Strip of aluminium cut and punched with three location holes or sections along the top edge - "Z3 Side Destination - Example Flip Piece". Z3's entered service in 1979. See Reg Item 3704i5 for an actual sample and 3704i4 for the destination equipment."Z3 Side Destination - Example Flip Piece" written in felt tip pin.trams, tramways, z3 class, mmtb, destination indicators

Certificate of Authenticity. Original Granite from the Vietnam Veterans Memorial. It reads: This is to certify that this granite piece is from the original granite used to construct the Vietnam Veterans Memorial in 1982. The Memorial was established by the Vietnam Veterans Memorial Fund, Inc, (VVMF), the nonprofit, charitable organization incorporated on April 27, 1979, by a group of Vietnam veterans. See media file for more informationBoxed piece of black granite from the original granite used to construct the Vietnam Veterans Memorial in 1982 in the USA. It comes with a certificate of authenticity.vietnam veterans memorial (washington, d.c.), certificate of authenticity, vietnam veterans memorial fund

12 Piece Childs Tea Setstawell

Knife blade attached to steel shrapnel piece

Wooden frame with text and a piece of teak from the Bridge over the River Kwai.Collected from the bridge on 10th March 1987.

Photograph showing a piece of the Union Jack ribbon used at opening at Grassy Creek, 1922g.o.r.; grassy-creek-opening-1922

This Venetian lace was collected by Nan Warner from one of her trips to Europe. The lace was later given to Elizabeth Ligeti a fellow member of the local Lace Group.Piece of cream Venetian needle lace with 2 different star motifs made in cotton.venetian lace, star motif

Five Piece Cream Satin Wedding Dress worn by Emily E A Giles Wal Wal when married. stawell clothing material

Local artist, involved in Sunshine Art Advisory Committee.Watercolour pattern piece made by ochre wash over a heavy card stencil, then each square developed as panel.

Stanley Blackson, an employee of Briar Hill Timber was killed by a flying piece of timber at Briar Hill Mill, near Beech Forest1 page transcribed from Trovebriar hill timber, stanley blackson

Possibly Italian lace, collected by Nan Warner from a European trip.Cream colored Venetian lace, made from cotton, shows a motif of a girl in a church window. The lace has been inserted into a piece of cream cotton fabric. venetian lace, italy, church motif

Ladies "Two Piece Gown with Bustle & Parasol . Green in colour.. Skirt has Bustle with a bow falling from the waistline. Skirt is lined with brown material and has brown trim around the hemline.stawell clothing material

Social/ political, legalColour photo, Corner wall and mantel piece of 1886 Buninyong Courthouse. portrait of QEII framed by Australian flag and Union Jack, Victorian State Crest of Arms below portrait, group portaits of Buninyong Councillors on mantel.buninyong, courthouse, buninyong council chamber

Waddingtons is a famous card and board manufacturer. It commenced business in 1927 and produced jig-saw puzzles from the mid 1930s. Their Christmas, Map, and circular jig-saw series were their most popular jig-saws. Various-piece jig-saws were introduced c.1965 and were very popular in the 1960s and 1970s.Jig-Saw puzzle in original box depicting Bowness Bay on cover. Bowness Bay is in the Lake District, Cumbria (UK). The puzzle has 340 pieces.Exterior of Box: " Waddington's Pennant Jig-Saw. Over 340 pieces, fully interlocking, Size 19" x 11 3/8. / Design No. 753 Bowness Bay"jig-saw puzzle, waddingtons, bowness bay - cumbria --- uk

This photo shows the artillery piece at the entrance to the Greensborough RSL (Main Street Greensborough). It is a Howitzer 25 pounder gun. It was the standard British field gun of WW2, introduced here from 1940. Australia used them in great numbers, right up to the 1960s, and even manufactured them here, hence why every RSL seems to have one. Digital copy of colour photograph.greensborough rsl

