The Joly meldometer was created to determine the melting point of minerals. W.E. Wilson, an astronomer and author, stated in 1900 that the Joly meldometer consisted of a ‘a strip of platinum on which minute fragments of any mineral can be placed, while any alteration in its length can be determined by means of a micrometer screw which touches a lever connected with one end of the strip. The strip can be heated by an electric current, and is calibrated by observing the micrometer readings corresponding to the temperatures at which some substances of known melting-points melt’i . One reason why the Joly meldometer was seen as a successful addition to science was the small amount of any substance that it required for testing. Only a minute sample was needed for the instrument to work and so a tiny part could be taken from a delicate item without destroying itii . The instrument was originally manufactured by the Irish company Yeates & Son of Dublin. The Yeates family business was established in the early 1790’s and is thought to have operated until approximately 1922iii . Their business slogan was recorded as ‘Instrument makers to the University’, a slogan which proudly exhibited their relationship with Trinity College, Dublin. The company was located directly opposite Trinity College, the place where the Joly meldometer was created. Working in such close proximity must have assisted this business relationship. The inventor of this meldometer was Irishman John Joly. Joly was born in 1857 at the Church of Ireland Rectory, Hollywood House. His education led him to Trinity College Dublin where, by 1891, he had obtained a Bachelor of Engineering degree as well as a Doctorate of Science. The entirety of his working life appears to have taken place at Trinity College although he is known to have travelled in order to consult with other scientists such as the world renowned Sir Ernest Rutherford. The Joly meldometer was used for a variety of different purposes, with scientists often adapting the instrument to suit their own needs. For instance, the previously mentioned astronomer W.E. Wilson adapted the meldometer to assist him in measuring the radiation of the suniv . Joly used his device in an attempt to ascertain the age of the earth. In 1913, along with Sir Rutherford, Joly came to the conclusion that the earth was approximately 400 million years old. They did this by analysing the decay of radioactivity in minerals. According to our present knowledge of the earth this was a much more accurate date than the dates Joly had previously derived. He had first thought that the earth was 97 million years old due to the volume of sodium in the oceans. Joly’s second analysis of the topic had resulted in the age of 80 million years. This figure was based on the accumulation of sediment. Apart from designing his meldometer, Joly is also remembered for his work with colour photography. In 1894 Joly discovered a method for creating colour photographs from a single platev . He also studied the use of radiation as a treatment for cancer and persuaded the Royal Dublin Society to establish the Radium Institute to assist hospitals. In 1933 Joly passed away at the age of seventy-six.

This is a set of 17 photographs of technicians from the Royal Australian Survey Corps undertaking technical tasks circa 1990s. Photos .1P to .9P were taken at the Army Survey Regiment, Fortuna, Bendigo. Photos .10P to .15P and .17P of students operating survey equipment, were taken at the School of Military Survey, Bonegilla and survey stations surrounding Lake Hume. The base camp at photo .16P was probably taken at Sandy Creek, near Tallangatta Victoria, during the field phase of a basic or advanced RA Svy training course. CPL Steve Nokes appearing in photo .17P was attending the 1/90 Map Control Survey Course.This is a set of 17 photographs of technicians from the Royal Australian Survey Corps undertaking technical tasks at the Army Survey Regiment, Fortuna, Bendigo, and the School of Military Survey, Bonegilla c1992. Colour photos are on 35mm slide film and were scanned at 96 dpi. Photo .17P is in black & white, printed on photographic paper and scanned at 300 dpi. The photos are part of the Army Survey Regiment’s Collection. .1) – Photo, colour, c1992, Aerial photography Assessment, SGT Tony Grivell. .2) – Photo, colour, c1992, Aerial photography Assessment, L to R: WO2 Noel McNamara and LCPL Grant Lloyd. .3) – Photo, colour, c1992, Wild PUG4 point transfer device, LCPL Mark Fedden. .4) – Photo, colour, c1992, AUTOMAP 2 Graphic Edit Workstation, unidentified technician. .5) – Photo, colour, c1992, Heidelberg Speedmaster 102 computer-controlled five colour lithographic offset printing press, CPL Nick Vanderzwan. .6) – Photo, colour, c1992, Daylight film contact frame, SPR Ken Labourchardiere. .7) – Photo, colour, c1992, Heidelberg Speedmaster 102 Map Colour Evaluation Workstation, SGT Stuart Ridge. .8) – Photo, colour, c1992, Map proof evaluation, CPL John Bragg. .9) – Photo, colour, c1992, Wohlenberg MCS-2 guillotine, unidentified technician. .10) – Photo, colour, c1992, Wild T2 Theodolite, L to R: SPR Matt Arnold, SPR Kim Baker. .11) – Photo, colour, c1992, Wild T2 Theodolite, L to R: SSGT Bob Bright, SPR Kim Baker. .12) to .14) – Photo, colour, c1992, MRA-7 Tellurometer, CPL Mark Bourne. .15) – Photo, colour, c1992, Plane Tabling, CPL Mark Bourne. .16) – Photo, colour, c1992, School of Military Survey base camp, Sandy Creek, VIC. .17) – Photo, black & white, 1990, MRA-7 Tellurometer, CPL Steve Nokes. .1P to .16P - There are no annotations. .17P – annotated on back ‘CPL NOKES WITH MRA7 ON 1/90 MAP CONTROL COURSE’royal australian survey corps, rasvy, army survey regiment, army svy regt, school of military survey, fortuna, asr

