Colour photograph of dilapidated farm shed near Goornong. Shed appears to be a shelter, open underneath with corrugated iron roof. Trees behind, grass paddock in foreground. Written on back ' 29.3.96 near Goornong vict 14.30 hours, Shepparton-Bendigo Road, near Goornong. By Roy J Mitchell Bendigo.'agriculture, farm, shed

Colour photograph of farm shed, near Goornong. Shed is open shelter, has hand hewn uprights, corrugated iron roof. On back of photo:' 29.3.96 near Goornong, Vict, 14.30 hrs Shepparton Bendigo Road, by Roy J Mitchell, Bendigo.agriculture, farm, machinery

Photograph."Marydale'', Axedale, Farm stable with high windows and wide central door, tanks at the end of the building.axedale, history, marydale property

View of Alan Partington's property at "Alwyn" (which became Whatmough Park circa 1976) Greensborough.Digital copy of colour photograph.alan partington, whatmough park, alwyn

Colour photograph of dilapidated farm machinery, standing near an open bay shed. Written on back:' 29.3.96 near Goornong Vict 14.30 hours, 14.30 hrs, Shepparton-Bendigo Road, near Goornong, Vic, by Roy J Mitchell, Bendigoagriculture, farm, machinery

Swimming pool in the backyard at "Launchley" Jenny Chatham is riding the bike. Jim's hut is in the background. Elizabeth (Liz) is on a lilo in the pool. Farm sheds are also shownchatham-holmes collection, jenny chatham, swimming pool jim's shed, farm sheds, launchley, ascot, bike

Colour photograph of farm shedding at Newlyn.newlyn, farm, agriculture

Black and white photograph of old farm sheds at Olive Hills. At bottom corner of front of photo: "Olive Hills"agriculture, olive hills, farm buildings

Built at Old Gippstown from secondhand materials during the 1970sRectangular-shaped timber shed, with a corrugated iron roof. It has a back and two side walls, while the front is open for access.shed, old gippstown, west gippsland, gippsland, gippsland heritage park, goldfields, coal mine, victorian era, moe, historical village, bushy park, old gippstown heritage park, latrobe valley, farm shed, latrobe city council, gunaikurnai

Mr John Watt set up farming in 1879. He was a native of Port Fairy. He was educated in Scotland and came back to Victoria and selected 320 acres on the Snowy River.The property extended from Majors Creek Road to around about Gilbert's Gulch.This is associated with John Watt, a prominent early settler in Orbost.A black / white photograph of a dilapidated farm shed with three horses in the foreground. A house can be seen in the background (left) behind a fence. on back - "Watts Farm"watt-john-orbost farming-buildings

Grey cardboard-covered book with black printed title 'Clotted Cream and Mangels: memories of the Logan family' and a sketch of a farm shed.

Mr John Watt set up farming in 1879. He was a native of Port Fairy. He was educated in Scotland and came back to Victoria and selected 320 acres on the Snowy River.The property extended from Majors Creek Road to around about Gilbert's Gulch.The Watt family settled in Orbost as farmers being one of the first farming families in the district.A black / white photograph showing wooden farm sheds and wagons. a small wooden house is on the right hand side and there are tall trees in the fioreground.on back - Mrs Watts farmwatt- farm agriculture-buildings

