"Catalogue of Improved Machinery for Preparing, Carding and Spinning Wool" - John Hetherington and Sons Limited, proprietors of Curtis, Sons and Co., c.1930.Book: "Catalogue of Improved Machinery for Preparing, Carding and Spinning Wool" - John Hetherington & Sons Limited, Manchester, c.1930.textile machinery, john hetherington and sons limited curtis, sons and co., carding, spinning machinery, scribbling, cloth - woollen, cloth - worsted

Two wooden paddles with fine mettle pins on one side, wooden handles on each paddle.wool-knitting, handwork

This drum carder was purchase by Gill Stange at the Whittlesea Show in the late 1980s. The carder allowed Gill to spin fleece from her own Merino sheep. Merino is a difficult wool to spin when compared to other popular varieties, such as Corriedale or crossbred wool. The carder helped her to tease out the fleece, slightly separating the fibres before spinning. It also allowed for easier removal of foreign matters, such as seeds and mud. Little is known about the Kacoonda brand who produced the carder. They were Australian based and appear to have only operated throughout the 1980s.The carder has one large central roller with two smaller rollers on either side. The larger roller rotates in the inverse direction of the two smaller rollers. The carding cloth is a mint green in which closely spaced wire pins are embedded. The shape, length, diameter, and spacing of these wire pins is that of a standard carder. On one side of the carder a handle is found that is used to spin the three rollers. Additionally on this side is a sticker which reads “The Kacoonda Carder. Subject to Patent Action”. A Silver grip for the easy movement of the carder can also be found high on this side. On the opposite side of the carder, many nuts and plates can be found which hold the rollers in place. This is opposed to the other side of the carder, which has a brown plastic cover plate attached underneath the handle. The walls providing a path for the carded wool to follow when being carded, are made of wood. The carder comes complete with a teasing tool. This tool has the same mint green carding cloth as the carder’s rollers. It is attached to a simple wood handle for ease of use.Wording, green, printed. Sticker on side of carder. “The Kacoonda Carder / SUBJECT TO PATENT ACTION”whittlesea show, drum carder, textile production, carding wool, kacoonda

Ertoel Wheels made a wide range of looms, chairs, drum and hand carders, and spinning and weaving accessories. Small drum carder, designed to be used on a table and operated by hand to card wool and or other fibres in preparing them for spinning or felting. This wooden carder has two cylindrical drums covered with coarse or fine metal “tines” designed to rake through and comb the natural fibre. The manufacturer's name 'Ertoel Wheels' is glued at one end"Ertoel Wheels"wool carding, drum carders, carding equipment

Manufactured by Ashford of New Zealand, probably sometime in the 1990s. Ashford would produce various wool-related machines (weavers, carders, spinning wheels, etc) as kits which the purchaser could then assemble.Mini drum carder, assembled from kit. Carder is a natural wood colour. Has a base with two sloping sides, the right side has two cogs and a handle to drive the carders. The carder rolls are a red/orange covered in steel bristles. A hand-written tag is tied to the handle.ASHFORD / MADE IN NEW ZEALANDcarding, wool

Sales photograph for William Tatham Ltd. of Rochdale, to showcase new Carding Machines in a newly developed textile factory. The photograph was taken in Glasgow, Scotland.A black and white photo of a room filled with working Carding Machines in a portrait format. A man is working at the end of the closest machine.On rear - top margin - Showing Card Sets in new Card Room. Bottom right corner - Commercial Artists photographers and blockmakers Scottish Studios and Engravers LTD. 196 Clyde st. Glasgow. C C.P.D 6893 Dtextile machinery, wool manufacture, carding, wool, glasgow