The magazine is a travel book and is probably one of a series.A glossy magazine titled, East Gippsland - Victoria. It contains coloured photographs. This is a 24pp travel book containing coloured illustrations, maps and descriptions of East Gippsland. There are historical details/articles in the book. The photography is by George Hurdes and Ian Roberts. The cover which was designed by Bill Stockdale has a colour photo of a yacht with a predominantly blue background of water and sky. The text is by Barbara Glover.travel east-gippsland

The Rose Stereograph Company first began producing postcards, identified as the 'P' series (like this particular example) in 1913 and continued in this business until 1967 after which they switched to machine manufactured colour postcards printed by an external company. These were produced by Victorian-era photographer George Rose (1861-1942) often reputed as one of the best photographers in Australia during the later 19th Century and early 20th Century. Rose was born in 1861 in Clunes and began his photography business in 1880 when he founded the Rose Stereograph Company. He later switched to producing postcards after stereographs lost popularity in the early 1920s. The Mayday Hills Hospital was one of these locations photographed by George Rose and published as a postcard. Beechworth's Mayday Hills was chosen as the site of Victoria's newest asylum, at the time, due to the landscape and altitude. The hilltop atmosphere and the native fauna, it was argued, would assist in the cure of the patients kept at the hospital (Wood 1985, 122). The positioning of the hospital had a beneficial effect on the rural town. A pamphlet published by James Ingram and Son (1849) reveal that famous landmarks in Beechworth which included the Post Office, Gaol, Courthouse and Asylum "demonstrate the appreciation of Beechworth by the Government not only as as important district center, but also as a site unrivaled as a sanitarium". There were other locations in contention at the time, but ultimately Beechworth was chosen (Craig 2000,33). Prior to the creation of the Asylum in Beechworth, those charged with having mental illnesses or, as it was termed, "insanity" were unable to be properly cared for in the Gaol (which is where they were often sent). John Buckley Castieau wrote, in 1861 for the Ovens and Murray Advertiser, that the Gaol was unable to properly care for those classified then as "insane" but that they would endeavor to treat them above the other inmates (which he notes is not always the case in other establishments). Castieau wrote this in favour of supporting the building of the Mayday Hills Hospital in Beechworth. It was stated that at the time the Mayday Hills Hospital was built, there were 83 prisoners kept in the Gaol who were to be rehoused to the Hospital on the grounds of "insanity". The classification as someone as "insane", in this period of time is a reflection on the inability to cure and understand illnesses of the mind during the mid to late 1800s. Opening on the 24th of October 1867, the Mayday Hills Hospital was originally named the "Ovens Lunatic Asylum", a title which is very much a product of its time. Whilst controversial, changes to the name is part of the history of the Hospital and can provide much insight into the understanding of mental illness throughout history and the use/disuse of this term provides information into the reception/changing opinions of mental illness in society. The Hospital would later become known as the "Mayday Hills Asylum" and/or "Mayday Hills Hospital" with the latter being the most commonly used title. An article in the Ovens and Murray Advertiser notes that on the 7th of March 1865, the foundation stone of the Hospital was laid (it would officially open in 1867) and that it was such a moment of accomplishment and joy for Beechworth that a letter to the editor even suggested that there should be a holiday dedicated to the day the foundation stone as laid. This reveals an extent to which the townspeople of early Beechworth valued the construction of the Hospital in their town. It provided the town with a sense of prestige and honour. At first glance, the remains of the Mayday Hills Hospital in Beechworth, Victoria, inspire tragedy, trauma and beauty. The buildings themselves, with their Italianate style Renaissance architecture designed by J.J. Clark (Craig 2000, 49 & Smith 2016, 203) reflect a bygone period of European and Australian history. The gardens provide a sense of tranquility and beauty. The experience of those within these walls remains a valuable area of study to provide a more complete understanding. This particular hospital is considered the fourth of its like and one of three identified as the largest of their kind. The Mayday Hills Hospital is a sister to the Kew and Ararat Asylums in Melbourne which are both located in relative proximity. Understanding the role of the Mayday Hills Hospital in Beechworth history is integral to understanding the development of the goldfields town, but also for providing important information as to the history of caring for, and the reception of, mental illnesses in Australian and wider European history. Mayday Hills provides a case study which can be researched through oral history, an analysis of the grounds/buildings and through images like this postcard which portray the structure in a highly deliberate manner. Images like this depict the strong façade of the Hospital and provide a glimpse into the tranquility of the gardens. This has been done deliberately to provide a sense of comfort and healing about the building to those looking from the outside. Further research into the importance of the Hospital in Beechworth and it's connection to the town will be supported through images like these kept in the Mayday Hills photo album in the collection of the Burke Museum.Pale sepia toned rectangular postcard printed on matte card.Obverse: THE ROSE SERIES P. 4689 / COPYRIGHT / ADMINISTRATIVE OFFICES, MENTAL HOSPITAL, BEECHWORTH, VIC / Reverse: Published by the Rose Stereograph Co. / Armadale, Victoria / POST CARD / THE "ROSE" SERIES / DE LUXE / A REAL PHOTOGRAPH / PRODUCED IN AUSTRALIA /mayday hills, asylum, mental hospital, hospital, beechworth

Two colour aerial photographs overlooking commercial area of Ringwood centred on Eastland shopping precinct (prior to Stage 2 extension proposed to commence in 1992).Aerial Photography by R.J. Moss.

