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Federation University Historical Collection
Document - Pre Press Film and prints, C.V.P Design, Ballarat University College Handbook 1991 Design work, 1991
Ballarat University College is a predecessor of Federation University .1 Coloured print of handbook design .2 Large Black and White print of design .3 Smaller Black and white print of design .4 Four sheets of press film design.ballarat university college, handbook, c.v.p design, gerard harris, research report, films -
Alfred Hospital Nurses League - Nursing Archive
Print - Coloured print, The Original Design of The Alfred Hospital
The Alfred Hospital commissioned architect Charles Webb to design the hospital. [Picture submitted 1869. Open for inspection Dec 1870.]A historical record of the original Alfred Hospital designFramed photo print of original design of Alfred HospitalPerspective of original design of Alfred Hospital / by C Webb, Architectstreet view of building elevation, horse and carriage in foreground, alfred hospital, architects drawing -
RMIT Design Archives
Mixed media - Textile Design Sample, Design for Clothing Label, 1958
Cash's first began manufacturing name tags, woven badges and woven labels in Australia in 1913, and since then countless Cash's labels have been sewn onto school and club jumpers. The Boy Scouts commissioned this point paper design featuring a boy, puma and snake. It is inspired by imagery from Kipling’s Jungle Book.Point paper design featuring boy, puma and snake. Corresponding clothing label attachedtextile design, design -
Federation University Historical Collection
Photograph - Photograph - Black and White, Fashion Design Students, 1988
Paul Lambeth' took photographs of each TAFE Art group. Val D'Angri taught the Fashion Design students Black and white photograph of TAFE Fashion Design Students at the Ballarat School of Mines.In pencil on verso "Fashion Design Student see group photo. cat # 13777 c.1988"students, fashion design, paul lambeth, val d'angri -
Federation University Historical Collection
Painting - Artwork, Edith Alice Watson, Examples of General Design from folio of artwork undertaken at the Ballarat Technical Art School, 1931,1932
Edith (Alice) WATSON (1914–2010) Murtoa | Australia Alice Watson studied at the Ballarat Technical Art School (at the School of Mines, Ballarat) from 1930 until 1933. Watson sat several departmental exams, including drawing and painting plant forms from nature, lettering, Composition of Form and Colour and advanced General Design, as well as dressmaking and embossed leatherwork. General Design examinations required only designs on paper, and not the full execution of an object (which was the case for Applied Design exams). Watson's folio applies many Australian native floral elements to design. Upon graduating, Watson taught at the Murtoa High School, living with her parents until their deaths in 1972 and 1988 when she was 74 years old. Alice Watson died in Ballarat, aged 95, having conserved her beautiful student folio, which was generously gifted to the Federation University permanent Historical Collection by the Watson family. A folio of thirty three drawings and paintings undertaken by Alice Watson at the Ballarat Technical Art School. The works include including the application of Australian flora to designs, including for pottery, leather and applique. .2) is a design for a table runner to be executed in richelieu work .3) frieze including fish .4) "Design for a border to be executed in stencil". 1932 .12) "Design on the waratah for a bowl to be executed in clay". 1932 .14) "Time test" .12) .17) .15) .18) show the combination of Australian flora with Art Nouveau-inspired designs .9) is a design for a wallet to be executed in raffia showing elevation, side elevation and plan views .11) is a design for a prayer book carrier to be executed in leather work .10) is an example of pencil transfer method of design seen on .11) .18) Design for a fan, image of birds and berries on a blue ground. .25) landscape illustration .27) "development" design based on a correa .29) "Design for a tea cosy based on the Cobia-Scanden to be executed in applique. 1931 (see also .31) .30) "Design for a writing tablet to be executed in embossed leather work and based on the native fuschia" (correa). 1931 .31) a completed doily holder: applique workMost are signed A. Watson 1931 .2) Paper is embossed with stamp of 'Goodall's Bristol Boards' stamp. (Crown depicted in centre) .20 and .22) Paper is embossed with 'Windsor & Newtons Bristol Board' stamp.(Griffin depicted in centre)ballarat technical art school, alice watson, flora, design, artwork, folio, art nouveau, alumni, leather work design, richelieu work, applique, doily holder, doyley holder, general design, edith alice watson -