This outfit belonged to Bernice Overend, a longtime Brighton resident. Bernice Adelaide Emily Lawn was born in Ballarat in 1911. In 1938 she married Acheson Best Overend (1909-1977), an early modernist architect in Melbourne whose notable designs include the heritage-listed Cairo Flats apartment building in Fitzroy. Bernice and Best made a home together in Brighton, raising their family at 80 Were Street. Their son Darren followed in Best's footsteps, becoming an architect, and in 1979 he and his wife Jenny bought a property just down the road from his childhood home - the heritage-listed 1881 Victorian mansion 'Chevy Chase' at 203 Were Street. Bernice lived in the house with with Darren, Jenny and their three children.Three-piece woman's outfit comprising double-breasted cape, cropped sleeveless top and skirt; cream wool woven with silver lurex. Top is decorated with a centre front fabric bow and is decoarated with fake pearls. All items lined with cream polyester. .1 - cape .2 - top .3 - skirtLabel printed black on white acetate, centre back cape, top and skirt: DESIGNED AND HANDWOVEN / BY / Robert Maltuswoman's suit, chevy chase, overend family, 1960s fashion, robert maltus, bernice overend, melbourne designers

This item is part of the Di Reidie collection. Diane Reidie was a much loved volunteer and President of Brighton Historical Society from 1999 until 2016. Originally from New Zealand, Di and her family lived in Male Street, Brighton for many years. A vibrant and energetic person with a zest for life and a gift for bringing people together, Di was a friend to many in the Bayside community and active in local community organisations. Her tireless work as President of BHS saw her named Bayside Citizen of the Year in 2008. As a seller and collector of vintage clothing, she was passionate about fashion history; one of her many enduring contributions to BHS was her extensive work in preserving, developing and promoting the Society's costume collection. In 2018-19, Di donated more than one hundred items from her personal vintage clothing collection to the Society. The collection, which includes clothing, hats, handbags and shoes from local and international designers, is representative of Di's wide-ranging interests, colourful personality, creativity, humour and love of fashion and travel. Of all the items Di donated to the Society, this four-piece Easton Pearson outfit was her favourite. When she bought it around 1997-98, it was the first time she had spent a large amount of money on clothing, and she thought it only fitting to throw a suitably elegant party at which to wear it. James Cameron's hit movie 'Titanic' had just been released, and upon discovering the recipe book 'Last Dinner On the Titanic: Menus and Recipes from the Great Liner', Di was inspired to host a Titanic-themed party for her friends. Held at her home in Brighton in 1998, the event included a string quartet, an eleven-course meal prepared entirely by Di, and a life boat in the backyard swimming pool.A four piece outfit consisting of a blouse/cardigan, camisole, skirt and wrap. Double-layered silk wrap with an outer layer of silk chiffon. Both ends feature and embroidered band of brown and black cotton, copper wire, and copper glass beads. Camisole of black and copper shot polyester rayon with wide shoulder straps and small shoulder pads. Blouse of brown silk chiffon, with a v-neck and eleven silk-covered buttons and loops at centre front. Patch pockets over front hip and full length sleeves. The neckline and sleeve edges are trimmed with copper-coloured glass beads. Full-length double-layered straight skirt with black and copper shot polyester rayon lining and silk chiffon overskirt. The skirt secures centre back with a nylon zip and botton closure. The skirt features a centre front embroidered panel of brown and black cotton leaf and flower motifs, with copper wire and copper glass beads. manufacturer's label: "Oh! Easton Pearson", "Pure Silk", "Polyester Rayon", Care label, "M"costume party, titanic, easton pearson, pamela easton, lydia pearson, australian fashion, di reidie, 1990s

These vintage soap savers were used by the frugal housewife to use up pieces or slivers of leftover soap by swirling the soap saver in the water using up every last piece of soap.Three vintage wire mesh dish or clothes washing soap savers with a rectangular basket to contain the pieces of soap and a sliding wire clasp which allows opening and closing of the basket. Each holder has a thick long double wire handle to enable the user to froth the soap in a dish. Two have old soap pieces inside: one has Velvet soap, the other has half a piece of yellow soap with part of the brand ...TRY at the end of it.'Velvet' is stamped on one piece of soap and the broken piece has ...'TRY' on it.washing dishes, washing clothes, soap, soap savers, household item

Clothing. .5 cm ribbon, looped into flowers, which have 2 cm long stems (2of) with tiny pearls on the ends. There are two stems of these flowers wrapped together with cotton thread - these stems are 12.5 cm long and possibly curved over the bridal veil.costume accessories, female, wedding head piece.