Also known as the King George V memorial building this branch of the Mission to Seamen opened in 1937 as a replacement for the old Mission in Port Melbourne. The Foundation stone was laid by the Victorian State Governor and a photograph of the event is also held in the MTSV collection. The Art Deco style building was commissioned by merchant and philanthropist, Alfred Michael Nicholas (1881-1937) and designed by prolific Melbourne-based architect Harry A. Norris (1888-1966) in 1937 best known for his commercial work in Melbourne city centre. NB PMHPS Kindly allowed MTSV heritage to take scans of the Kelly series notes in their collection for reference in 2019.One of the few full colour images of this building originally classified by the National Trust and now demolished. An example of architect Harry Norris' work 1937. All that remains are a ceramic plaque, a brick and several items of chapel artefacts. Alison Kelly, a photographer, was part of the group supporting the Port Melbourne Seamen's Mission in the 1980s and 1990s. She took a series of photographs of the building now held by the Port Melbourne Historical and Preservation Society.Full colour Postcard featuring colour image of a large red brick building in a 1930s era Architecture. There is a green wrought iron gate ajar in the foreground with the word SEAMAN spelled out. MISSIONS TO SEAMEN can also be seen spelled ut in white across and down the central clock tower of the building and this is surmounted with a white flagpole.On verso: Printed: "Heritage Series / POST CARD " at right angles in small print from lwr edge to upper: "PHOTOGRAPHY BY ALISON KELLY PORT HERITAGE SERIES NO 6". At Lwr left crnr printed:" Missions to Seamen Building, Port Melbourne/ Designed in the Modern style by architect Harry Norris,/ this 1937 National Trust classified structure was until 1972 / an entertainment and spiritual centre for seamen, with / important roles during the war [WW2] and immigration periods"king george v, memorial chapel, harry a. norris, brick, art deco, alfred m. nicholas, beach street, mission to seamen, alison kelly, 1937, arts centre, seamen mission, mission to seafarers, port melbourne

Orthophoto mapping provided the Survey Corps with the capability to produce map products quickly in the event of a crisis. These are four photographs of equipment used by the Army Survey Regiment to produce orthophotomaps. The Wild GZ1 orthophoto projector shown in photo.1P was introduced in 1973 and was the first equipment used to orthorectify colour and monochrome film aerial photography. Height profiles were originally produced on a PEB8 Stereo profiler and later were software generated. Photos of the PEB8 are available in Victorian Collections item 6222.17P, photos .5P and .6P. In the same era the IBM 1130 computer; OMI/Nistri AP/C-3 analytical plotter with coordinatograph, OP/C orthophoto projector and Zeiss Planimat D2 stereoplotters were introduced. Orthorectification is the process of removing geometric distortions and scale errors/variations from images. Images have tilt and relief distortions that make it difficult to compare accurately a map and an image of the same geographic area. Once an image is orthorectified, features on the image are shown in their planimetric locations. The WILD OR1 orthophoto projector and workstation shown in photos .2P to.4P was introduced in the mid-1980s. It was the second-generation equipment used to orthorectify colour and monochrome film aerial photography, replacing the system introduced in 1973. See items 6124.5P and 6133.4P for more photographs of orthorectification equipment.These four photographs of orthorectification equipment were taken at the Army Survey Regiment at Fortuna, Bendigo, c1975 and c1988. The photos are on 35mm colour slides and scanned at 96 dpi. They are part of the Army Survey Regiment’s Collection. .1) - Photo, colour, c1975, Wild GZ1 orthophoto projector. .2) - Photo, colour, c1988, WILD OR-1 unrectified colour photo in carrier, orthorectified and re-scaled colour image. .3) & .4) - Photo, colour, c1988, WILD OR-1 Orthorectification Workstation.1P to .4P – Some of the equipment is annotated on the frame of the 35mm slides.royal australian survey corps, rasvy, army survey regiment, asr, army svy regt, fortuna

This collection of five photos was most likely taken at Lithographic Squadron, Army Survey Regiment, Fortuna, Bendigo in c1970s. The main tasks undertaken by technicians in Photo Troop were most likely enlargements, reductions and duplication of map reproduction material, and processing of aerial photography.This is a set of five photographs of Photo Troop equipment was taken in Lithographic Squadron, at the Army Survey Regiment, Fortuna, Bendigo, c1970s. The photographs are on 35mm colour slides and were scanned at 96 dpi. They are part of the Army Survey Regiment’s Collection. .1) - Photo, colour, c1970s, WILD U4A Diapositive Camera. .2) - Photo, colour, c1970s, Hass-Labortechnik Film and Paper Roller Transport Processor. .3) - Photo, colour, c1970s, Hass-Labortechnik Film and Paper Roller Transport Processor, SGT Christopher Wardley. .4) - Photo, colour, c1970s, Hass-Labortechnik Film and Paper Roller Transport Processor, unidentified technician. .5) - Photo, colour, c1970s, Pako Film Processor..1P to .5P – Some of the equipment is annotated on the frame of the 35mm slides.royal australian survey corps, rasvy, army survey regiment, army svy regt, asr, fortuna, litho

