Safeway carpark, Commercial Place, Eltham Fred Mitchell 1988 Entrant No. 5 Ref: Series 34, Items 3, 4, 46-49 SHIRE OF ELTHAM COMMUNITY PHOTOGRAPHIC SURVEY Photography is an artform which many of us practice, sometimes purely for artistic pursuit, sometimes to record the people and events in our lives. In 1988, as part of a local Bicentennial project, the Shire of Eltham conducted the Eltham Community Photographic Survey. Up to 100 entries were to be selected by a panel of photographers for entry into the Eltham Photographic Survey Exhibition. Entries had to be submitted by May 13, 1988. Entrants whose images were selected for the exhibition were contacted and requested to further submit an entry form providing entrant’s name, area of residence, age, and proposed captions. These details were then used to produce labels for the exhibition mounts. Where negatives had not been supplied, these were requested to support the display of printed enlargements mounted on 10” x 8” cardboard. The mounted prints were made available post exhibition for sale at $8.50 each for colour prints and $7.00 for B&W prints. Residents in the Shire were invited to collect a free roll of film and take a photograph of what they either liked or did not like about the area. A total of 160 entrants submitted multiple entries for the exhibition. Of those selected for exhibition, entrants ranged in age from 9 to 70 years. All custom colour and black and white printing for the exhibition was completed by Wattle Studios of Eltham. The Eltham Photographic Survey was jointly auspiced by the Shire of Eltham and Wattle Studios, of 953 Main Road, Eltham. The project was greatly assisted by: • David McRitchie, Media Studies Lecturer Victoria College, Rusden Campus. • Ian and Annette Toohill of Wattle Studios • Tracy Naughton, Eltham Community Arts Officer • Neville Emerson Pty. Ltd. • Superior Press, Eltham • Kodak Australasia Pty. Ltd. • Agfa Gevaert Ltd. • Townsend Colourtech Pty. Ltd. • The Australian Bicentennial Authority • Eleanor Bowers, Secretary, Eltham Arts Council The exhibition was placed on display in the Woolworths Arcade, Eltham between Monday June 6th and Saturday June 11, 1988. It was also intended to hold the exhibition at a venue in the Shire’s North Riding from Monday, June 20 to Friday June 24. It was then displayed at the Were Street Theatre, Montmorency from Friday, June 24 to Thursday, July 7. Series 34: Eltham Community Photographic Survey 1988 - Prints & Documentation Series consists of 117 photographs of Shire scenes taken by members of the community. Items I - 41 are larger photographs mounted on card, which were exhibited. Items 42 - 117 are unmounted copies, alternative takes and other entries. Corresponding negatives contained in Series 35: Eltham Community Photographic Survey 1988 – Negatives which consists of 267 colour and B&W negatives and one colour slide of Shire scenes taken by members of the community. The negatives are arranged by the entrant number of the photographer. The Eltham Community Photographic Survey collection is significant to the local community as it was curated by the local community - ordinary people of all ages - representing what they liked and did not like in the area where they lived. It represents an unfiltered representation of the Shire of Eltham as it was in 1988. It also represents one of many projects as part of the national programme of events and celebrations to commemorate the bicentenary. It is a time capsule of life in the 1980s of this urban and rural municipality in Melbourne's north. Front: Entrant No. and name on printed label Rear: Entrant No., name and address on printed label; also 'Series 34' and the 'Item No.' in pencilshire of eltham archives, bicentennial project, eltham, eltham community photographic survey, eltham photographic survey exhibition, series 34, series 35, arthur street, commercial place, eltham shopping centre, eltham village, film - kodak ga 100 5095, fred mitchell, safeway carpark, scan - 35mm negative

