whitehorse Road Nunawading.nunawading arts centre, art centres

Woodsedge Art Centre Colour Gang Art Show Frank Powell Richard Peach ABC radio Sale Grace Jobling Pres Newayung Debbie Heystratten Stephen Smith Lawrence Licctone Lakes Entrance VictoriaBlack and white photograph at Woodsedge Art Centre Colour Gang Art Show Frank Powell Richard Peach ABC radio Sale Grace Jobling Pres Newayung Debbie Heystratten Stephen Smith Lawrence Licctone Lakes Entrance Victoriaarts, exhibition

members of Art Workshop Stan Langtip Lois Dilks and Jill Langtip with proposed plan for Art and Drama Centre and lost in the amalgomation of the Shires Lakes Entrance VictoriaBlack and white photograph of members of Art Workshop Stan Langtip Lois Dilks and Jill Langtip with proposed plan for Art and Drama Centre and lost in the amalgomation of the Shires Lakes Entrance Victoriaarts, exhibition, fundraising

A series of 23 black 7 white strip photographs of the opening of the Nunawading Art Centre on 25 May 1986 by Mayor, Bill Coyne. Inscription on back. City of Nunawading. Official opening of Nunawading Arts Centre(now Whitehorse Centre) by Mayor Cr Bill Coyne.whitehorse arts centre, coyne, bill, nunawading arts centre

Program of activities and displays held at Bundoora Homestead Art Centre in 2017.10 p. pamphlet, col. illus.bundoora homestead

Community Art Centre, Bank Street, opening by Mr. N. McGaw on 8 August 1976. B&W photocommunity centres, bank street, mcgaw> n.

"A key concern of my art is the investigation of colour. In both oil painting and watercolour, I use concentrated pigments. This is imperative in achieving the highest intensity of individual colour. Also, and most importantly, when mixing it allows the greatest dynamic range for ‘colour space’ – the depiction of form and space, light and dark through colour." - John SheehanJohn Sheehan studied painting at the Victorian College of the Arts (1993). He presented a solo exhibition at Bundoora Homestead Art Centre in 2013 surveying his work from 1991 to 2012.

"A key concern of my art is the investigation of colour. In both oil painting and watercolour, I use concentrated pigments. This is imperative in achieving the highest intensity of individual colour. Also, and most importantly, when mixing it allows the greatest dynamic range for ‘colour space’ – the depiction of form and space, light and dark through colour." - John SheehanJohn Sheehan studied painting at the Victorian College of the Arts (1993). He presented a solo exhibition at Bundoora Homestead Art Centre in 2013 surveying his work from 1991 to 2012.

"A key concern of my art is the investigation of colour. In both oil painting and watercolour, I use concentrated pigments. This is imperative in achieving the highest intensity of individual colour. Also, and most importantly, when mixing it allows the greatest dynamic range for ‘colour space’ – the depiction of form and space, light and dark through colour." - John SheehanJohn Sheehan studied painting at the Victorian College of the Arts (1993). He presented a solo exhibition at Bundoora Homestead Art Centre in 2013 surveying his work from 1991 to 2012.

Visual Arts students in the Courtyard at the Gippsland Centre for Art and Design.arts academy, gippsland centre for art and design, churchill, visual arts

Colour photograph of Woodsedge Art and Craft Centre in a bushland setting Baades Road Lakes Entrance Victoriaarts and crafts, businesses

non-fictionAn A4 flyer from Cr. Andrew Munroe outlining Council Activities in Cootamundra Ward.city of whitehorse, mayor, munroe andrew, nunawading community hub

Photos of a Legacy Conference in 1998 which was the 75th Anniversary year. The photos show a military band on stage at the Victorian Art Centre and speeches being made in front of a large audience. Also a choir and a lady in the official party receiving a bunch of flowers. A record of an event for the 75th Anniversary in 1998. Colour photo x 6 of the Legacy Conference Opening at Victorian Arts Centre in 1998.Printing on the back "75th anniversary, conference

Jan FEDER Born Barmera, South Australia Jan Feder was a student at the Gippsland Centre of Art and Design in the 1980s. She had started studying ceramics in Adelaide, deciding to continue here study at Churchill under Hedley Potts' tutelage after moving to Strezlecki. In her final year Jan was an on-campus weekday resident to save on the travel time. This work is part of the Jan Feder Memorial Ceramics Collection which was amassed with funds raised by Jan Feder's student peers at the Gippsland Centre for Art and Design in the mid 1980s after Jan Feder passed away. Although many of the works are donated the intention of the collection was to purchase from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught at the Churchill Campus. A group of ceramic vessels by Jan Feder, an alumna of the Gippsland Centre for Art and Design (GCAD). After her death in the mid 1980s her student peers amassed funds to create a memorial collection. jan feder, jan feder memorial ceramics collection, gippsland campus, alumni, ceramics

Two Visual Arts students in the Printmaking Studio at the Gippsland Centre for Art and Design.arts academy, gippsland centre for art and design, churchill, printmaking, visual arts

Two Visual Arts students in the Printmaking Studio at the Gippsland Centre for Art and Design.arts academy, gippsland centre for art and design, churchill, visual arts