In the 1830’s, European pastoralists started moving south from NSW into the Alps. In 1836, cattle grazing began around Omeo and the runs spread out into the foothills. The higher country was used for summer grazing and huts were built for shelter and storage during stock mustering. The lure of gold brought many people to the Alps from around 1850 to 1900. Bushfires destroyed the forests around Melbourne in 1939 and the boom in house-building after World War II ked to increased demand for timber from the Alps. This resulted in the building of a network of roads which helped open up access to the Alps. The early 1940’s brought the first of many workers to the Alps for the planning and construction of the Hydro-Electric Scheme. These were the pioneers and early settlers of the Kiewa Valley and provided a wealth of characters and a tapestry of stories and adventures to be handed down to future generations.These 3 posters, which were most likely produced for promotional purposes provide a glimpse into the early lives of the pioneer families of the Kiewa Valley through pictures and verse. They show their lifestyle and outline the hardships they had to endure in living and working in the Alpine region. They also highlight the early arguments regarding grazing in the high country which would ultimately lead to the end of the long traditions of the high country cattle men. Set of 3 A4 size posters with black and white photographs and text and colour background depicting various parts of the history of the Kiewa Valley. 1. Titled - ‘Life wasn’t meant to be easy’ Describes early life for Kiewa Hydro workers. 2. Titled - ‘Cattlemen of the High Plains’ Describes a brief history of life of the cattlemen of the high plains 3. Titled – ‘There are Places I’ll remember’ Depicts early photographs of residents of the Kiewa Valley, also includes the words from a John Lennon song as per poster title. Printed on each poster – Poster designed by Dyanne Photography - Wodonga 1. Printed at bottom of poster – Sources: G Napier and G Easdown “The Kiewa Story” 1993. Southern Hydro Archives, N Hetherington and R Hollands. G Gardner “The Kiewa Kids” 1998. 2. Printed at bottom of poster – Sources: D Purland. Handwritten at top of poster- Poster 4 3. Printed at bottom of poster – Sources: B Roper, W Davies, D Higginson, H Ryder. Handwritten at top of poster- Poster 3 kiewa valley; tourism; lifestyles

The photographic envelopers were used to develop plates, films and lantern slides. They had to be mixed as per instructions on the packet. These may have been used by an individual or by a local school or organisation.Wilma Davies, a long term resident of the Kiewa Valley donated this photographic equipment.Brownish/black cardboard box with no lid (broken off). Label is black, white and orange on front. The remaining parts of the label seal are on the sides with a 'picture' of (weighing) scales and words Trade Mark in black on orange and white. Inside the box are 31 clear plastic sealed cardboard boxes of "Colourform developer "B" Powder". The boxes are white with a label on the front with black and orange print. The ends are clear, the sides have "Colourform "B" in orange and the back has 'Directions' in black .Large box - Johnson Colourform Outfit Small boxes Colourform developer "B" powder.photographic equipment, photography, johnsons of hendon, colour form developer powder, photo developer, wilma davies

This box has been used to store photographic glass slides. Since the 1850s glass slides or lantern slides have been used in photography and were particularly popular from the 1870s on. They preceded photographic film and were eventually eclipsed by the 35 mm. colour slides produced by Kodachrome in the mid 20th century. Glass slides, however, were still in use up to the 1990s in some scientific areas such as astronomy because of the stability of glass ware. This container has no known local provenance and is retained for display purposes.This is a brown varnished wooden container made in a rectangular shape. It is hinged at one end with two metal hinges and has two metal clips on the sides to keep the container closed. There are also two metal clips at the top perhaps for storage purposes. The inside has a flat black painted surface top and bottom and a loose black paper in one section. ‘3’vintage photography, history of warrnambool

