This item was donated by Sapper John Victor Ricardo (3794162) who was a National Serviceman and was with the Royal Australian Engineers. He served in Vietnam with 21 Engineer Support Troop from march 1969 to March 1970. The Australian Red Cross Society did a wonderful job in assisting our veterans. In this case they had contacted the veterans wife and parents to let them know how he was after he had been hurt, and relayed messages from them. This meant a lot to the veteran and his family because there was little advice given by the Department of Defence, except for an initial telegram.An Australian Red Cross telegram to John from his wife and parents. The Red Cross had notified them of his medical condition after he had been hurt.sapper john victor ricardo, 3794162, australian national serviceman, royal australian engineers, 21 engineer support troop, wounded in action, australian red cross

Produced to warn people using trams, trains and traffic about the use of music and mobile phones distracting people. Part of National Rail Safety Week for 2209. Has logos for GHD, Fulton Hogan, Coleman Rail, PTSV, V/line, ARA, Transfield and Yarra Trams.Demonstrates rail safety postersA4 colour poster titled - Be Alert and don't get hurtsafety, posters, phones, yarra trams, railways, rail safety

Circular blue, red and white plastic badge. Silver metal, plastic-coated, with safety pin fastener adhered to back. Badge printed with gold text 'Hurting nurses hurts patients' and the ANF [Australian Nursing Federation] logo.

Black Saturday explosion by rocket mines in Sth Vietnam. Vung Tau and Nui Dat hospitals involved in helping the wounded soldiers. Australian and US helicopters in action. 8 RAR and 6RAR involved.A sepia coloured newspaper article from the Herald, dated March 2 1970, has an image of 13 local Vietnamese people working in paddy fields with five rifles nearby stacked up forming a cone shape. Herald Sun March 2nd 1970/ Guns at harvest/ Battle to save hurt diggers. guns, harvest, mine explosion, black saturday, long hai mountains, helicopter evacuation, 11 dead, 29 wounded, jumping mines, 8rar & 6rar

``Newspaper clipping from "The Mail" 7-1-97, P 11. Councils' split set to hurt owners claiming strays. By Jeff Jones Maroondah pet owners now have to travel to the RSPCA in Burwood East to claim their strays, following a sudden split between Maroondah and Manningham councils over pound usage.`

Was used by owner until concerned that children may have hurt themselves on the wringerSimpson electric washing machine with wringer attached above bowl. White, round with removable lid. Front lever: Wash/Stop; three buttons on front: Empty-Wash-Off indicated. Appliance on castors attached wringer with metal drip tray and two rubber rollers. Wringer will pivot.Simpsondomestic items, laundering, electrical technology, appliances & accessories

The closure of the Commonwealth Bank branch in Watsonia is hurting businesses, with a popular store shutting its doors after 20 years.News article 1 page, black text.commonwealth bank, watsonia traders association, watsonia shopping centre

Reports on a significant rear on collision between two Z class trams, Z3 171 and another in Mt Alexander Road at Thorn Street Essendon. Gives details of the event. Story by Graeme Walker and Innes Willox and Age photographer Craig Abraham. In The Age, there is a second item about the rearrangement of Transport Departments - V-line, The Met into the Public Transport Corporation and the formation of the Roads Corporation from the Road Construction Authority and the Road Traffic Authority. Quotes Mr Kennan, Minister, Mr Brown Opposition spokesman and Peter Parkinson of Trades Hall. Item written by John Masanauskas.Yields information about an accident rear on in Mt Alexander Road Essendon and transport management rearrangements.Set of two newspaper clippings; 1 - "Trams crash, 31 hurt" - The Sun 7-2-1989 2 - "A painful end to tram journey" and "Left-wing wins in transport merger" - The Age 7-2-1989tramways, trams, mt alexander road, accidents, z3 class, tran 171, unions, amalgamation, management, the met, v-line, ptc, public transport corporation