The farm buildings that Linda Gallus has studied and painted are on the farmland adjoining the Leura Park properties in Curlewis, on the Bellarine Peninsula. The current owner of the property told Linda that he bought the farm in 1994. He has used it for both sheep and cattle grazing since purchasing the property. When the farmer bought the land all the buildings on the property were painted white for sale, despite the fact they were very old. The shearing shed was in use up until the time of sale but was in a bad state of disrepair. The roof, stumps and floor required replacing. The building was no longer in use after the sale, so the shearing shed gradually fell into further disrepair. The previous owner had also used the property for growing potatoes, crops and livestock, mainly sheep. Linda’s fascination with the property came when she caught a glimpse of the white chimney over the hill driving towards Point Lonsdale, which still stands proud today on the roof of the old shearing shed. The owner kindly allowed her to visit the property over the past few years to capture the buildings using photography and painting. During this time many of the buildings have fallen. Linda calls it The White Farm as there are remnants of that original white paint on the outside of most of the buildings giving it a strange and rather beautiful patina. The structures are wonderful remnants of the history of the Bellarine. Linda first spotted the old shearing shed when she was driving home to Clifton Springs from Geelong. It was the white chimney on the shearing shed that stood out behind the rolling grassy hills. It was intriguing – bright white and still in good condition, unlike the rest of the building. After further investigation Linda got to know the owner of the property and visited it frequently to draw, take photos and paint. There is a variety of lovely old buildings on the property, but it was the shearing shed that held extra fascination for Linda. The most intriguing thing for Linda was that the buildings were all painted white at some stage and now the patina of peeling paint and bleached timber brought a wonderful mood and feeling to the farm. This is what she has tried to capture in this series of 11 paintings. Most of the buildings are falling, so Linda felt an urgency to capture them using acrylic paint on canvas in order to commemorate them forever.Acrylic Paint on Canvas. The images both feature a falling down shearing shed as the central focus. The wood of the shearing shed is a central theme of importance. The old buildings were painted white for sale despite being in a state of structural instability. After time this same painted wood has been left with an interesting complex patina like film on the surface which the artist has taken great care to capture. Image 1 is titled ‘Another gust of Wind’. It shows the exterior of the shearing shed which is in the process of collapsing from the forces of mother nature. In the background of this painting another of the buildings in the ‘White Farm’ complex is visible, in addition to blue skies and overgrown green grasses. Image 2 is titled ‘Green Trough’. It features the interior of the same collapsing shearing shed. The image is painted as though the viewer is peering through a crack of the external wall. Internally a green trough is seen hanging on an internal fence. Unlike everything else in the shearing shed, the trough appears new and in good condition. It provides a strong juxtaposition to the rest of the shearing shed, and the larger surrounding ‘White Farm’ complexbellarine peninsula, the white farm, shearing shed

The photograph is from the album of Ivy Child. The farm yard is probably her home - The farm of her parents Ted and Ethel Child. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Most of these are glued into her photo album. The album covered the years from c1927 – 1932. Ivy married Henry William Burgess (1906 – 1968) in 1944. The photographs remain in their original state in the album with individual copies made. Sepia photograph showing a farm yard with a group of old, wooden farm sheds. A tree is growing centre left. A hand plough is in the centre with two larege wagon wheels. Various implements are leaning against the tree.Handwritten below the photograph in the album: Farm Yardivy child, ted child, ethel child, plough, farm, kalorama

This photograph was loosely inserted in the Prescription Book of Miss Lillian Prout. Consists of a photo of three children in front of a (farm?) shed with tank. Inscription on reverse; Keith ages 4 years; Ruth aged over 2 years; Irene 1 year and 3 monthsperson, family, group - children

This property was located near Bacchus Marsh not far from the Racecourse. The photo shows members of the Dickson family. The oldest man on the left is possibly George Dickson who died in 1885 aged 92. The man second from the right is possibly the younger George Dickson who died aged 77 in 1900. The girl or the woman in the image is possibly Margaret Dickson.Small sepia unframed photograph on card with gold border framing photograph. Housed in the album, 'Photographs of Bacchus Marsh and District in 1883 by Stevenson and McNicoll'. In the foreground of the image are members of the Dickson family. In the background are yards, farm sheds, which are possibly milking sheds. Behind the sheds is the family home.On the front: Stevenson & McNicoll. Photo. 108 Elizabeth St. Melbourne. COPIES CAN BE OBTAINED AT ANY TIME. On the back: LIGHT & TRUTH inscribed on a banner surmounted by a representation of the rising sun. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to STEVENSON & McNICOLL LATE BENSON & STEVENSON, Photographers. 108 Elizabeth Street, MELBOURNE. stevenson and mcnicoll 1883 photographs of bacchus marsh and district, dickson family bacchus marsh, farmers, farms bacchus marsh

Photographs of a shed and tank near Bungaree Hall. architecture, bungaree, tank, shed, farm

Photographs of a tank near Bungaree Hall. architecture, bungaree, tank, shed, farm, water tank, agriculture

Image of a number of shearers working in a timber shearing shed.shearing, burrawong station, shearers, sheep, shearing shed, farm

