Cream coloured ceramic planter with roses hand painted onto upper part. Milford Ware, F&S, England.

Hilda was a member of The Embroiderers Guild U.K., a teacher and Judge. She prepared study material and embroidered items for the British Home Industries. Hilda worked on the WW1 tapestry depicting Women's War Work, displayed in the Imperial War Museum. An Annual Prize is awarded in her name for Silk Shading, by a First Year Apprentice at the Royal School of Needlework, London.One of eight stitch samplers worked on coarse counted thread or woven linen. Demonstrating a variety of techniques and embellishments.Hilda Watson Milford Surrey Label on backembroidery, sampler, england

Hilda was a member of The Embroiderers Guild U.K., a teacher and Judge. She prepared study material and embroidered items for the British Home Industries. Hilda worked on the WW1 tapestry depicting Women's War Work, displayed in the Imperial War Museum. An Annual Prize is awarded in her name for Silk Shading, by a First Year Apprentice at the Royal School of Needlework, London.One of eight stitch samplers worked on coarse counted thread or woven linen. Demonstrating a variety of techniques and embellishments.Hilda Watson Milford Surrey Label on backsampler, embroi, embroidery

Hilda was a member of The Embroiderers Guild U.K., a teacher and Judge. She prepared study material and embroidered items for the British Home Industries. Hilda worked on the WW1 tapestry depicting Women's War Work, displayed in the Imperial War Museum. An Annual Prize is awarded in her name for Silk Shading, by a First Year Apprentice at the Royal School of Needlework, London.One of eight stitch samplers worked on coarse counted thread or woven linen. Demonstrating a variety of techniques and embellishments.Hilda Watson Milford Surrey Label on backsampler, embroidery

Hilda was a member of The Embroiderers Guild U.K., a teacher and Judge. She prepared study material and embroidered items for the British Home Industries. Hilda worked on the WW1 tapestry depicting Women's War Work, displayed in the Imperial War Museum. An Annual Prize is awarded in her name for Silk Shading, by a First Year Apprentice at the Royal School of Needlework, London.One of eight stitch samplers worked on coarse counted thread or woven linen. Demonstrating a variety of techniques and embellishments.Hilda Watson Milford Surrey Label on backsampler, embroidery

Hilda was a member of The Embroiderers Guild U.K., a teacher and Judge. She prepared study material and embroidered items for the British Home Industries. Hilda worked on the WW1 tapestry depicting Women's War Work, displayed in the Imperial War Museum. An Annual Prize is awarded in her name for Silk Shading, by a First Year Apprentice at the Royal School of Needlework, London.One of eight stitch samplers worked on coarse counted thread or woven linen. Demonstrating a variety of techniques and embellishments.Hilda Watson Milford Surrey Label on backsampler, embroidery

Hilda was a member of The Embroiderers Guild U.K., a teacher and Judge. She prepared study material and embroidered items for the British Home Industries. Hilda worked on the WW1 tapestry depicting Women's War Work, displayed in the Imperial War Museum. An Annual Prize is awarded in her name for Silk Shading, by a First Year Apprentice at the Royal School of Needlework, London.One of eight stitch samplers worked on coarse counted thread or woven linen. Demonstrating a variety of techniques and embellishments.Hilda Watson Milford Surrey Label on backsampler, embroidery

Hilda was a member of The Embroiderers Guild U.K., a teacher and Judge. She prepared study material and embroidered items for the British Home Industries. Hilda worked on the WW1 tapestry depicting Women's War Work, displayed in the Imperial War Museum. An Annual Prize is awarded in her name for Silk Shading, by a First Year Apprentice at the Royal School of Needlework, London.One of eight stitch samplers worked on coarse counted thread or woven linen. Demonstrating a variety of techniques and embellishments.Hilda Watson Milford Surrey Label on backsampler, embroidery

Hilda was a member of The Embroiderers Guild U.K., a teacher and Judge. She prepared study material and embroidered items for the British Home Industries. Hilda worked on the WW1 tapestry depicting Women's War Work, displayed in the Imperial War Museum. An Annual Prize is awarded in her name for Silk Shading, by a First Year Apprentice at the Royal School of Needlework, London.One of eight stitch samplers worked on coarse counted thread or woven linen. Demonstrating a variety of techniques and embellishments.Hilda Watson Milford Surrey Label on backsampler, embroidery