Buda Historic Home & Garden Castlemaine
Drawing - Illustration - Design for Jewellery, Ernest Leviny - Britannia pendant jewellery design, c1851
Original jewellery design for 'Britannia' pendant by Ernest Leviny, designed when he was living in London c1851, before travelling to the Australian goldfields of Castlemaine in late 1852. Leviny and his partner, Frederick Boocke, supplied jewellery designs to Watherston and Brogden in London. This design was made into a pendant by another London company, S.H. & D. Gass and was awarded a prize medal at the Great Exhibition of 1851 at the Crystal Palace in London. Leviny brought many of his original jewellery designs with him when he came out to Australia from Britain. See Schofield, Anne & Fahy, Kevin (1991), 'Australian jewellery: 19th and early 20th century'; Woodbridge, Suffolk, Antique Collectors Club, p. 39; Gere, Charalotte & Rudoe, Judy (2010), 'Jewellery in the Age of Queen Victoria', Pub.The British Museum p.340.This original jewellery design for the 'Britannia' pendant by noted colonial silversmith and jewellery, Ernest Leviny, is significant due to its link with the 'Britannia Pendant' awarded a prize medal at Great Exhibition of 1851, held at the Crystal Palace in London.Original jewellery design for a pendant featuring a standing woman (Britannia) holding a trident in her left hand and possible oar in her right hand, with Gothic style ornate pillars on each side and an archway overhead. Beneath the figure are three pearl drops. Drawn in pencil on grey card with gold ink highlights and red watercolour tinting.ernest leviny, jewellery, design, illustration, brittania, 1851, great exhibition of 1851 -
Federation University Historical Collection
Document - Document - Design, E J Barker: University of Melbourne: Bachelor of Mechanical Engineering; Machine Design Assignments, 1947
Four folders of Machine Design projects. No.1: a. Reports on visits to various industries: Bristo Plastic Industries. b. Australian Iron and Steel. c. Olympic Cable Factory No 2: Medium Duty Centre Lathe Head Stock No.3: Vertical Multitubular Double Effect Evaporator No.4: Design and Drawings of 120 HP Diesel Engine Jack chose to do Engineering while still at Footscray Technical School as it gave access to Diploma Courses and tertiary studies. This enabled him to enter the University of Melbourne and do a Bachelor in Mechanical Engineering - 1945, 1946, and 1947. In 1948 he did a Diploma in Education at Melbourne University. From this path he was able to follow a career in teaching and his first appointment was at the School of Mines in Ballarat, (SMB) 1949. He became the first Vice Principal of SMB in 1960 and then Principal in 1964 to 1976. From 1976 to his retirement in 1987, he was the Foundation Director of Ballarat College of Advanced Education (BCAE). The Library building at Mount Helen Campus is named after him.Manila folders with design assessments. Written descriptions and detailed drawings.e j barker, jack barker, melbourne university, engineering, diploma of mechanical engineering, diploma of electrical engineering, school of mines ballarat, smb, diploma in education, vice principal, principal, foundation director, ballarat college of advanced education, bcae, bachelor of mechanical engineering, library, mount helen campus, engineering drawing, design, specifications, manufacture, bristo plastic industries, australian iron and steel, olympic cable factory, centre lathe head stock, multitubular double effect evaporator, 120 hp diesel engine -
Federation University Historical Collection
Document - Document - Design, E J Barker: University of Melbourne: Bachelor of Mechanical Engineering; Engineering Design Part II, 1946
