Wooden Plaque from Vietnam Employment and training Services US Department of Labour Saluting VVAA for Outstanding Employment and Training Services. Signed and dated August 18 1997Seal of US Dept of Labourvvaa, wooden plaque, us department of labour

A poster printed by the RMIT in 2018, to promote an exhibition of works at the MTSV about the interelationships between labour, working life and artistic practice. BACKGROUND The Work of Art was an exhibition about labour, working life and artistic practice. The exhibition explored three aspects of art's relationship to work: (1) artworks about contemporary labour, (2) the labour of art-making itself and (3) the often precarious aspects of life as a working artist. Throughout the exhibition, different artists "worked" from the space of the gallery, revealing the layers of manual, emotional and intellectual labour involved in the work of art. CONTRIBUTION I was invited to develop the exhibition by the "Murphy Group", a group of researchers at RMIT. As the lead co-curator for the exhibition, I researched the history of artistic responses to working conditions. Through this process I identified a gap - while many artists have explored the conditions of labour and working life in their artworks, fewer have drawn attention to the working conditions of artists themselves. This became a key theme in the exhibition. The exhibition presented the work of nine contemporary Australian artists, including high profile and mid-career artists like Bindi Cole and Bek Conroy, alongside the work of emerging artists. In addition to the display of artworks throughout the space, five artists worked performatively, bringing to life the processes and manual labour involved in artmaking. A public forum extended the complex discussion on the relationship between art, work and labour. SIGNIFICANCE The works were presented in the context of a public space that has a strong relationship to contemporary labour - the Mission to Seafarers in Docklands. The Mission to Seafarers is a working mission that provides support to ship-workers. Presenting the works in this space created a real connection between the artworks and the lived experience of precarious labour. The exhibition reached a large audience including over 1000+ visitors in 10 days. It fostered a high engagement on social media and attracted media coverage including a feature in ArtsHub.A record of the ongoing involvement of the MTSV in art, and working with the art community by providing a suitable venue and display space.A3 size yellow paper promotional poster, double-sided. Three-quarters of the front of the poster is covered with the repeated line "Art, Labour & Working Life" in large font, to form ten rows. These rows are in outline form except for picked out words which are in entirely black characters and these cascade down, a row at a time, a word at a time, to form the same line ("Art, Labour & Working Life"). rmit, 2018, events, labour, working life, artistic practice, hiring event, cultural events, multimedia, nicholas walton-healey

Letter from Ian Sharp to Justice Moore informing him of the appointment of Mary Gaudron as a Deputy President. Press release from Minister for Labour, Clyde Cameron in connection of the appointment.Letter from Ian Sharp to Justice Moore informing him of the appointment of Mary Gaudron as a Deputy President. Press release from Minister for Labour, Clyde Cameron in connection of the appointment.justice moore, mary gaudron, clyde cameron

A series of six prints showing various stages of labour, donated to the College in 2000.Black and white reproduction print of a plate from a book, enclosed in a wooden frame. Text at the top of the print reads 'BEFORE LABOR | BIRTH ATLAS | PLATE 8'. The plate depicts a detailed cross section image of a baby in the womb. Label attached to back of work reads: 'Robert Latou DICKINSON and Abram BELSKI/ Plate 8. Before labour/From: Birth atlas: reproduction of twenty-four life size sculptures of fertilization, growth,/stages of labour and involution./New York: Maternity Center Association, 1943. 6th ed./Gift of St Georges Hospital, Kew, 2000'.BEFORE LABOR | BIRTH ATLAS | PLATE 8obstetric delivery

Bendigo Labour, the maintenance of Traditions in a Regional City. A history of the Labour Party in Bendigo.Colin Clearyhistory, labour party., local history

Small wooden printing block with metal Coat of Arms nailed to topArte et Labre (By Skill and Labour)trades, printing

Typed letter on Department of Labour and National Service Letterheadnational service, ballarat school of mines, letterhead, department of labour and national service