These are sales photographs for William Tatham Ltd. of Rochdale. These photographs are taken in the fitting shop at William Tatham Ltd. where final assembly would have taken place. A carding machine disentangles and cleans wool fibres and then aligns the individual fibres so that they are parallel with each other.The photographed machine was made by William Tatham Ltd, a textile engineering company based in Rochdale, UK. Established in 1866 Tatham developed innovative textile machinery and send their products to Australia and other countries around the world.Two black and white photos of an Semi-Continental Card Set in a landscape format. The first photo is of the whole machine, the second is a close up of the mid section of the machine.8038.1 - Front - top margin: For description see over. Front mid right edge - Wm. TATHAM Ltd. ROCHDALE. Machine Maker Front bottom right corner - 1131 Rear - Semi-Continental Card Set arranged to receive latest pattern Automatic Feed fitted with Peralta, improved type Parallel Fiber Feed permitting of passageway between Scribbler and Carder. Four-tier Continuous Tape Condenser. 8038.2 - Front - top margin: For description see over. Front mid right edge - Wm. TATHAM Ltd. ROCHDALE. Machine Maker Front bottom right corner - 1132 Rear - Showing Peralta with hydraulic pressure to rollers and working with improved pattern Parallel Fibre Feed arranged with passage between the two main sections.textile machinery, tatham, carding machine, wool manufacture

This card is the sixth in a set of 16 information cards produced by the Stamina Clothing Company re: Australian Woollen Mills as give aways. It looks the process of wool carding.Card no. 6 from the Crusader Mills information card set, c.1945-55. Verso of card no. 6 from the Crusader Mills information card set, c.1945-55.No. 6 Carding the scoured wool at the Crusader Mills.australian woollen mills pty ltd stamina clothing company, carding

Made by Ashford in New Zealand, possibly in the 1990s. Ashford would make and sell various wool-related machines (carders, weavers, spinning wheels, etc) as kits which the purchaser would then assemble.Small drum carder, natural wood colour. Rectangular base with two sides, the right side has a handle with which to rotate the carding rolls. The left side has four cogs (one large, three small) joined with a green rubber band. There are two carding rolls, one large, one small, both are an orange/red colour and covered in steel.wire bristles. There is a hand-written tag tied to the handle.ASHFORD/ MADE IN NEW ZEALANDwool, carding

After scouring, the wool fibres are still tangled together. Carding untangles the fibres by brushing and straightening. The wool moves through a series of wire brush rollers that revolve at different speeds and in different directions to tease apart the wool. The fibres emerge from the machine as a continuous filmy web - called a sliver. The sliver must be thinned and divided into strands before the next process. Carding machines constantly require tuning. A highly skilled technician maintained and adjusted the speed of the rollers on the machine. This machine was developed by the CSIRO in the 1960s as a small-scale experimental machine. Industrial carding machines were four times the size of this one. Gold plaque on display with machine until 2018 read: G.H. Mitchell & Son, Adelaide have celebrated 125 Years of involvement with the Australian Wool Processing Industry by contributing the funds necessary to restore The Carding Machine, Noble Comb & The Gill Box. Also another gold plaque read: Experimental Carding Machine donated to The National Wool Museum by C.S.I.R.O Ryde has been rebuilt by Nick Sokolov of Comb Research & Development with the help of Bernard Tolan.Carder with small roller missing at coiling end. Driven by three horse power motor. Wooden slated feed table synchronised to overall gearing.carding machine, machines, wool industry, manufacturing, wool processing

Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Salesman's Wool sample card containing samples of wool at different stages of processingJohn Taylor/With Compliments from Onkaparinga/Woollen Co.Ltd/Adelaide, Sth Aust. Mills Lobethal and Thebarton, S.A/Always insist on Onkaparinga Rugs.Blankets.Worsteds.Melanges.Woollens and Flannelswool, blanket fever, advertisement, onkaparinga, sample