Four folders containing an Engineering Design Part II Project. Each has detailed written information and drawings. No.1: To design an Extruder Addition to the hydraulic press in the plate shop to enable it to be used as an extruding press to operate on materials similar in behaviour to a wax. No. 2: To design a flywheel of uniform strength of not less than 25 feet. No 3: To design cams, valve gear and inlet and exhaust valves for a 6 cylinder truck engine. No 4: To design an experimental brown coal autoclave for drying brown coal in 10 kilogram lots. Jack chose to do Engineering while still at Footscray Technical School as it gave access to Diploma Courses and tertiary studies. This enabled him to enter the University of Melbourne and do a Bachelor in Mechanical Engineering - 1945, 1946, and 1947. In 1948 he did a Diploma in Education at Melbourne University. From this path he was able to follow a career in teaching and his first appointment was at the School of Mines in Ballarat, (SMB) 1949. He became the first Vice Principal of SMB in 1960 and then Principal in 1964 to 1976. From 1976 to his retirement in 1987, he was the Foundation Director of Ballarat College of Advanced Education (BCAE). The Library building at Mount Helen Campus is named after him.Four manila folders with design assessment in each. Each folder has written descriptions and detailed drawings.e j barker, jack barker, melbourne university, engineering, diploma of mechanical engineering, diploma of electrical engineering, school of mines ballarat, smb, diploma in education, vice principal, principal, foundation director, ballarat college of advanced education, bcae, bachelor of mechanical engineering, library, mount helen campus, engineering drawing, design, specifications, manufacture, extruder addition, hydraulic press, flywheel, cams, valve gear, inlet valve, exhaust valve, 6 cylinder truck engine, autoclave, brown coal -
Eltham District Historical Society Inc
Sketch (Concept), Joh Ebeli, Bicentenary Year Walter Withers Rock and Plaque Design by Joh. Ebeli (1988), 1988
Concept sketch for the placement of a commemorative plaque on a rock in the Walter Wither Reserve at the corner of Arthur and Bible Streets, Eltham. The rock was installed 17 May 1990. Russell Yeoman advised (14 Jun 2017 society meeting) that the Shire of Eltham had been given a plaque to commemorate Walter Withers and that the rock was sourced from west of Melbourne with funds from a local government grant. The initial crane to lift the rock in place was too small and another crane was arranged. This also proved too small to lift it until a third and larger crane was arranged. Mary Owen, granddaughter of Walter Withers unveiled the commemorative plaque at a ceremony held at Walter Withers Reserve at the corner of Bible and Arthur Streets, Eltham, 13 Oct 1990.Colour pencil and wash on paper mounted on card and sealed at edges with masking tape. Protective facing sheet also attached with masking tape."Rock and Plaque design" on facing sheet On back: "John Ebeli 63 Batman Rd Eltham"eltham, walter withers reserve, walter withers rock, shire of eltham, arthur street, bible street, joh ebeli, design, plaques -
RMIT Design Archives
Design drawings, Paul Taylor for Form Australia, Kambrook Axis Kettle concept rendering
The Axis Kettle was developed through the EcoRedesign project funded by the Federal Government and based at RMIT in the 1980s and 1990s. The project involved the expertise of significant Victorian designers such as Paul Taylor, Gerry Mussett, Liam Fennessy and Michael Grima, as well as prominent sustainability experts such as academics John Gertsakis, Chris Ryan and Alan Pears. Axis changed the way kettles were used, guiding users to save resources through their behaviour. It is regarded globally by academics from prominent design institutions such as Loughborough and Delft as one of the first successful eco-design projects. The drawing is part of the Centre for Design collection, RMIT University. Simon Lockrey, 2017 The drawing is historically significant as an early eco-design project. Design drawing of KambrookKettle by Paul Taylor for Form Australia as part of the Centre for Design at RMIT University, featuring electric kettle drawn in black pen + ink with blue ink where kettle lid is. Written design descriptions appear along side the image and title below.LID / SANHOPRENE / GRIP / RECYCLED SKIN / ELECTRIC KETTLE. c 12TH FEB. '93household appliances, industrial design, sustainability, rmit university -
Vision Australia
Certificate - Text, Australian design award #1514 to Mitchell Manufacturing, February 22, 1982
