A small lamp, most likely used for mining. Could be fixed to belt by loops on back; light is provided by an internal wick.Dark metal miner's lamp with internal wick and belt loop on back.mines and mining, lamps

Round Miners Lamp with screw filler long spout and wick.Miners Lamps Engraved R Davidson Stawellmining, gold

This lamp is typical of lamps used in Welsh Coal Mines. It was purchased from the supplier around mid 1995. The Welsh Miners’ Lamps were ingeniously designed over 180 years ago to alert coal miners to danger. It ensures the burning of a protected flame in the presence of explosive gas, by regulating the necessary supply of atmospheric air, and by allowing the products of combustion to pass through without igniting the gaseous atmosphere. If the atmosphere is so heavily charged that noxious gas enters the lamp, its presence will be indicated by a change in the length and color of the flame, and (unless there are exceptional circumstances), the miner has sufficient warning to secure his safety. (http://www.welshminerslamps.com/info_lamp_personaluse.shtml, accessed 06/05/2015) E. Thomas & Williams, Ltd. mining lamps have been in continuous production since 1860. Cambrian Lamps are approved for use in coal mines where methan gas and oxygem deficinecy are hazards.Solid Brass traditional miners Flame Safety Lamp with Copper Chimney. The base of this lamp is tooled from solid brass because brass does not spark when it hits rock and is therefore the safest metal to use underground. The lamp burns lamp oil (kerosene). R. Thomas and Williams Ltd Makers Aberdare Wales Cambrian No 152897mining lamp, miner's lamp, thomas and williams, wales, welsh, welsh miners lamp, mining, cambrian lampworks, miners flame safety lamps

Safety lamp made for underground miners to replace naked flame lightingUsed in underground mining in Ovens or Buckland mining districtsmetal and glass oil powered lamp(partly obscured on glass) BRITISH MFP. ( on brass) 3BB BOSS ( on screw off base) 56 and 10mining, lamp, oil, safety, kerosene, underground

Colour photographs of the Stained Glass Window at the Ballarat Technical Art School, A division of the Ballarat School of Mines.stained glass, ballarat technical art school., miner's lamp

The Ballarat Technical Art School building was opened in 1915. It is not known when the stained glass was put into position.Colour digital photograph showing the stained glass detail on the entrance door to the Ballarat School of Mines Technical Art School building. The design features three tools associated with mining, the miners lamp and two hammers. ballarat school of mines, ballarat technical art school, stained glass, miners lamp

Black metal miners' lamp, rectangular base with 'pyramid' shaped, perforated, top section. Circular metal loop attached to top with metal pin. Glass sides with metal cross bar for protection. Candle holder inside lamp.gold mining, mining equipment, miners' lamp

The Ballarat Technical Art School building was opened in 1915. It is not known when the stained glass was put into position.Colour digital photograph showing the stained glass at the Ballarat Technical Art School. The mining lamp detail is on the entrance door to the Ballarat School of Mines Technical Art School building. The design features three tools associated with mining, the miners lamp and two hammers. Their is also stained glass on the entrance doors and a window by the entrance.ballarat school of mines, ballarat technical art school, stained glass, miners lamp, entrance

Carl Hermann Nier in 1877 a silverware maker started to produce miners lamps and household lanterns in Beierfeld, Saxonia, East Germany. In January 1902 he established the Nier-Feuerh and company in his home town to produce kerosene lanterns. Carl's three sons Bruno, Curt and Woldemar Nier made the company into the largest lantern producer in the 1930s with Bruno Nier holding many patents for lamps. Lantern production was interrupted by World War II and ceased at the end of 1944 because of the shortage of materials and the advancing Russian army. After the Second World War the company restart the lantern production in 1947 at Luedenscheid and Hohenlockstedt north of Hamburg and fully re-establishing the company in 1950. A domestic item with an interesting history that now is sought after by collectors giving an insight into how hurricane kerosene lamps came into being from a manufacturer in Germany that held numerous patents for oil lamps from 1902 until 1940.Kerosene Lamp with handle, blue in colour, badly rusted. Lamp shade has lever to lift so you can light. Marked "Feuerhand Nr 327" "Made in Germany".flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, lamp, kerosene lamp, hurricane lamp, nier-feuerh, carl hermann nier