Vol. 1, No. 2 Dec 1996/Jan 1997 CONTENTS ADVENTURE WITH COLOUR Teenage cancer patients challenge their illness with art 3 CD REVIEWS New music by local musicians 5 LIVE AND LET LIVE 20 years of environmental living 6 AUSTRALIA REVISITED Artist Charles Reddington ponders live 30 years on 8 POETRY REVIEW Anne Delaney looks at new work by Jennifer Harrison and Jordie Albiston 11 PHOTOGRAPHY Katherine Jones aims at hard edges 16 IMAGES FROM A DARK PAST Holocaust survivor paints out a traumatic part of his life 18 MORALITY OF JUSTICE The Truth Game - a play by Ray Mooney 21 ART FROM THE HEART An exhibition that crosses boundaries 22 SHORT STORY New story from an emerging writer 25 ART IN THE CEMETERY Darebin launches a new project to decorate its new mausoleum 28 LISTINGS Artists, performers and galleries 29 KEYWORDS 895 Main Road, 1994 Moet et Chandon Fellowship, Adventure with Colour, Alan Bonney, Alan Constable, Alun Leach-Jones, Amada Laming, Anne Connor & Associates, Anne Delaney, Anthony Day, Art Streams Magazine, Artist-in-residence, Arts by the Waters, Arts project Australia, Auschwitz, Banyule Jazz Festival, Barbara Veheary, Bend of Islands Conservation Association (BICA), Bend of Islands Estate, Bend of Islands, Bill Downing, Bulleen Art & Garden Centre, Bulleen Nursery, Caffe Poco, Carlton Courthouse Theatre, Catani Boulevard, Catherine Oxley Reserve, Charles Reddington, Charlie Dowley, Cheryl Daye, Chris McAuliffe, Clifton Pugh, Colin Lanceley, Cornelia Selover, Creativitie et Handicap Mental (CREAHM), Cynthia Hardman, Cyril Tawney, Damian Eyre, Daniel Lillford, Danuta Michalska, Darebin Arts and Entertainment Centre, Darebin City Council, Department of Fine Arts, Donald Campbell, Dora Zable, Dorothy Berry, dunmoochin, E.H. Cameron, Edward (Ned) Haughton, Edward Car, Elizabeth Vercoe, Eltham High School, Eltham Living and Learning Centre, Environmental Living Zone (ELZ), Eric Bogle, Eucalypso, Felix Tuszynski, Food For All Seasons, Frank Hodgkinson, Fulli Andrinopoulos, Gallery of Georges of Collins Street, Gallery of Slavic Art, Glen Agnes Bend of Islands Estate, Glen Agnes Estate, Gongflers drive, Greg O'Leary, Harold (Jimmy) Fuller, Helen O'Grady Children's Drama Academy, Henley Road, Ian Doolan Hamilton, Ian Gawler, Inside Out/Outside In, Ironbark Road, Janice McBride, Jennifer Harrison, Jennifer McGregor, Jessie Agnes Haughton, Jimmy Pike, Joan Blakey, John Mackay Northe, John Rasmussen, Jordie Albiston, Julian Martin, Kangaroo Ground, Katherine Jones, Kelvin Heffernan, Kew Coattage, Kitty Ginter, Lavita Mossop, Les darcy, Les Gyori, Life with Jane, Lorraine Larter, Luc Boulange, Luciana Giardina, Manningham Artspace, Manningham City Council, Mariann Moxon, Mark Capozzi, Mark Chapman, Mark Wilkinson, Maxine Ryder, Melbourne Police Pipe Band, Mick Woiwod, Mike O'Rourke, Monica Burns, Montsalvat, Myra Hilgendorf, Nancye Ball, Page family, Pam Crohan, Pam Dougherty, Poetry, Preston Public Cemetery, Ray Mooney, Richard Haese, Robert Hughes, Robyn Kirkpatrick, Roger Lemke, Ron Hanson, Sandra Harvey, Shire of Eltham Office site, Shire of Healesville, Shire of Nillumbik, Shire Offices, Sounds by the Waters, Stelio Costa, Steven Tynan, Steven Worrell, Stewart Whiffin, Sue Howard, Sue Whiffin, Sugarloaf Reservoir, Sydney Ball, The Art of Australia, The Mews, The Truth Game, Tom Fantl, Tony Inglese, Tuszynski Survey Exhibition, University of Melbourne, Valerio Ciccone, victorian artists supplies, Watson Creek Bridge, Watsons Creek, Wayne Marnell, Woody Guthrie, Yarra Brae Dam, Yarra River"Peter Dougherty has been involved in the local art scene for many years. As publisher and editor of the arts magazine Artstreams, his comments on the various branches of the arts are widely respected. His "The Arts" column in the Diamond Valley Leader presents a brief summary for a much wider cross section of the local community. Peter also operates his own gallery and the Artstreams Cafe at the St Andrews market.

Peter has a wealth of knowledge about present day and historical aspects of local art and artists."
 - Eltham District Historical Society Newsletter No. 161, March 2005Colour front and back cover with feature articles and literary pieces with photographs and advertisements printed in black and white. 36 pages, 30 cm. Vol. 1, no. 1 (Nov. 1996) - Vol. 10, no. 5 (summer ed. 2005/​06) art streams, feliz tuszynski, elizabeth vercoe, eucalypso, bend of islands, charles reddington, jennifer harrison, jordie albiston, katherine jones, anne bonney, mick woiwood, anne connor, anne delaney, ray mooney, pam dougherty, arts project australia, lavita mossop, preston public cemetery, helen o'grady children's drama academy, bulleen nursery

A book of photographs of paintings of the waterfalls of Victoria painted by Dacre Smyth.A book of photographs of paintings of the waterfalls of Victoria painted by Dacre Smyth. Each painting has the name of the waterfall, the date the painting was painted and a short poem accompanying the photograph. Commodore Dacre Henry Deudraeth Smyth, AO was a senior officer in the Royal Australian Navy, an artist and a poet. He joined the RAN in 1940, and participated in the D-Day landings and the Battle of the Coral Sea before retiring as a commodore in 1978. He served as Deputy Chairman of the Trustees of Melbourne's Shrine of Remembrance and was a Life Governor of the Shrine. He became well known after his retirement for landscape and seascape painting, publishing fourteen books containing his paintings and poems. He married Jennifer Haggard in 1952, and had four daughters and a son. He died in 2008.Hardcover. Front dust cover has a photograph of a painting of Erskine Falls painted by the author. Back cover has 4 photographs of paintings of Wannon and Nigretta Falls in summer and winter. Inside cover of book, both back and front have a map of Victoria with various towns shown and the location of all the waterfalls in Victoria.Signature of the author and painter, Dacre Smyth. Artist's Acknowledgements / I am most grateful to all who helped in the production of this book:- / Alan Copeland / Allan Tuite and staff at Crystal Offset Printers for the production and printing of this book / Photography Ralph Petty / Colour Separations front & back cover Scanagraphix & Image Scan / Binding J.P. Bookbinderswaterfalls, victoria, melbourne, paintings, poem, poetry, photograph, dacre henry deudraeth smyth, royal australian navy, d-day landings, battle of the coral sea, shrine of remembrance, jennifer haggard