Book prize awarded to Minnie Monteith for excellence in Violin by Elspeth Carson in 1920. Book donated to the school by Minnie's nephew R H McCarthy of WA in 2013. Minnie went on to achieve Dux of the school during her final year (1921). She also held the role of Head Prefect in 1921. The book prize was provided by Miss Refisch (possibly S Rehfisch who entered the school in 1902.)Minnie was both Dux of the school and Head Prefect in her final year at CPLC. This book is signed by Principal Elspeth Carson who lead the inaugural year of Clarendon Presbyterian Ladies College (previously Clarendon Ladies College).Dark green padded and textured calf binding with gold printing on front cover and spine; gold detail to inside edge of cover; marbled end-pages and gilt edge; hinges generally firm; book plate inside front cover; quote from Psyche handwritten on verso of frontispiece; Book plate inside front cover: school crest / Clarendon presbyterain / ladies' College / Ballarat / Form VIa / Prize Special - Violin / Gift of Miss Rehfisch / Awarded to / Minnie Monteith / E Carson / Principal / December 1920minnie-monteith, elspeth-carson, clarendon-presbyterian-ladies-college. 1920, rehfisch, book-prize,

Book prize awarded to Minnie Monteith for excellence in Violin by Elspeth Carson in 1921. Book donated to the school by Minnie's nephew R H McCarthy of WA in 2013. Minnie also achieved Dux of the school in 1921 and held the role of Head Prefect in 1921. The book prize was provided by Miss Refisch (possibly S Rehfisch who entered the school in 1902.) This book also displays the crest of the Presbyterian Book Room embossed onto its front cover. Minnie was both Dux of the school and Head Prefect in her final year (1921) at CPLC. This book is signed by Principal Elspeth Carson who lead the inaugural year of Clarendon Presbyterian Ladies College (previously Clarendon Ladies College). Dark green padded and textured calf binding with gold printing and decoration on spine; embossed school crest and bookroom crest on front cover; gold detail to inside edge of cover; marbled end-pages and gilt edge; hinges loose; book plate inside front cover; Book plate inside front cover: school crest / Clarendon Presbyterian / Ladies' College / Ballarat / Form VII / Prize Special / Violin / Awarded to / Minnie Monteith / E Carson / Principal / December 1921 / Gift of Miss Rehfisch / minnie-monteith, elspeth-carson, rehfisch, 1921, book-prize, clarendon-presbyterian-ladies-college, presbyterian-book-room,

Memorial Prize awarded to former CPLC student Minnie Monteith (Dux of school and Head Prefect 1921) by the Melbourne Shakespeare Society for excellence in the 1922 society examination. Item provides intriguing detail to Minnie's academic pursuits following her years of schooling at Clarendon Presbyterian Ladies' CollegeDark blue padded and textured calf binding with gold printing and borders on front cover and spine; gold detail to inside edge of cover; marbled end-pages and gilt edge; hinges generally firm; book plate inside front cover; two pages of handwritten notes included in volume;Book plate inside front cover: Crest of the Melbourne Shakespeare Society / Examination 1922 / E Toynbee Stevens Memorial Prize / Awarded to / Minnie Monteith / Signed by President Long and Secretary Daleyminnie-monteith, melbourne-shakespeare-society, e-toynbee-stevens, book-prize, 1922,

Memorial Prize awarded to former CPLC student Minnie Monteith (Dux of school and Head Prefect 1921) by the Melbourne Shakespeare Society for excellence in the 1923 society examination. Item provides intriguing detail to Minnie's academic pursuits following her years of schooling at Clarendon Presbyterian Ladies' College Black, padded and textured calf binding with gold printing on front cover and spine; gold detail to inside edge of cover; marbled end-pages and gilt edge; hinges generally firm; book plate inside front cover; Book plate inside front cover: Crest of the Melbourne Shakespeare Society / Examination 1923 / The Toynbee Stevens Prize / Awarded to / Miss M Monteith / Signed by President Long and Secretary Daley minnie-monteith, melbourne-shakespeare-society, e-toynbee-stevens, book-prize, 1923,

