This medal has been issued to commemorate the Coronation of King George VI of England in 1937. It was issued by a department store in Warrnambool, that of Cramond and Dickson. This business was established by John Glass Cramond and James Dickson in Timor Street, Warrnambool in 1855. It moved to Liebig Street at the corner of Timor Street and sold mens and ladies wear. It had its own tailors and milliners and the building was a landmark one in Warrnambool for over 100 years. It closed in 1973. In 1937 the business of Cramond and Dickson was 82 years old. This medal is of great interest as it shows the level of fervor for British Royalty and all things British that was prevalent in Warrnambool in the 1930s. The Cramond and Dickson business was one of the most important ones in Warrnambool’s history as it operated for over 100 years. This is a silver-coloured medal commemorating the Coronation of King George VI of England. One side has the heads of King George and Queen Elizabeth surrounded by wording and the other side has the name of the Warrnambool store issuing the medal. The medal is tarnished. A piece of green string is attached to the hook at the top of the medal. ‘King George VI Queen Elizabeth Coronation 1937’ ‘Cramond & Dickson Warrnambool 1855-1937’ ‘P.J.King’ cramond and dickson, king george vi coronation, history of warrnambool

This is a 1918 Day Book listing some employees/contractors and the day-to-day tasks undertaken by them. There is a separate page for each employee. The book lists such tasks as ‘carting from the Quarry’, ‘tarring Raglan Parade’, ‘tarring at the Gardens’, ‘screening Liebig Street’, ‘working at the Ladies’ Baths’ and ‘general patching’. The names of the employees/contractors include Niven, Thompson, Jewell, Walters, Mooney, Rodgers, Williams, Dunne and Gee. The name ‘McKenzie’ on the first page is the only clue to the identity of the employer/overseer and so far his identity has not been established. The jobs listed suggest that he was either an employee of the Warrnambool Council in the Public Works area or a contractor hired to do the same sort of work. This note book is of great interest as it lists workers and the jobs covered by them in 1918 in Warrnambool and it will be of greater significance when the identity of McKenzie is established.This is a note book with ruled blue and red lines. The cover is black and is a little torn and scuffed. There are some loose pages. The entries in the book are handwritten, mostly in black ink. ‘McKenzie Day Book November 4th 1918’history of warrnambool, mckenzie contractor, mckenzie warrnambool

This coat hanger has been used in the Warrnambool department store of Cramond and Dickson. John Glass Cramond and James Dickson established a shop in Warrnambool in 1855 in Timor Street and moved to Liebig Street a few years later. New premises were erected in 1878 and the department store selling mens and ladies wear on the corner of Liebig and Timor Streets was a landmark building in Warrnambool until the business closed in 1973. Cramond and Dickson had their own tailors and milliners. This coat hanger is of interest as a memento of the store of Cramond and Dickson, a business that operated in Warrnambool for over 100 years. This is a wooden coat hanger in a curved shape with a part of the wood at one end missing. The centre of the hanger has a hole pierced through with a metal hook inserted for hanging on to a rod. The hook is somewhat rusted. The maker’s name is printed on the hanger in black lettering. ‘Tailors & Outfitters Cramond & Dickson Warrnambool Made in Germany’ cramond and dickson, history of warrnambool

We have little knowledge on this little teapot but is an item of interest and could even be part of a child’s tea set, based on its size. The hand painting on the pot is quite a typical depiction of Japanese scenes from the 19th century. We could find no provenance belonging to this item but it is an interesting and pleasing item suitable for display.Small white china teapot with lid and Japanese scene on both sides with trees and mountains in the background and village houses in the foreground. It is painted in greens, browns and blue and the painting is outlined in a slightly raised style. The trees in the background have raised white dots of paint. The front scene has two ladies and another person in a boat. The lid also has a similar scene. The lid, handle and rim of the spout are all highlighted in dark green.warrnambool, warrnambool history, teapot, asian teapot

The Warrnambool Pipe band was started around 1906 under the tuition of Simon Fraser and his sons. It has operated in various forms for most of that time. A ladies band was formed in 1951 and the two bands amalgamated in 1974. They celebrated their centenary in 2007.A common object with links to a long established group in Warrnambool.Cream mug with handle with black logo on front. Ridge around top.Warrnambool & District Pipes & drums around logo. Stamp on bottom “Dynamo House The Original Australian Billy Mug .034270955warrnambool pipe band, simon fraser pipe band, centenary of warrnambool pipes and drums

This dressmaker's model has been made by a New York firm (1971 model) and comes from the Fletcher Jones Factory in Warrnambool. It would have been used for making and displaying ladies' clothing made at the factory. David Fletcher Jones (1895-1977) served in World War One and in the 1920s set up as a travelling hawker selling drapery in Western Victoria. In 1924 he opened a men's wear shop in Warrnambool and manufactured in sute. In 1946 a Fletcher Jones shop opened in melbourne and in 1948 a factory was established in Warrnambool with a new company, Fletcher Jones and Staff begun in 1951. The company initially specialized in men's trousers but later expanded into both men's and women's clothing. It became an Australia-wide company known throughout the country until it ceased in 2011 and the Warrnambool factory buildings were sold.This dressmaker's model is of considerable interest as a memento of the Fletcher Jones and Staff Company, founded in Warrnambool, employing many local people for a great number of years and known throughout Australia for its quality products and pioneering business model as a founder and staff co-operative.This is a dressmaker's model with the body section (bust and torso) having a fabric cover over a wooden core. The top section is bronze-coloured with a silver rim. Beneath the body section is a wire frame and a metal base on castors. The castors are rusty and the fabric is broken in places. Collapsible model 1971 22 WOLF FORM Registered perfect model forms N Y 140 5th Avefletcher jones and staff, fletcher jones factory warrnambool, warrnambool history

