Showing 11 items
matching baptistry
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Ballarat Heritage Services
Accoustics in the Baptistry at Pisa, 2017, 11/2017
Moving image from inside the Baptistry at Pisa. Known for its amazing accoustics, the sound in this image is one person singing a couple of notes. pisa, baptistry, accoustics -
Mission to Seafarers Victoria
Postcard - Postcard, Black and white, Valentine & Sons Publishing Co. Ltd, Baptistry in the Chapel, Missions to Seamen, Melbourne, Vic, c. 1920
Possibly produced as one of a series of photographic post cards of various areas of the Mission especially of the Chapel in the pre-war WW2 period of the 20th century. There are several such cards in the MTSV Collection. The Chapel, opened in 1917, was a special fundraising project of the Ladies Harbour Light Guild and was originally dedicated as a Memorial Chapel in remembrance of those who served in the Merchant Navy of WWI. The Chapel is still used for marriages, baptisms,funerals and memorial services, and is often referred to as St Peter's, the Mariners' Chapel. Photographic postcards were produced soon after the new 1917 Mission to Seamen building was first opened. Available to supporters and visiting seafarers alike, effectively promoting the Mission and the role it played in ensuring both spiritual and pastoral care available to seamen and shipping to and from Australia. Black and white gloss print postcard featuring an interior view of St Peter's Chapel at the MTSV 717 Flinders St showing the baptismal font and front door.Pencil inscription " Ret to B. Kent" (see also gift comments below) ; Printed : "POST CARD / A Real Photograph Produced in Australia"mtsv, missions to seamen institute, baptism, merchant navy, st peter chapel, mission to seafarers, baptistry, baptismal font, seamen's mission, flinders street -
Mission to Seafarers Victoria
Artwork, other - Stained glass window, Brooks Robinson & Co, 1933
These two small symbolic windows (27 ½ x 6 ½ inches) are in the porch (or was it the baptistery?). Entitled Baptism it could also be termed Pilgrimage with the symbols of the shell and staff and refer to the travels of seafarers. When photographed in the 1990s the windows were in poor shape and in need of conservation to replace the full text in the baptismal window ‘Ecce …. Dei”; the shaft of light from the dove of the Holy Spirit was badly cracked.This window along with the second window in the baptistry was donated by an anonymous donour.Lancet windowaltar, st peter chapel, flinders street, mission to seafarers, seamen's mission, mission to seamen, sailors, seamen, stained glass windows, win, memorial chapel, baptistry -
Mission to Seafarers Victoria
Artwork, other - Stained glass window, Brooks Robinson & Co, 1933
This window along with the second window in the baptistry was donated by an anonymous donour.Lancet windowaltar, st peter chapel, flinders street, mission to seafarers, seamen's mission, mission to seamen, sailors, seamen, stained glass windows, win, memorial chapel, baptistry -
Mission to Seafarers Victoria
Photograph - Framed montage, Arthouse - Picture Framing & Gallery, Baptism and Holy Spirit, 2013
MIGRATION Travel is a luxury for most people, and although seafarers undoubtedly face hardships as part of their profession, they are also able to experience parts of the broader world than that of friends and family at home. The stories and experiences of seafarers - together with the work of the Mission to Seafarers ministry - contribute to the archive of ongoing global links and narratives of world trade and migration. As an example of this, in 1917 alone the Mission directed almost 6,000 letters written by visiting seafarers home to their families abroad, and received almost 3,000 letters in return. After experiencing Melbourne through the Mission, many seafarers later chose to make the city and Australia their home, and some chose to marry their partners at the Mission’s chapel. This pair of windows, titled ‘Baptism’ and ‘Holy Spirit’, was installed during 1933 and represents the integral links between seafaring and the world.Reflections of the Sea was an exhibition of 10 framed montage of photographs from the mission's archive collection showcasing 10 stained glass windows from the St Peter chapel. This exhibition curated by Georgia Melville and Catherine McLay, and funded by PROV and Creative Victoria, was displayed in the World Trade Centre Wharf Gallery in June July 2013 and toured to Queenscliff Maritime Museum. The photographs of the windows were taken by scientific photographer Justine M. Philip. This frame is showcasing the lancet windows in the baptistry ad a photograph of the Eiffel Tower taken by Allan Charles Quinn during one of his voyages.Framed and mounted on black cardboard of black and white and colour reproductions from the MTSV collection for the exhibition Reflections of the Sea with brief label signageon label: A snapshot of the Eiffel Tower with Australian seafarer Allan Charles Quinn in the foreground, taken during a voyage to France in 1956reflections of the sea, georgia melville, exhibition, 2013, world trade centre, wtc, creative victoria, prov, mission to seafarers, stained glass windows, justine m. philip, flinders street, allan charles quinn, eiffel tower, france, travel, migration, baptistry, paris, catherine mclay, arthouse -
Ballarat Heritage Services
Photograph, Ann Gervasoni, Pisa, Italy, 2017, 19/11/2017
Photographs around Pisa in Italy, including the Leaning Tower of Pisa.pisa, leaning tower of pisa, baptistry -
Federation University Historical Collection
Booklet - Church, Harry Brown and Co, St Peter's Church, Ballarat, 1961
