2 x metal sleeves engraved with City of St Kilda crestCity of St Kilda crest. Above it is engraved the word 'Victoria'; below it, 'Australia'.city of st kilda

Fabric badges were designed for students to wear on their school uniforms during commemorative assemblies.Navy blue satin ribbon, with inverted 'V' cut at the base, with City of St Kilda crest and gold printing.City of St Kilda crest, and 'ANZAC DAY SCHOOL BADGE'anzac commemoration

The City of St Kilda was created in 1890 and the phrase 'aura favente feror' is a motto that is believed to have been chosen by Benjamin Cowderoy, who was elected chairman, and later Mayor, of the newly established municipal district of St Kilda in 1857. He also created with the design of the crest. To the right a yacht bobs off St Kilda beach under full sail. This is the 'Lady of St Kilda', owned by Sir Thomas and Lydia Acland. In late 1841 or early 1842, Superintendent Charles La Trobe named St Kilda after this yacht during a champagne picnic near St Kilda beach. Near the shore a train and carriage can be seen traveling on the railway to St Kilda station. In 1857 this was the first public passenger rail line in Australia. Behind the train is Bachelors Hall on Alfred Square, one of St Kilda's first buildings. To the far left is St Kilda's oldest church, Christ Church (1857), which is still standing today on the corner of Acland and Jackson Streets. The lush greenery of St Kilda hill and slopes show why the original name of the district was 'Green Knoll'. The famous attractions of St Kilda as a maritime resort are symbolised in the foreground by Aphrodite, the Greek goddess. To the Romans she was Venus. Born from a cockle shell, Aphrodite was the goddess of love and beauty, sexual rapture and fertility. She was also the protector of sailors and seafarers. The royal coat of arms of the United Kingdom reflects British heritage. The French motto 'Dieu Et Mon Droit' (God and my right) and 'Honi Soit Qui Mal Y Pense' (Evil to him who evil thinks) are associated with Britain and the Royal family since the reign of Henry V. Scotland is represented by a chained unicorn and the thistle underneath. Ireland is represented by the harp indicating music and poetry in the third quadrant of the shield. The crest was removed from the St Kilda Town Hall in 1994 when the City of St Kilda was amalgamated with Port Melbourne and South Melbourne to create the City of Port Phillip. In 2009, Deeksha Bhardwaj, a conservator and member of the St Kilda Historical Society, restored it. Over two months the crest was cleaned minutely by hand, damaged plaster was restored (except for the missing horn on the unicorn's head) and chipped areas repainted. It was displayed in the St Kilda library until 2026, when it was removed during refurbishment works. Plaster rendition of St Kilda City crest, paintedcity of st kilda, st kilda crest

Souvenir teaspoons featuring the St Kilda crest or coat of arms were commonly sold in souvenir shops up through the 1980sGold plated teaspoon with City of St Kilda Crest in gold and blueTulip shape stamped in haft of spooncity of st kilda

Souvenir brochure published by the St Kilda Historical Society to mark the 35th anniversary of the official opening of the St Kilda library and the public unveiling of the City of St Kilda municipal crest (mounted on an internal library wall) on 15 May 2008. The brochure contains information about the establishment of a library in St Kilda, the library building itself, members of the City of St Kilda Council at the time that the library was opened, current members of the Port Phillip City Council, and the City of St Kilda Crest.20 page brochure of white paper printed in black and stapledst kilda library, st kilda crest

Invitation by the City of St Kilda to a dinner for volunteers at the Elderly Persons Centre and Meals-on-Wheels, held in the St Kilda Town Hall on 2 December 1980.White card printed in black with St Kilda crestelderly persons centre, meals-on-wheels, city of st kilda

Invitation by the City of St Kilda to a dinner for volunteers at the Elderly Persons Centre and Meals-on-Wheels, held in the St Kilda Town Hall on 28 November 1983.White card printed in blue with St Kilda crestelderly persons centre, meals-on-wheels, city of st kilda