Painting of 'Oaklands Homestead' built 1900.Oil on board in a gold painted frame.Front: "Oaklands Homestead/Built 1900" Back: 'Old Homestead'/Reservoir Art Framing Centre/C J Malone, proprietor/18 Livingstone Street, Reservoir 3073/ Phone 954 1142painting, houses of broadmeadows, jean jackson

Black and white photograph of Gippsland Centre for Art and Design Students Drawing from Lifegippsland centre for art and design, gippsland institute of advanced education, visual arts, alumni, drawing, lifedrawing

John NEELY (1953- ) Born Leavenworth, Kansas, USA John Neely is the Professor of Ceramics at Utah State University. John has studied Ceramics in Japan, and lectured and conducted in workshops, including at the Gippsland Centre for Art and Design. He is an expert in the technology of clay, glaze and kiln firing with a keen interest in pattern and texture. After completing a Bachelor of Fine Art at Alfred Univerity, New York in 1975, John Neely participated in a one year Foundation Fellowship at Tokyo, Japan. The following year he was the recipient of a Rockefeller Brothers Fund One Year Fellowship in Tokyo, Japan. Neely completed a Ministry of Education Two Year Postgraduate Research Fellowship at the Kyoto City College of Fine Arts, Kyoto, Japan and was awarded a Master of Fine Art at Ohio University, Athens, Ohio in 1982. This work is part of the Jan Feder Memorial Ceramics Collection which was amassed with funds raised by Jan Feder's student peers at the Gippsland Centre for Art and Design in the mid 1980s after Jan Feder passed away. Although many of the works are donated the intention of the collection was to purchase from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught at the Churchill Campus. Ceramic salt fired pot John Neely from Logan, Utah, USA, who was a guest lecturer at the Gippsland Centre of Art and Design (later Federation University Australia).ceramics, gippsland campus, jan feder memorial ceramics collection, john neely

This Box Hill Town Hall was officially opened in April 1935 by the then governor of Victoria, Lord Huntingfield. An administrative wing was added in 1982. Following the proclamation of the City of Whitehorse in 1994, the administrative functions were transferred to the Civic Centre in Nunawading. The Box Hill Town Hall, which is a National Trust building now houses the Art Centre and community rooms for use by historical societies and volunteer groups.Coloured photograph of the front of Box Hill Town Hall taken in November 2006 on the re-opening after refurbishmentbox hill town hall, city of whitehorse

Merle Hall Collection- 'Arts Summit' Saturday 13th July 1985, St Andrews Hall Documentation: a. Invitation to participate in seminar to address the issues currently influencing the development of creative activities within the Bendigo community; proposed agenda for the day; speaker outlines and Response/Acceptance sheet.; b. 5 page Report of the Arts Officer on the Art Summit (of 63 arts-related organizations) with brief summaries of the key addresses of the Summit: Addresses by; Ian Roberts, Regional Development Officer; Ross Mellor, Tourism Consultant; John Little, Development Officer Victorian Arts Council; Ross McCracken, Footscray Community Arts Centre; Bill Cook, Ararat Performing Art Centre; Community Arts Centre Working Party David Breadeb, Architect. Listing of major needs identified by participants.arts bendigo, merle hall collection

One of a series of photographs taken of the Buninyong Gold King Festival 1984A black and white photograph of the Buninyong Gold King Festival 1984, from Crown Hotel, looking south, National Bank operating art gallery at centre.buninyong, gold king festival, festival events, national bank building

Picture of late 19th century double storey, double fronted mansion with wrought iron pillars and balcony lace work on upper ballistrade. Built for Moritz Michaelis in 1870. Part of Donald McDonald collection of images.Alfred Kursteiner, Moritz Michaelis. Backed but unmounted black and white copy in good condition.Linden, 26 Acland Street, for Moritz Michaelis, merchant and founder of Jewish Synagogue Charnwood Cres, now used as art and culture centre by COPPlinden, mansions, st kilda, acland street

N. J. Tillings Timber Factory was part of the Brougham Street, Light industrial area, Eltham. Brick bulidings includes signage: Wakefield Pr... (printer?) No 17 Building C. This is one of 7 B/W 8x10 inch photos with notes on obverse by Dick Crichton. Accompanying letter from Florence Chrichton 2013 : "Originally sent to Shire of Eltham Engineer, Mr. McDonald. [These photographs were part of their campaign to the Shire of Eltham in 1975] claiming that the zoning regulations were being breached by the occupants of various factories in the nearby light industrial zone [Brougham Street, Eltham] - to the detriment of those living in adjoining residential zones, and that, despite .. earlier objections and complaints, nothing was done about it."1 black and white photograph printed with white borderInscribed on back: "Weekend photograph of factories in Brougham Street surrounded by by residential zone. On weekdays cars surround premises - these have been built approx. two years - where is the landscaping? * Undeveloped light industrial land. Careful planning needed for future. Being on high elevations backs of future buildings will be seen from Main Road Eltham and future Art Centre complex. Also Bolton Street becoming heavily used arterial road. Off street parking facilities most important." . The front of the photo has pen marks indicating points of interest.industrial estate, brougham street, eltham