Copy of pen and ink drawings taken from High Tide, mounted on board.'The old order changeth'. Prevailing Coiffures among school girls 1924. High Tide.williamstown high school, 1924, hair styles

This product was introduced in an era where the "silky smooth" look was in vogue. From the 1920s on, American and British film stars set the tone of how clean cut (hero type) masculine look attracts the opposite sex faster and in greater quantities than the "unkempt" or natural maintained look. This look was bold and "polished" and had the intended projection that the hair matched the character of "I look after myself and have a high opinion of physical appearances". As fashion goes this slick and well maintained look has circled many times, in and out of history and in Australia in the 1950s this was a prime example. The liberation of the stereo type of both sexes occurred in the 1960s when the freedom loving "hippie culture" had a marked affect upon the city inhabitants but not so strong among rural males. Sexism was still rife in that time frame.This jar of Brylcreem was a part of the (masculine) rural scene for a longer period than that found in the larger towns and cities. The long held "men are men" and "women are women" distinction between the sexes lingered on more in rural areas because of the perceived physical differences, mainly "strength" and perceived tasks such as "men only" activities (heavy farm/mining/construction). The jar of Brylcreem maintained the respectable male look for those special occasions when males "dressed" up and looked clean physically and well behaved (to show respect to the women folk)This glass jar with a glued on,red background, label detailing the product Brylcreem (a men's) hairdressing ointment is empty of its original product. It has been contoured on each side to allow for a man's fingers to comfortably and firmly grip the jar. This form would allow even "greased up" hands to maintain control. The glass thickness is far greater than needed and also added the extra stability to the standing jar. The shape of the jar is a latent attempt to emulate the physique of a fit young man (small waist, expanded and muscled mid rift and large shoulders). The jar does not distract from viewing its contents (clear glass). It has a black gloss screw (on/off) lid made from mild grade steel. The jar holds approximately 200 grams of a thick molasses textured product. On the front red Label; in large white letters "BRYLCREEM" underneath this is in smaller silver print "THE PERFECT HAIRDRESSING" underneath this is a banner type motif with a crown at the top and a black letter "B"in the centre. Below this and in much smaller print are printed in black script "BEECHAM (AUSTRALIA) PTY. LTD. MELBOURNE VICTORIA M A Imen's deportment, toiletries, men's hair styles, physical appearances

Braun was originally founded in Germany in 1921, making components for radio sets. After World War 2 they extended their range to include audio and camera equipment. By the 1950s and 1960s the company branched out into electric shavers, kitchen appliances and hair care products. Home hair styling sets and hot rollers became popular in the 1960s and continued to be an important woman's styling appliance throughout the 1970s and 1980s. In 1975 this product was advertised at a price of $37.95. From 1984 until 2007, Braun was a wholly owned subsidiary of Gillette, which had purchased a controlling interest in the company in 1967. Braun is now a subsidiary of Procter & Gamble, which acquired Gillette in 2005.Personal grooming items such as this became important personal accessories and grooming tools for women throughout the mid 20th century across Australia.This hair styler set contains 20 hair rollers which were heated by placing them on the 20 heating posts fitted inside the unit in the case. An electric cord supplied was attached to an electric socket. A red dot on top of each posts darkened when the rollers were sufficiently heated. A detailed instruction booklet is included. A mirror is attached to the inside of the lid.On 2 metal plates on back of unit: Plate 1: MANUFACTURED FOR BRAUN ELECTRICS (AUST) PTY. LTD. / 24 JOHNSTON ST., FITZROY, VIC. 650-WATT 240 V. A. C. ONLY 50 CYCLE CAT. NO. B102 Plate 2: VOLT 240 AC ONLY FREQUENCY 50 H Z. 0.66 AMP / RETURN TO SUPPLIER FOR REPAIR Across bottom: PATENTS PENDING / MADE IN HONG KONGbraun electrics, personal appliances, hair styling