The publication comprises both the notice paper for and minutes of a special meeting of St Kilda City Council to commemorate the 100th Anniversary of the constitution of the municipality of St Kilda, on 11 March 1957. Foolscap size booklet of glossy white card bound with blue ribbon. Printed in black with coloured highlights.City of St Kilda crestcity of st kilda centenary, city of st kilda, wh greaves collection

Unused invitation to a civic charity dinner dance hosted by the City of St Kilda (Mayor Clarrie King) at St Kilda Town Hall on 26 June 1981. Beige coloured card printed in brown, with St Kilda crestcity of st kilda, civic dinners, st kilda mayor c. j. king

Unused invitation to a civic charity dinner dance hosted by the City of St Kilda (Mayor Clarrie King) at St Kilda Town Hall on 18 July 1980. White card printed in black and red, with St Kilda crestcity of st kilda, civic dinners, st kilda mayor c. j. king

Invitation addressed to Mr and Mrs B Horn to attend a civic dinner dance hosted by the City of St Kilda (Mayor Brian Slattery) at St Kilda Town Hall on 4 July 1985. The theme of the event was 'St Kilda's 150th Anniversary' and guests were encouraged to wear 19th century dress.White card printed and edged in gold, with St Kilda crestThe names of the invitees are written in black ink: Mr. & Mrs. B. Horncity of st kilda, civic dinners, st kilda mayor brian slattery

Invitation to a reception to mark the 50th anniversary of the 2/14 Battalion Association, held by the St Kilda Council (Mayor John Broderick) at the St Kilda Town Hall on 20 April 1990 Beige coloured paper printed in black with St Kilda crestst kilda mayor john broderick, 2/14th army battalion association

Invitation to a civic dinner hosted by the City of St Kilda (Mayor Elaine Miller) at St Kilda Town Hall on 5 August 1983. White card edged and printed/embossed in gold, with St Kilda crestcity of st kilda, civic dinners, st kilda mayor elaine miller

Invitation addressed to Mr and Mrs B Horn to attend a cocktail party hosted by the City of St Kilda Mayor John Broderick at St Kilda Town Hall on 13 July 1990. White card printed in black and edged in gold, with St Kilda crestThe names of the invitees are written in black ink: Mr. & Mrs. B. Horncity of st kilda, civic dinners, st kilda mayor john broderick

Invitation and program for the dedication of the cenotaph in Alfred Square, St Kilda, by the Governor of Victoria, Sir Brian Murray, on 21 April 1985, followed by a reception at St Kilda Town HallFolded white card printed in gold on the outside, with the St Kilda crest, and black on the insidest kilda cenotaph

St Kilda was declared a city on 2/12/1890. In commemoration of the centenary, a conservatory in the St Kilda Botanical Gardens was opened on 2/12/1990 by the Mayor, Cr. Melanie Eagle, at a Garden Festival. Four years later, in 1994, the City of St Kilda was amalgamated with the cities of South Melbourne and Port Melbourne to form the City of Port Phillip.Laminated poster mounted on board depicting images of dancers, the St Kilda Botanical Gardens and the St Kilda crest and logoCity of St Kilda Centenary Festival St Kilda Botanical Gardens and St Kilda Town Hall December 2 1990 Stamped on back: Paramount Posters Mounting and Picture Framing Service (03) 531 9252 (03) 532 8339 19 Albion Street East St Kilda 3183city of st kilda, st kilda botanical gardens, st kilda garden festival, st kilda botanical gardens conservatory

Menu for a civic dinner hosted by the City of St Kilda (Mayor Elaine Miller) on 5 August 1983. The menu is written in French and the illustration inside is of 'Royal Street in the Old New Orleans French Quarter'. Folded white card printed in black with a gold St Kilda crest on the front and an illustration of a street in New Orleans inside.city of st kilda, civic dinners, st kilda mayor elaine miller

