Metal mesh purse, with a hand-sewn cream silk lining, and a small chain handle. Decorative floral markings on metal top and clasp, with 5 tiny metal beads on bottom of mesh."E.V.C.O. Dec. 1916 (Eileen Otter)"purses, money accessories

Leather belt, brown, money pouch attached & 1 brass button, copper wire stitching, 2 brass buckles, 2 leather straps.Anterior surface of belt: “VII DG [star of David] T00002 Williamson South Africa”uniform - army, costume accessories - male, trades-leatherworking, passchendaele barracks trust

Belonged to LEO HARRIS No 3132 - KIA 9.8.1916. Refer 2478 for service history also 2476, 2477P, 2479.3. Brown leather folding wallet with 4 compartments. Closes via 2 press studs. Internal has small pouch with press stud. personal object, money

The wallet belonged to Clarence W Curnow VX100151 2nd AIF. Refer Cat No’s 1444, 1445.2..1) Wallet, leather, black , folds in 3 with brass clip to close front. .2) Leather covered note book attached to 1453.1 by black string through centre of the notebook. Various addresses military dates etc throughout. .3)-.5) 3 Newspaper cuttings in wallet re agriculture sheep etc. personal effects - money containers, notebooks, documents - newspapers, wallet, curnow

Items belonged to Edward Lane No 40676 RAAF. Refer 211P for his service history also 209.2, 212.3. Wallet, leatherette, brown colour with gold lettering, items of a personal nature in the walletpersonal effects - money containers., wallets, military

Brown leather money belt, with metal buckle. The belt has four pouches on the exterior of the belt with the pouches being secured closed with metal press studs. At the rear of the belt is the following inscription: “With Best Wishes from the Mayor, Councillors & Citizens of the City of Prahran”harrison, ww2

Brown leather money belt with metal buckle and 3 pockets secured by metal zips. Affixed to the belt is a brass regimental shoulder badge, with the initials “ RF” ( Royal Fusiliers ) and brass flaming grenade with 7 points. Also affixed are 2 brass buttons.The inscription on the brass button nearest the buckle refers to “Australian Military Forces”; and the remaining brass button has inscription too small to decipher, with a rose imprint.harrison, ww2

This item has historical value as it shows part of the importance of fashionable money containers specific to a more affluent rural family. The period when sheep properties producing high grade wool were providing Australia with the high yield capital return to sustain an ever growing population. This was an era where most of the manufactured goods were imported from England and the European continent.This has relevant significant value as it portrays the earlier reliance that the growing Australian population had from the rural sector. The wealth capital was from the rural sector and the elaborate fashion accessories, such as this money purse, shows how that wealth was utilised. The Kiewa Valley was part of the "rich" farm regions of Victoria and besides gold mines and tobacco plantations, dairy and cattle properties provided for not only the needs of the Victorian region but also the rest of Australia. This gold plated filigree money purse has a clasp on top for fastening purposes and has on either side inside a small extension frame which would have contained a felt/silk padding buffer. The buffer would have highlighted the intricate pattern of the filigree metalwork.hand purse, money purse, filigree women's accessories

Pretty and tiny beaded bags and purses were highly decorated to match the dresses of the era. They were small enough to carry makeup compacts, a few coins, and they were fashion accessories more than practical handbags.This item is an example of a clothing accessory used by women in the early 20th century.Fully beaded drawstring bag with designs of flowers. Tassel of beads attached to bottom of bag. Small wooden hooks on the inside to hold black rope drawstring.bag personal-effects money-container beading drawstring-bag

This item is an example of a costume accessory used by women in the early 20th century.Lady's thread and bead black bag with silver beaded fringe at bottom. Drawstrings at top.bag personal-effects money-container beading handcrafts drawstring-bag

From the estate of Elsie Cooke who was the Orbost librarian for many years before 1940's. Elsie Cooke lived all her life in Gippsland,. She was born at Brodribb in 1895 and died in 1970, Elsie Cooke lived at Bruthen for a short time and, in 1937, moved to live with her aunt, Miss Jean Munro. Miss Cooke was Librarian at the Mechanics Institute for many years. Kindness and consideration for other were Miss Cooke’s attributes and she endeared herself to all who knew her. She was a loyal member of the Presbyterian Church and a stalwart of the Ladies’ Guild, an energetic worker for the Municipal Auxiliary and a member of the Red Cross. (ref. Mary Gilbert) Elsie Cooke was a well-respected Orbost identity. This item is an example of a fashionable accessory used by women in the first half of the 20th century.Small black velvet lady's change purse. Metal clasp and black holding string. Velvet has floral design. Purse has two coins inside - 1938 threepence (3d) and 1918 sixpence (6d) purse personal-effects money-containers