In 1982 Mitchell Manufacturing received a design award for the Mitchell Coaster cycle from the Industrial Design Council of Australia.1 cream coloured page with blue background and cream upside down V on upper two thirds of page."Australian design award number #1514 awarded to Mitchell Manufacturing - a division of the Royal Blind Society for Mitchell Coaster bicycle designed by Peter Corbin Date 22/2/82, Signed (signature illegible) Chairman".royal blind society of nsw, mitchell manufacturing -
Federation University Historical Collection
Document - Document - Design, E J Barker: University of Melbourne: Bachelor of Mechanical Engineering; Civil Engineering 1 and 1A; Design of Welded Plate Girder, 1946
Assessment No 2 Project was to design a welded plate girder required in a building to span between two steel columns which have to be spaced 60 feet centre to centre. It needs to carry its own weight plus specified loads. This was part of Civil Engineering 1A . Jack chose to do Engineering while still at Footscray Technical School as it gave access to Diploma Courses and tertiary studies. This enabled him to enter the University of Melbourne and do a Bachelor in Mechanical Engineering - 1945, 1946, and 1947. In 1948 he did a Diploma in Education at Melbourne University. From this path he was able to follow a career in teaching and his first appointment was at the School of Mines in Ballarat, (SMB) 1949. He became the first Vice Principal of SMB in 1960 and then Principal in 1964 to 1976. From 1976 to his retirement in 1987, he was the Foundation Director of Ballarat College of Advanced Education (BCAE). The Library building at Mount Helen Campus is named after him.Manila folder with design assessment. Written descriptions and detailed drawings.e j barker, jack barker, melbourne university, engineering, diploma of mechanical engineering, diploma of electrical engineering, school of mines ballarat, smb, diploma in education, vice principal, principal, foundation director, ballarat college of advanced education, bcae, bachelor of mechanical engineering, library, mount helen campus, engineering drawing, design, specifications, manufacture, civil engineering, welded plate girder, 60 feet, steel columns -
Federation University Historical Collection
Booklet - 'Zine-style Catalogue, Design Alliance vs Visual Villains, Advanced Diploma of Arts (Graphic Design), 2007
Comic-book style promotion featuring students completing the two-year Advanced Diploma of Arts (Graphic Design) course at University of Ballarat, 2007. Inside front cover features student names and photographs, plus "character" names. Pages feature student folio pieces. 16pp saddle-stitched full colour offset throughout.Promotional catalogue for graduating students of the University of Ballarat (TAFE), Advanced Diploma of Arts (Graphic Design). 16pp saddle-stitched booklet, full colour offset throughout.diploma of graphic design (2 years), university of ballarat, federation university, graphic design, tafe, advanced diploma, arts academy, camp street campus -
RMIT Design Archives
Advertisements, David Lancashire Design, designer, Avon Graphics Security
This is an exemplary model of what is possible in design for print. Only 20mm across, this magnification reveals nine separate print passes that each differently affect the paper's surface. Printed on a cheque commissioned by Avon Graphics Security, designed by David Lancashire and detailed by Geoff Fawcett in the 1990s, the design represents an important aspect of graphic design history: the creation of labour intensive marks that are impossible to forge. Jenny Grigg, 2017foil, graphic design, embossing, printing industry, design -
Federation University Historical Collection
Drawing - Artwork - Drawing, Ponsonby Carew-Smyth, 'Design for a Town Hall' by Ponsonby Carew-Smyth, c1895