Unused invitation to a civic charity dinner dance hosted by the City of St Kilda (Mayor Clarrie King) at St Kilda Town Hall on 26 June 1981. Beige coloured card printed in brown, with St Kilda crest. A third of the card has been scored, for easy removal of that section of the ticket.city of st kilda, civic dinners, st kilda mayor c. j. king

William Henry Greaves served as the Town Clerk of St Kilda from 1934 until his retirement in September 1964.Blue coloured card holder with the City of St Kilda crest on the front and a black and white photograph, black printing and blue handwriting inside.Inside: Two signatures of WH Greaves, his name written in regular handwriting, and the date 31/5/1963.wh greaves collection, william henry greaves, city of st kilda, greaves

Record of resolution of St Kilda Council on 30 September 1964 regarding the retirement of long serving Town Clerk William Henry Greaves.Two paged certificate, printed in colour and presented in a leather binder, embossed in gold non-fictionOn cover: City of St. Kilda to W.H. Greaves, Esq. City of St Kilda crest Signed by the Mayor (Talbot), councillor (Watson) and Town Clerkwh greaves collection, william henry greaves, city of st kilda

The City of St Kilda was amalgamated with Port Melbourne and South Melbourne to form the City of Port Phillip in 1994.Round brass badge with City of St Kilda crest in the middle. Around the rim, inscribed in gold against a blue enamel background, are the words 'City of St Kilda'. On the back are two brass loops and split pins to keep the badge in place, possibly on a hat.On the front: CITY OF ST. KILDA On the back: STOKES & SONS MELB city of st kilda

This signature table cloth was anonymously donated to the Bacchus Marsh Blacksmith Cottage and Forge group in 2013. On the cloth are the hand embroidered names of men who served in WW1 as well as the names of family members, place names and dates of significance. In one corner of the cloth is the outline of a tennis ball, in which 6 names are listed. Research has shown that these names probably belonged to the Rose Park Methodist Tennis Club in Adelaide. Many of the other names listed seem to relate to servicemen and their families who came from South Australia. Also on this cloth are 3 beautifully embroidered butterflies, the profile of a man, a crest containing the letters B and H and the following place names and dates :- Sydney 21.10.12, Melbourne Jan 13, Goolwa, Genolan Caves NSW, Katoomba, Luna Park St Kilda and Granite Island. The name of the steamship SS Warilda also appears on this cloth. this ship belonged to the Adelaide Steamship Company. It was used to transport soldiers to WW1 and was then converted into a hospital ship, ferrying the wounded from France to England. It was hit and sank on the 3rd of August 1918.World War 1 signature table cloth. A square, white, linen table cloth with hand embroidered signatures of people and names of places, dates and objects relating to WW1.The embroidery is all done in white thread.There are also 3 embroidered butterflies, a crest and a man's profile.

Part of the Bennetts Collection. See Catalogue No. 9726P for details of service for "Alva Marie Bennetts".Hardback book with green buckram covering. Title on front in black type. Black coloured crest underneath title showing letters I.N.T.S. Damaged spine. 620 cream coloured pages with cut edges. Inscriptions on end papers front and back. Handwritten on top of closed book pages; 'A. BENNETTS'. Handwritten in black ink on front end paper: VFX128835, 7/12/45, Pte A.M. Bennetts, Inter Services Medical Wing, A.M.F. Discharge Depot, Redbank, Queensland'. Handwritten in pencil on back end paper: 'Adriadna, 10 Clyde St. St Kilda Beach, Stuckenschmidt, Junck, 19118791.' Handwritten in black ink on title page: 'VFX128835, Pte A. Bennetts. 128 AGM.' bennetts collection, alva bennetts, dictionary