David Miller (Dave) Mair (1879-1938) married Lily Vipond Deakin (1890-1945) in 1910. They had 5 children: Geoffrey David (1913-1970), Beryl (1916-1976), Gwynneth (1917-1997), Isabel Lillian (1921-1997) and Shirley Inez (1928-1968). Personal communication from Laurie Newton, Beryl's daughter: Dave and Lily initially lived in East Melbourne after they married. Dave walked across the gardens to work at the MCG. He never drove or owned a car. Geoffrey, Beryl and Gwynneth were born in East Melbourne. They subsequently moved to Louise Avenue, Mont Albert and Isabel may have been born while they were there. Later they purchased 20 Barton Street, Mont Albert. Shirley was born after they moved to Barton Street. Electoral roll details: 1919 1922 24 Louise Avenue, Mont Albert 1924 20 Barton Street, Mont Albert Dave Mair was a very keen sportsman. This is part of a large donation of material from the Deakin, Mair and Young families. The Deakin, Mair and Young families had many connections with Mont Albert and Surrey Hills.A sepia photo of 2 girls on the back of a pig, which is being lightly held by a man, squatting beside the animal. A cattle dog sits nearby. In the background are some straggly trees along what may be a boundary or paddock fence, apart from which the surroundings look very bare. Off to the LHS in the background is farm shedding.In black ink: "Off for a joy ride / B. Mair / 20 Barton St / SUrrey Hills / E10." - thought to be in Lily Mair's handwriting. In blue biro: " Gwen Beryl (IN FRONT in lead pencil) / Mr Jarman / Derrinallum" Thought to be Beryl Mair's handwriting. "KODAK PRINT" in black. beryl mair, gwen mair, mr jarman, farms, children, derrinallum

Farm shed at Thornton's Kanya still standing in 2018. B/W photograph on horseback Reginald Thornton, Edna Rae Thornton (Married Frank Coward) smallest child Gladys Thornton.

Shows Melbourne Electric Supply Co. tram No. 2 after its reconstruction to an operable condition at the Museum's St Aidans Drive terminus on 10-11-2020 following transport from Bendigo where the mechanical work was carried out. The body work was rebuilt from a farm shed in Canberra.Yields information about the appearance of the tram when it was delivered to the Museum. Further work was done to complete the interior.Digital image of Geelong tram No. 2 after its reconstruction and recommissioning at the St Aidans Drive terminus of the Museum's tram line on 10-11-2020geelong, mesco, trams, tramways, geelong no. 2, reconstruction, restoration, wendouree parade, st aidans drive, btm

Photograph shows two men inspecting the site of Gillies Farm rear of photo notes: Gillies Farm House, stables, shed are all gone

Photographs relate to the Poultry Farms that existed in Nunawading and Forest Hill in the1950s and 1960s. Photos taken in 1961-62. Poultry farmers included Messrs Boyce, Gallos, Foote,Grimsley, Greenwood and Dudley|Slides scanned as a 'tiff' at 300dpi to CD Rom and cleaned and adjusted by Ted Arrowsmith.View of Eckermann's Poultry Farm. The 'new shed' from the 2nd last pen looking across the back lawn. Pen used for pullet rearing.eckermann's, eckermann frank, poultry farms, nunawading, greenwood, forest hill, canterbury road, mount pleasant road nunawading, boyles, white, bruer's

A black and white image of twelve turkeys in a farm yard. In the background on the LH side there is a tree and a picket fence next to the farm gate and shed with a wire fence and tree.on back: Melton Shire Council Meeting / Diggers Restcullinan, uraina, eileen, chris, farming, turkeys, farms, bayview farm, george evans collection

B&W photo of a group of people in front of a partially constructed farm shed. Bill Hermon is seated on the ground in front. He is wearing shorts, long socks, a dark jacket and white shirt, and is holding the family dog. Seated behind him are his aunt, Kitty Quixley, wearing a dark skirt, top and cardigan, a string of beads, possibly pearls, and holding what appears to be a wide-brimmed hat on her lap, and his mother, Alice, who is wearing a dark skirt, dark top, and lighter jacket or cardigan, and who appears to have a large brooch or ribbon pinned to her chest. Standing behind Alice is Bill Hermon snr, wearing a dark suit, light shirt, and dark hat.