Has a dark red cover bordered with three thin black lines bordering the face of the book. This book opens upwards in that the binding part is to the top of the book and the pages flip up to read. There are 704 pages of information. Additionally, there is 'xcv' (95) number of pages containing product and business advertisement at the start of the book immediately proceeding the 'contents' page. After the information there is a diary of a week to a page for 1939 and a Spanish and French dictionary at the back of the book.non-fictionOwned by A. Berger

Hard cover book printed 1916 by Ernest Scott, Professor of History at University of Melbourne.history, australia, e. scott

Poetry Selected ad Arranged by Frances Turner Palgraves, of the English Poets. Used as a School Text book by Sophie Dane, while at Stawell High School.Green Hard cover, with gold design containing Tulip buds and heart design with title on the spine Inside Name and School in Ink. Pencil text on next three pages. Name across Pages at Bottom of Book stawell education

Ill, p.527.non-fictionA collection of 52 often humorous parodies of myths, tales, and ghost stories, and 13 "Miscellaneous Poems". literary humour, thomas ingoldsby

Ill, p.663.non-fictionFairy tales and other stories by Hans Christian Andersen revised and in part newly translated by W. A. & J. K. Craigie, with fifty-six illustrations.fairy tales, fairy tales - denmark

Selected & arranged by Francis Turner Palgrave.Hard blue cardboard cover without dust jacket. 587 pages with cut edges, black print. Collection of songs & lyrical poems no illustrations. Stamped on front fly leaf & inside back cover: "AIF W A AUX for POW JAPAN" Inside back cover: "J312/97" in blue inkbooks-poetry, military history, personal effects

Bricks by the Million: a Brief History of Lilydale's Brick Making Industry stapled at the spine. It has the title, author and publisher in black print on the front along with a black and white photograph of a drawing by the artist G. Mustaers of Hyne's Brick Kilns in 1972. There is a Contents, Preface, Introduction followed by general information about early brick making from the 1870's. Two Appendixes and a Bibliography at the end are included. The back cover has a small drawing of a two storey brick building. This is a historical publication which details the evolution of the brick-making industry in Lilydale, Victoria during the 1880s when the town was surrounded by seven major brickworks. Pp.27 non-fictionThe book documents the peak of the brick making industry in Lilydale, Victoria, during the 1880s when the town was surrounded by seven major brickworks. architectural elements, bricks, house bricks, building bricks

A white book with a large sepia coloured photograph on the front of The Lillydale Shire Offices opened on November 14,1889. The front cover lettering is brown. The title page has publishing details with further information on the back of it. There are Contents, Foreword and Introduction pages. The publication highlights the development of shire staff, selected historical issues through the years, and a complete listing of local councillors who steered the region’s growth. Pp. 48non-fictionThis book refers to the historical publication by Sue Thompson detailing the legacy and evolution of the former Shire of Lillydale Offices in Victoria, Australia. Published by the Lilydale & District Historical Society, the book covers a century of civic leadership, infrastructural growth, and local governance.lillydale - history, lillydale - shire offices, victoria - lillydale

First Head at Concongella School Pages 83-89Card cover Coloured Photo: Teachers and Pupils of Harcourt Primary School 1870The Career of Henry Hayden BA in Colonial Victoria. Author George Milfordbiography, concongella, teachers, school