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. HISTORY:-- From Victorian Heritage Database citation for Labassa https://vhd.heritagecouncil.vic.gov.au/places/278 as at (26/10/2020) Labassa, Caulfield is one of Melbourne's most lavishly decorated nineteenth century mansions. It resulted from the extensive remodelling in 1890, of an earlier house, known as Sylliott Hill, which was begun in 1862-3 for lawyer, Richard A. Billing. The land at the corner of Balaclava and Orrong Roads was first acquired in 1854 by William Lyall, transferred to his partner, John Mickle, in 1859, who also acquired the adjoining allotment in Balaclava Road, and the three allotments were conveyed to Billing. His first eight-roomed house was extended significantly in 1873 into a twenty-roomed house by architects Crouch and Wilson, who were possibly also responsible for the first house. This reflected Billing's success as a barrister, and he resided at this property until his death in 1882. In 1883 prominent Melbourne businessman, Alexander William Robertson, leased the Sylliott Hill property from Billing's widow, and in 1885 he purchased the adjoining allotment in Balaclava Road. He purchased the Billing's property in 1887 and renamed the 6.31 hectare property, Ontario. In 1889-90, Robertson commissioned the German born architect, John A. B. Koch, to extensively remodel the house into a thirty-five roomed mansion. The existing house was extended and altered, largely resulting in the nineteenth century mansion as it now appears. After Robertson's death in 1896, the house was tenanted until it was eventually sold to the mining millionaire, John Boyd Watson, in 1904. He renamed the property Labassa and carried out repair and re-decoration work to the house. In the early twentieth century, many large estates were subdivided into smaller allotments as the demand for land grew and it became difficult to maintain such large estates. After Watson's death in 1911, portions of the Labassa estate were offered for sale, with Mrs Watson retaining a 1.73 hectare portion containing the house. In 1913 forty-six allotments were auctioned at Labassa Estate, with the formation of Labassa Grove and Ontario Street to the east of the property. Labassa was first recorded as containing flats in 1923 and in the late 1920s, the owner, Robert Hannon, built a red brick block of flats adjacent to the house. Subdivision continued, until the National Trust of Australia (Victoria) purchased the house in 1980 and subsequently purchased adjoining sites, one to the south-east in 1984 (house demolished in 1988) and to the west in 1988. Labassa as it now stands is substantially as it appeared when Koch completed the work in 1890. The original two storey house was transformed into a French Renaissance style mansion, with the addition of a two level L-shaped arcaded verandah and two prominent terminating bays to the south and the east. The building is of unpainted cement render with dressed bluestone plinths, balustraded parapet and steep, slate covered, flat topped mansard roofs behind. A truncated conical roof is a feature of the south bay and a helmeted head is incorporated in the parapet over the east bay. The main south and east facades incorporate many cast cement details, including sculptures, elaborate cornices, swagged Corinthian columns and caryatid consoles flanking the entrance porch, as well as pink marble panels and imitation marble, or scagliola, on curved surfaces. At the rear of the building is a two storey wing and a single storey cottage, the former being connected to the main house by a tower. This section of the house was constructed in 1873. The estate at its peak included stables (1873), conservatory (probably 1890) and a tennis pavilion (probably 1890). All of these outbuildings survive, with the stables and conservatory being converted for residential use after 1922. Internally a range of decorative treatments remain from the late nineteenth century and the early twentieth century, both from the Robertson and Watson periods of occupancy. These include wallpapers, ceiling decoration, chimney pieces, mouldings, joinery and decorative glass. From Victorian Heritage Database citation for H0135 Labassa 2/2A Manor Grove Caulfield North https://vhd.heritagecouncil.vic.gov.au/places/278 as at (26/10/2020) HOW IS IT SIGNIFICANT? Labassa, Caulfield is of