David Fletcher Jones was born in Bendigo in 1895. He served in World War 1 and returned in 1917 and with a war repatriation loan bought a hawkers wagon and commenced working a circuit around the Western District. In 1924 he bought a business in Warrnambool and after an initial shaky start he started to build his business. He was well regarded and involved in the town and the 1960-70’s saw the Fletcher Jones brand and factory expand to become one of the largest employers in the town. Ownership was based on a co-operative model with employees owning shares in the company. As well as manufacturing he had a number of retail stores across Australia. This item is likely to be a prop from one such store. A minor item which is linked to an important part of Warrnambool’s past.Piece of wood shaped like a necktie with advertising slogan and small diagram in black text.Fletcher Jones says “Gentlemen prefer Blends” You will never wear a colour that hurts your eyes_ When you accept the help of “The Man’s Shop”sir fletcher jones, david fletcher jones, fletcher jones warrnambool

Shoe stretchers can expand the width and the length of shoes. Shoes can shrink, feet can swell and bunions, corns or other foot imperfections can make the shoes hurt.. Shoe stretchers work best for suede, leather, and other natural materials. A pair of lady's wooden shoe stretchers, decorated with pink laceboots, shoes, footwear, bootmakers, leatherworkers, early settlers, pioneers, market gardeners, moorabbin, bentleigh, cheltemham, shoe stretchers,

A black and white cartoon of confused soldiers getting off a ship in Vung Tau 1966 being instructed to fix their bayonets . 1966 Vung Tau South Vietnam - "Fix Bayonets!!!" - You guys outa put em "Pig stickers" away before ya hurt yourselves!! - Bugger!! Me bayonet's at the bottom of me pack!! - Copyright 20125 rar, cartoon, newspaper, vung tau, sgt bob trenear, sgt (temp) robert arthur trenear, 214098, 5th battalion, the royal australian regiment, royal australian infantry corps, hmas sydney

Pamphlet - three fold DL full colour printed on gloss paper, titled "Be Alert and don't Get Hurt" about safety around trams, trains and traffic, with safety slogans, a letter from a survivor, has various signs and cuttings on the inside. Part of Rail Safety Week 2009. has the various sponsor logos on the rear.trams, tramways, rail safety, safety, trams, railways, posters

Graham WOOD Wartook Pottery was set up in the early 70s by Graham Wood, and was sucessful for nearly 25 years. It then moved to Halls Gap (The Grampians, Victoria), and the name was changed to Jimmy's Creek Pottery in 1998. The pottery conitnued under that name until 2003. when cheap imports hurt the business. Hand thrown ceramic canister with 'Gum Leaf' design. According to decorator Wendy McGuiness all decoration was made and applied by hand - an extremely time consuming activity. Texture to the body of each piece was created by using a piece of coral. Tenmoku glaze was applied to the top of the pieces, with iron oxide to the main body. This was the first of the Wartook range that sold commercially from around 1987 all over Australia. At the height of production Wartook Pottery had 5 employees, including a new wheel potter (who was adept at creating the pieces as Graham had done before). Additional ranges were still hand thrown, but with a floral wreath (slip cast) applied to the top of each pot, as well as a range that used decals for decoration. australian landscape pottery, les macleman, ceramics, landscape, graham wood

Graham WOOD Wartook Pottery was set up in the early 70s by Graham Wood, and was sucessful for nearly 25 years. It then moved to Halls Gap (The Grampians, Victoria), and the name was changed to Jimmy's Creek Pottery in 1998. The pottery conitnued under that name until 2003. when cheap imports hurt the business. Hand thrown ceramic bowl with 'Gum Leaf' design and the words 'coffee'. According to decorator Wendy McGuiness all decoration was made and applied by hand - an extremely time consuming activity. Texture to the body of each piece was created by using a piece of coral. Tenmoku glaze was applied to the top of the pieces, with iron oxide to the main body. This was the first of the Wartook range that sold commercially from around 1987 all over Australia. At the height of production Wartook Pottery had 5 employees, including a new wheel potter (who was adept at creating the pieces as Graham had done before). Additional ranges were still hand thrown, but with a floral wreath (slip cast) applied to the top of each pot, as well as a range that used decals for decoration. australian landscape pottery, les macleman, ceramics, landscape, graham wood