One of a series of postcards of photographs taken by socialite photographer Nicholas John Caire. N.J. Caire had a great love for the area and in the late 1800's took many photographs of Marysville and its surrounds.One of a series of postcards of photographs taken by socialite photographer Nicholas John Caire. N.J. Caire had a great love for the area in and surrounding Marysville and in the late 1800's took many photographs of Marysville and its surrounds. N.J. Caire was born in 1837 in Guernsey. He arrived in Adelaide about 1860 along with his parents who encouraged his early interest in photography. He opened a studio in Adelaide in 1867 after traveling extensively throughout the Gippsland taking photographs. After marrying in 1870 he moved to Talbot in Victoria until 1876 when he opened a studio in the Royal Arcade in Melbourne. After 1885 N.J. Caire gave up his city work and made his home in South Yarra and devoted the rest of his life to outdoor photography, specializing in the bush, the gullies and the mountains of south-eastern Victoria. POST CARD This Space may be used for Correspondence. The Address only to be written here. Stamp-VICTORIA Date stamp / 2 NOV Orange postage stamp/ value one penny/ depicts portrait of Queen Victoria 95686 Miss L. Smith/ Oxford Place/ Mount Stree / Nechells/ B'ham/ Englandmarysville, victoria, nicholas john caire, watts river, fernshaw, 95686, souvenir, postcard

One of a series of postcards of photographs taken by socialite photographer Nicholas John Caire.One of a series of postcards of photographs taken by socialite photographer Nicholas John Caire. N.J. Caire had a great love for the area in and surrounding Marysville and in the late 1800's took many photographs of Marysville and its surrounds. N.J. Caire was born in 1837 in Guernsey. He arrived in Adelaide about 1860 along with his parents who encouraged his early interest in photography. He opened a studio in Adelaide in 1867 after traveling extensively throughout the Gippsland taking photographs. After marrying in 1870 he moved to Talbot in Victoria until 1876 when he opened a studio in the Royal Arcade in Melbourne. After 1885 N.J. Caire gave up his city work and made his home in South Yarra and devoted the rest of his life to outdoor photography, specializing in the bush, the gullies and the mountains of south-eastern Victoria.Birthday/ Greetings POST CARD This Space may be Used/ for Correspondence The Address Only to be/ Written Here. 88421 Dear Ivy/ Wishing you/ many happy/ returns of/ the day/ from Reggie Miss Ivy Bastian/ Helston/ Fenwick Street/ Nth Carlton c1918 2nd Bridge The postage stamp has been removed. Helen Boach?marysville, victoria, nicholas john caire, bridge scene, 88421, postcard, souvenir

A colour photograph taken of Gould Memorial Drive on the Buxton Marysville Road in Victoria.A colour photograph taken of Gould Memorial Drive on the Buxton Marysville Road in Victoria. The planting of the avenue of Lombardi Poplars was initiated by Mrs Joy Gould and the trees were planted by workers of the Gould Mill. The intention was for the avenue to extend from Marysville to Buxton. However, this was never fully realised. In Autumn the trees turn a brilliant yellow and are a major tourist attraction. This postcard was produced by Donovan Wilson Photography as a souvenir of Marysville.Gould Memorial Drive/ Buxton Marysville Road/ Marysville Donovan Wilson/ Photography Place/ Stamp/ Heremarysville, buxton, poplar trees, gould memorial drive, donovan wilson, postcard, souvenir, marysville-buxton road

A colour photograph of Steavenson Falls in Marysville in Victoria.A colour photograph of Steavenson Falls in Marysville in Victoria.The Steavenson Falls is named after the Victorian Assistant Commissioner of Roads and Bridges, John Steavenson who arrived in Victoria in the early 1860s. This postcard was posted on January 15, 2009, just 3 weeks before Marysville was destroyed in the Black Saturday bushfires. This postcard was produced by Donovan Wilson as a souvenir of Marysville.Steavenson Falls are one of the tallest in/ Victoria, with 5 cascades, a total decent/ of 122 meters, the last having a clear/ drop of more than 21 meters. Donovan Wilson/ Mystic Mountain Photography JAN/ 15/ 2009/ 6 PM Couldn't see a blooming thing beause/ of all the trees. They totally obscure/ the view. Something must be done./ Settled in. Will go to see falls/ when lit up (the Falls, not us)/ Love from us both./ Marysville is a charming/ little place - thanks for/ introducing us./ Love/ Wendy & Douglas Ms Marie Chaltorton/ 4 St Catherine's Court/ MORNINGTON/ VIC/ 3931 steavenson falls, marysville, victoria, waterfalls, donovan wilson, postcard, souvenir, john steavenson

A colour photograph taken at 'The Beeches' near Marysville in Victoria.A colour photograph taken at 'The Beeches' near Marysville in Victoria. Starting from the spectacular Taggerty Cascades, the Beeches Rainforest Walk meanders through the ancient cool temperate rainforest of the Yarra Ranges. Dominated by Myrtle Beech trees and stands of Mountain Ash, the rainforest is home to many species of birds including lyrebirds.Myrtle Beech/ Nothofagus Cunninghamii/ The Beeches/ Marysville Place/ Stamp/ Here Donovan Wilson/ Photographythe beeches, marysville, victoria, postcard, souvenir, donovan wilson, walking track