Nancy (Margaret Dillon) Steele born 1906 and Hattie ( Harriette Vevers) Steele were daughters of Charles Henri Dillon Steele (1869-1935) and Sarah Margaret Russell (1873-1944),he was a pioneer of dentistry in Victoria who was in practice in 1890 and later in Collins Street for 40 years. The family lived at ‘Dalriada’ (dem.) on the corner of Bona Vista Avenue and Union Road. Sarah Margaret Steele was President of the local Patriotic League during WW1 and is credited with starting the move to raise funds for the WW1 memorial in the Surrey Gardens. Nancy and Hattie were graduates at Melbourne University in Dentistry and Agricultural Science respectively. They continued their studies in Toronto and obtained their Doctorates. In 1923 Nancy and Hattie started the first girl guide group in Surrey Hills at Holy Trinity Church. Both married and had families. Nancy married Dr William Brayshaw Woodhouse and, while he took up army duties during World War II, Nancy continued his practice. Their son Anthony became a dentist, while Peter was known locally when he became a councillor and Mayor of Camberwell. Their daughter Margaret married Herbert Andrewartha and lived in NSW.A black and white photograph of two portraits of two young ladies. Their dress and hair styles are suggestive of a 1920's date..(miss) nancy (margaret) steele, (miss) hattie vevers steele, dalriada, house names, bona vista avenue, union road, surrey hills, dentists, first girl guide group, 1923, holy trinity church, world war, 1939-1945, mayors, councillors, (miss) margaret brayshaw-woodhouse, dr william brayshaw woodhouse, peter brayshaw woohdhouse, dr charles henri dillon steele, dr anthony brayshaw woodhouse, (miss) nancy steele, (mrs) nancy andrewartha, (miss) hattie steele, (miss) harriette vevers steele, (mrs) margaret brayshaw woodhouse, (miss) margaret dillon steele, (miss) sarah margaet russell, (mes) sarah margaret steele

A bobby pin (also known as a kirby grip or hair grip in the United Kingdom) is a type of hairpin, usually of metal or plastic, used in coiffure to hold hair in place. It is a small double-pronged hair pin or clip that slides into hair with the prongs open and then the flexible prongs close over the hair to hold it in place. They are typically plain and unobtrusively colored, but some are elaborately decorated or jeweled. Bobby pins became popular in the 1920s to hold the new bobbed hairstyles. (ref. Wikipedia). These items were owned by Marjorie Burton. Marjorie Burton ( nee Whiteman), born 12 June, in Birmingham, England came to Orbost in 1995. In England she did office work – typing, shorthand and secretarial work - in accountants’ offices and also trained as a comptometrist with Burroughs in London. She came from a middle-class, working, church-going family. Her mother was a milliner who mademost of Marjorie’s clothes, hats and outfits. Marjorie married in 1938 to a salesman who later became a mechanic in the R.A.F. during WW11 These items are examples of women's hair accessories commonly used in the mid 20th century.Two packets of hair clips and one unused packet of henna shampoo. 2483.51 is a a set of 17 bobby pins on paper. On the back of the card are directions for a Steiner hair style. 2483.52 is a pack of 3 Dinkie silver metal clips for hair styling on a card. 2483.53 is an unopened sachet of powdered Henna shampoo. It is white with black text and green pictures.2483.51 - Kirbigrip 6d made in England Kirby Beard & Co 2483.52 - Made in England 2483.53 - Societe Francaise de Henne, Paris "Perfect -a -wave"hair-accessories bobby-pins shampoo kirbigrips burton-marjorie

Then photograph gives us an insight into school activities of the 1940's and illustrates hair styles and clothing of the day.jpg file of original black and white photograph.williamstown high school, williamstown botanical gardens, breakfast party, 1947

Photograph of Isabella Anderson, fifth child of Robert and Margaret Anderson. Bouffant hair style, high lace collar on dress.Serious Photograph of Isabella Anderson.local history, photography, photographs, slides, film, isabella anderson, black & white photograph, mrs emma anderson jacobs

Carving of a small female head made by a patient of Mayday Hills Asylum. A grid has been drawn across the top with Romanian letters written within the cells.Mayday Hills Asylum was one of the three largest psychiatric hospitals in Victoria, and played an important role in the treatment of mental health illnesses from its establishment in 1867 to its closure in 1995. As part of prescribed treatment, many patients participated in craft activities were they were able to create an array of objects. A limb of a tree roughly carved into the shape of a woman's face, featuring a thick hair style, slanted eyes, delicate mouth, and long neck. Pen notations on top of sculpture.beechworth, burke museum, mayday hills asylum, sculpture, wood carving

Faded head & shoulders of two females. Tightly curled hair styles. CHUCK Gold Medallist, London Sandhurst , Queen Studio printed on front. 6432 printed by hand on reverse.CHUCK, Sandhurstphotograph, person, female