architectural, aesthetic and historical significance to the State of Victoria. WHY IS IT SIGNIFICANT? Labassa, Caulfield is of architectural significance as the most prominent example of a small number of houses built in Australia in the French Renaissance style. It is of further note due to the German interpretation of the style and the use of Hellenistic sources, via Germany. It is exceptional for its lavish treatment externally, including marble, scagliola, caryatids, swagged columns, mansard roofs and ornamental cresting. Labassa is of architectural significance as the most important surviving example of German architect, John Koch's domestic work. He undertook a large variety of work in Melbourne, including a number of houses, however Labassa is the most lavish example of his work. Labassa is of aesthetic significance for its outstanding assemblage of late nineteenth and early twentieth century European style interior decoration, which remain remarkably intact. These include a trompe l'oeil ceiling, painted ceilings, embossed imitation leather and other papers, chimney pieces, ceramic tilework, oak parquetry and stained glass, including a tripartite window by Ferguson and Urie, probably dating from the 1873 period. Labassa is of historical significance as an illustrative example of the wealth acquired by a number of prominent Victorian families in the second half of the 19th century. The early development of the property, Sylliott Hill, was due to the wealth acquired by Richard Billing, barrister and fifth Victorian to be appointed Queen's Counsel in 1878. The significant development in 1890 of Ontario, is illustrative of the wealth of Alexander Robertson, a partner in Cobb and Co., a director of Goldsborough Mort & Co., and a pastoral speculator. John B. Watson, whose father had acquired great wealth from the goldfields of Bendigo and subsequently invested in city and country properties, was the third resident to impact on the house, particularly the interiors. The Labassa estate is of historical significance as an illustrative example of the development that occurred in such suburbs as Caulfield in the 1880s due to the land boom, its proximity to Melbourne and the establishment of the Melbourne to Gippsland railway in 1879. It is also illustrative of an estate which succumbed to the pressures of subdividing in the early twentieth century, as properties became difficult to maintain and demand for land close to the city grew. It was typically divided into flats in the 1920s and was used as such for about sixty years. It is of historical significance for its associations with the remnants of the earlier estate which remain extant. These include the stables, conservatory (H2005) and tennis pavilion which all remain on separate sites. Also significant are the remains of early electrical wiring and fittings. Labassa was one of the first houses in Caulfield to be electrified and some of the original wires remain. [Online Data Upgrade Project 2004]Page 128 of Photograph Album with four photographs (two portrait and two landscape) of Labassa.Handwritten: "Labassa" 4 Manor Grove [top right] / Neg 232 8 Oct 1966 [under bottom right photo] / 128 [bottom right]trevor hart, bracketed eaves, slate roof, bay windows, decorative brackets, caulfield north, labassa, richard a. billing, balaclava road, orrong road, sylliott hill, william lyall, crouch and wilson, alexander william robertson, ontario, 1880's, john a. b. koch, mansion, john boyd watson, labassa grove, french renaissance style, l-shaped arcaded verandah, bluestone plinths, balustraded parapet, flat topped mansard roofs, conical roof, elaborate cornices, corinthian columns, caryatid consoles, marble panels, imitation marble, scagliola, tower, conservatory, stables, tennis pavilion, mouldings, decorative glass, caryatids, swagged columns, ornamental cresting, trompe l'oeil ceiling, embossed imitation leather, oak parquetry, stained glass, tripartite window, triple window, ferguson and urie, 1870's, flats, 1920's, electric wiring, 1860's, verandahs, curved windows, arched windows, italianate, terraces, gargoyles, ornamentation, ornate entrance, la bassa, manor grove, st kilda east, victorian, cast iron work, john koch, richard billing, architects, electrification, john mickle, land subdivision, mrs watson, labassa estate, robert hannon, national trust of australia (victoria), sculpture