This book contains the Minutes and financial details from the Allans Forest Red Cross Hospital Auxiliary from 1925 to 1930. Allans Forest is a small locality on the Great Ocean Road about three kilometres from the township of Allansford on the eastern fringe of Warrnambool. The Hospital Auxiliary was formed as an extension of the Allansford group in 1925 to provide support for the Warrnambool and District Hospital. The group raised funds with dances and jumble sales and donated to the hospital such items as groceries (especially home made jams and soaps), hospital linen and baby wear. The hospital would provide tins of fat for the ladies to make the soap. This exercise book is of interest as a memento of the activities of a small group in a small settlement in the Warrnambool area nearly a hundred years ago. It shows the reliance in the past of a town hospital on local groups to provide basic items such as food and linen.This is an exercise book with a dark red cardboard cover and black binding on the spine. The pages have ruled black lines and handwritten entries in ink. Some pages are blank.Allan's Forest Red Cross Hospital Auxiliaryallans forest, warrnambool and district hospital, allans forest red cross

These thread spools come from the Fletcher Jones Factory in Warrnambool. They would have been used in the sewing and manufacture of the men's and ladies' garments made at the factory. The Fletcher Jones factory was established by David Fletcher Jones in 1948. David Fletcher Jones (1895-1977) set up as a travelling hawker selling drapery in the Western District in the 1920s. In the same decade he opened a shop in Warrnambool manufacturing men's clothing, specialising in the production of men's trousers. In 1946 a Fletcher Jones shop was opened in Melbourne and a company, Fletcher Jones and Staff, was established in 1951. The company expanded to manufacturing both men's and women's clothing, opening outlets in all States and becoming well-known Australia-wide. The company was dissolved in 2011 and the Warrnambool factory was sold.These items are of interest as a memento of the Fletcher Jones Factory and the Fletcher Jones company, one of the most important businesses ever established in Warrnambool and certainly one of the most cherished by the local Warrnambool community..1 A wooden stand with upright spikes holding 11 spools containing coloured thread (various colours). The threads are on blue and black plastic reels. .2 A wooden stand with upright spikes holding 16 spools containing coloured thread (various colours). The threads are on blue and black plastic reels.fletcher jones and staff pty ltd, fletcher jones factory warrnambool

This cup was awarded in 1880 to James Dickson Junior for winning a 600 yards race. It was awarded by the South Norwood Athletic Club and was apparently donated by local ladies. There is a Norwood in South Australia and Scotland and a South Norwood in London. James Dickson (1859-1949) was born in Warrnambool to James and Susan Dickson. His father had established a general store in Warrnambool in 1855 in partnership with John Cramond. This store, known as Cramond and Dickson, was a prominent one in Warrnambool until its closure in 1973. James Dickson Senior managed the London branch store of Cramond and Dickson from 1873 to 1880 and James Dickson Junior lived in London at that time and went to school in Scotland. So the cup could have been won in Scotland but it is most likely to have come from a London athletics meeting. James Dickson Junior became a senior partner in the Cramond and Dickson business in Warrnambool and was a leading citizen as a director of the Warrnambool Cheese and Butter Factory, a committeeman of the Warrnambool Hospital Board for nearly 50 years and a president of the Warrnambool Racing Club.This cup is of considerable significance as it was won by James Dickson Junior in 1880. James Dickson was a prominent businessman and active community worker in Warrnambool for more than 50 years. This is a silver cup in a goblet shape mounted on a circular stand. An inscription is engraved on one side of the cup. The cup is a little dinted and tarnished.‘South Norwood Athletic Sports 12th June 1880 600 Yards Ladies Prize Won By J. Dickson Junr.’james dickson, history of warrnambool

This book, written by Larry O’Toole, tells the story of the epic journey undertaken when Charlie Heard, a motor service provider, was engaged in 1930 to carry three ladies in his Hudson taxi from Lorne in Victoria, up through the Red Centre to Darwin and back via Brisbane and Sydney. The trip took almost three months and covered over 7000 miles. The book also records the re-enactment of this trip undertaken by Charlie’s grandchildren in 2008 when they travelled in a 1928 Essex. This book is kept in our collection because Warrnambool was one of the places mentioned in the book as being a city passed through by the participants of this epic car trip. This is a hard cover book with a black cover with silver-coloured printing on the front and spine. The dust cover has a white background with several black and white and colour photographs and white and brown printing. The book contains an introduction, 13 chapters of text and the publisher’s acknowledgements. The text includes many black and white and colour photographs, diagrams and maps. charles heard, car travel in 1930, history of warrnambool