These hair pins were used to secure the fashionable hairstyles of the 20thC. Women could either manage their hair style themselves or attend a Hairdresser at a Salon.A box of 5 packs of 50 waved,hairpins made by Kirby-Beard Pty Ltd. Packs are wrapped in green paper. These pins became known as 'french hairpins' commonly used for 'up styles' of long hair- chignons, french roll etc,Paper wrapper STANDARD / KIRBY- BEARD/ Reg / QUALITY / HAIR PINS Box : SMEERKAAS 40 moorabbin, bentleigh, cheltenham, hairstyles, combs, hairpins, early settlers, hairdressing, coiffure, kirby-beard pty ltd

The first price list of the new uniform shop. It also contains the College "Uniform Policy" explianing the requirements of clothing, hair styling. jewellery and make-up for students during College hours.The brochure lists the College website as “www.cornishcollege.org” which was used until VRQA registration was completed. After the College opened in 2012 the web address became “www.cornishcollege.vic.edu.au” An A4 sheet folded into three parts (21 cms x 10 cms) printed in colour on both sides.School logo on front.cornish_college_inaugural_year, uniform, policy

The second price list for the new Uniform shop. It also contains the College "Uniform Policy" explianing the requirements of clothing, hair styling. jewellery and make-up for students during College hours.As the registration with the VRQA had been finalised, the Price List shows the updated contact details for the College which was no longer an organisation but an educational facility.An A4 sheet folded into three parts ( 21 cms x 10 cms ). Printed in colour on both sides. School logo on front.cornish_college_inaugural_year, uniform, policy

This boudoir cap was worn by women wearing a negligee in the 19th century in their boudoir in the morning. In the early 20th century women wore these boudoir caps while sleeping to protect their hair styles. The name "Ogier"' inside the cap indicates that it has a connection to the Ogier family in Warrnambool.This is an interesting example of a woman's head-wear in the past.This lady's boudoir cap has white, discoloured, net with floral woven edging and leaves and dots in the body of the net. It is circular in construction drawn on thread to the centre of the head and decorated with a tassel folded over. There are two layers of lace, the bottom one is attached to a black, velvet covered wire and has bunched flowers with violet ribbon as decoration. The top layer also has the bunched flowers. The cap is lined with cream silk. The lace hangs down at the back. The brim is stiffened inside as is the crown. On the item inside is a small piece of red ribbon with a name written. OGIERvintage women's clothing, boudoir caps

Used by women and girls to wave or crimp their hair, for styling their hair, hairdressing. The irons are heated and then applied to the hair and wound to form curls. Pre-dates electrically heated curlers.One set of curling tongs made of iron/steel, rusted. The tongs are two shaped metal pieces which clamp together over a tress of hair. One set of crimping tongs. These have two wavy iron shaped metal pieces which clamp over a tress of hair to produce crimpy waves.hair-crimpers-curlers hairdressing heated-curlers

These are stainless steel Hair styling Clips that are used for creating definite, non permanent Waves in a lady's hair c 1920 to 1960. Ladies usually went to the hairdresser for this styling but they could do it themselves at home Gladys Reed was a member of the Ormond Choral Society c 1950. who performed plays and musicals the City of Moorabbin Finger waves were very a fashionable Hairstyle 1920 - 1960. Gladys Reed, who was a member of the Ormond Choral Society c 1950.that performed plays and musicals the City of Moorabbin used these 'butterfly clips'Steel spring 'butterfly clips' used for crimping hair to form waves. Sanitarium Health Food Company Box c 1960 used for storage.hairdressing, finger wave hairstyle, steel, fashion, theatrical props, craftwork, sequins, beading, early settlers, moorabbin shire, mechanics institute cheltenham, ormond choral society, postworld war 11 settlers, housing estates moorabbin 1950, bentleigh, ormond, moorabbin, cheltenham, drama societies, musical society cheltenham, clark judy, reed gladys, reed george, hairdressing salons

Photocopy of a three page document titled "Uniform Dress Standards", providing details of male and female uniforms to be worn during the summer and winter periods, hair styles and what badges were permitted to be worn on the uniform. Issued Jan. 1992 on PTC letterhead, signed by Gregory Dower, Manager Depot Operations.trams, tramways, personnel, crews, the met, uniforms