Ponsonby May Carew Smyth was born at Cork, Ireland, Carew-Smyth studied at the Belfast School of Art and Design. Carew Smyth taught at the national Art Training School, London and Rugby School. He arrived in Australia in January 1891, and was appointed Principal of the Ballarat Fine Art Gallery School (Ballarat West Technical Art School) from 1891 to 1899. In 1907 Carew Smyth was Chief Inspector of Art for the Victorian Education department. He designed commemorative wall plaques for state schools after World War One. In 1936 Carew Smyth was Acting Director of the National Gallery of Victoria.Drawing on card of a principal elevation for the design of a town hall. Includes a "National Art Training School" lable A sticker with the number 2234 A sticker with the words "National Bronze Medal (+ illegble) Stamped 'Work accepted For Certificate" Embossed "Department of Science and Art" with handwritten Certificate 17107ponsonby carew-smyth, architectural drawing, clock tower, ballarat technical art school, ballarat west technical art school, art training school, london, rugby school, ballarat fine art gallery school, art gallery of ballarat, national art training school -
Glenelg Shire Council Cultural Collection
Souvenir - Envelope - Victoria's 150th Anniversary, c. 1984
Envelope, Australia Post souvenir cover, commemorating Victoria's 150th Anniversary. Cream, coloured design on left, description on reverse.souvenir, australia post, victoria centenary -
Melbourne Tram Museum
Manual, Metropolitan Transit Authority (MTA), "The Met Design Manual", 11/1984
Document - The Met design or style manual details the Corporate Identity to be used on all publications, and documents including logos, logotypes, symbols, standard lettering, and colour. Has a table of contents. The design manual is dated Nov 1984, just over one year after the creation of The Met - see reference. Parts 2, and 4 to 9 are missing insert pages.Demonstrates a Style Guide or Design Manual used by The Met in Melbourne.Document - multi ring binder green plastic covers, with approx 40 sheets, full colour, including table of contents.the met, design, style guide, logos, colour schemes -
Ballarat Apron Festival
Apron, The Ballarat Apron, 2014
This apron was designed for the Ballarat Apron Festival by local designer Clare Schreenan of Clasch Designs Ballarat. The tartan fabric was designed by Art Gallery of Ballarat for the 2014 exhibition “For Auld Lang Syne: Images of Scottish Australia, from the First Fleet to Federation”, and is officially registered with the Scottish Register of Tartans. The colours are highly significant: grey being chosen for the basalt plains on which Ballarat is built upon; Blue and white representing the Eureka Flag; and yellow for the gold that has made Ballarat so famous. Born in Ballarat, Schreenan attended Loreto College before studying fashion at Melbourne College of Textiles. She has worked extensively in Sydney, travelling to Paris, London and Los Angeles for work projects. She returned to Ballarat in 2006, launching Clash Design. Featuring the official, highly symbolic Ballarat tartan, and made by highly renowned local designer Clare Schreenan, this contemporary apron is of local significance to the Ballarat community. Grey, blue, white and yellow wool tartan fabric apron with asymmetrical design. Velco closures on back with zipper detailing. ballarat, tartan, apron -
Melbourne Tram Museum
Manual, Metropolitan Transit Authority (MTA), "The Met Design Manual", 1988
Document - The Met design or style manual details the Corporate Identity to be used on all publications, and documents including logos, logotypes, symbols, standard lettering, and colour. Has a table of contents and an index. Includes printed publications, signposting, rollingstock road vehicles, uniforms, stationery, and miscellaneous items. Has an index at the rear. The design manual is dated 1988, some five years after the creation of The Met - see reference.Demonstrates a Style Guide or Design Manual used by The Met in Melbourne.Document - 4 ring binder white plastic covers, with approx 100 sheets, double side, full colour, including table of contents and an Index.the met, design, style guide, logos, colour schemes -
Federation University Historical Collection
Booklet - Catalogue, Once upon a time… The Land of Design, Advanced Diploma of Arts (Graphic Design), 2008