Graham WOOD Wartook Pottery was set up in the early 70s by Graham Wood, and was sucessful for nearly 25 years. It then moved to Halls Gap (The Grampians, Victoria), and the name was changed to Jimmy's Creek Pottery in 1998. The pottery conitnued under that name until 2003. when cheap imports hurt the business. Hand thrown ceramic bowl with 'Gum Leaf' design and the word 'sugar'. According to decorator Wendy McGuiness all decoration was made and applied by hand - an extremely time consuming activity. Texture to the body of each piece was created by using a piece of coral. Tenmoku glaze was applied to the top of the pieces, with iron oxide to the main body. This was the first of the Wartook range that sold commercially from around 1987 all over Australia. At the height of production Wartook Pottery had 5 employees, including a new wheel potter (who was adept at creating the pieces as Graham had done before). Additional ranges were still hand thrown, but with a floral wreath (slip cast) applied to the top of each pot, as well as a range that used decals for decoration. australian landscape pottery, les macleman, ceramics, landscape, graham wood

Graham WOOD Wartook Pottery was set up in the early 70s by Graham Wood, and was sucessful for nearly 25 years. It then moved to Halls Gap (The Grampians, Victoria), and the name was changed to Jimmy's Creek Pottery in 1998. The pottery conitnued under that name until 2003. when cheap imports hurt the business. Hand thrown ceramic bowl with 'Gum Leaf' design and the words 'pot pouri'. According to decorator Wendy McGuiness all decoration was made and applied by hand - an extremely time consuming activity. Texture to the body of each piece was created by using a piece of coral. Tenmoku glaze was applied to the top of the pieces, with iron oxide to the main body. This was the first of the Wartook range that sold commercially from around 1987 all over Australia. At the height of production Wartook Pottery had 5 employees, including a new wheel potter (who was adept at creating the pieces as Graham had done before). Additional ranges were still hand thrown, but with a floral wreath (slip cast) applied to the top of each pot, as well as a range that used decals for decoration. australian landscape pottery, les macleman, ceramics, landscape, graham wood

Graham WOOD Wartook Pottery was set up in the early 70s by Graham Wood, and was sucessful for nearly 25 years. It then moved to Halls Gap (The Grampians, Victoria), and the name was changed to Jimmy's Creek Pottery in 1998. The pottery conitnued under that name until 2003. when cheap imports hurt the business. Hand thrown ceramic bowl with 'Gum Leaf' design and the words 'pot pouri'. According to decorator Wendy McGuiness all decoration was made and applied by hand - an extremely time consuming activity. Texture to the body of each piece was created by using a piece of coral. Tenmoku glaze was applied to the top of the pieces, with iron oxide to the main body. This was the first of the Wartook range that sold commercially from around 1987 all over Australia. At the height of production Wartook Pottery had 5 employees, including a new wheel potter (who was adept at creating the pieces as Graham had done before). Additional ranges were still hand thrown, but with a floral wreath (slip cast) applied to the top of each pot, as well as a range that used decals for decoration. australian landscape pottery, les macleman, ceramics, landscape, graham wood

The Eagle Star left from Stony Point to take in Tankerton on the way to Cowes. It carried about 160 passengers of all ages, many of whom were probably planning to celebrate New Year’s Eve or start their holidays on the Island. The 48-year-old ferry had only recently been bought by a co-operative of French Island residents. Fortunately no one was drowned, and only two people were hurt.HistoricalBroadsheet front page from The Herald Saturday, December 30 1978.Headline is "Ferry sinks."Fleet" plucks 160 from bay" Large black and white photo showing half submerged ferry and three smaller motor boats pulling people from the water. other people are standing on the front of the ferry.Headline is "Ferry sinks."Fleet" plucks 160 from bay" ferries, eagle star, transport, cowes yacht club

