Owned by Patrice's grandmother, Elsie Doris Whitten (ne Williams).Length of beaded motif. Black beading in the shape of flowers.beading, motif

Owned by Patrice's Grandmother Elsie Doris Witten (nee Williams)Beaded motif. Gold, grey and pink beads fashioned into two daisies with two leaves beneath.beading, motif

Small ceramic platter with Aboriginal motif glaze.ceramics, guy boyd, aboriginal motif

"Peacock Needlework Motif" in the 'Sun News Pictorial' - newspaper article which information to apply for the pattern. Pattern and envelope included.

Altar frontal made in 1960s for St Thomas Aquinas church Clunes using 19th century motif was accessioned to the Ballarat Diocesan Historical Commission of the Catholic Diocese upon the closure of the church at Clunes in 2017.Altar frontal with appliqued orphery in cloth-of-gold.

Black pocket with gold and red embroidered motif with 'Rifle Club Ringwood' within scrolls. Crossed rifles on white square and crown above. +Additional Keywords: Harkin, Gordon

464 p. : col. ill. ; 30 cm. Published London : Thames and Hudson, 2002.non-fictionNewly available in paperback, this volume remains unsurpassed as the biggest and most lavish survey of printed textiles ever published. Textile Designs presents a comprehensive selection of the colourful patterned fabrics used for clothing and interior decoration over the last 200 years. Here are the bright and hugely enjoyable materials of everyday life - the printed calicos and cottons, the flowered cretonnes and chintzes, the polka-dot silks and foulards. These are presented by motif and pattern under flye separate headings: Floral, Geometric, Conversational, Ethnic, and Art Movements and Period Styles, and illustrated in nearly 2,000 colour reproductions. Textile Designs is not only indispensable to professionals in the fashion and decoration fields everywhere, but will also be an inspiration to designers in the graphic and visual arts, a reference book for collectors and a delight for aesthetes everywhere.textiles - history, textile design -- themes

chasuble, pelican, learmonth

Stereoscopes were used together with stereo-graph photographs for a novel form of entertainment and family leisure activity in the 19th and early 20th centuries.An example of domestic entertainment for the family in the 19th and early 20th centuries.Stereoscope with sliding photo holder, folding handle and metal eye shield. Frame and handle made of wood and varnished. Motif of Eagle on eye-shield. Motif on eye shield [eagle]flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, photograph viewer, stereo viewer, stereograph, stereograph photo, stereoscope, family entertainment

1946 White crepe frock fashioned with long sleeves and a round neckline with double collar, the bodice is buttoned through to a curved waistline. A wide belt of the same fabric accentuates the waistline, with a long full skirt extended into a graceful train and matching long gloves. The triple layered veil of tulle, with the longest layer draping down the back of the gown, with an embroidered edge and motif, the top layer of the veil covering the face has the same embroidered motif and on the edge.embroidered motif on the points of the veil, as well as the edge.

Australian air mail envelopes with Aboriginal motif based on 1930s photograph of "One pound Jimmy"Air Mail envelopes, printed in red-brown on off-white. "By AirMail, Par avion" with aboriginal motif. "Sender's name and address" on gummed flap on back.envelope, air mail

Sample of Embroidered flower motif.- Small Embroidered flower motif with leaves - Colours, pink & green leaves.Nilembroidary, flower motif

Valuable old lace was often salvaged to be used again. Here motifs have been reclaimed from an earlier 18th Century lace (probably damaged) and appliqued onto machine made cotton net probably early in the 19th Century. The original motifs are either Flemish or Honiton. Use: as a costume trimmingBobbin lace motifs appliqued onto a machine made net. Edging.