This laundry box would have been used by a woman who was travelling to hang up in a bedroom small items of clothing that had been laundered. Different types of laundry sets have been available for travellers for many years and sets of a more modern nature are in use today. This laundry set is retained as an example of a woman’s laundry set from the past. This is a mottled blue container made of Bakelite. The box contains eight small wooden pegs. This set is incomplete as originally there would have been ten pegs and some string to use as a small clothesline. The box also has a slip of paper with printed material indicating the use and value of the laundry set. The top of the container has had some cloth material pasted on but this is largely worn off. ‘Ladies travelling laundry set. This practical little outfit solves the problem of drying light lingerie when travelling, as such articles can easily be hung up in the boudoir. Indispensable for drying silk stockings and similar articles.’ women’s accessories, history of warrnambool

Mr Sidney (Sydney) Wainwright's father was established in the boot and shoe manufacturing business from 1877 in partnership with Shaddock and then Faulkner in Liebig Street, Warrnambool. By the late 1800s S.J. Wainwright and Son had 50 employees in the Timor Street factory which was one of the most extensive boot making businesses in the Western District.These labels are of some significance as Wainwright and Faulkner operated a important boot making business at the beginning of the 20th century in Timor Street, Warrnambool..1 White and blue rectangular label with text and decorations attached to a pink card. .2 Identical to .1 excepting the label is buff and the text is brown. .3 Buff rectangular label with black text and decorative border attached to a buff card. .4 Buff rectangular label with dark blue text and lines attached to white paper. .1 FROM WAINWRIGHT AND FAULKNER, LIEBIG STREET, WARRNAMBOOL. BOOT AND SHOE WAREHOUSE MODERN PRINT WARRNAMBOOL .2 Identical to .1 .3 Ladies' Footwear. S.J.W &S. "EXCELSIOR" SIZE .4 FROM S. J. WAINWRIGHT & SON " EXCELSIOR" FACTORY. TIMOR STREET, WARRNAMBOOL . Boots and Shoes.wainwright, faulkner, boot and shoe manufacture

These badges were issued to a member of the Warrnambool Racing Club for the season1957-1958 and includes a male member’s badge and the lady’s badge issued to him. Horse race meetings have been held in Warrnambool since the early days of settlement (late 1840s) and the Warrnambool Racing Club was formed in 1854. Races were first held at the current site of the Warrnambool Racecourse in the late 1850s. Today the chief event of the Warrnambool racing calendar is the May Racing Carnival, held over three days and featuring the well-known Warrnambool Grand Annual Steeplechase.These badges are retained as examples of Warrnambool Racing Club members and ladies badges of the late 1950s..1 A metal badge, four sided, in an irregular shape. The outer rim has gold edging and there is an image in green, red and white of a horse and rider clearing a hurdle. The gold lettering has a white background. At the top of the badge is a metal ring with a brown cord with a metal fastener attached. .2 A gold-coloured badge in the shape of a triangle with gold lettering. This is attached to the brown cord of badge .1 above. .1 Warrnambool Racing Club. Not Transferable. Season 1957-58. 161. Stokes .2 W.R.C. Lady. Season 1957-58. 161. Stokes warrnambool racing club, history of warrnambool, badge

This garment would have been worn by young girls as a summer fashion, perhaps in the 1970s. Similar- patterned garments may still be worn today but perhaps without the cuffs on the legs. This garment is retained as an example of women’s fashions in the mid to late 20th century and will be useful for display. This is a pair of women’s shorts. They are made of cotton (velveteen) and are multi-patterned with a dark red background with pink, orange and yellow flowers. There are cuffs at the end of the legs and a zip down the side. The waist is lined with white material and there are five buttons attached to the waist band. The maker’s label is also attached to the waist band.‘Styro SW All Cotton’ladies fashion, hotpants

This ensemble would have been worn early in the second half of the 20th century. It would have been worn on special occasions rather than for everyday wear and would perhaps have been worn with a hat, gloves and high heels. This ensemble is retained as an example of a women’s outfit worn in the 1960s and 70s. It will be useful for display. This is a cotton wove dress and jacket in matching material. The pattern has bands width-ways and is in grey, brown and cream colouring. The dress is sleeveless with a rounded neckline and a zip at the back. The skirt section is slightly flared. The jacket has short sleeves and finishes at the waistline. The jacket has four buttons and a small collar.ladies fashions

This item of dress would have been worn at summer entertainments or at pool parties. The bold floral pattern is typical of the styles favoured in the 1960s and 70s.This dress is of minor interest as an example of ladies’ clothing from the 20th century and will be useful for display.This is a floor length woman’s dress. It is made of polyester material and the print has a white background with mauve, aqua and pink flowers. The waist at the back is elasticized and there is a zip at the back. The front bodice has halter straps. The skirt is slightly flared. The maker’s label is attached to the back of the garment ‘Peer Gynt Size 12’ ladies fashions, floral 1960 dress, peer gynt

This medallion was distributed as a memento of the Coronation of George V1 and Elizabeth. John Glass Cramond and James Dickson established a shop in Warrnambool in 1855 in Timor Street and moved to Liebig Street a few years later. New premises were erected in 1878 and the department store selling mens and ladies wear on the corner of Liebig and Timor Streets was a landmark building in Warrnambool until the business closed in 1973. Cramond and Dickson had their own tailors and milliners.This item has significance with the link to Cramond & Dickson.Small copper medallion with an image of George V1 and Elizabeth on one side with the words King George V1 Queen Elizabeth Coronation 1937.On the other side is Cramond &Dickson Warrnambool 1855- 1937.King George V1 Queen Elizabeth Coronation 1937.On the other side is Cramond &Dickson Warrnambool 1855- 1937.cramond & dickson, warrnambool, coronation medallion, george v1