Created and distributed by the Midwives Action Group, a Special Interest Group of the Royal Australian Nursing Federation (now the Australian Nursing and Midwifery Federation). The phrase on the badge, 'midwives make it a labour of love' is drawing attention to the inadequate working conditions and wages that the Royal Australian Nursing Federation was campaigning to improve. The Royal Australian Nursing Federation (RANF) became the Australian Nursing Federation in 1989, suggesting that this badge is from the late 1980s.Circular blue and white plastic badge. Silver metal, plastic-coated, with safety pin fastener adhered to back. Badge printed with 'MIDWIVES ACTION GROUP', 'MIDWIVES MAKE IT A LABOUR OF LOVE' and 'R.A.N.F. [Royal Australian Nursing Federation] Vic. [Victorian] Branch'.midwives, midwifery, nurses, nursing, midwives action group, royal australian nursing federation, trade unions, unionism, labour history

Standard document sent to young Australian men registered for National Service during the conscription process for the conflict in Vietnam if they were selected/called-up but had their service deferred.Small card advising of indefinite deferment.Commonwealth of Australia/Department of Labour and National Service certificate of deferment, vietnam, john malicki, maklicki, national service, conscription, defer, nashos

Daily running book of sales and labour - Eldridge & Burnet.Feb 26 1898 - Aug 16 1898. Itemized list of trade sales and labour for individual customers (used for preparation of regular accounts?)business, retail, plumber, eldridge & burnet

This sideboard was originally used in the dining room of the Manse, the chaplains' residence. Upon completion of the Institute building in 1917, the Goldsmiths moved in after living for many uncomplaining years in a flat on Australia Wharf, which had “many disadvantages and discomforts”. The stamps in the drawer indicate the furniture was manufactured by H.F Fischer (Heinrich Friedrich Fischer). His store is mentioned in many advertisings as manufacturer and seller of furniture and was located at the 322 City Road address between 1909 and 1912 and is listed in the Sands & McDougall's in 1910. From 1913 his address changed to 308-310 City Road. The ‘European labour only’ stamp was a legal requirement in Victoria where it was set out in the Factories and Shops Act of 1896. Its purpose was to distinguish between furniture made in Victoria by Chinese workers and that made by Europeans, meaning Australians of European origin. To distinguish them, the European stamp was square or rectangular, the Chinese stamp was trianguler.It is not known when they were purchased or gifted and by whom. The facture is of quality, as indicated by the tenon and mortise joints of the drawers. The Wellers photographed the dining suite during his stay betwenn 1926-1929 (see item 1568).Wooden Oakwood Arts and Crafts sideboard 2 rectangular Stamps in purple ink in the drawer: " Manufactured by / H.F. Fischer/ 322 City Road / European Labour Only"manse, heritage listed, sideboard, arts and crafts, english, h.f. fischer, european labour, heinrish friedrich fischer, cabinetmaker

A series of six prints showing various stages of labour, donated to the College in 2000.Black and white reproduction print of a plate from a book, enclosed in a wooden frame. Text at the top of the print reads 'BIRTH OF SHOULDERS ROTATION PLATE 13'. The plate depicts a detailed cross section image of a baby in the womb. Label attached to back of work reads: 'Robert Latou DICKINSON and Abram BELSKI/ Plate 13. Birth of shoulders rotation/From: Birth atlas: reproduction of twenty-four life size sculptures of fertilization, growth,/stages of labour and involution./New York: Maternity Center Association, 1943. 6th ed./Gift of St Georges Hospital, Kew, 2000'.BIRTH OF SHOULDERS ROTATION PLATE 13obstetric delivery

Newspaper Clipping from "The Mail", 17-12-1996. "Labour of love" Parishioners at North Ringwood Uniting Church will celebrate Christmas with three new-stained glass windows.The windows, a recent additiion to the Dickson Cres. church, were the dream of parishioner Joy Harvey. Her daughter Claire, a graphic desingner, drew up plans for the windows and Joy's husband George, built the window frames. The Rev. Keith Kynoch is pictured with one of the stained glass windows