Safeway carpark, Commercial Place, Eltham Fred Mitchell 1988 Entrant No. 5 Ref: Series 34, Items 3, 4, 46-49 The images in this record were not selected for inclusion. SHIRE OF ELTHAM COMMUNITY PHOTOGRAPHIC SURVEY Photography is an artform which many of us practice, sometimes purely for artistic pursuit, sometimes to record the people and events in our lives. In 1988, as part of a local Bicentennial project, the Shire of Eltham conducted the Eltham Community Photographic Survey. Up to 100 entries were to be selected by a panel of photographers for entry into the Eltham Photographic Survey Exhibition. Entries had to be submitted by May 13, 1988. Entrants whose images were selected for the exhibition were contacted and requested to further submit an entry form providing entrant’s name, area of residence, age, and proposed captions. These details were then used to produce labels for the exhibition mounts. Where negatives had not been supplied, these were requested to support the display of printed enlargements mounted on 10” x 8” cardboard. The mounted prints were made available post exhibition for sale at $8.50 each for colour prints and $7.00 for B&W prints. Residents in the Shire were invited to collect a free roll of film and take a photograph of what they either liked or did not like about the area. A total of 160 entrants submitted multiple entries for the exhibition. Of those selected for exhibition, entrants ranged in age from 9 to 70 years. All custom colour and black and white printing for the exhibition was completed by Wattle Studios of Eltham. The Eltham Photographic Survey was jointly auspiced by the Shire of Eltham and Wattle Studios, of 953 Main Road, Eltham. The project was greatly assisted by: • David McRitchie, Media Studies Lecturer Victoria College, Rusden Campus. • Ian and Annette Toohill of Wattle Studios • Tracy Naughton, Eltham Community Arts Officer • Neville Emerson Pty. Ltd. • Superior Press, Eltham • Kodak Australasia Pty. Ltd. • Agfa Gevaert Ltd. • Townsend Colourtech Pty. Ltd. • The Australian Bicentennial Authority • Eleanor Bowers, Secretary, Eltham Arts Council The exhibition was placed on display in the Woolworths Arcade, Eltham between Monday June 6th and Saturday June 11, 1988. It was also intended to hold the exhibition at a venue in the Shire’s North Riding from Monday, June 20 to Friday June 24. It was then displayed at the Were Street Theatre, Montmorency from Friday, June 24 to Thursday, July 7. Series 34: Eltham Community Photographic Survey 1988 - Prints & Documentation Series consists of 117 photographs of Shire scenes taken by members of the community. Items I - 41 are larger photographs mounted on card, which were exhibited. Items 42 - 117 are unmounted copies, alternative takes and other entries. Corresponding negatives contained in Series 35: Eltham Community Photographic Survey 1988 – Negatives which consists of 267 colour and B&W negatives and one colour slide of Shire scenes taken by members of the community. The negatives are arranged by the entrant number of the photographer. The Eltham Community Photographic Survey collection is significant to the local community as it was curated by the local community - ordinary people of all ages - representing what they liked and did not like in the area where they lived. It represents an unfiltered representation of the Shire of Eltham as it was in 1988. It also represents one of many projects as part of the national programme of events and celebrations to commemorate the bicentenary. It is a time capsule of life in the 1980s of this urban and rural municipality in Melbourne's north. shire of eltham archives, bicentennial project, eltham, eltham community photographic survey, series 35, arthur street, commercial place, eltham shopping centre, eltham village, film - kodak ga 100 5095, fred mitchell, safeway carpark, scan - 35mm negative

The History of Quilting in Four Minutes, narrated by Padraic Fisher, National Wool Museum Director. Created for the National Wool Museum, Geelong exhibition Necessity: waggas and the art of making do, 2021.Four minute fourteen second digital film featuring animation and audio.quilting, waggas, history, national wool museum, padraic fisher, true south, animation, necessity, exhibition

This wagga has been made of regular sized, machine sewn patches of mens suiting fabrics. The fabrics would almost certainly have been sourced from a sample book of fabrics for mens suits, owing to their regular size and the fact that many have the same pattern but vary in colour.Wagga, made from samples of mens suiting in machine sewn patchwork.patchwork, wagga, fabrics, mens suits, pattern, necessity

Magazine has a white cover on the front is an oval shaped coloured aerial photograph of the Alfred Hopital [ca.1940] there is also a wide blue vertical stripe on which the title is printed in red blue and white ink. At the bottom of the front cover are 4 narrow horizontal stripes (red,blue, white and blue) On the white stipe the words 'published quarterly June 1940 price 3d" are printed in red. On the back cover is a blue and white photograph of a two story building (Hamilton Russell House [ca.1940] ) Along with an advertisement for Hamilton Russell House in red and blue print. Abreviated title at top right, and printer's details at bottom in blue printnon-fictionmagazine with various articles and advertisements. Included are a list of Alfred Hospital Board members, hospital auxillaries news, PTS nusres in March and May 1940, Grace Wilson resignation, Hospitals yesterday and todayalfred hospital, alfred hospital auxilleries