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. HISTORY:-- From Victorian Heritage Database citation for Labassa https://vhd.heritagecouncil.vic.gov.au/places/278 as at (26/10/2020) Labassa, Caulfield is one of Melbourne's most lavishly decorated nineteenth century mansions. It resulted from the extensive remodelling in 1890, of an earlier house, known as Sylliott Hill, which was begun in 1862-3 for lawyer, Richard A. Billing. The land at the corner of Balaclava and Orrong Roads was first acquired in 1854 by William Lyall, transferred to his partner, John Mickle, in 1859, who also acquired the adjoining allotment in Balaclava Road, and the three allotments were conveyed to Billing. His first eight-roomed house was extended significantly in 1873 into a twenty-roomed house by architects Crouch and Wilson, who were possibly also responsible for the first house. This reflected Billing's success as a barrister, and he resided at this property until his death in 1882. In 1883 prominent Melbourne businessman, Alexander William Robertson, leased the Sylliott Hill property from Billing's widow, and in 1885 he purchased the adjoining allotment in Balaclava Road. He purchased the Billing's property in 1887 and renamed the 6.31 hectare property, Ontario. In 1889-90, Robertson commissioned the German born architect, John A. B. Koch, to extensively remodel the house into a thirty-five roomed mansion. The existing house was extended and altered, largely resulting in the nineteenth century mansion as it now appears. After Robertson's death in 1896, the house was tenanted until it was eventually sold to the mining millionaire, John Boyd Watson, in 1904. He renamed the property Labassa and carried out repair and re-decoration work to the house. In the early twentieth century, many large estates were subdivided into smaller allotments as the demand for land grew and it became difficult to maintain such large estates. After Watson's death in 1911, portions of the Labassa estate were offered for sale, with Mrs Watson retaining a 1.73 hectare portion containing the house. In 1913 forty-six allotments were auctioned at Labassa Estate, with the formation of Labassa Grove and Ontario Street to the east of the property. Labassa was first recorded as containing flats in 1923 and in the late 1920s, the owner, Robert Hannon, built a red brick block of flats adjacent to the house. Subdivision continued, until the National Trust of Australia (Victoria) purchased the house in 1980 and subsequently purchased adjoining sites, one to the south-east in 1984 (house demolished in 1988) and to the west in 1988. Labassa as it now stands is substantially as it appeared when Koch completed the work in 1890. The original two storey house was transformed into a French Renaissance style mansion, with the addition of a two level L-shaped arcaded verandah and two prominent terminating bays to the south and the east. The building is of unpainted cement render with dressed bluestone plinths, balustraded parapet and steep, slate covered, flat topped mansard roofs behind. A truncated conical roof is a feature of the south bay and a helmeted head is incorporated in the parapet over the east bay. The main south and east facades incorporate many cast cement details, including sculptures, elaborate cornices, swagged Corinthian columns and caryatid consoles flanking the entrance porch, as well as pink marble panels and imitation marble, or scagliola, on curved surfaces. At the rear of the building is a two storey wing and a single storey cottage, the former being connected to the main house by a tower. This section of the house was constructed in 1873. The estate at its peak included stables (1873), conservatory (probably 1890) and a tennis pavilion (probably 1890). All of these outbuildings survive, with the stables and conservatory being converted for residential use after 1922. Internally a range of decorative treatments remain from the late nineteenth century and the early twentieth century, both from the Robertson and Watson periods of occupancy. These include wallpapers, ceiling decoration, chimney pieces, mouldings, joinery and decorative glass.From Victorian Heritage Database citation for H0135 Labassa 2/2A Manor Grove Caulfield North https://vhd.heritagecouncil.vic.gov.au/places/278 as at (26/10/2020) HOW IS IT SIGNIFICANT? Labassa, Caulfield is of architectural, aesthetic and historical significance to the State of Victoria. WHY IS IT