Formed in 1990 by a group of current and former social services and administrative staff at the then-Brighton Council, the Lovely Learned Luscious Ladies of Brighton were a group bound by friendship, humour, fun and a delightfully strange knitting project. Each member took turns to add ten rows ten rows of knitting to the piece, following a series of handwritten rules on an attached card. The wool used was not to be bought, but could be "begged, borrowed or stolen", and previous work was not to be altered. The ladies met bi-monthly over dinner at local restaurants and hotels to swap gossip, play games and share the progress of the knitting. The work of twelve women over eighteen years, the piece documents fond memories, personal passions, wedding celebrations, the birth of a grandchild, footy triumphs, holidays and major events. It is a testament to a close-knit friendship, as expressed on the rules card: "MAY THIS PIECE SERVE TO BIND US TOGETHER".Irregular-shaped knitting project consisting of multicoloured knitted stripes in a variety of yarns and stitches created by a group of women over a period of eighteen years. The piece includes numerous additions and embellishments by the various makers, including sequins, beads, shells, badges, ornaments and laminated images.Attached yellow laminated rectangular card with handwritten rules: "1) Nominated member is to knit (in any stitch of choice) 10 rows of your best by the next meeting. 2) The yarn to be used is not to be purchased for the job but can be begged, borrowed or stolen. 3) The colour of yarn is to be left to member's discretion, but judgement will be passed by others. 4) The nominated member will not tamper with, pull out or destroy a previous member's work. 5) On returning the work to the meeting the member shall declare to what genuine purpose the piece will be put on completion (as a guide for future knitters), e.g. rug for favourite chardy, cock sock for lover. 6) The next knitter can (and shall be encouraged to) change the purpose as stated by the previous knitter. 7) This tag must not, without the permission of a majority of members, be removed. MAY THIS PIECE SERVE TO BIND US TOGETHER."brighton, brighton council, social groups, knitting, 1990s

These are sales photographs for William Tatham Ltd. of Rochdale. These photographs are taken in the fitting shop at William Tatham Ltd. where final assembly would have taken place. An Automatic Feeding Machine automatically and sequentially supplies uncarded wool to carding machines, The photographed machine was made by William Tatham Ltd, a textile engineering company based in Rochdale, UK. Established in 1866 Tatham developed innovative textile machinery and send their products to Australia and other countries around the world.A black and white photo of a Patent Automatic Feed Machine in a portrait format. Black wiritng on the rear, typed with a typewriter.Front - mid left corner - Wm. TATHAM Ltd. ROCHDALE. Machine Maker Front bottom right corner - 1129 Rear - Patent Automatic Feed with Extended Hopper fitted with balanced pressure plate which operates through Variable Speed Device to regulate speed of spiked lattice in accordance with material in Hopper. Electro-Magnetic Clutch Drive to spiked lattice controlled by Mercery Switch on scale arm. Diagonal Scale Pan with improved knife edge suspension. Dual Trap Doors over Pan actuated by Solenoid. Automatic device to slow spiked lattice just prior to weigh being obtained. Ball or roller bearings to main shaft, combs and other parts. Self-aligning bearing to timing shaft etc.textile machinery, tatham, wool manufacture, carding, automatic feeding machine, wool

This was sent as a postcard / Xmas card from Cape Conran.Postcards and greeting cards formed a vital part of social and historical records for researchers. This photograph has been used as a Christmas greeting card. Christmas is the one time of the year people send cards all for the same purpose. It is a way of keeping in touch and of sharing holiday scenes.A small coloured photograph of the sea washing over rocks. The photograph is framed as a small greeting card and is tied with wool.on front - Cape Conran inside - To GS (OS?) from all at Kurrajong, Xmas 1939"cape-conran-postcard xmas-greetings

These cards, presumably part of a pack of cards (or two packs) are an advertising tool for Warrnambool rugs made by the Warrnambool Woollen Mill. The Warrnambool Woollen Mill in South Warrnambool was opened in 1910 with John Bennett the first manager. It produced woollen blankets and rugs and woollen products during the war years for military purposes. It closed in 2000.These cards are of interest as an advertising tool for the Warrnambool Woollen Mill which was a major industry in Warrnambool for 90 years. It shows the advertising techniques used by businesses in the 20th century.These are two regulation-size playing cards, both showing the five of clubs, with a colour advertisement for Warrnambool Rugs on the back. The advertisement features an assortment of Warrnambool woollen rugs. On back of cards – ‘Warrnambool Rugs, pure wool’warrnambool woollen mill, cards