This perfume bottle has no known local provenance but ones like this would have been common in ladies' bedrooms in the late 19th and early 20th centuries. The use of perfume was important in those days of limited access to bathing facilities. Today more modern versions of perfume bottles are still in use though now they are not such a necessary item.This perfume bottle is retained for display purposes only.This is a small glass bottle with a silver-coloured metal attachment at the top forming a lid and a spray mechanism that includes a metal tube that goes into the bottle. The spray mechanism no longer works. The metal sections are tarnished.vintage accessories, warrnambool history

This book was awarded to Lucie Mary Marshall in 1890 as first prize in Botany. Lucie enrolled at Clarendon Ladies' College in 1882 at the age of 8. In the original register father's name is listed as Samuel, and under parent/guardian address is listed: Mrs Williams 5 Dana St Mrs Wright Armstrong St L. Edwards Mair St. It also notes that Lucie married and became Mrs. Walt Davies residing in Warrnambool. Presbyterian educators placed great value on a classical education matched with diligence in study. Book prizes were highly regarded and academic success admired. In the school’s early years prizes were ordered direct from London and had the school crest embossed in gold on the front or back cover. Many of the prizes given in early years were returned to the school to equip the Weatherly Library when it opened in 1936.Bound in red cloth with gilt and black illustrations on front cover and spine. Pages gilt edged, black and white and color illustrations throughout. Detached spine and pages, foxing on pages. Donation label and Clarendon Presbyterian Ladies' College stamp on second page, (see acquisition notes). 648 p.Book plate inside front cover: Clarendon Ladies' College,/ BALLARAT./ First PRIZE./ Botany Class I./ AWARDED TO/ Lucie Mary Marshall./ R. KENNEDY,/ PRINCIPAL./ December 1890.lucie-mary-marshall, book-prize, 1890, botany, clarendon-ladies'-college, samuel, mrs-williams, mrs-wright, l-edwards, mrs-walt-davies.

THE SKIRT The skirt has a gentle, soft, feminine design which keeps it in good shape and condition, preserving it from soiling and prolonging its life: - the satin fabric is softly pleated at the waist and falls gently to almost floor length - the opening is concealed at the back within one of the folds and closes with hooks and eyes underneath the bow at the back of the jacket - the horizontal stitching at the base of the skirt joins the lining to the skirt, and the firmness it creates allows it to gently flare out at the base without the need of hooped petticoats - a removable fabric lining at the hem protects the front and back of the skirt from friction and soiling from the wearer’s footwear THE SKIRT This evening outfit is significant for its connection with colonial Australia, Victoria and Warrnambool. It is a fine example of female fashion of the mid to late 1900s. The outfit is significant for its connection with a wedding uniting two colonial families from Northern Ireland who immigrated to Australia in the mid-1850s. The families had a significant role in the history of Warrnambool and district. The outfit is significant too for connecting the colonial families to the indigenous culture of the district and the contact between the native and European people. The lined, floor-length, amber satin skirt has gentle folds that gather into a fitted waistband. One of the folds at the back conceals the opening of the skirt that fastens using metal hooks and eyes. The bow at the back of the jacket covers the top of the closure. There are metal hooks distributed around the top of the waistband. The skirt is stitched horizontally around the hem in several rows. There is a removable fabric lining at the base of the skirt.evening skirt, ladies 1h century skirt, satin skirt, antique satin skirt

This brooch with its floral design is typical of the jewellery worn during the Romantic Period of the Victorian Era, when Queen Victoria's husband, Prince Albert, was alive 1837-1861. During this period flower motifs and brooches and pins were popular.This brooch is representative of jewellery worn during the Romantic Period of Queen Victoria's rule, 1837-1861.Brooch, light weight, rose coloured gold metal with red- brown onyx stone. Flower shaped brooch with six petals, stone attached, with rose design stem which is flanged on back. Backing plate is also rose coloured metal. A small ring is attached to the top of the brooch where the safety chain is attached. There are two small holes on back of brooch. A chain is attached to the horizontal pin on the back, and has a pin on its end. There is an Inscription engraved on the back. Engraved in script, "Coco" [Italian word for gold]flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, ladies jewellery, victorian era jewellery, jewellery inscribed 'coco', brooch, jewellery, ladies' jewellery, victorian era, romantic period

The handkerchief was on display at Flagstaff Hill reception area from 2008-2105 as an example of fine needlework with a lace pattern typical of the early 1900's. During that era the house mistress would often carry two handkerchiefs, one for blowing her nose and one out on show, perhaps in an apron pocket.This handkerchief is an example of fine handmade needlework. It is also an example of women's fashion accessories in the late 19th and early 20th century.White starched silk handkerchief, square shape, very soft fabric edged with 5cm embroidered net lace. Net was embroidered as a strip then joined at corners. The design is backstitched then the lace has been joined to the fabric using blanket stitch. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, handkerchief, lace handkerchief, woman's handkerchief, women's accessory, silk handkerchief, fine handcraft, needlecraft, ladies' handkerchief, 1900s