Some 241 black and white photographs of trams in Sydney and Newcastle. Includes works cars, horse trams, some depots and location and coloured postcards. Contains a newspaper clipping titled "Tram Dive in Harbor: Four hurt", from the Sydney Sun newspaper dated 21/7/1952. Almost all of the photographs have been obtained from his correspondents. For details of each photograph and layouts see - WJ Sydney Electrtic part 1.pdf Has a strong association with Wal Jack and his collecting of tramway history / developments until 1964.Black loose folders holding some 49 black coloured sheets of light card on which photos have been mounted using photo corners of various types, captions in white ink. trams, tramways, sydney, newcastle, tramcars, wal jack

Newspaper clipping titled: “…No Thanks Once is quite enough” The Sun, Friday February 2, 1973 Photo and text Plumber Peter Mentha van and tram collide at corner of Punt Rd and Swan St, Richmond. No one was hurt, about $700 damage to van. Bongo van. Tram advertisement: “You ought to try it more often”. Mr Mentha did not seem amused by the invitation of an advertisement on side of tram: “You ought to try it more often”trams, tramways, accidents, punt rd, swan st

Transcript of two articles in the Ballarat Star about horse tram accidents. 1 - item dated 5/9/1894 about a runaway of two harnessed horses from the Sturt St terminus at Grenville St. One of the horses was finally stopped at the Miners' Racecourse. The other horse had fallen and was seriously hurt. 2 - item dated 28/6/1904 about a similar incident, but the horses only ran as far as Lydiard St where they were brought under control.Yields information about accidents or events involving runaway horses.Copy of a transcript from the Ballarat Star 1894 and 1904 about two horse tram accidents - see pdf file for good scan.ballarat, horse trams, sturt st, tramways, lydiard st, accidents, horses

Williams' use of the dog and poem was inspired by a print by the late Barbara Hanrahan (an artist friend) in which a women was holding a cat accompanied by a dog and in which words from a William Blake poem were included / After her mother died Williams made a work of her mother with the dog, holding the cat and using the same words in the Hanrahan print / The dog is a family pet; Dolcie, that Williams fell in love with / The dog as a symbol has been used in fifteenth and sixteenth century painting to represent fidelity in marriage / The use of the dog is also a contradiction to the themes in this work by Williams / Williams found that many of her women friends were having emotional and romantic difficulties, suffering from the same malady again and again, feeling rejected, destroyed and having unfulfilled desires / The female figure standing on her hands is not seeing things realistically / The figure is head over heels, vulnerable, with her skirt around her head revealing more than normal / The text enhances the meaning of the work and draws the viewer into experiencing the foolishness of love, demanding the viewer travel around and around to read it / Overall the dog provides structure to the work and a reliable object on which all else balances / Balance has been one of the recurring or repetitive themes within William's work / It references the physicality of clay, the difficulties in creating balance with the clay and balance in the work / Williams' work is about form rather than colour / Sometimes she uses a coloured clay like a pale terracotta / Williams likes the flatness of the surface in relationship to the marks of the text / She describes herself as a Minimalist, paring down the form to the bare essentials. 'In Love' was a finalist in the 1997 Nillumbik Art Award held at the Eltham Community and Reception Centre, Pitt Street, Eltham. A ceramic sculpture made of white stoneware clay (coated with a wash of gesso) of a girl doing a hand stand on the back of a dog (retriever?) / Her face/head is partially covered by her skirt which has come down / Her skirt is inscribed in the round with the poem "The Lady's First Song" (1938) by W.B. Yeats (see inscriptions and markings) / The dog is looking straight ahead and upwards towards the sky and his tail is pointing straight out. The dog is covered with cross-hatch incised lines to give the illusion of fur and texture / Hand written inscription of W.B. Yeats poem "The Lady's First Song" (1938) on girl's skirt / I turn round / Like a dumb beast in a show. / Neither know what I am / Nor where I go, / My language beaten / Into one name; / I am in love / And that is my shame. / What hurts the soul / My soul adores, / No better than a beast / Upon all fours.williams / yeats / love / ceramic / stoneware / dog