"This craft is made by an Eskimo Artisan, living in the Arctic and as such is guaranteed by the Federated Co-operatives of New Quebec which is officially recognized by the Government of Canada and by the Government of the Province of Quebec.Black wool applique quilt with white, blanket stitch edging. Applique motifs of indigenous animals and artefacts in white, beige , green and blue wool.Inuit ( then Eskimo ) lettering under each motif. Label attached "Artisanat" Artisan : Muia Kingalik # 6887

Embroidered cream crepe short-sleeved blouse in peasant style. Rouleau work around the neckline, joined to blouse top by insertion stitches. Front embroidered with floral motifs around crochet star motifs. Smocked sleeve cuffs and around bodice.Note stitched to front states "Rouleau work, crochet 8 point motif, buttonhole edging, running stitch, satin stitch, smocking and other".

Although this piece was probably made between 1870 and 1900 the motif designs are copying 18th Century designs. Would have been used as costume trimming.Bobbin lace motifs with needle made ground and fillings. Edging.

Sample of sequin decoration.Black jet sequins stitched onto a black netting.black sequin, black netting, elsie doris whitten

This men's grooming set of personal care equipment and toiletries is an example of items packaged in attractive cases and sold as gifts in Australian chemist outlets and department stores in the 1920s to 1940s. This set was originally packaged in a leather-covered, lined and fitted case, with a comb, hair brush, and razor included as well. as the items shown here. The razor, once included with the set, had the inscription "T.R. Cadman and Sons, Sheffield England". The family business began with Luke Cadman in 1748. Thomas Radley Cadmen (1833 - 1917) took over the business in 1871, by which time it was operating in Sheffield. The business became incorporated as T.R. Cadman & Sons in 1924 but shortly afterwards the straight razors manufactured by them were stamped T.R. Cadman & Sons Ltd. The company specialised in pocket knives and razors from 1933 and supplied the British Royal Navy with razors in WWII. Over 80 per cent of sales were for the overseas market including Australia. Some of their razors were sold in stores in Victoria. The business traded in 1965. This grooming set was donated for exhibit in Flagstaff Hill Maritime Museum and Village's exhibit of the vessel 'Reginald M', a two-masted coastal trading ketch built in Port Adelaide in 1922. These items are examples of personal objects sold in Victoria in the 1920s as gifts for men, cased or packaged for special occasions and sold in retail stores. The items are associated with the historic coastal trading ketch 'Reginald M', listed on the Australian Register of Historic Vessels; and active from 1922 until 1975. The items were displayed in the Master's Quarters of the Reginald M exhibit at Flagstaff Hill Maritime Museum and Village until 2016 when the ship was decommissioned from Flagstaff Hill's fleet.Men's grooming set; metal soap container with star decoration, oval soap cake, oval hand mirror in a black frame ten-sided clear glass cologne bottle with silver metal lid, yellow bristle clothes brush with brown wooden hand grip, yellow bristle shaving brush with black base and white body, and two button hooks with white handles; the larger one has floral motifs. Inscriptions were on the razor originally included in the grooming set.Soap container once had star motifs.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, grooming set, men's grooming set, personal grooming, toiletry set, personal care, soap box, soap container, cologne bottle, clothes brush, shaving brush, button hook, hand mirror, personal efects, toiletries, t.r. cadman & sons, reginald m, soap dish

Machine made lace. Probably made on a Levers machine using jacquard apparatus to make a series of individual square motifs. These were probably destined to be cut apart and used as applique pieces on some other textile.A length of individual square motifs of machine made Filet lace

Tilley Owl England Kerosene Pressure Lantern. A camping pressure lamp with dark blue enamel top. Pump action handle pressurizes the fuel tank to approx 2 atmospheres. Owl motif on base (very unclear).TILLEY - ENGLAND (on tank) GLASS - TILLEY - DAVISIL 171 HEAT RESISTING / MADE IN ENGLAND Owl motif on basetilley, kerosene, lamp

Flag displaying the flying angel motif. The highly stylised motif gives a clue as to approx date of manufacture. The Mission adopted, as its symbol, a flying angel inspired by a verse from the Book of Revelation (14:60) “Then I saw a flying angel in mid-heaven, with an eternal gospel to proclaim to those on earth, to every nation and tribe, language and people”.From the personal Collection of Mrs Pat Dann a former member of the Central MtSV and later with her husband Captain Keith Dann supported and founded the Hastings branch of the Mission to Seamen in the late 20th C. Large rectangular Mid-blue polyester fabric Mission to Seafarers (with flying angel motif in white) flag, with synthetic mounting rope.flag, flying angel