This amber satin evening outfit was worn by Mrs. Isabella Mitchell (nee Russell, 1840 – 1929) at the wedding of her brother Alexander (c.1846–1938) and Eliza (nee Moore c.1854–1939). The jacket and skirt attach to each other at the waist by joining the metal rings that are around the base of the jacket and to the metal hooks that are on the waistband of the skirt. The outfit was donated with its own mannequin and fits it perfectly. In the colonial days, outer clothing was rarely, if ever, washed, due to the expense of fabrics and difficulty in careful laundering. Clever methods were employed to reduce the occurrence of soiling. The mannequin included with the donation would also help keep the outfit in good shape as well as being used for ensuring a flattering fit. FAMILIES’ HISTORY The families connected with this wedding for which this outfit was worn are from Warrnambool’s colonial days. Isabella and Alexander’s parents, Robert Russell and Elizabeth (nee Mitchell) were both born in 1808 and married about 1830. They were from farming families in Northern Ireland where they raised their seven children there before migrating to Australia in the early colonial days, around 1857. Their graves are in the Tower Hill cemetery. Alexander’s wife Eliza (nee Moore, born in 1854) was also from Northern Ireland and migrated to Australia in 1858 with her parents, Thomas and Nancy Moore, in the last voyage of the sailing ship “Chance”. Isabella (Bella) talked with her grand-daughter Ruby Akers about her memories of Alexander and Eliza’s wedding and other events in her life. Ruby recorded these memories in a letter. She says “They were married in the Warrnambool Congregational Church by a pioneer minister, the Reverend Uriah Coombs. The bride wore a pale blue silk wedding gown which was made by herself. Bella was Matron of Honora and Ian McCasker was best man. In those days the transport to the church was usually a carriage – similar to a cab – and a pair of white ponies. They would have the reception at home and then go for a drive afterwards and at night there would be a dance. They did all the catering themselves … Eliza carried on farming in the Dennington, Yarpturk and Purnim districts until they moved to Camperdown around 1905…” Ruby’s letter later mentions “[Isabella] could recall seeing a blackfellows’ corroboree being performed near where the Dennington Bridge now stands. It was rather a terrifying experience, they seemed in a warlike mood and one never knew what they would do next. One lubra came running to granny crying, Hide me, bad man kill me. She was bleeding from a wound in the head. Probably the result of a blow from a waddy. My mother [Margaret Jane McLaughlan nee Mitchell], coming home from school, often met blackfellows walking ahead with spears and boomerang, the two lubras – he usually had two – following in the rear, carrying the children or any burdens they had.“ Margaret would probably have been in primary school in the 1800s when she saw these things. Alexander and Eliza had ten children. One of their daughters, Margaret Jane, was born in Warrnambool in 1879. She married William McCullagh and they had eleven children. Margaret made headlines in the Warrnambool newspapers for celebrating her 100th birthday. She had lived in the district for 60 years before moving to Melbourne. Alexander passed away at the age of 92, and Eliza passed away six months later aged 85. Their graves are in the Colac cemetery. Isabella married Ralph Mitchell and their daughter Margaret Jane married John McLauchlan in 1891. Margaret and John’s daughter, Ruby Elizabeth, Jane married Fredrick Akers in 1938. Fredrick was born in England and was a Boer War veteran and served in the British Army. He migrated to Queensland, Australia, in 1913 and he joined the Australian Army to fight in World War I. In 1935 he moved to Warrnambool where he served in the Volunteer Defence Corps 1938-1945. Both Ruby and Fredrick are buried in the Tower Hill Cemetery.Together, the evening outfit and the mannequin are examples of female fashion of the mid to late 1900s. They are also significant for their association with the colonial pioneer families of Australia, Victoria and Warrnambool. The outfit and mannequin are significant for their connection with a wedding uniting two colonial families from Northern Ireland who immigrated to Australia in the mid-1850s. The families had a significant role in the history of Warrnambool and district. The evening outfit and its mannequin are significant for its connection with colonial families and their contact with the indigenous culture of the district and the contact between the native and European people. This ladies’ evening outfit is made from amber coloured satin fabric. It comprises a short-waisted, long-sleeved jacket and long skirt and it has its own neck-to-floor wooden mannequin on a pedestal. The outfit was worn by Mrs. Isabella Mitchell (nee Russell) as the Matron of Honour at the wedding of her brother Alexander Russell and his fiancé Eliza Moore in Warrnambool, 29th April 1874. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, evening outfit, wedding outfit, bridesmaid’ outfit, matron of honour outfit, clothing female, clothing late 19th century, clothing wedding late 19th century, clothing bridesmaid late 19th century, clothing antique, clothing ladies, women’s clothing, women’s fashion, alexander russell, eliza russell, eliza moore, isabella mitchell, bella mitchell, bella russell, isabella russell, ralph russell, ian mccusker, ruby akers, fredrick william akers, ruby mclauchlan, margaret jane mclaughlan nee mitchell, margaret jane mclaughlan centenarian, william mclaughlan, robert russell, elizabeth russell nee mitchell, irish immigrants, warrnambool volunteer defence corps 1938-1945, antique satin outfit, warrnambool wedding 1874, congregational church warrnambool, reverend uriah coombs, dennington farmer, yarpturk farmer, purnim district farmer, camperdown resident 1905, dennington bridge, indigenous corroboree in dennington, corroboree in warrnambool, 1880s corroboree in warrnambool, lubra and baby, indigenous corroboree in warrnambool