SIGNIFICANT? Labassa, Caulfield is of architectural significance as the most prominent example of a small number of houses built in Australia in the French Renaissance style. It is of further note due to the German interpretation of the style and the use of Hellenistic sources, via Germany. It is exceptional for its lavish treatment externally, including marble, scagliola, caryatids, swagged columns, mansard roofs and ornamental cresting. Labassa is of architectural significance as the most important surviving example of German architect, John Koch's domestic work. He undertook a large variety of work in Melbourne, including a number of houses, however Labassa is the most lavish example of his work. Labassa is of aesthetic significance for its outstanding assemblage of late nineteenth and early twentieth century European style interior decoration, which remain remarkably intact. These include a trompe l'oeil ceiling, painted ceilings, embossed imitation leather and other papers, chimney pieces, ceramic tilework, oak parquetry and stained glass, including a tripartite window by Ferguson and Urie, probably dating from the 1873 period. Labassa is of historical significance as an illustrative example of the wealth acquired by a number of prominent Victorian families in the second half of the 19th century. The early development of the property, Sylliott Hill, was due to the wealth acquired by Richard Billing, barrister and fifth Victorian to be appointed Queen's Counsel in 1878. The significant development in 1890 of Ontario, is illustrative of the wealth of Alexander Robertson, a partner in Cobb and Co., a director of Goldsborough Mort & Co., and a pastoral speculator. John B. Watson, whose father had acquired great wealth from the goldfields of Bendigo and subsequently invested in city and country properties, was the third resident to impact on the house, particularly the interiors. The Labassa estate is of historical significance as an illustrative example of the development that occurred in such suburbs as Caulfield in the 1880s due to the land boom, its proximity to Melbourne and the establishment of the Melbourne to Gippsland railway in 1879. It is also illustrative of an estate which succumbed to the pressures of subdividing in the early twentieth century, as properties became difficult to maintain and demand for land close to the city grew. It was typically divided into flats in the 1920s and was used as such for about sixty years. It is of historical significance for its associations with the remnants of the earlier estate which remain extant. These include the stables, conservatory (H2005) and tennis pavilion which all remain on separate sites. Also significant are the remains of early electrical wiring and fittings. Labassa was one of the first houses in Caulfield to be electrified and some of the original wires remain. [Online Data Upgrade Project 2004]Page 129 of Photograph Album with three landscape photographs of Labassa. One of the photographs is of Labassa's drive and gates.Handwritten: 4 JUNE 1910 / SALE JUNE 28 1910 "LA BASSA' / "AUSTRALASIAN" FORMERLY "ONTARIO"/ RES OF JOHN B WATSON / 15 ACRES 3 ROADS [under bottom left photo] / 4 JUNE 1910 [under bottom right photo] / 129 [bottom left]trevor hart, bracketed eaves, intricate lacework, slate roof, bay windows, decorative brackets, caulfield north, labassa, richard a. billing, balaclava road, orrong road, sylliott hill, william lyall, crouch and wilson, alexander william robertson, ontario, 1880's, john a. b. koch, mansion, john boyd watson, labassa grove, french renaissance style, l-shaped arcaded verandah, bluestone plinths, balustraded parapet, flat topped mansard roofs, conical roof, elaborate cornices, corinthian columns, caryatid consoles, marble panels, imitation marble, scagliola, tower, conservatory, stables, tennis pavilion, mouldings, decorative glass, caryatids, swagged columns, ornamental cresting, trompe l'oeil ceiling, embossed imitation leather, oak parquetry, stained glass, tripartite window, triple window, ferguson and urie, 1870's, flats, 1920's, electric wiring, 1860's, verandahs, curved windows, arched windows, italianate, terraces, gargoyles, ornamentation, ornate entrance, la bassa, manor grove, st kilda east, gates, cast iron work, richard billing, architects, john koch, electrification, victorian style, drives, john mickle, land subdivision, mrs watson, labassa estate, robert hannon, national trust of australia (victoria), sculpture