This item is an example of a fashionable accessory used by women in the first half of the 20th century.A coin purse made of light blue dyed sheepskin. It has a gold coloured metal frame and clasp and is a rectangular shape.coin-purse accessories-women's sheepskin purse personal-effects money-containers

This purse or coin bag is in pristine condition. It has been handmade from soft brown leather. A strong leather loop has bee added to the top side edge, perhaps for attaching a tie or hook. The ring is used as a closure by folding the edges of the opening together and sliding the loop over the top. It is believed to be a handmade one-off item for domestic use. This purse or money bag is representative of an everyday item similar to those used through the centuries for the convenience of carrying coins and other small, personal effects. Similar items were used by both men and women. The leather fabric is a readily available, strong and long lasting material.Coin purse or bag; brown leather, rectangular shape, with metal ring closure and leather loop near the top. Part of the Chamberlain Dale Less collection.flagstaff hill, warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, purse, leather, money bag, coin purse, pouch, money, change purse

Leather 'Milk Man's /Baker's' Money Pouch Approx. 250mm wide, 200mm high and 40mm depth.

Ladies’ gloves were an essential part of life in the 1840s to 1900 Victorian era, regardless of class most ladies wore gloves. The glove design, material, and fit would hint at a lady's status, despite their hands being covered. A shorter style of glove would have been used for daytime wear, along with the matching parasol cover and would be matched to the owner's outfit. Leather was a material often used since the 1900s, however when WWI hit the price of leather gloves increased and many resorted to cheaper materials for their accessories. Although particular styles for evening-wear gloves altered throughout the 20th Century, the classic neutral leather glove was a staple throughout Australian ladies' fashion during this time. The need for gloves and parasol cover however disappeared in the 1960s when gloves were only used in the winter months as a practicality rather than a fashion accessory.The leather gloves and parasol cover indicate the owner was wealthy and was able to spend money on good quality accessories. This may have been due to the fact that Chiltern was a gold-rush town and would have had some wealthy families living there from the late 19th Century. The leather items are a symbol of such wealth and social signifiance in the rural town of Chiltern.Gloves: Beige colour with brown hand stitched detail on the upper hand - 3 lengths. Brown stitched all around with finger gussets. Three brown leather button detail to the upper cuff (actual leather circular pieces meant to resemble buttons, hand stitched in beige). Umbrella/parasol cover: Same soft leather as gloves and detail, metal zip along the length and tapered to one end. Two leather circular pieces meant to resemble buttons, one missing at the top). chiltern, leather, leather gloves, leather parasol cover, parasol, parasol cover, gloves, wealth, gold rush, chiltern athenaeum museum, chiltern gold rush

LEATHER PURSE, BLACK WITH BROWN LININGJ DUNN HILL, CLUNESlocal history, personal effects money containers, money holder

Owned and used by the Gaskin familySmall leather purse - metal binding and clasppersonal effects, money containers

Ann Austin of Melbourne was the name of a Melbourne millinery house. Thelma Prentice was one of the partners in the house, and the chief designer/milliner. Very little information about the millinery house and the milliner are available online but there is an interesting article, published in the Brisbane Courier Mail on 8 October 1949 which describes the influence of French style on fashion and design in Australia. The article by Lucy Gough recounts the views of Thelma Prentice who had just returned from the Paris fashion shows. "Australian millinery toes line with Paris From LUCY GOUGH LONDON, October 7 (Special) Australian hats can compare very favourably with those designed in Paris, and are considerably cheaper, says Miss Thelma Prentice, partner in a well-known Melbourne millinery firm, who has just completed six months' visit to England and the Continent. An ordinary hat, Miss Prentice said, would cost at least £15 from any of the top Paris houses. Australia could achieve the same effect for a lot less money. Miss Prentice went to all the Important dress shows as well as the millinery houses in Paris, because she believes that millinery is an accessory to fashion and to obtain the best idea of new trends hats must be shown with frocks to get a complete follow-through and tie-up between the two. At their packed shows, with standing room only, Path and Dior were selling hats they designed, faster than many well known Paris millinery houses, Fath's favourite line was the becoming 'wing treatment,' which he achieved by a profile flattering side swing of material jutting out almost 10 inches from the face. This was completely different to the side drape already seen in Australia. Dior, as a direct contrast, was specialising in skull hats, which almost followed the hair line, to show very little hair at the back of the head. His cocktail hats were heavily sequinned and beaded. Every model was designed exclusively for short hair, and Miss Prentice, whose own hair is beautifully short cut by a Paris hairdresser, said that French mannequins' hair was so abbreviated at the back it was almost a semi-shingle. Hats generally she found were plain, with sharply angled self trimming, and black one of the most popular colours." The hat was donated by Kathleen Gervasoni, a resident of Kew, and during the 1970s a Mayoress of the former City of Kew. The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. While most of the hats in the collection were created by milliners for women, there are a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.High crowned hat made of burgundy felt with decorative pink jersey turban folds attached to the side by clusters of pink beads. The hat was designed by Thelma Prentice of the ' Austin of Melbourne' millinery house. Label, inside centre crown, woven in black on white polyester: *ann austin / OF MELBOURNEmilliners, hats, ann austin of melbourne, thelma prentice, australian fashion - 1960s, kathleen gervasoni