The donor was given this doll about 50 years ago by her grandfather (in the late 1960s). He used to be a handyman at a high rise building in St Kilda, Melbourne. He had been doing some work for one of the old ladies and she gave him the doll to give to his granddaughter, who collected dolls. The doll has spent a few years at the Nagambie museum until it closed down and returned to the donor The origins or age of the doll are unknown. Originally it was thought to be a Fashion Doll dating from around the 1880s but the painted face together with the bisque legs and gold painted shoes are similar to those found on Boudoir Dolls (also known as Bed Dolls, Sofa Dolls, Flapper Dolls and French Dolls) of the early 20th century. Fashion dolls were sent from fashion houses to advertise the latest styles, fabrics, trims, hairstyles and accessories. Dressmakers would show these dolls to their customers. Ladies would then place their order and the dressmakers would make the dress to their size. The dressmakers would learn the construction techniques from examining the dolls. Boudoir Dolls dolls usually had no maker's marks and were primarily used as bedroom decorations for ladies rather than as children's toys. This doll appears to date at about the early part of the 20th century, but the petticoats are much older - possibly from a child's christening gown. At the time that the donor received the doll, it had a coloured lace over-gown that was badly torn so her mother removed it to replace with more lace but this never eventuated. The pink silk dress also appears to have been remodelled into a 19th century style with gathered sleeves and a gathered skirt. This fashion or boudoir doll is significant for being a rare example of a doll made in the late 19th or early 20th centuries. The doll is wearing clothing representing the fashion for young girls in that era. The doll is also significant as an item possibly used by fashion houses and dressmakers to advertise the latest fashions in clothing, trims, accessories and hairstyles. A doll such as this may have been found in a Victorian dressmaker's premises for use as a pattern and technique template and for a display to customers. It may also have been used as a decorative item in a lady's bedroom.Female boudoir doll with silk face and body, and porcelain lower arms and legs. She has plaited blonde silk hair. Her painted face has brown eyes and her shoes are painted gold. The doll is dressed in a long pink puffed-sleeve dress with a gathered waist and a ruffle at the hem. A pink ribbon around her waist is tied at the back. There are small silver balls hand-stitched around the neckline. She has a white, hand-embroidered lace petticoat and bloomers.warrnambool, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, doll, boudoir doll, female doll, dressmaker's doll, display doll, late 1800s doll, fashion doll, antique doll, 19th century doll, children's fashion, girl's fashion, late 1800s children's fashion, early 20th century doll, composite doll, french doll

The items in this collection of Ecclesiastical Linen were used by St. Andrews Anglican Church on the corner of the Esplanade and 14 Drummond St, Dennington, Victoria. The first Anglican service was conducted on December 22nd, 1907. The church was decommissioned in January 2003. The items donated include Maniples, Chalice Covers, a Goblet Cover, Altar Cloths, Matts, Priest's scarf, armband and sashes, and a bag that is a cover for the Baptismal Towel. HISTORY OF ST ANDREWS, DENNINGTON The land on which St Andrews Church was built in Dennington was surveyed in the 1840s and reserved for church purposes in 1855. In 1889 the Farnham Dairy factory relocated to Dennington and the town began to grow as involvement in the dairy industry increased in the area. In 1896 plans for a church hall on the reserved land were considered and on 22nd December 1907, the first Anglican Service was conducted in Dennington, with 60 people attending. In August 1909 the first building was opened with a midweek evening service conducted by the Rev. J.A. Coe. The Sunday School was opened the following year. In that same year, Nestle took over the Farnham dairy plant. On December 20th, 1914, a new church was opened in memory of Andrew Peacock, who passed away in 1912. The funds had been raised by the community and 150 attended the morning service. The building was described as a simple edifice with a plain exterior and high, wide pointed windows, and a comfortable porch entrance, all of which gave a pleasing impression of light and space. In 1935 the average attendance for morning services was just over 22 people. In 1936 extensive repairs and replacements were carried out. In 1947 the first recorded Pastoral Festival took place and in the same year, a Ladies Guild was formed. In 1954 water services were connected to the church building. Many items of furniture, furnishings and books were donated over the life of the church, including handworked linen items. Further items were added due to the work of the Ladies Guild, as well as donations in memory of church and community members.These items of Ecclesiastical Linen are significant as examples of handworked embroidery and drawn-thread work from the early 20th century. They are also examples of a collection of items used for church services during this period. The Ecclesiastical Linen is also significant for its association with the early development of the local township of Dennington and the importance of setting aside land in the 1850s for the purpose of religious worship. The Ecclesiastical Linen is also significant for its connection to St Andrews Anglican Church, Dennington. The church was funded and attended by the local community in the early 1900s and is now listed on the Victorian Heritage Database (VHD 118083) as a building of historical and social significance. Set of Ecclesiastical Linen. The items were once used in St. Andrew's Anglican Church, Dennington, Victoria, between the years 1907 and 2003. All of the handmade items are in white fabric. Some also have embroidered emblems, tassels and drawn-thread work. White embroidery thread has been used for most of the decorated items, with the following exceptions, which have been embroidered with coloured thread; the communion linen, the Priest's scarf, armband and sash, the altar cloths, mats and a cover for the baptismal towel. Two items have hand written inscriptions.(See individual objects for details)flagstaff hill, warrnambool, maritime museum, shipwreck coast, great ocean road, st andrews anglican church dennington, dennington church, warrnambool church 1907, ecclesiastical linen, linen for religious service, communion linen, priest's sash, baptismal towel, maniple, eucharist, emblem of rope and cross, embroidered religious cloths, embroidered celtic cross, drawn thread, chalice covers, handmade linen, embroidered linen, stylised cross, the english church, ladies guild dennington, nestle, farnham dairy, andrew peacock, victorian heritage register vhr 118083, hand worked linen, handworked embroidery, j.a. coe