These bellows are from the Lynn property at Jarrahmond and were used in the blacksmith's shop. It was common for rural properties to have , of necessity, their own blacksmithing facilities.These bellows are from the Lynn property at Jarrahmond and were used in the blacksmith's shop. It was common for rural properties to have , of necessity, their own blacksmithing facilities. The Lynn family settled in Orbost circa 1890 and is well known in the Orbost area.Wood and leather bellows with metal studs. The frame and handle were constructed by Graham Fall c.2009 and are not original. The handle is attached by a chain. This was probably used on the Lynn property at Jarrahmond in the blacksmith's shop.blacksmith bellows tools

Paperback Background is dark green with sepia photo in bronze coloured frame. Precis on back cover is printed in white lettering. 132 pages.non-fictionBiography of early Warrnambool settler, John Hyland.warrnambool, john hyland, james nicholas, warrnambool mayors

This photograph was used as an illustration in, "Green Grows Our Garden," A.P. Winzenried p126.Black and white photograph. Geoff Olive, Horticultural Instructor, with students, Kent Stannard, Patrick Shaw and Martin Whysall. 1981. Looking at plants in the Ornamental Garden.On reverse, "Plant Identification - a vital necessity for horticulturalists" and "James J.P. Pleasance Victorian College of Agriculture & Horticulture - Burnley, Burnley Gardens Swan St., Richmond Vic. 3121" and "Photographic Unit Media Services Branch Victorian Department of Agriculture Ref. No. 1981 (914-31)."geoff olive, horticultural instructor, students, kent stannard, patrick shaw, martin whysall, 1981, plant identification, green grows our garden, a.p. winzenried, students outside class, ornamental gardens

At the turn of the 20th century cigarette smoking was widely adopted, and elegant smoking accessories became a necessity and items such as this desk dispenser became a popular trend for fashionable men and women. Evidence of trends in the early 1900s.Rectangle metal cigarette dispenser mounted offset on a dark green painted timber base. The tin slides up on an inlay wall rail allowing the tin to slide up and down but not come of the wall. Tin lid is removable to allow the container to be filled The inside internal walls of the tin are angled so that when the tin is lifted it pushes a cigarette into the inset holder to dispense a cigarette. Bottom of the base is lined with green felt.On the top of the lid: 'Cigarettes' in script font.cigarettes, smoking, tabacco, trends

The specific "open wire" style of strainer likely emerged from the necessity for faster, more efficient drainage in cooking. It could be used for straining, canning, preserving and skimming food.A vintage wire cooking strainer or ladle with an open wire scoop. The long double open wire handle and scoop are made from the one piece of wire.cooking, cooking equipment, strainers, food ladles

Leaflet. ALEC H CHISHOLM COLLECTION. A 10 page leaflet reprinted from Vol xiii 'Australian Association for the Advancement of Science' entitled 'The Necessity for a Uniform System of Spelling Australian Proper Names' by Revd. George Brown D.D., Sydney. Issued 22 May 1912. Printed by W. E. Smith Ltd., Sydney. Catalogue sticker ''2226 BRO'' on front cover.George Brownbooks, collections, place names, alec h chisholm collection, george brown, australian proper names

BHS CollectionTyped photocopy of a letter dated September 19th, 1898, from W. H. Cundy, Underground Survey Office, Bendigo. Letter refers to a locality, eight miles due east from Bendigo, and five miles west from Hunt's line of Reef Ellesmere. The writer did not think there was any necessity for a special survey to define the position of the reef. Handwritten at the bottom of the letter: for Report by Whitelaw. See Progress Report No 10.document, gold, mining reports, line of reef at yankee creek near bendigo, underground survey office bendigo, c tillach, koch's pioneer battery, mr grieve, hallidays claim, w h cundy, whitelaw

These kits were designed to allow people to easily repair leaky pots, pans, and even hot water bags at home. They were particularly popular during the 1940s due to metal rationing and shortages, making home repair a patriotic duty and necessity. Two cards of old never used kitchen pot repair kits. 1. Waco brand three pot mender discs with a base, tin washer on the top screwed together with a nut on the back. 2. Enjay brand three potmenders of varying sizes. They have a cork base, tin washers on the top and are screwed together with a nut on the base. It has a McEwans price sticker - 35c.1. ' No. 1756/280' 2. 'McEwans - 604470 - 35c.'repair kits, cooking equipment, pot menders

These matches are part of an Australian ration pack, possibly from 1940s. Ration packs are provided to soldiers and contain daily necessities such as food, matches and tobacco. These items were found together in a showcase at Dandenong RSL, suggesting that they came from a single ration pack.Ration packs are significant as they represent the daily life of military personnel.Box of matches with green label. Label has army symbol of kangaroo and crossed yellow swords in yellow. Australian Made Brymay Matches E2994 / Contents 47matches, ration, military, australia