Black and white photograph. Portrait of a lady with a very severe pulled back hair style. A very heavy chain around neck with large locket/medallion (oval) attached (could possibly be a ceremonial chain). Eyes, brows, hair and chain have been enhanced she is also wearing a brooch at her throatperson, individual, female portrait

not knownCalico hand embroidered apron with two patch pockets. Blue bias binding neck loop, ties and edging on apron and pockets. Embroidery - young woman in full length blue gown with red trim at neckline, hem and cuffs of short sleeves. 1940's hair style. Flowers in hair and at waistline. Standing on a flower decorated balcony.costume, female working, handcrafts, embroidery

Black & white portrait woman, parted drawn back hair style. Lace collar with Vic mourning brooch. Earrings. Vita 77 Swanston Street, Melbourne printed on front. Reverse. Printed in Gold 'From the Vita Portrait Studio. Circular printed stamp contains, S Calvert, 77 Swanston Street, Melbourne, Artist Manager around margin.S Calvert, 77 Swanston Street Melbourne.photograph, person, female

An historical visual record of some of the members of the Ladies Harbour Lights Guild, circa 1950. Many events run by the LHLG founded in 1906, were initially held in venues across Melbourne. In later years the main hall of the building opened in 1917 became a main venue for entertainment, meals and dancing. The LHLG organisation eventually amalgamated with the Flying Angels at the Mission circa 1962 and many LHLG members such as Dora Simpson, later elected as FA President went on to officiate.The Ladies Harbour Lights Guild (LHLG) a Melbourne and statewide network initially raised funds and held events for the Mission to Seafarers. Originally founded in 1906 the LHLG were responsible in 1917 for raising the funding for the Chapel and Dome at the Mission. The group and network developed a structure promoted to and adopted in one form or another by other similar auxiliary groups supporting Missions around the world. Black and white photograph. Image shows a number of women sitting in front of the stage in the main hall of the Mission to Seafarers Melbourne. In the background there is a three-piece band situated on the stage. Depicts the MtSV stage decorated with flowers, and lengths of material woven through an arch.The ladies seated in two rows in front of the stage all wearing summer dresses and have short hair styles typical of the 1950s Printed title and donor information printed across the top of the mount. See also historical informationpiano, drums, band, floorboards, stage, 1950s, dresses, main-hall, curtain, celebrations, lhlg, ladies harbour lights guild, mission to seafarers, seamen mission, mission to seamen, flying angel, melbourne, flinders street, prue leggoe, music, dance, entertainment, events, sailors, seafarers, seamen, lynette reynolds (nee madson), king george vi

Marcelling is a hair styling technique in which hot curling tongs are used to induce a curl into the hair. Its appearance was similar to that of a finger wave but it is created using a different method. Marcelled hair was a popular style for women's hair in the 1920s and 30s often in conjunction with a bob cut. For those women who had long hair, it was common to tie the hair at the nape of the neck and pin it above the ear with a stylish hairpin or flower. Accounts vary about the invention of the style, but Marcel Grateau (1852–1936) is widely credited with inventing the hair styling technique in the 1870s. He started with a small salon in Montmartre, Paris where his clients were the poorer classes. As he developed the waving method that would later become the Marcel wave, using heated curling irons, The inventor and stylist emigrated to the United States and changed his name to François Marcel Woelfflé, sometimes reported as François Marcel. He was granted U.S. patents for implements for performing the technique; the first, U.S. patent 806386, entitled "Curling-Iron", was published in 1905, and the second, entitled "Hair-Waving Iron", for an electric version, under the name François Marcel, was published in 1918. His obituary appeared under the name Francois Marcel Grateau in 1936. Originally the irons had to be heated in the fire, but hair easily got burnt until 1924 when electric irons were invented and the temperature could be regulated. A significant item that gives us a snapshot not only into women's hairstyles of the 1920s and 1930s but a look into the social norms of that era. Therefore the item is of social interest in regards to the story it tells and the development of women's fashion in hair styling.Marcel Tongs, metal, used to impart a hair wave by heating and crimping the hairNoneflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, tongs, curling tongs, hairdressing

25 cm x 17.5 cm black & white Tin Type portrait. Woman half length in black mourning dress. Parted drawn back hair style with pale pleated cloth head band worn similar to a tiara. Pendulum earrings. Silver Albertina chain and bar suspended from dress front to side pocket. Knotted silk scarf around neck and down to waist. Photographer and subject unknown.unknownphotograph, person, female