A series of six prints showing various stages of labour, donated to the College in 2000.Black and white reproduction print of a plate from a book, enclosed in a wooden frame. Text at the top of the print reads 'LABOR CERVIX DILATING & BAG OF WATERS PLATE 9'. The plate depicts a detailed cross section image of a baby in the womb. Label attached to back of work reads: 'Robert Latou DICKINSON and Abram BELSKI/ Plate 9. Labor cervix dilating & bag of waters/From: Birth atlas: reproduction of twenty-four life size sculptures of fertilization, growth,/stages of labour and involution./New York: Maternity Center Association, 1943. 6th ed./Gift of St Georges Hospital, Kew, 2000'.LABOR CERVIX DILATING & BAG OF WATERS PLATE 9obstetric delivery

A series of six prints showing various stages of labour, donated to the College in 2000.Black and white reproduction print of a plate from a book, enclosed in a wooden frame. Text at the top of the print reads 'FULL DILATION CERVIX HIGH HEAD DEEP IN PELVIS PLATE 10'. The plate depicts a detailed cross section image of a baby in the womb. Label attached to back of work reads: 'Robert Latou DICKINSON and Abram BELSKI/ Plate 10. Full dilation cervix high head deep in pelvis/From: Birth atlas: reproduction of twenty-four life size sculptures of fertilization, growth,/stages of labour and involution./New York: Maternity Center Association, 1943. 6th ed./Gift of St Georges Hospital, Kew, 2000'.FULL DILATION CERVIX HIGH HEAD DEEP IN PELVIS PLATE 10obstetric delivery

A series of six prints showing various stages of labour, donated to the College in 2000.Black and white reproduction print of a plate from a book, enclosed in a wooden frame. Text at the top of the print reads 'ABDOMINAL MUSCLE DRIVE PELVIC FLOOR THIN PLATE 11'. The plate depicts a detailed cross section image of a baby in the womb. Label attached to back of work reads: 'Robert Latou DICKINSON and Abram BELSKI/ Plate 11. Abdominal muscle drive pelvic floor thin/From: Birth atlas: reproduction of twenty-four life size sculptures of fertilization, growth,/stages of labour and involution./New York: Maternity Center Association, 1943. 6th ed./Gift of St Georges Hospital, Kew, 2000'.ABDOMINAL MUSCLE DRIVE PELVIC FLOOR THIN PLATE 11obstetric delivery

A series of six prints showing various stages of labour, donated to the College in 2000.Black and white reproduction print of a plate from a book, enclosed in a wooden frame. Text at the top of the print reads 'HEAD TURNS UPWARD PELVIC FLOOR RETREATS PLATE 12'. The plate depicts a detailed cross section image of a baby in the womb. Label attached to back of work reads: 'Robert Latou DICKINSON and Abram BELSKI/ Plate 12. Head turns upward pelvic floor retreats/From: Birth atlas: reproduction of twenty-four life size sculptures of fertilization, growth,/stages of labour and involution./New York: Maternity Center Association, 1943. 6th ed./Gift of St Georges Hospital, Kew, 2000'.HEAD TURNS UPWARD PELVIC FLOOR RETREATS PLATE 12obstetric delivery

Diggers & Mining. Gold. In 1873, Chinese labour was used to break a mine strike at Clunes; and in 1878, seamen on the east-coast ships went on strike to protest against the use of cheap Chinese labour by ship owners. Working men were again fearing Chinese labour as a menace to employment and wage standards. Markings: 10 994.GOL. Used as a teaching aid.hanimounteducation, tertiary, goldfields

Watsonia High School bag. Owned by Dawn Petts of Greenhills who attended Watsonia High from 1965-1970.Grey school bag with long strap. White binding on edges and zip closure.School motto on side of bag: "Watsonia. Nothing without labour."school uniform, school bags, dawn petts, watsonia high school