Carl Hermann Nier in 1877 a silverware maker started to produce miners lamps and household lanterns in Beierfeld, Saxonia, East Germany. In January 1902 he established the Nier-Feuerh and company in his home town to produce kerosene lanterns. Carl's three sons Bruno, Curt and Woldemar Nier made the company into the largest lantern producer in the 1930s with Bruno Nier holding many patents for lamps. Lantern production was interrupted by World War II and ceased at the end of 1944 because of the shortage of materials and the advancing Russian army. After the Second World War the company restart the lantern production in 1947 at Luedenscheid and Hohenlockstedt north of Hamburg and fully re-establishing the company in 1950. A domestic item with an interesting history that now is sought after by collectors giving an insight into how hurricane kerosene lamps came into being from a manufacturer in Germany that held numerous patents for oil lamps from 1902 until 1940.Kerosene lamp with handle, red in colour, badly rusted. Lamp shade has lever to lift so you can light it.Marked "Feuerhand Nr 327" "Made in Germany".flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, lamp, kerosene lamp, hurricane lamp, nier-feuerh, carl hermann nier

Booklet about the Edison Model J Miners Electric Safety Cap Lamp. Small booklet with black and blue text, appears to be the manual for the lamp (SCM 0004)

The former Ballarat Circuit Court Building, later the first building of the Ballarat School of Mines, was demolished to make way for a new custom built Art School building. Sir Alexander Peacock opened the Ballarat Technical Art School in July 1915. It cost 10,000 pounds and was constructed by the Public Works Department from plans drawn by the then Art School Principal, Herbert H. Smith. The building contractors were Messrs Gower and Eddards. According to the SMB Annual Report of 1914 'the internal upholstering and fittings have all been carried out in Australian timbers, with Queensland maple largely used throughout.' Before this building was constructed art and craft classes were held in various buildings around Ballarat. The building could be described as federation-art deco in style. It features sandstone insertion with sandstone string coursing. The base of the building is rusticated sandstone. The relief stone panel on the front with the words "Technical Art School" features stone pilaster brackets and corbels. In the centre front can be seen rectangular sandstone pediment with decorative stonework incorporating the date of construction. The windows in the lower floor feature five supporting keystones whereas the upper windows have sandstone lintels. The building also features decorative cast iron downpipes. The entrance on the northern side has attractive leadlight glazing in an art deco style. Above the door a miner's lamp and pick are featured in the design. The building is functional in design with large metal windows in the south wall to ensure good light into the studios. The northern wall has standard double hung windows. The interior of the building features a carved wooden staircase and cast iron ceiling vents. The rear drawing studios can be made into one large studio by opening panelled timber doors. This opening features classical plaster pilasters with a pediment above.Colour photograph of a sandstone detail on a double storey, red brick building - the Ballarat Technical Art School, a division of the Ballarat School of Minesballarat school of mines, ballarat technical art school, architecture, art, gribble building

The former Ballarat Circuit Court Building, later the first building of the Ballarat School of Mines, was demolished to make way for a new custom built Art School building. Sir Alexander Peacock opened the Ballarat Technical Art School in July 1915. It cost 10,000 pounds and was constructed by the Public Works Department from plans drawn by the then Art School Principal, Herbert H. Smith. The building contractors were Messrs Gower and Eddards. According to the SMB Annual Report of 1914 'the internal upholstering and fittings have all been carried out in Australian timbers, with Queensland maple largely used throughout.' Before this building was constructed art and craft classes were held in various buildings around Ballarat. The building could be described as federation-art deco in style. It features sandstone insertion with sandstone string coursing. The base of the building is rusticated sandstone. The relief stone panel on the front with the words "Technical Art School" features stone pilaster brackets and corbels. In the centre front can be seen rectangular sandstone pediment with decorative stonework incorporating the date of construction. The windows in the lower floor feature five supporting keystones whereas the upper windows have sandstone lintels. The building also features decorative cast iron downpipes. The entrance on the northern side has attractive leadlight glazing in an art deco style. Above the door a miner's lamp and pick are featured in the design. The building is functional in design with large metal windows in the south wall to ensure good light into the studios. The northern wall has standard double hung windows. The interior of the building features a carved wooden staircase and cast iron ceiling vents. The rear drawing studios can be made into one large studio by opening panelled timber doors. This opening features classical plaster pilasters with a pediment above.Colour photographs of a double storey, red brick building built - the Ballarat Technical Art School, a division of the Ballarat School of Minesballarat school of mines, ballarat technical art school, architecture, art, gribble building