This set of seventeen church pews was originally used in St. Nicholas Seamen’s Church, 139 Nelson Place, Williamstown, Victoria, during religious services there. The Church was operated by the Mission to Seamen organisation. The pews were donated to the St Nicholas Seamen’s Church by the Williamstown Lightkeepers’ Auxiliary, founded by Ethel Margaret Musther, M.B.E.. THE MISSIONS TO SEAMEN (Brief History: for more, see our Reg. No. 611, Set of Pews) The Missions to Seamen, an Anglican charity, has served seafarers of the world since 1856 in Great Britain. It symbol is a Flying Angel, inspired by a Bible verse. Today there are centr4es in over 200 ports world-wide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria the orgainsation began in Williamstown in 1857. It was as a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’. Its location was an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000 the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943 a former Williamstown bank was purchased for the Missions to Seaman Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, so the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981 and closely resembles the Williamstown chapel. The set of pews is significant historically for its origin in the St Nicholas Mission to Seamen's Church in Williamstown, established in 1857 to cater for the physical, social, and spiritual needs of seafarers. It originated in Bristol, England when a Seamen's Mission was formed in 1837. The set of pews id historically significant for their connection to the Ladies Lightkeepers’ Auxiliary, an organisation of women, formed to support seafarers. The connection of these pews to the Mission to Seamen and to the Ladies Lightkeepers’ Auxiliary highlights the strong community awareness of the life of people at sea, their dangers and hardships, and their need for physical, financial, spiritual and moral support. Set of seventeen varnished oak wood church high back pews. The pews have a shelf fitted behind the backrest. This is a set of original items in our ‘St Nicholas Seamen's Church Williamstown Collection’.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, religion, religious service, lightkeepers’ auxiliary, mrs musther, missions to seamen victoria, mission to seafarers, flying angel’s club, st nicholas seaman’s church williamstown, st nicholas mission to seamen church williamstown, mission to seamen williamstown, st nicholas seamen’s church flagstaff hill, 139 nelson place williamstown, church furniture, church seats, church pew, religious furniture, religious worship, anglican church

This set of prayer boos was part of the original furnishings of the St Nicholas' Mission to Seamen's Church at 139 Nelson Place, Williamstown, Victoria. THE MISSIONS TO SEAMEN (Brief History: for more, see our Reg. No. 611, Set of Pews) The Missions to Seamen, an Anglican charity, has served seafarers of the world since 1856 in Great Britain. It symbol is a Flying Angel, inspired by a Bible verse. Today there are centr4es in over 200 ports world-wide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria the orgainsation began in Williamstown in 1857. It was as a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’. Its location was an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000 the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943 a former Williamstown bank was purchased for the Missions to Seaman Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, so the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981 and closely resembles the Williamstown chapel. This set of books, each titled The Book of Common Prayers, is significant historically for its origin in the St Nicholas Mission to Seamen's Church in Williamstown, established in 1857 to cater for the physical, social, and spiritual needs of seafarers. It originated in Bristol, England when a Seamen's Mission was formed in 1837. The set of books is historically significant for its connection to the Ladies Lightkeepers Auxiliary, an organisation of women, formed to support seafarers. The connection of this set of books to the Mission to Seamen and to the Ladies Lightkeepers Auxiliary highlights the strong community awareness of the life of people at sea, their dangers and hardships, and their need for physical, financial, spiritual and moral support. Set of 10 books. Title: The Book of Common Prayer with the Additions and Deviations proposed in 1928 Publisher: Humphrey Milford, Oxford University Press, London Some books have blue cloth covers, some have red cloth covers. Spines have gold inlay print. 244 numbered pages. Some books are inscribed on the inside cover. This is one of a set of original items in our ‘St Nicholas Seamen's Church Williamstown Collection’.Inscription in some books "FROM THE MISSIONS TO SEAMEN MELBOURNE"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, preyer books, book of common prayer, anglican church prayer book, religion, religious service, sailors rest, bethel sailors’ church, bethel floating church, ladies harbour light guild, missions to seamen victoria, mission to seafarers, flying angels club, st nicholas seaman’s church williamstown, st nicholas mission to seamen church williamstown, mission to seamen williamstown, st nicholas seamen’s church flagstaff hill, 139 nelson place williamstown, anglican church, religious book