St Peter's Church was established in 1861 in the school house. In 1864 the question of building a church was seriously discussed. A foundation stone for the church was laid on 16 November 1864 by Bendan S. Hassell. The architect was Charles Davenport Cuthbert; the trustees were Somerville Learmonth, W.P. Whitcombe, Robert Wynne and J.B. McQuie. The church building committee consisted of Horace walker, J.S. Carver, John M. Fisher, Robert Williams, Thomas Gibson, John E. Hodgson and W. Lindisay Richardson. The foundation stone of the Soldier's Chapel was laid on 06 April 1917. The beautiful stained glass in the chapel was donated by Mrs W. Tunbridge and H.C. Curwen-Walker, in memory of their sons who were killed during World War One. In 1929 a new three manual organ by London's Hill, Norman and Beard was installed. It was the first in Ballarat with electro-pneumatic action.White soft covered booklet outlining the first 100 years of St Peter's Anglican Church, Ballarat. The book includes information on each of the ministers until 1961, a programme of the Centenary Celebrations, and black and white photographs of the exterior and interior of the church. Images include the Pittard Memorial Windows, the Crocker Memorial Windows and baptistry, and H.W.H. Adeney.st peter's anglican church ballarat, churches, religion, charles d. cuthbert, stained glass, w. tunbridge, h.c. curwen-walker -
Mission to Seafarers Victoria
Decorative object - Light shade, 1966-1975
Two plaques in chapel are mentioning the donation of lights for the chapel: one mentions the standard lights donated by the Williamstown Lightkeepers Auxiliary in 1966 for the Sanctuary and another one (in the Baptistry) mentions the church lighting in memory of Miss Kimberley, Ballarat, December 1975.chapel, flinders street, st peter chapel, mission to seafarers, seamen's mission, miss kimberley -
Mission to Seafarers Victoria
Photograph - Photograph, Black and white, Bill Doyle (Reverend C.J. Eldridge-Doyle), 1960-1970
The photograph is part of a serie likely to have been taken by Bill Doyle (Reverend C.J. Eldridge-Doyle), who was a keen photographer like many of the chaplains as he often uses the Ilford paper to print his images.Small b & w photograph of baptismal font of St Peter the Mariner chapel. On the wall to the right hangs the illumination: Believe in God The Father Almighty (see item 1537).stamp: 8940, photographic paper markings ILFORDbaptismal font, illumination, baptistry, st peter chapel, charles edward murray puckle (1887-1915) -
Mission to Seafarers Victoria
Ceremonial object - Font and cover
The font was donated by Miss E. Davidson and is in memory of two young apprentices who died on the Galgorm Castle with 9 others crew members, after it was torpedoed by a U-49 on 27 February 1917. Fred Hyde was 16, a former pupil of Bury Grammar School. Nigel Hockly was 17. The font cover was donated by Mrs Amelia Shuter in memory of son-in-law, Charles Murray Puckle (husband of Caroline Amelia Shuter) and grand son, William Brian Mortimer (son of William Brook Mortimer and Enid Lucy Ann Mortimer nee Shuter)baptismal font, baptistry, heritage listed, gifts-1917, amelia shuter nee lord, nigel hockly, fred hyde, charles murray puckle, william brian mortimer, caroline amelia shuter, enid lucy ann mortimer nee shuter, galgorm castle, u-49, miss e. davidson -
Mission to Seafarers Victoria
Book, Alfred George Course, Windjammers of the Horn: the story of the last British fleet of square-rigged sailing ships, 1969
From dust jacket: This is the unique story of the sailing ships owned by Sir William Garthwaite between 1915 and 1929, which formed in fact the last sailing merchant fleet to trade under the British flag. Captain A.G. Course, a Cape Horner himself, tells the story of this fleet whose vessels sailed so often past the awesome tip of South America, with a wealth of detail, happily marrying factual information and anecdote to produce a valuable historical record. Here are some of the last great characters of the age of sail, both men and ships, brought to life. The author's own close contact with the vessels and their crews allows him to capture the atmosphere most realistically. The Garthwaite ships, for all the effort put into their operation, were fighting a last-ditch stand against the inevitable supremacy of steam. It is with a certain nostalgia that the author records the passing of a fine fleet and documents an important chapter in maritime history.Navy blue cloth cover with embossed golden lettering on the spine, and mustard dust jacket illustrated by original painting by Commander DGM Gardner. xvi, 176 p. : 16 plates, illus., maps, ports. ; 22 cm. Includes index.non-fictionFrom dust jacket: This is the unique story of the sailing ships owned by Sir William Garthwaite between 1915 and 1929, which formed in fact the last sailing merchant fleet to trade under the British flag. Captain A.G. Course, a Cape Horner himself, tells the story of this fleet whose vessels sailed so often past the awesome tip of South America, with a wealth of detail, happily marrying factual information and anecdote to produce a valuable historical record. Here are some of the last great characters of the age of sail, both men and ships, brought to life. The author's own close contact with the vessels and their crews allows him to capture the atmosphere most realistically. The Garthwaite ships, for all the effort put into their operation, were fighting a last-ditch stand against the inevitable supremacy of steam. It is with a certain nostalgia that the author records the passing of a fine fleet and documents an important chapter in maritime history. windjammers, captains, martin frampton, catherine aviss (nee frampton), herbert aviss, elisabeth frampton, inverneill, garthneil, wray castle, garthwray, alfred george course, invercauld, invermay, carnmoney, garthforce, garthsnaid, garthgarry, garthpool, juteopolis, captain roberts, crew, cape horn, cape leeuwin, captain thomas atkinson, spanish flu, wwi