A copy of an early colour tinted photograph of a wooden bridge in Marysville in Victoria.A copy of an early colour tinted photograph of a wooden bridge in Marysville in Victoria. This photograph was taken by Nicholas John Caire between 1878 and 1904. Nicholas John Caire was born in 1837 in Guernsey. He arrived in Adelaide about 1860 along with his parents who encouraged his early interest in photography. He opened a studio in Adelaide in 1867 after traveling extensively throughout the Gippsland taking photographs. After marrying in 1870 he moved to Talbot in Victoria until 1876 when he opened a studio in the Royal Arcade in Melbourne. After 1885 Nicholas John Caire gave up his city work and made his home in South Yarra and devoted the rest of his life to outdoor photography, specializing in the bush, the gullies, and the mountains of south-eastern Victoria. nicholas john caire, marysville, victoria

This is a photograph of Photo Troop, Lithographic Squadron; one of the Army Survey Regiment’s four squadrons, at Fortuna, Bendigo, December 1989. The main tasks undertaken by Photo Troop’s technicians were most likely photographic enlargements, reductions and duplication of map reproduction material, and processing of aerial photography.This is a photograph of Photo Troop Lithographic Squadron, Army Survey Regiment at Fortuna, Bendigo, 1989. The colour photograph was printed on photographic paper and is part of the Army Survey Regiment’s Collection. The photograph was scanned at 300 dpi. Back Row L to R: Rob Bogumil, Kevin ‘Chuck’ Berry, Andrew ‘Morrie’ Morrison-Evans, unidentified, Greg Howell, unidentified, Damien Cole, unidentified, Warren ‘Waldo’ Shirley, Steve Burke, Paul Baker, Bob Garritty, Frank Lenane, Bill Jones. Front Row L to R: John Bragg, Ken Peters, Gavin Craggs, Michelle Withers, Penny Knott, Di Chalmers, Geoff Webb, unidentified, Darren ‘Barney’ Maher, Kim Reynolds. No personnel are identified. Annotated on back with ‘Photo Troop Dec 1989’royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, litho

This photographic magazine attaches to the gear box universal ( see cat 4531). As an assembly, the type F22 aerial camera came into RAF and RAAF service c1942. It was used by the RAF over Europe and by the RAAF extensively through the Sth. West Pacific area of operations, during WW2. This type of camera was used through the Vietnam war up to the early 1980's. The F22 camera assembly when mounted in the reliable Canberra aircraft, did aerial survey work in PNG, Indonesia, Malaysia and Sumatra and the Australian mainland. This type of camera was used in Spitfires, Mosquitos, Avro Lincolns and Canberra aircraft.This is a heavy metal container painted in a grey colour. The label is on the top. One side has two enlarged oval sections. in those two ovals is one hole of 22 mm diameter. In those holes is a disc painted half red and half white. Below the ovals are two levers connected to the internal mechanism. Bottom RHS has a disc with 2 pins, red dots are printed on it. Nearly level with the top of ovals is a kidney shaped hole. In that hole is a rotating disc with graduations and numbers. the action side of magazine has a rectangular opening size 83/4" x 7/16". It is covered with a black soft material.Top has “serv 18-10-73” The number '20' has been stenciled on two surfaces.aerial photography, magazine, ww2, raaf

Orthophoto mapping provided the Survey Corps with the capability to produce map products quickly in the event of a crisis. These are four photographs of equipment used by the Army Survey Regiment to produce orthophotomaps. The Wild GZ1 orthophoto projector was introduced in 1973 and was the first equipment used to orthorectify colour and monochrome film aerial photography. Height profiles were originally produced on a PEB8 Stereo profiler and later were software generated. Photos of the PEB8 are available in Victorian Collections item 6222.17P, photos .5P and .6P. In the same era the IBM 1130 computer; OMI/Nistri AP/C-3 analytical plotter with coordinatograph, OP/C orthophoto projector and Zeiss Planimat D2 stereoplotters were introduced. Orthorectification is the process of removing geometric distortions and scale errors/variations from images. Images have tilt and relief distortions that make it difficult to compare accurately a map and an image of the same geographic area. Once an image is orthorectified, features on the image are shown in their planimetric locations. These four photographs of orthorectification equipment were taken at the Army Survey Regiment at Fortuna, Bendigo, c1975. Photo .1P and .3P were printed on photographic paper and scanned at 300 dpi. Photos .2P, .4P and .5P were on 35mm negative film and scanned at 96 dpi. They are part of the Army Survey Regiment’s Collection. .1) - Photo, black & white, c1975, Wild GZ1 orthophoto projector operated by CPL Phil Boyle. .2) - Photo, black & white, c1975, Wild GZ1 orthophoto projector. .3) - Photo, black & white, c1975, Wild GZ1 orthophoto projector. .4) - Photo, black & white, c1978, Zeiss D2 Planimat Stereoplotter. .5) - Photo, black & white, c1978, Zeiss D2 Planimat Stereoplotter..1P to .5P No annotations.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr

These four photos of RaSVY personnel were taken inside the Records Hut, one of Headquarters Squadron’s work areas at the Army Survey Regiment, Fortuna probably in 1986. This building was located near the basketball court and probably at that time, held aerial photography archives, flight planning records, production data folders and final colour separated negatives of published maps.This is a set of two photographs of Records Hut personnel from Headquarters Squadron, Army Survey Regiment, Fortuna, Bendigo, 1986. The photographs were on 35mm negative film and were scanned at 96 dpi. They are part of the Army Survey Regiment’s Collection. .1) - Photo, black & white, 1986, Records Hut – SPR Brett Treneman. .2) - Photo, black & white, 1986, Records Hut – LCPL Bob Sheppard. .3) - Photo, black & white, 1986, Records Hut – L to R: LCPL Bob Sheppard, SPR Brett Treneman. .4) - Photo, black & white, 1986, Records Hut – L to R: LCPL Bob Sheppard, SPR Brett Treneman.No personnel are identifiedroyal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr

This collection of four photos was most likely taken at Lithographic Squadron, Army Survey Regiment, Fortuna, Bendigo in 1988. Orthophoto mapping provided the Survey Corps with the capability to produce map products quickly in the event of a crisis. These are four photographs of equipment used by the Army Survey Regiment to produce orthophotomaps. The OR1 orthophoto projector and workstation was introduced in the mid-1980s. It was the second-generation equipment used to orthorectify colour and monochrome film aerial photography, replacing the system introduced in 1973. Orthorectification is the process of removing geometric distortions and scale errors/variations from images. Images have tilt and relief distortions that make it difficult to compare accurately a map and an image of the same geographic area. Once an image is orthorectified, features on the image are shown in their planimetric locations. These four photographs of orthorectification equipment in operation were taken at the Army Survey Regiment at Fortuna, Bendigo, 1988. The photographs were on 35mm negative film and were scanned at 96 dpi. They are part of the Army Survey Regiment’s Collection. .1) to .4) - Photo, black & white, 1988, WILD OR-1 Orthorectification Workstation, SPR Carmel (Butler) Fauth.No personnel are identifiedroyal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, litho

This pamphlet was published by the Army Survey Regiment as an overview of the Royal Australian Survey Corps (RASvy), its role and unit structure circa 1991, prior to RASvy’s disbandment in 1996. The pamphlet comprehensively detailed the eight steps of topographic map production: Establish Survey Control, Aerial Photography, Aerotriangulation, Stereoplotting, Field Verification, Cartography, Printing and Storage/Map Distribution. Leading technologies used by RA Svy in 1991 included GPS control surveys, 5 colour printing on the Speedmaster offset press and bulk map packaging using the Map Handling Station (with guillotine). Digital map production was operating on the AUTOMAP 2 system, before the “Newheart” system upgrade two years later. Printed on the pamphlet cover was a portion of the plane tabled “four inches to a mile” map of Newcastle. This was compiled and surveyed in 1910 by LCPL A. Barrett, a member of the RAE Detachment, as part of the first major topographic mapping effort of Australia.This is a Royal Australian Survey Corp pamphlet with a historical map printed in colour on cardboard on both sides of the cover. There are 16 pages printed in colour on gloss paper, with photos, diagrams and descriptions. The pamphlet is bounded by two staples on its spine. Each of the 17 images were scanned at 300 dpi in JPEG (.jpg) format and stored on the attached 16 Gb USB memory stick. The images have been converted into MPEG-4 (.mp4) video format, 4Mb in size and runs for 2:16 minutes and is also stored on the memory stick.royal australian survey corps, rasvy, fortuna, army survey regiment, army svy regt, asr

"Ronald Edward Browning" VX124215, enlisted 17.3.1943 and was discharged on 12 3 1947 with the rank of L/Sgt in HQ Aust ADV Supply depot. Refer also Cat No 4424.2 Photo, copy of original B & W portrait of a soldier in uniform with Peak cap, colour patch visible is a triangular shape on the arm.photography, portraits, military ww2, ronald edward browning

There is an Alexis Harold Safstrom No 1723, 38th Batt 1st reinforcements then 59th Batt. He was WIA twice and discharged on 31.8.1919. There are two Woodheads with an initial L. This is possibly L.H.B Woodhead No 728, 8th Batt then late in the war 25th Batt. He was WIA twice coming home late 1918. The colour patch on the uniform is possibly 8th Batt. Safstrom was from Heathcote which fits in with the donor of the items Mrs May Burns. Woodhead was from Mildura. The only connection could be that they were both in England at the same time the card was written. Photo post card B & W, portrait of a single person in uniform.Rear of photo: “ 8.7.17 to A.H Safstrom With best wishes for a safe return home & Australia from L Woodhead”documents, postcards, photography

.2) Certain it is the military cemetery in Tobruk North Africa.1) Photo , colour,framed showing "Rats of Tobruk." Memorial window" in St Johns church forest st Bendigo. Image shows a dove of Rats of Tobruk badge with the lord under frame is wood stained with gold edge. .2) Sepia colour photo showing large military cemetery.photography, photograph, religion - christian, memorials, military history

Fredrick Lloyd CARLETON VX33476, 2/23rd Batt 9th Div AIF. Fred was one of ten to receive this special commendation signed by General Wavell. Refer Cat No 142 (medals) for his service history. .1) Framed certificate awarded to Cpl F.L. Carleton. Yellow background, black paint re an award for "good services in action in the Western Desert." Frame is wood cream colour .2) Photo, Sepia colour pasted on cardboard, Portrait of F.L Carleton. .3) copy of .2)photography, certificates, photographs, military history, army, commendations, documents