This set of four dining chairs was part of the original furnishings of the St Nicholas' Mission to Seamen's Church at 139 Nelson Place, Williamstown, Victoria. The Australian colonial wooden chairs date to the late 1880s and are most like to have been purchased for use in the Sailors’ Rest when it moved into Ann Street, Williamstown, around the 1880s. THE MISSIONS TO SEAMEN (Brief History: for more, see our Reg. No. 611, Set of Pews) The Missions to Seamen, an Anglican charity, has served seafarers of the world since 1856 in Great Britain. It symbol is a Flying Angel, inspired by a Bible verse. Today there are centr4es in over 200 ports world-wide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria the orgainsation began in Williamstown in 1857. It was as a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’. Its location was an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000 the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943 a former Williamstown bank was purchased for the Missions to Seaman Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, so the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981 and closely resembles the Williamstown chapel. This set of chairs is significant historically for its origin in the St Nicholas Mission to Seamen's Church in Williamstown, established in 1857 to cater for the physical, social, and spiritual needs of seafarers. It originated in Bristol, England when a Seamen's Mission was formed in 1837. The set of chairs is historically significant for its connection to the Ladies Lightkeepers’ Auxiliary, an organisation of women, formed to support seafarers. The connection of this set of chairs to the Mission to Seamen and to the Ladies Lightkeepers’ Auxiliary highlights the strong community awareness of the life of people at sea, their dangers and hardships, and their need for physical, financial, spiritual and moral support. Chairs: set of four (4) cedar wood dining chairs. Each chair has a rounded rail back, flat cross rail, flat wooden seat, curved back legs and colonial turned front legs. Mid-brown colour, veneered finish. The set of chairs is part of the St Nicholas Seamen's Church Williamstown Collection. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, religion, religious service, sailors rest, bethel sailors’ church, bethel floating church, ladies harbour light guild, lightkeepers’ auxiliary, missions to seamen victoria, mission to seafarers, flying angel’s club, st nicholas mission to seamen church williamstown, mission to seamen williamstown, st nicholas seamen’s church flagstaff hill, 139 nelson place williamstown, church furniture, religious furniture, religious worship, anglican church, chair, dining chair, kitchen chair, domestic furniture, colonial chair, australian colonial period, set of chairs, squab chairs, sailors' church, ann street williamstown

This pew is one of a set of seventeen church pews originally used in St. Nicholas Seamen’s Church, 139 Nelson Place, Williamstown, Victoria, during religious services there. The Church was operated by the Mission to Seamen organisation. The pews were donated to the St Nicholas Seamen’s Church by the Williamstown Lightkeepers’ Auxiliary, founded by Ethel Margaret Musther, M.B.E. * for more detailed history please see our Registration Number 611, Set of Pews The set of pews is significant historically for its origin in the St Nicholas Mission to Seamen's Church in Williamstown, established in 1857 to cater for the physical, social, and spiritual needs of seafarers. It originated in Bristol, England when a Seamen's Mission was formed in 1837. The set of pews id historically significant for their connection to the Ladies Lightkeepers’ Auxiliary, an organisation of women, formed to support seafarers. The connection of these pews to the Mission to Seamen and to the Ladies Lightkeepers’ Auxiliary highlights the strong community awareness of the life of people at sea, their dangers and hardships, and their need for physical, financial, spiritual and moral support. Church pew, one of a set of seventeen varnished wooden church pews. The pews have a shelf fitted behind the backrest. This is one of a set of original items in our ‘St Nicholas Seamen's Church Williamstown Collection’. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, religion, religious service, lightkeepers’ auxiliary, mrs musther, missions to seamen victoria, mission to seafarers, flying angel’s club, st nicholas seaman’s church williamstown, st nicholas mission to seamen church williamstown, mission to seamen williamstown, st nicholas seamen’s church flagstaff hill, 139 nelson place williamstown, church furniture, church seats, church pew, religious furniture, religious worship, anglican church, set of pews

This pew is one of a set of seventeen church pews originally used in St. Nicholas Seamen’s Church, 139 Nelson Place, Williamstown, Victoria, during religious services there. The Church was operated by the Mission to Seamen organisation. The pews were donated to the St Nicholas Seamen’s Church by the Williamstown Lightkeepers’ Auxiliary, founded by Ethel Margaret Musther, M.B.E. * for more detailed history please see our Registration Number 611, Set of Pews The set of pews is significant historically for its origin in the St Nicholas Mission to Seamen's Church in Williamstown, established in 1857 to cater for the physical, social, and spiritual needs of seafarers. It originated in Bristol, England when a Seamen's Mission was formed in 1837. The set of pews id historically significant for their connection to the Ladies Lightkeepers’ Auxiliary, an organisation of women, formed to support seafarers. The connection of these pews to the Mission to Seamen and to the Ladies Lightkeepers’ Auxiliary highlights the strong community awareness of the life of people at sea, their dangers and hardships, and their need for physical, financial, spiritual and moral support. Church pew, one of a set of seventeen varnished wooden church pews. The pews have a shelf fitted behind the backrest. This is one of a set of original items in our ‘St Nicholas Seamen's Church Williamstown Collection’. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, religion, religious service, lightkeepers’ auxiliary, mrs musther, missions to seamen victoria, mission to seafarers, flying angel’s club, st nicholas seaman’s church williamstown, st nicholas mission to seamen church williamstown, mission to seamen williamstown, st nicholas seamen’s church flagstaff hill, 139 nelson place williamstown, church furniture, church seats, church pew, religious furniture, religious worship, anglican church, set of pews