The opening of the Tawonga Hall was celebrated in the evening on Wednesday 11th March 1925. A band played and guests danced.This 'programme' was used by people in the district who attended the opening of the Tawonga Hall in 1925.This is a small programme for the evening of the opening of the Tawonga Hall in 1925. It also doubled as a dance engagement book for the evening. Front cover "Programme" is printed It is in the form of folded cardboard with a picture of a rose on the cover that passes through a white tag entitled 'Programme' on the stem of the rose. Edges have spaced zig-zag cuts in groups of 6. On back of front a lot writing printed in black. Opposite is a list of 15 dances eg. Waltz with space for names of partners. On the folded card a hole has been pierced at the top left hand corner with red wool threaded through and a small pencil hanging at the end of it. tawonga public hall, programme, opening ceremony, dance programme, annie sullivan

This folder contains photographs, advertisements and a sample of a piece of blanket from the Warrnambool Woollen Mill. This mill was officially opened in South Warrnambool in 1910 following the establishment of a local public company. The first manager was John Bennett from Yorkshire, England. The operations of the mill expanded with new buildings enabling the business to double in size by 1915. In the 1940s the factory was employing 700 people. In 1968 the factory was sold to Dunlop Australia but was sold again in 1982 to Onkaparinga Woollen Company. In 1983 Mcquarie Worsteds took over the factory with the business then known as Warrnambool Textiles. In 2000 the mill closed and most of the buildings were later demolished for a housing estate. This item is an attractive and informative memento of one of Warrnambool’s most important businesses of the past. The Warrnambool Woollen Mill operated for 90 years and employed many local people. The photographs are of particular interest.This is a rectangular-shaped sheet of buff-coloured lightweight cardboard. It has been folded twice to create six pages in a folder. Three pages contain black and white photographs of the woollen mill operations and two pages contain advertising material with black and white images. One page has a cream blanket piece of material attached to the page by two staples and this has the brand name stitched onto the right hand corner This piece of blanket also has a paper guarantee card attached by staples. The Warrnambool Woollen Mill Co. Ltd. South Warrnambool The 100% Wool Warrnambool Super Blanket Made in Australia warrnambool woollen mill, history of warrnambool

It is believed that this label comes from the wool shop business of Agnes Ann and Margaret Lillian Rodgers who were the daughters of Charles and Martha Rodgers. Charles was a well known quarry man in Warrnambool. The wool shop was in Fairy Street in the mid 20th century.This label is of interest as a memento of the Rodger's wool shop in Fairy Street, WarrnamboolWhite rectangular label with dark blue text adhered to a piece of grey card.FROM A.A & M.L Rodgers 105 FAIRY STREET, WARRNAMBOOL TELEPHONE 3727wool, rodgers wool shop, warrnambool

Part of the Flight Lieutenant Ian A. 'Joe' Lyons MBE Collection. See catalogue No 5374P for his service record..1) and .2) Pair of black leather calf length RAAF flying boots with leather sole and rubber heel. each boot is lined with soft brown leather with remnants of sheep wool attached to the right boot (.1). A buckle and strap at the ankle and calf height secure each boot when wearing. .3) Handwritten card with details of the boots' provenance..3) Handwritten in black ink: ' FLYING BOOTS. Worn by Squadron Leader Ian A. 'Joe' Lyons. Worn all through the Pacific - North Africa - New Guinea - Borneo - All through Japanese Occupation, 1942 Middle East. Donated by Mr I. A. Lyons'uniform, footwear, flying boots, flight lieutenant ian a. lyons

Refer to Cat 5109PThis is a folded cardboard card. Inside is a black & white photo of a volcano. Printed on the inside page within the card are the words; " With all good wishes for Christmas and the New Year". On the front cover is a drawing of palm trees, ocean and a ship with the words "Greetings from New Guinea" is printed in black ink. The card has a small piece of purple wool acting has a decorative binder.Written in ink, on the inside page is - "From E H Hildebrandt VX25591 10-12-41" ww2, rabaul, new guinea, christmas card, souvenir