Sir Alexander Peacock opened the Ballarat Technical Art School in July 1915. It cost 10,000 pounds and was constructed by the Public Works Department from plans drawn by the then Art School Principal, Herbert H. Smith. The building contractors were Messrs Gower and Eddards. According to the SMB Annual Report of 1914 'the internal upholstering and fittings have all been carried out in Australian timbers, with Queensland maple largely used throughout.' Before this building was constructed art and craft classes were held in various buildings around Ballarat. The building could be described as federation-art deco in style. It features sandstone insertion with sandstone string coursing. The base of the building is rusticated sandstone. The relief stone panel on the front with the words "Technical Art School" features stone pilaster brackets and corbels. In the centre front can be seen rectangular sandstone pediment with decorative stonework incorporating the date of construction. The windows in the lower floor feature five supporting keystones whereas the upper windows have sandstone lintels. The building also features decorative cast iron downpipes. The entrance on the northern side has attractive leadlight glazing in an art deco style. Above the door a miner's lamp and pick are featured in the design. The building is functional in design with large metal windows in the south wall to ensure good light into the studios. The northern wall has standard double hung windows. The interior of the building features a carved wooden staircase and cast iron ceiling vents. The rear drawing studios can be made into one large studio by opening panelled timber doors. This opening features classical plaster pilasters with a pediment above. This building is now the Gribble Building on the Federation University Australia SMB Campus.Artwork by students of the Ballarat Technical Art School from the 1934 Ballarat School of Mines Students' Magazine .1) Stairs to the Ballarat Junior Technical School from Grant Street .2) Caricatures by Nornie Gude .3) work by Colin S. Hunt .4) A girl and a rooster by Gilda Gude .5) Self Portrait .6) Main entrance to the Ballarat Technical Art School by Lorna Bailey .7) Artwork from the magazineballarat technical art school, gribble building, gribble, stained glass, white flat, hopwood, bailey, gude, ballarat junior technical school, visual arts

Artie Dibbin, local Freeburgh identity, cattle grazier, horseman, miner and larrikin, had an alluvial claim, next to the Great Alpine Road at Freeburgh, called the "Goat's Arse". This candle holder or "spider" was used by Artie in this and other mines, including the Mount Orient.Relevant to the gold mining history of the area. Miner's spider made of bent metal.mining, candle, lamp, spider

Relevant to the gold mining history of the area.Miner's spider handmade of twisted wire. Contains remnants of candle in situ.mining, candle, lamp, sider

Frank Wright visits a mine in Germanyfrank wright, germany, miners lamp

Blue soft covered book.duncan gillies, mining, safety cages, timbering in mines, ballarat minin district, statistics, chinese, fossil plants, wolf's miners' safety lamp, thorneburry safety lamp, wood's point, clunes, chiltern valley, underground survey, wire ropes, ballarat, warrenheip, dowling forest

Black and white photograph. Underground in a mine. Large excavation with at least four workers with lamps. Loose stone wall across centre, appears to be 9-10 feet high. Ladder at R. Pile of stone at centre front.mining, underground equipment, miners, bendigo, mines and mining, mines, miners

Black and white photograph showing rear view of miner in underground drive illuminated ahead of him by his lamp. Air supply? Lines fixed to upper right of drive. Reflections or light from lamps in background. Inscriptions: on back - in grey lead 'Miner walking along drive at Central Deborah - 1951' On back - TL '42'. TL front '42'.mine, gold, central deborah gold mine, bendigo, mines and mining, individual, person, place, gold mine, mine opening, mining

black and white photo: Alfred ( Tim ) Yates ? Walking down a mine tunnel with light in hand. Male figure in tunnel carrying lamp, tracks for carts on ground, pipes on wall at right. On back Mng 47. ' miner walking along drive at Central Deborah 1951' James Lerk 26.22.1999 ' miner assumes to be Alfred ( Tim ) Yates'organization, business, central deborah mine

black and white photograph of two workmen seated on bush timber fitted between vertical rock faces. The ladder is probably from the level immediately below. The lamps are ' Bendigo bucket carbide lamps ' Some advisers consider consider that this photograph is posed as workers are not safely placed. In grey lead ' miners at work ' down below' in Bendigo ' a signature ' J.J. Stanistreet ' a caption ' Hercules Mine ' ? On back in black pen ' miners shaping shaft prior to ' boxing in' with red gum slabs - note white quartz reef on wall face ' On small paper inclusion ' Miners placing staging for stoping on spurs' Mining Revival C 1930's.. James Lerk 26 Nov. 1999 - not as described in ink on rear 'person, group, mining

Bank of N.S.W. Eaglehawk, gold smelting room with chimney, Victoria Street aspect. ( Ian Wild, 7/2000 ) prior to renovations resulting in chimneys and antiques. Later AMP office ( Noelene Wild 7/2000 ) 2 small treees in foreground, bus shelter, lamp post. 'Ward A. FSP 1204 (1) on rear 'cottage, miners