The 1996 Summer Paralympics in Atlanta, USA were the tenth edition of the Summer Paralympics. It was the first Paralympic Games where International Sports Federation for Persons with an Intellectual Disability athletes were given full medal status. This badge includes a flame motif representing the phoenix, which was a symbol of this edition of the Paralympics. The official mascot for the Games was Blaze, a phoenix, who has become a symbol of disability sports in the United States.Round lapel badge with red, white, blue and gold design.Official logo of the 1996 Paralympics on a white background, surrounded by a red, white and blue (phoenix) flame motif.paralympics, 1996 atlanta paralympics

Paisley shawls were a fashionable item of women's clothing in Europe during the late eighteenth and nineteenth centuries. Many were made of intricately woven and delicate wool, as well as examples being printed onto silks, wools, and cotton. These pieces were highly decorative. Although now known as the Paisley pattern, the teardrop motif originated in Persia and India. There are various theories about the early history of the paisley motif, and it would appear that it originated in Iran during the early first millennium AD. At this date it was a bulbous, almond shaped form, which was often flowery and without the prominent hook so common in later examples. This motif is specifically known as a buteh. The end of the 17th century saw the hooked buteh becoming a popular motif in neighbouring Mughal India (c. 1526-1857). It was used especially on the fine woollen shawls that were hand woven and sometimes embroidered in Kashmir in northern India. The motif travelled from India to Africa, Southeast and East Asia, but in particular to Europe. In the late eighteenth century, the buteh became even more popular as it was featured on the Kashmir shawls that were being exported in vast quantities to Europe. Joséphine de Beauharnais, wife of Napoleon Bonaparte, for example, is said to have owned over 200 of these shawls. The buteh or paisley motif is actually one of the few non-geometric design forms that can be found throughout the world. It is worn by men, women and children of all ages, literally from the cradle to the grave. Moreover, it is worn by people of many different ethnic and cultural backgrounds. Silk/cotton paisley shawl with fringe. Cream background, brightly coloured Paisley motifs on borders, pieced borders - ? recycled from another item.

Oriental motifs c 1860, were the greatest influence on cheaper wares of Minton Ware from 1870's. Mary McGowan brought the item out from England in 1934Large earthenware oval dish decorated with blue and black motifs. Centre of dish has recessed design in shape of Xmas tree to receive turkey juices.Porcelain Marks Goddens|Mintons BBdomestic items, crockery

Part of the "Wagga collection". Made from squares of patchwork suiting, machine stitched with red diamond and rectangle motifs at strategic positions. The diamonds look like they have been inserted in the fabric pieces where a dart has been cut and opened out.Quilt made of squares of patchwork suiting and fabric offcuts, machine stitched with red diamond and rectangle motifs at strategic positions.quilting history, patchwork history, running stitch group, running stitch collection, quilting - history, patchwork - history

Fashion Item. Bonnet veils were very fashionable during the 19th century. At this time old lace was highly valued - in this case old Argentan needle lace motifs (mid 18th century) have been reclaimed and appliqued onto machine made cotton net to form this 19th century bonnet veil. Probably home-made.Mid 18th century Argentan needle lace motifs appliqued onto machine-made cotton net.lace veil, bonnet veil.

The HMAS Sydney (I) was a famous First World War warship. This crest is the official badge of the HMAS Sydeny (I), (II) and (III)A wooden plaque with decorative white, gold and coloured motifs, including a gold Mural crown, a red erect anchor with a red six pointed star above it, all surrounded by gold rope. Above the rope there is the word "Sydney" written in gold letters on a black scroll, with the Navel Crown motif above."Sydney" appears capitalised on the front of the plaque.hmas sydney, australian navy, war, ships, plaque, insignia, anchor