An article in the Melbourne Age (2 March 1978, p. 25) recorded the retirement of Clare Ralph of Goullet of Melbourne (active 1953-78). "One of Australia's most talented milliners, Clare Ralph, of Goullet, is selling her business because she wants to spend more time in her garden. "I have been in the business for 25 years and last week I turned 60 and so I thought now is the time," Mrs. Ralph said at her Richmond shop yesterday. ... Mrs. Ralph is selling cheaply $10,000 for the label, which also covers sportswear, and tenancy and lease of the premises which have a showroom and workroom. ... Mrs. Ralph is as unpretentious as the relaxed Goullet styling which brought the new concept of millinery to Australia non-hatty hats with none of the "Melbourne Mum" quality so rife at the time. She said she started off making hats rather than dressmaking because she couldn't afford to buy the three yards of material necessary for a dress. "I wanted to get out of the house and so I did millinery night classes at Caulfield Tech." Her first efforts were sun-hats of natural straw which Mrs. Ralph trimmed extravagantly … "gold fishnet and braiding and sparkly jewels all over the crown. "They were ridiculous but a lot of fun," she said. She carted them by train to the city and nervously showed them to a store buyer. After the meeting, she couldn't face taking the samples home again on the train and left them. Before she could collect them, to everyone's amazement particularly Clare Ralph's, they had been sold. "The next thing was people were asking me what I was going to do for winter. I hadn't thought I was in the industry. I just thought I had sold a couple of sun hats and that was marvellous because I needed the money," she said. If the new buyer is interested, Clare Ralph will continue designing hats on a consultancy basis for them, which would be great for all the fans she has collected since those crazy sun-hat days.The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. Most of the hats in the collection were created by milliners for women. There are however a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Wide brimmed woman’s hat designed by Clare Ralph of Goullet of Melbourne, constructed of white stiffened fabric with a white fabric cord surrounding the crown of the hat.Label: Designed by Goullet of Melbournegoullet of melbourne, clare ralph -- milliner, women's clothing -- hats, headwear

An article in the Melbourne Age (2 March 1978, p. 25) recorded the retirement of Clare Ralph of Goullet of Melbourne (active 1953-78). "One of Australia's most talented milliners, Clare Ralph, of Goullet, is selling her business because she wants to spend more time in her garden. "I have been in the business for 25 years and last week I turned 60 and so I thought now is the time," Mrs. Ralph said at her Richmond shop yesterday. ... Mrs. Ralph is selling cheaply $10,000 for the label, which also covers sportswear, and tenancy and lease of the premises which have a showroom and workroom. ... Mrs. Ralph is as unpretentious as the relaxed Goullet styling which brought the new concept of millinery to Australia non-hatty hats with none of the "Melbourne Mum" quality so rife at the time. She said she started off making hats rather than dressmaking because she couldn't afford to buy the three yards of material necessary for a dress. "I wanted to get out of the house and so I did millinery night classes at Caulfield Tech." Her first efforts were sun-hats of natural straw which Mrs. Ralph trimmed extravagantly … "gold fishnet and braiding and sparkly jewels all over the crown. "They were ridiculous but a lot of fun," she said. She carted them by train to the city and nervously showed them to a store buyer. After the meeting, she couldn't face taking the samples home again on the train and left them. Before she could collect them, to everyone's amazement particularly Clare Ralph's, they had been sold. "The next thing was people were asking me what I was going to do for winter. I hadn't thought I was in the industry. I just thought I had sold a couple of sun hats and that was marvellous because I needed the money," she said. If the new buyer is interested, Clare Ralph will continue designing hats on a consultancy basis for them, which would be great for all the fans she has collected since those crazy sun-hat days.The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. While most of the hats in the collection were created by milliners for women, there are a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Finely woven straw woman’s hat designed by Clare Ralph for her millinery label Goullet [Melbourne]. The hat features a cream ribbon around the base of the crown. Label: Goulletclare ralph -- goullet -- melbourne (vic.), milliners -- clare ralph, headwear, women's clothing -- hats