Contains lists of councillors, mayors, financial information, a brief summary of the creation and growth of the Municipal District of St Kilda, a list of 98 milestones and council decisions ('Did You Know?')Booklet covered in yellow card printed in colour, with multi-coloured crest of the City of St Kilda. Text printed in black on cream coloured glossy paper and containing black and white photographs. Stapled.city of st kilda, city of st kilda centenary

State reception by the Victorian Government, at the Exhibition Building, Monday, 8th March, 1954. Includes order of proceedings, musical programme, names of members of the Cabinet Reception Committee, the Music Committee, and the Music Sub-Committee.Booklet with cream coloured card cover, printed in blue with coloured royal crest above it, and a small blue reproduction of the Victorian coat of arms. Multi page insert on white glossy paper, printed in bluer. Attached by staples. Includes black and white photograph of the Queen, the Duke of Edinburgh and the Exhibition Buildings. The booklet includes the Order of Proceedings, the Musical Programme, a list of the Choirs Represented, and the names of the Cabinet Reception Committee and the Music Committee.royal visits, queen elizabeth ii, prince philip - duke of edinburgh, state receptions, royal exhibition building, wh greaves collection, greaves, city of st kilda

Photograph shows a crowd of well dressed men and two children standing in a single line in front of a crowded single truck combination car decorated with ribbons, flags and a crest. Most men are in suits while ten are in tramways uniforms. The tram is stationary just outside the car barn while a second tram sits behind within the barn. Yields information about beginnings of Prahran and Malvern Tramways Trust Black and white photograph with notes on photograph and on rear.Note on photograph reads: "First Car Leaving Car Barn 12/4/13, St Kilda City Caulfield Tram" Note on rear in biro reads: "First Car Leaving Car Barn 12/4/13, St Kilda City & Caulfield Tram"opening ceremony, single truck combination car, ribbons, flags and a crest, tramways uniforms

Photos of the launch of Legacy Week in 1991. The guest speaker was Sir Zelman Cowan, a former Governor General of Australia. The launch was in the Crest International Hotel in St Kilda on 3 September 1991. Sir Zelman spoke movingly on the work of Legacy and on the dramatic world events: the Gulf War; the reunification of Germany; the changes within the Soviet Union and his speech was warmly received by all who attended. The speaker and head table are under the Legacy Banner - which says "Legacy Caring for Australia's Biggest Family". The same banner is used at an event in Melbourne City Square - see 000491 (from the same roll of film). President John Sullivan is on the head table and is also in a photo at the Eternal Flame (000493 from the same roll of film). Part of a Legacy Appeal or Badge week launch in 1991. Seems to have fallen of a scrapbook of photos compiled by Legacy of major events in the 1980s and 1990s and deposited in the archive cabinets along with many other items and photos prior to the start of the cataloguing. See other photos at 01581.A record of a Legatee event to launch Legacy Week in 1991.Colour photo of the launch of Legacy Week 1991 at the Crest International.legacy appeal, legatee event, badge appeal

Photos of the launch of Legacy Week in 1991. The guest speaker was Sir Zelman Cowan, a former Governor General of Australia. The launch was in the Crest International Hotel in St Kilda on 3 September 1991. Sir Zelman spoke movingly on the work of Legacy and on the dramatic world events: the Gulf War; the reunification of Germany; the changes within the Soviet Union and his speech was warmly received by all who attended. The main time of year for fundraising is September when Legacy holds 'Badge Week'. Often there is guest speaker and another celebrity who gives his or her time as 'Personality of the Year'. Was in a scrapbook of photos spanning 1987 to 1991. An record of a prominent guest speaker launching Legacy Week in 1991.Colour photo x 4 of the launch of Legacy Week in 1991 including speech by Sir Zelman Cowan and a yellow paper label.Yellow paper label with black type 'Melbourne Legacy was privileged to have a former Governor-General of Australia, Sir Zelman Cowan, officially launch 'Legacy Week' at a luncheon held a the Crest International Hotel. Sir Zelman spoke movingly on the work of Legacy and on the dramatic world events: the Gulf War; the reunification of Germany; the changes within the Soviet Union and his speech was warmly received by all who attended.'legacy promotion, badge appeal, legacy week, speech