Storybook/fairytale themed promotion of student work on completion of the two-year Advanced Diploma of Arts (Graphic Design) course at University of Ballarat, 2008. Page one features student names and photographs, plus "character" names. Pages 2-3 fairytale map. Subsequent pages include folio examples, one student per double page spread. Inside back cover notes sponsors, Sovereign Press and The Image Company. Teaching staff for duration of the two-year course listed as: James Baker, Peter Lambert, Jill Hyatt, Ben Sanders, Travis Price, Sam Harmer, Trevor Tagliabue, Alister Heighway, Sarah Lloyd. Promotional catalogue for graduating students of the University of Ballarat (TAFE), Advanced Diploma of Arts (Graphic Design). 32-page + 4-page cover saddle-stitched booklet. Full colour offset throughout.university of ballarat, federation university, graphic design, tafe, advanced diploma, arts academy, camp street campus -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Ballarat Botanical Gardens Fernery, Brief for Landscape Design
Ballarat Botanical Gardens Fernery. Brief for Landscape Design.john garner collection, ballarat botanical gardens, fernery, design, landscape, gardens, ballarat -
National Wool Museum
Hardback Book, Longmans, Green and Co, Advanced Textile Design, 1925
Large green hardback bookAdvanced Textile Design. W Watson -
Buda Historic Home & Garden Castlemaine
Illustration - Watercolour, Dorothy Leviny, Original Wallpaper Design by Dorothy LEviny, 1906
Original design by Dorothy Leviny, aged 25, while she was a student at the Bendigo School Of Mines under the tutelage of Arthur T. Woodward. Woodward, who had come to Australia from Britain, was a renowned proponent of the Arts and Crafts Movement in Australia during the late nineteenth and early twentieth centuries. Dorothy Leviny, along with two of her sisters, entered a number of items in the First Australian Exhibition of Women's Work, Melbourne, 1907, and was awarded second prize for one of her wallpaper designs. Dorothy Leviny was the ninth child born to noted colonial silversmith and jeweller, Ernest Leviny, and his wife, Bertha (nee Hudson).This original wallpaper design by Dorothy Leviny is one of few that remain in existence from the early twentieth century showing the influence of the British Arts and Crafts Movement in Australia.Original wallpaper design made by (Bertha) Dorothy Leviny painted in watercolour. The repetitive floral design consists of pale pink bell-shaped flowers with green stems and leaves. Paper, card, watercolour paint.'D. Leviny /06'.dorothy leviny, watercolour painting, arts and crafts movement, 1906, buda, castlemaine, arthur t woodward, bendigo school of mines, exhibition of womens work 1907, wallpaper design, illustration -
University of Melbourne, Burnley Campus Archives
Work on paper (item) - Student Work, Anne Austin, Jeffrey Street Design Brief, December 2013
Created as an assignment for HORT90035, 'Landscape Construction and Graphics,' a subject at Burnley Horticultural College coordinated by Andrew Laidlaw. Only the design brief is present however and the other components like the masterplan, documentation plan and site analysis are all missing. assignment, landscaping, burnley, burnley horticultural college, landscape construction and graphics, hort90035 -
Robin Boyd Foundation
Journal, Iconic (Bombay, India), Design Annual, Jul-58
This contains a Boyd article titled 'American architecture through Australian eyes’ pp 52-55 and p 90.design, walsh st library -
University of Melbourne, Burnley Campus Archives
Plan, Anthony Mahady, Rear Courtyard Design 1:50, 1998
Set of drawings for Landscape Design '98, Garden Design Theme: Islamic, by Anthony Mahadylandscape design, anthony mahady, islamic design -
Federation University Art Collection
Artwork, Blueprint with Art Nouveau design
Probably associated with the Ballarat Technical Art School..1) Blueprint with floral Art Nouveau design. .2) same design on graph paper art nouveau, alumni, ballarat technical art school -
Federation University Historical Collection
Posters, Textile Art and Design, 1992 - 1994
Ten student made exhibition posters for textile art and design including Koori art and design.textile art and design, koori art and design, koori batik, anna stewart, anne o'grady, poster -
Moorabbin Air Museum
Manual (item) - CAC-DAM Commonwealth Aircraft Corporation Design Approval Manual Volume 1
CAC-DAM Design Approval Manual Volume 1cac design approval manual -
National Vietnam Veterans Museum (NVVM)
Memorabilia, Royal Australian Engineers
A predominantely red carpet. Custom made with woven inscription Royal Australian Engineers 1959 Wilson R B 1968 - 2411848. Ubique Viet 66' 67' with fringes top and bottom. 5 wooden rings attached to topThis fully imported & hand woven rug was custom designed for Graeme Wilson.royal australina engineers