Hammerton CollectionLocal claySmall blue collared vaseOn the base: "Andersen Lorne Clay"anderson

This brochure contains information on the 'new' NMIT campus at Fairfield, opened in 2001. It includes details of proposed courses and information about how to reach the campus.Tri-fold brochure with text, colour illustrations and map. fairfield, fairfield campus, nmit,

Frances Burke: Designer of Modern Textiles Australia’s most influential and celebrated textile designer of the mid-20th century, Frances Burke (1904-1994), employed Australian native flora, garden flowers, marine subjects, Indigenous culture and increasingly, abstract motifs in her stunning modern fabrics. A confident, determined designer and businesswoman; Burke made the shift from fine art to design in 1937. While she began by designing dress fabrics for Melbourne’s fashionable Georges Department store, printing them on linen using lino blocks, she was an early adopter of the screen-printing process and during the war years began printing on cotton. Burke’s furnishing fabrics took their place in influential modern buildings Australia-wide through collaborations with leading architects and interior designers. They included Robin Boyd’s 1949 House of Tomorrow, Roy Grounds’ Quamby flats, Guilford Bell’s Royal Hayman Island Resort for Ansett Airlines, and Yuncken, Freeman Brothers, Griffiths and Simpson’s Canberra Civic Centre Theatre. In the post-war period, Burke made regular trips to the United States and Europe, on her return advising homeowners and manufacturers on the latest trends in products, colours and home design in lectures and interviews. At New Design her fabric showroom and interior design consultancy Burke introduced furniture by emerging designers Clement Meadmore and Grant Featherston in the early 1950s and presented local and imported homewares, mostly from the United States. She was enthusiastic about the convenient and comfortable lifestyle experienced by ordinary American women. Her fabrics and advice were regularly featured in Australian Home Beautiful, Australian House and Garden and the newspapers of the day. Some of Burke’s designs had remarkable longevity. Tiger Stripe (1938) for example, continued to be produced in a wide range of colours until 1970 and Crete (1946) remained a popular choice for interiors into the 1960s. Drawing from a rich variety of sources including Indigenous culture in Goanna (c.1954) and Pacific Island tapa cloth designs in Bird and Tree (1940), Burke also looked to Japan in designs such as Plum Blossom (1948) and Zen (1965). She loved exploring the potential of native flora, seen in designs including Waratah (1955) and Flannel Flower (1955), while garden flowers were the source for many other designs including Belladonna (1940), Periwinkle (n.d.) and Rose (1947). Burke’s clever interplay of a single striking printed colour with lively gestural lines revealing the white base fabric, gave her designs a vibrancy that characterised the optimistic post-war era. This can be seen in Burke’s fabrics for Hayman Island including Angel Fish and Seapiece (both 1949) which expressed the freshness and excitement of the luxurious new tropical resort and led to further commissions. Burke’s three decades in business (1937-1970) were an unparalleled success in the story of Australian design. Her fabrics have been collected by the NGA, the Powerhouse Museum, NGV, RMIT Design Archives and Sydney Living Museums in addition to Ararat Gallery TAMA. Written by Nanette Carter and Robyn Oswald-Jacobs.

Newspaper clipping from the Gazette (Ballarat) dated 18/7/1973 with a photo of the removal of the money chute at the SEC show rooms in Sturt St. Accompanying article notes the use of the chute from about 1934, and quotes Mr. Arthur Walker (87 years old) of Durham St. Ballarat who worked as a sub-accountant from 1906 recalling the method of transporting the cash on the last tram to the Powerhouse.date in pencil "18/7/73" and "Gazette" in upper right hand of cutting.trams, tramways, sec, sec showroom sturt st., cash handling, demolition

Transferred from original performance location in Fitzroy to Melbourne Athenaeum Theatre. The Elizabethan Trust production was performed after a season at the Sydney Biennale. The performance consisted of five, 20-minute variations on a fictional love story. The theatre review by Leonard Radic comments: This kind of performance theatre is an attempt to cross the boundaries between art and theatre. It is genuinely experimental in that it seeks to give new meaning to old situations. ... It dares to be different.Large flyer, 2 small flyers and newspaper articleprediction piece 8: winter/passion, lyndal jones, athenaeum theatre, the australian elizabethan trust, program