See Cat 4575PSmall folded cardboard card, Inside i a smaller piece of paper with words written. The two pieces are held together with a piece of brown wool. The front cover is a pen and painted drawing of three flowers. The edges have been cut in such a way as to provide a crinkly effect.The inside leaf, left side, has written VX32652 Dvr. D Dean 2/10 Aust TPT Platoon. Right side has a printed Christmas greeting, with hand written: "To my Darling Wife with all my love, Doug xxx" xxxwar, christmas

This slouch hat belonged to Royal Australian Air Force serviceman/woman Forsyth. Khaki-coloured slouch hat with folded cotton band with blue strip around brim; gold coloured badge depicting a wreath with crown atop and ornamental letters “RAAF”. Four plastic eyelets at crow of hat and signature fold on crown. Wide brim edged with brown coloured binding. A hook on the left crown and left brim attach together to lift one side of the hat. On interior, brown leather chinstrap with metal adjustable buckle ad black leather sweatband stitched in with zig-zag black stitching and secured by khaki silk bow at back. Bow attaches a card reading “58” in a circle. Sticker on interior centre in brown and metallic gold. Size sticker hidden underneath sweatband reads “58 7 1/8”Label on interior of cotton band reads “A.G.C.F./VIC 1989 [broad arrow]/SIZE. 58/8405-66.[crossed out 109-5392]033-5309”. Handwritten on interior brim “FORSYTH”. Size labels read “58” and “58 7 1/8”. Sticker reads “COMMANDO/WOOL SLOUCH HAT/MELBOURNE”uniform, royal australian air force, raaf, r.a.a.f., slouch hat, 1980s

Donated by S Serpell of Serpell & Reid Families, SandringhamColoured Postcard of two horse drawn coaches. Three people on the coach in the foreground and one person on the rear coach. A person on the roadside. Trees either side of the road. Front: Phillip Island - Wool Team on road to Cowes. Back: Harbison's Wool & Dray.wool team, horse drawn wagons, horse drawn coaches, s serpell

A Collection of postcards showing different views around Phillip Island. 10 of a collection of 11 postcards donated by M. Trott. Photo 1. S.S. Genista coming into Newhaven pier with another boat and people at the pier. Photo 2. The Granite Quarry at Cape Woolamai. Photo 3. View of the Newhaven pier with San Remo in the distance Photo 4. Milking Time, Newhaven. Photo 5. Wool Team on road to Cowes. Photo 6. View of the Cowes Jetty and Cowes in the background taken from a Steamer. Photo 7. View of Back Beach near The Nobbies. Photo 8. Cowes Jetty and Jetty Shed with Govt Steamer "Lady Loch" in the distance. Photo 9. Cape Woolamai coastline. Photo 10. Fisherman's Hut, Cowes with Jetty and boats in the background. 1. "S. S. Genista" calling at Newhaven. Phillip Island. 2. Phillip Island Granite Quarry, Cape Woollami 3. Phillip Island. Newhaven, San Remo in distance. 4. Phillip Island - Milking Time, Newhaven. 5. Phillip Island - Wool Team on road to Cowes. 6. Phillip Island - Cowes from Steamer. 7. Phillip Island - Back Beach. 8. Phillip Island - Cowes Jetty. Govt Steamer "Lady Loch" in distance. 9. Phillip Island - Cape Woollami. Home of Mutton Bird. 10. Phillip Island - Fisherman's Hut, Cowes.cowes jetty, newhaven jetty, granite quarry cape woolamai, phillip island coastline, fisherman's hut cowes, ss genista, lady loch steamer, m trott

Established 1999, the business closed about 2016.Business card, black print on green"Contact Elizabeth", telephone number and address. "Carol" and telephone number handwritten on reverse.watsonia wool shop