This parasol belonged to Clara Johnstone Miller (nee Bell, 1866-1910). Clara was the only daughter of Mr James Bell, a councillor of the Shire of Leigh (today a part of Golden Plains Shire) and owner of Woolbrook Homestead in Teesdale, near Geelong. In 1888, Clara married prominent businessman, racehorse owner, racing identity and pastoralist Septimus Miller (1854-1925). Septimus was the sixth of seven children born to Henry 'Money' Miller and Eliza Miller (nee Mattinson). 'Money' Miller was a well known financier and politician and reputedly one of Australia's wealthiest people in his time. In 1889, Clara and Septimus moved into the house 'Cantala' in Dandenong Road, Caulfield. They had one child, Gwendoline Stewart Miller, who died in 1902 at the age of thirteen of diabetes - a largely untreatable condition at the time (insulin would not be discovered until 1921). Clara died in 1910, aged only 44. Septimus subsequently married Helen (nee Henderson), with whom he had a son, Ronald (1915-1990). The Millers were buried in the Brighton General Cemetery in a large Gothic-style vault. Upon Clara's death, Septimus sent much of her clothing and Gwendoline's to her mother Mary Bell. Some of these items were passed down to two of Clara's nieces, Miss Mary Bell and Mrs Lois Lillies, who donated them to BHS around 1973.A grey silk parasol with mauve stripe decoration, wooden handle and brass fittings from the late 19th century. The handle appears to be missing a decorative finish from the end.Mrs. S. Miller, Cantala, Caulfield.clara miller, woolbrook, septimus miller, henry 'money' miller, gwendoline miller, cantala, caulfield, brighton general cemetery

Military issue waist belt with four pockets to carry money or other sundry items Manufactured by HOLDEN Leather waist belt with four pockets for carrying other sundry small items Nilmilitary, money belt

A newspaper article promoting Legacy Week in The Sun on 10 September 1960. The story about the donation of a special bottle of King's Ale to Legacy that was to be auctioned to raise money for Legacy Week in 1960. In 1902 a special brew of ale was made by King Edward VII. In 1960 a bottle of the ale turned up in Melbourne and was donated to Legacy by Mr A W Taylor of 'Old Tin Shed' a motor accessories firm. The photo shows Mr A W Taylor and Legatee George Cowan. A similar photo was taken by The Age. The article was cut from the newspaper and pasted into a scrap book of press clippings. For many years Legacy kept scrap books of press clippings that related to their work and publicity.A record of publicity photos taken in 1960 for promoting Legacy during Legacy week.Newspaper article of a donor presenting King's Ale to Legacy in 1960 pasted to brown page of a scrap book .Title 'King's Ale for Legacylegacy week, fundraising, junior legatee, ale, beer

Two photos about the donation of a special bottle of King's Ale to Legacy that was to be auctioned to raise money for Legacy Week in 1960. A newspaper clipping about the event explains the story. In 1902 a special brew of ale was made by King Edward VII. In 1960 a bottle of the ale turned up in Melbourne and was donated to Legacy by Mr A W Taylor of 'Old Tin Shed' a motor accessories firm. The photo shows Executive Officer Ivan Layton, Mr A W Taylor and Legatee George Cowan.A record of an unusual donation in Legacy Week in the 1960s.Black and white photo x 2 of Kings Ale for Legacy Week 1960.00789.1 Handwritten in black pen: "L. to R. / Ivan Layton / Mr A. W. Taylor (of "Old Tin Shed") donor of Ale / George Cowan / Legacy Week 1960" Hand written in blue pen "('Age')". 00789.2 Handwritten in black pen "Legacy Week 1960 / Verse with King's Ale". Hand written in blue pen "('Age')". legacy week, ivan layton, george cowan, donation, ale, beer

This note wallet has no known local provenance but apparently dates back to the late 19th century.This wallet is retained because of its condition and novelty.This is a note wallet which appears to be made of woven grass. It has two small rectangular bags open at the top , with one fitting into the other to hold paper money. One bag is slightly torn at one edge.vintage accessory

Items collected by Horace Eli Hambly No 794 AIF. Refer 2325.2 for his service history..1) Pouch, black leather containing 18 foreign coins. .2) & .3) Pair of metal cuff links. .4) Small key for winding a clock or machine. .5) Image of WWI digger fashioned from a 6d (sixpence) & brass set of bars.personal effects - money containers, numismatics - coins - french / german, costume accessories - male jewellery, military history - trench art