Black and white postcard S S Gippsland in Mitchell River, travelling towards Bairnsdale, silt jetties extending eastwards small farm, farm house and sheds on right. Jones bay in Middle distance beyond silt jetty, taken from Eagle Point Bluff. Bairnsdale VictoriaView from Eagle Point. ships and shipping, waterways, agriculture, houses

At the time of manufacture, circa 1940's, the first aid treatment for snake bites, was to lance(cut) open the bite, wash it out and apply a ligature or tourniquet between the bite and the heart. This method was abandoned later after scientific evidence suggested that it was better to stop the blood system from carrying the poison to the heart (pressure immobilization). Australian snakes do not have long fangs therefore deep incisions into main arteries is rare. This research took many years to develop therefore the information supplied with the "Sanax" kits of this era is well outdated. Rural areas were more attuned to the possibilities of snake activity on farms, in sheds and in out houses and farm homesteads. This was not the case for mainly city and large townships environments. The mice plagues in wheat areas during the warmer month s has always been a high risk time for encountering snakesThese snake bite kits were issued to workers on the Kiewa Hydro Electricity Scheme. Some of these snake bite kits were kept at doctor's surgeries e.g. Bogong Village, House 13. The kit was carried by bushwalkers, scouts, farmers and high plains cattlemen. This item is of significance because it demonstrates the main dangers faced by all rural industries and towns, especially remote areas, and the portable remedies that where required as a necessity of the Australian bush environment. This item was in use at a time when the air ambulance and rescue facilities were not in existence and remote locations were more isolated and the availability of anti venom was hard to obtain locally.This item is a red coloured cardboard box(250 - 300 g/m) with white writing and containing the following 12 items. 7 clear red coloured capsules, 2 opaque red plastic capsules, 2 wooden capsules and 1 brass screw on capsule. The capsules are divided into two sections (compartments) horizontally. Each compartment has a screw lid. One compartment contains a lancet (for piercing the snake bite) and the other compartment contains the "Condy's" crystals compete with tightly rolled instructions.On top of the pull up lid, and flanked by two coiled snakes (at the strike position) is printed: "Trade Sanax Mark" below this " SNAKE and SPIDER BITE OUTFIT" and below this with instructions for use". Front side: "Sanax snake and spider bite outfit" underneath "Nepean Highway Morabbin" The later printing has been severely scratched but decipherable. The back side of the box has "Note to the retailer" and due to wear no more of the writing can be read. Each side of the box is printed "SANAX" snake, spider, first aid, kiewa hydro scheme, portable medical supplies

This Cat No 5880P and the following ten Cat No's to 5890P were part of the original GRINTON PHOTOGRAPHS exhibition in 2008. Each frame follows a story from the 'War to Home' at Tragowel near Kerang, Victoria. The Grinton Collection was a large negative collection found in a tin at Myers Flat and developed from there. Frame 1. 1. Jack Grinton in full marching order. This appears to have been taken after Jack came back from being wounded the 2nd time on 31/9/1918 in the push into the Hindenburgh Line. He was away 3 months with his wounds and rejoined his unit at Visme-au-Val on 11/1/1919, a small village near Abbeville, France. he is wearing his two "Empire Wounded Stripes" on his arm. It is believed he took this photo to show what a fully kitted out digger looked like. 2. Full kit lid out, right down to a tooth brush. It is also believed this was taken to go with the above photo. Note the protective cover on the rifle trigger and magazine area. 3. Mess parade line up. From notes of Jack this could be at "Gamaches", France where the last group of 111 men of the 38th Batt in the 45th quota left to come home. They went from Gamaches to Havre then to England. 4. In "Billets" behind the lines. Note the straw on the floor. When a unit came out of the line they were billeted in farm houses, barns, sheds, homes and at times anything that would give the men shelter from the elements. Refer Cat No. 1280 for Jack GRINTONS Service Records. Photographs - black and white on paper. Four photographs top to bottom, Soldier in uniform, Full kit laid out, Mess parade line up, Billets behind lines. Frame - timber, black colour paint with glass. Mount - black cardboard. Backing cardboard with handwritten notation.On backing cardboard - handwritten in black felt tip pen "1."framed photographs, grinton collection, ww1, 38th