This gum is part of an Australian ration pack, possibly from 2002. Ration packs are provided to soldiers and contain daily necessities such as food, matches and tobacco. These items were found together in a showcase at Dandenong RSL, suggesting that they came from a single ration pack.Ration packs are significant as they represent the daily life of military personnel.Small yellow and red packet of PK chewing gum. Wrigley's / P.K / Chewing Gum

These lollies are part of an Australian ration pack, possibly from 2002. Ration packs are provided to soldiers and contain daily necessities such as food, matches and tobacco. These items were found together in a showcase at Dandenong RSL, suggesting that they came from a single ration pack.Ration packs are significant as they represent the daily life of military personnel.Clear plastic packet containing nine individually wrapped hard caramel lollies.

This wagga was made during World War Two from disused patterned rayon patches. The wagga is filled with jute bags. The maker of the quilt is unknown. The wagga was a necessity given the austerity of war, it shows the persistence of wagga quilt making right through the 1940s.Quilt/wagga, patterned rayon cover in mixed patches in blues and greens, with jute lining.quilting history, running stitch group, running stitch collection, quilting - history, world war two, wagga, jute

This jam tube is part of an Australian ration pack, possibly from 2002. Ration packs are provided to soldiers and contain daily necessities such as food, matches and tobacco. These items were found together in a showcase at Dandenong RSL, suggesting that they came from a single ration pack.Ration packs are significant as they represent the daily life of military personnel.Dark green metal tube of apricot jam. Part of an Australian ration pack. Tube has a black plastic lid. Apricot Jam / UNEX International (Australia) / VIc. Australia E 2002jam, ration, australia, military, food

‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981Ordinary rice straw is used imaginatively here to create a most functional and beautiful container. Since a set of items in Japan is five rather than half a dozen (five teacups, five cake plates, and the like), this carrier contains just five eggs. Devised by farmers in Yamagata Prefecture in northern Japan, it is an example of packaging born of rural necessity. Interestingly enough, it seems to emphasize the freshness of the eggs. - Professor Hideyuki Oka, curator.japanese art, japanese packaging, tsutsumi, gift giving

The samples are examples of products made at the Returned Sailors and Soldiers Mill in Geelong but discontinued before 1960. They were used to show shops what materials were available. The samples were given to Mr Robert Anderson, an apprentice fitter and turner at the mill between 1960-1965. His mother, Mrs Lucy Anderson, sewed the samples into quilts in the early 1960s. This is one quilt of three.A quilt made from woven samples of woollen fabric with herringbone and checked designs, mostly in brown, green, blue and red. The samples are machine sewn together. It has a cream backing which is machine sewn onto the quilt.handicrafts, returned soldiers and sailors mill, wagga, anderson, mr robert anderson, mrs lucy, geelong, victoria, quilts, necessity

Negative No. N351 and black and white print made by a laser printer (stored in folder ) of tram W7 1001 on AETA tour (Australian Electric Traction Association) on 25/6/1955 entering shed roads at the then new East Preston depot. Tram has AETA tour signs and the slogan "Electric Transport a Necessity - Protects your investment, builds your city, creates business". In route number box is letter "B". Negative scanned hi res and imaged updated 22/5/2020. trams, tramways, melbourne, preston depot, aeta tour, tram w7 1001

Extract of "Herald" 2/2/22: The intention of the Railway Commissioners is to electrify the line to the Gully as soon as convenient, and with greater frequency of service many persons settled, and settling, in the district will be benefited. There is a scheme which may be launched that will allow for an express service of fast trains to the Gully. The commissioners are alive to the necessity for assisting to settle the picturesque districts between Box Hill and Gembrook.Bi-fold advertisement for sale of retail and residential sites, including panoramic and other photographs, map, and summary of subdivision features and local facilities. Subdivision includes Canterbury Road, Station Street (later Wainui Avenue), Lisgoold Street, Viviani Crescent, and Balfour Avenue. Agent - H.C. Costello & Co., Auctioneer, 128 Queen Street, Melbourne, or Church Street, Middle Brighton. Phones: Central 10517 and X1205.