Originally labelled "Beauville Estate, Established 1936, Still Thriving 65 years on, 10th March 2001", the Beauville Estate Album contains colour photographs of houses in the Estate. They were taken around the time of the Beauville Estate’s 65th Heritage Celebration held on 10/03/2001 and donated to the Caulfield Historical Society shortly afterwards. Photographer unknown.City of Glen Eira’s Heritage Management Plan Vol 2 p79 (this is p84 of the pdf version) – HO12 Beauville Estate and environs, Murrumbeena: The Beauville Historic Area is important at the State level as the first large housing estate undertaken by the AV Jennings Construction Co, later Jennings Group Limited, Victoria’s largest home builder. It is important also as a very early estate development incorporating a range of features other than houses and including made roads, shops and recreation facilities. In this respect it was the forerunner of the comprehensively planned housing estate of the post war era. The estate is distinguished by its aesthetic values, as is the earlier and comparable Hillcrest Estate, which are formed by a combination of restrained diversity in house styles, with the exception of no. 30 in the emerging International style, and by a landscaped garden environment. Colour photograph of white rendered house with unpainted brown brick features. Other features include a porch with "Milford" written above the arched entrance, a decorative brick rectangular panel, striped awnings, sash windows, chimneys, tiled roof and low unpainted brown brick fence in the foreground with "31" on the letterbox on top of the brick pillar beside the driveway.murrumbeena, houses, beauville avenue, architectural styles, 1930's, inter war style, a.v. jennings, av jennings, jennings, brick houses, beauville estate, porches, arches, sir albert victor jennings, a v jennings construction co, beauville estate heritage area, glen eira city council, architectural features, jennings group limited, land subdivision, gardens, beauville historic area, rendered houses, brick features, milford, house names, brick fences, letterboxes, striped awnings, sash windows

This photo dates from circa 1896. It depicts Mrs Sarah Ann Milford, then aged 65, in a buggy somewhere in Castlemaine. Mrs Milford is holding the reins in gloved hands, having driven five miles into town from her home on the Faraday Road, Harcourt. The journey would have taken about one hour. Mrs. Milford together with her farmer/orchardist husband, worked an extensive orchard/farm, Here she is depicted having delivered apples, butter and vegetables from her family orchard to Castlemaine market. Mrs Milford is wearing a strictly tailored 'must fit snug everywhere' jacket with shoulder cape, very full sleeves, closely buttoned bodice, high neckline and rather severe collar. The skirt was separate , of lined brown twill cotton, pocket at side back. A buggy rug is strapped across her knees. The buggy rug was lined with yellow and black figured damask. Despite the masculine-oriented property laws and society norms many Victorian women were active partners in their family business. The photo is a good record of the fashions, transport and capabilities of this pioneer.Sepia photograph of a woman dressed in Victorian fashion, seated in a covered four wheel buggy.The horse is equipped with light buggy harness and wearing a buggy bridle.

In 2021, the Department of Environment, Land, Water and Planning (DELWP) constructed two new groynes and a section of rock seawall at Apollo Bay to help manage the impacts of coastal erosion. The new 70-meter-long rock groynes run perpendicular to the shoreline and be located just south of the Milford St revetment and to the south of Milford Creek. Sections of rock seawall will be constructed between the two Groynes with an aim to protect the dune, walking path, cypress trees and road from erosion. Colour photograph of a coastal scene at Apollo Bay, featuring new rock groynes to protect the Great Ocean Road from erosion. apollo bay, beach, coast, groyne, rockwall

In 2021, the Department of Environment, Land, Water and Planning (DELWP) constructed two new groynes and a section of rock seawall at Apollo Bay to help manage the impacts of coastal erosion. The new 70-meter-long rock groynes run perpendicular to the shoreline and be located just south of the Milford St revetment and to the south of Milford Creek. Sections of rock seawall will be constructed between the two Groynes with an aim to protect the dune, walking path, cypress trees and road from erosion. Colour photograph of a coastal scene at Apollo Bay, featuring new rock wall and groynes to protect the Great Ocean Road from erosion. apollo bay, beach, coast, groyne, rockwall

In 2021, the Department of Environment, Land, Water and Planning (DELWP) constructed two new groynes and a section of rock seawall at Apollo Bay to help manage the impacts of coastal erosion. The new 70-meter-long rock groynes run perpendicular to the shoreline and be located just south of the Milford St revetment and to the south of Milford Creek. Sections of rock seawall will be constructed between the two Groynes with an aim to protect the dune, walking path, cypress trees and road from erosion. Colour photograph of a coastal scene at Apollo Bay, featuring new rock wall and groynes to protect the Great Ocean Road from erosion. apollo bay, beach, coast, groyne, rockwall, sea wall