This is a German made figurine, attributed to Jaschke Pretzl. Loosely translated, the label text on the figurine says 'Neurologist' and 'Out! They're getting on my nerves!'. Stamp printed on underside of base says that this is a hand-carved figure.Carved wooden figurine. Depicts a man in a white coat, red tie, and glasses, standing with his hands at his side. He has a receding hairline, and a mohawk-like hair style. The figure is atop a small wooden base, one side of which carries handwriting that reads 'Nervenarzt/Raus! Sie gehen mir/auf die Nerven!' The underside of the plinth is printed with a stamp that reads 'Handgeschnitzte/Pretxl/Figur'. 'Nervenarzt/Raus! Sie gehen mir/auf die Nerven!'/'Handgeschnitzte/Pretxl/Figur'obstetrics

Black and white photograph of L 104 in Dandenong Road Prahran, at tram stop 35 while on a special tour with a signalised intersection behind - Melway shows it as Orrong Road, Prahran. Tram showing destination of "SPECIAL". Possibly taken during the mid 1970's - see also item 1314, possibly on the same tour given the hair styles and skirt lengths. See Melway Melbourne Street Directory, 21st edition.trams, tramways, l class, dandenong road, melbourne, mmtb, tram 104

These hair tongs were used to curl or wave hair. They have the name’ Marcel’ on them. In 1872 Francois Marcel Grateau invented a hairstyle called the ‘Marcel Wave’ where women’s hair styles had mostly deep waves rather than curls. The tongs that were held manually and heated and used at home to produce deep waves or curls become a commonplace item in a woman’s home in the late 19th and early 20th centuries. By the 1930s electric hair tongs were introduced but the non-electric ones continued to be used until the 1950s. These hair tongs belonged to a woman from England and would have been used in the 1930s or 40s. They are a good example of the type of household article used by women 70 or 80 years ago and will be useful for display.This is a scissors-like article with wooden handles and metal blades for waving or curling hair. One blade is heavily curved and the other is a solid round shape. The ends of the blades are tapered. The blades were heated over a stove and used manually to enclose part of a woman’s hair to produce waves or curls. The handles were originally polished black and are somewhat rubbed and the blades and other metal parts are a little rusty. ‘Marcel’ ‘12’ hair curling tongs, warrnambool

Hairdressers' hair clips used to hold hair sections whilst styling or cutting. In use circa 1950-1970.2 metal hair clips, hinged with teeth.hair clips, hair styling products

Poor quality reproduction of photo of Helen Lord. Below, copy of raffle ticket for Bendigo Easter Fair Society 1964, Pall Mall Popular Girl entrant, Miss Helen Lord. On bottom of page , Pall Mall Popular Girl, Miss Helen Lord invites you to attend hair styling demonstration and fashion parade at the Gold Room, City Family Hotel. March 20 1964. Admission 7/6. On back of sheet: poor quality reproduction of photo of 1983 Charity Princess Julie Dempsey.bendigo, bendigo easter fair, charity princess

Japanese doll with traditional dress including green sash and hair done in traditional style with ornaments. "WMA 59" "PMA 0133/2" Japanese writing in pencil on the base

Photographer: T. Butler, Yan Yean In this image her hair style and dress is typical of the early 1870s Photo taken by T. Butler of Yan Yean. No information has yet been discovered of when T. Butler operated at Yan Yean though it is noted that Sarah's children with Charles Aldous (post 1880) were born in Yan Yean. CARTE-DE-VISITE (cdv) 1857-1890 Cartes-de-visite (cdv's) are the most common form of photograph from the nineteenth century, generally measuring two and a half inches by four and an eighth inches (6.3 x 10.5 cm) when mounted, sepia toned, mounted on a card which was generally printed with the photographer's name and address on the back or beneath the portrait. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991marg ball collection, shillinglaw family photo album 1, t. butler photographer yan yean, 1870, sarah aldous (nee shillinglaw 1854-1925)

Sarah Shillinglaw married Charles Edward Aldous in June 1880. In this image she is depicted without any wedding ring on her left ring finger and her hair style and dress is typical of the early 1870s. Photographer William Bear operated from 221 Lygon Street, Carlton between 1873-1875. CARTE-DE-VISITE (cdv) 1857-1890 Cartes-de-visite (cdv's) are the most common form of photograph from the nineteenth century, generally measuring two and a half inches by four and an eighth inches (6.3 x 10.5 cm) when mounted, sepia toned, mounted on a card which was generally printed with the photographer's name and address on the back or beneath the portrait. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991marg ball collection, shillinglaw family photo album 1, sarah aldous (nee shillinglaw 1854-1925), w. bear photographer 221 lygon st carlton, 1873-1875, 1874