Piece discussing and defending the construction of the Sydney Opera House and Jorn Utzon. Boyd recounts how the impatience of Sydney and necessity to show the progress of the building have resulted in premature construction and inflation of the cost. Piece ends with questioning whether the Opera House will be worth it. A copy of the published article was in the Sydney Opera House scrapbook in the desk cupboard (item P1378.19).Original manuscript of an article published in The Australian on 18.09.1965. This is the first part of a three part series called 'This Opera House' published 18th, 19th and 21st September 1965 (see D175 and D176).Typewritten, quarto, 10 pagesjorn utzon, sydney opera house, sydney opera house project, international architecture competition, cost of building, robin boyd, manuscript

Diggers & Mining. Diggers and miners. (Von Guerard) Interior of a digger's Tent, Ballarat, 1853. The transient nature of a diggings is indicated by the digger's dwelling places, which were either tents - - - Slide shows that only the bare necessities were found in a miner's tent. You would find a table, a stump for a stool, makeshift bed, cooking posts and kettle, under the table you can see a pair of boots and some items that may be ingredients for cooking. On the wall hang some shovels. Markings: 34 994:LIF I. Used as a teaching aid.hanimounteducation, tertiary, goldfields

Black & white photo of M&MTB tram No. 888 from rear cab of 877 while on AETA tour of 25/6/1955 in Victoria Street, North Richmond, just to the west of the North Richmond Station, Victoria Street railway bridge. Numerous parked cars of the era in the street, and shops on both sides of street. Tram 888 has destination of "SPECIAL", carrying AETA auxiliary board and a board on front dash of tram that says "ELECTRIC TRANSPORT A NECESSITY , PROTECTS YOUR INVESTMEST, BUILDS YOUR CITY, CREATES BUSINESS"On typed paper on rear, "Shot out of the Rear cabin of 877 showing 888 tailing us on AETA Bourke St. tour. June 25 1955" and "Geoff Grant" stamp in btm rh cnr.trams, tramways, victoria st, bourke st, aeta, north richmond , tram 888

BHS CollectionDiggers & mining. Life Of The Selectors. Minor sitting in front of his makeshift hut smoking a cigarette. Some of the necessities of a miner which are visible in the picture are; wheelbarrow, barrel for a table, buckets, shovels, axe, gold pan, hand saw, tin cup, wash board, axe, frypan horse collar, saw horse/also doubles as a seat, barrel/also used for storage, large pan, fresh fish hanging. Markings; Life Of The Selectors 1860-1890. Set 432 No. 5. Selector's Hut, East Gippsland - photo by N. J. Claire, 1884. Used as a teaching aid.Visual Education Centreeducation, tertiary, goldfields

This tuyere (word from French origin) was used by professional blacksmiths and or cattlemen before and during the Kiewa Hydro Electricity Scheme was being constructed. The need to use a furnace or forge in the shaping of metal rods, horse shoes and pipes is both a rural necessity and a construction, on site requirement. The "inventiveness" of cattlemen and construction workers to produce metal objects not available "off the shelf" is one of the inherent traits not only of rural self sufficiency but in the "pioneer" days of rural isolation one of survival.This tuyere is of great significance to the Kiewa Valley and its regions because it highlights one of the greatest strengths of the rural (especially isolated) life and its folk living there, and that is the great human factor of adaptability and survival techniques in sometimes harsh and demanding environmental circumstances. The inventiveness and the attitude, "she'll be right mate", demonstrates life on the land where specialised blacksmith activities can be found in non "professionals" because of the fact that "someone" has to do the job. This is one of the differences between country "rural" life and that found in cities and larger towns.This iron cone shaped tuyere has a small hole (diamenter 25mm) starting within an ever enlarging cone (amplification of the air pressure going through) delivering varying hot or extremely hot air into a furnace or hearth which intensifies the heat to allow the "shaping" of metal objects. The larger "flared" cone extension allows for the directed air to be spread and not concentrated.blacksmith tool, tue, bellows, fashioning metal, forge manufacturing process

Murray Comrie Collection. The Tarnagulla Tennis Club maintained a strong membership right through the late 1890s and well into the 1900s, and the necessity for a second court soon became imperative. Many well-known Tarnagulla residents can be seen in the photograph. Members of the Page, Bool and Comrie families are prominent, and the tall gentleman sitting near the middle of the image is Dr. Donovan, Tarnagulla's resident medico. This photograph is a fair copy created from an older original. Copy probably made by Murray Comrie in the 1970s.Monochrome photograph depicting members of the Tarnagulla Tennis Club in 1898.tarnagulla, tennis club, tennis, sport, recreation