The family members are identified as follows: Back row (L to R): Percy Leigh with Phyllis, Robert Beckett (junior), Herbert Ingamells, Annie Leigh with Marjorie, Harry Leigh, Clara Beckett, Arnold Bear (brother of Olly Beckett), William Beckett with Edna, Ben Gray. Middle row (L to R): Robert Gray, Ethel Beckett, Polly (sister-in-law of Harry Leigh), Nelly Ingamells, Eliza Beckett with Esther Leigh, Alice Beckett with Basil, Dorothy Beckett, Olly Beckett, Emma Gray with Norman. Front row (L to R): ??? (a Leigh brother), Kate Beckett, Mabel Beckett, Cyril Ingamells, Bert Gray, Elsie Leigh with Ethel Ingamells. Robert (John Robert) Gray, Ben Gray and Norman Gray were 3 of 6 children of John Gray and Emma Beckett who married at Guildford Villa in 1888. Norman was born in 1901 and looks to be c.3 years old in this photo; the youngest in the family was Evelyn (b 1906) so this would give an approximate date for the photo of 1904. The donor, Wendy McLellan is the daughter of Minnie Caroline Beckett (1907-1998) and Francis James Renkin who married on 13 March 1934. Peter Renkin (formerly of 59 Guildford Road, Surrey Hills, now Shoreham) is her brother. Exact date photo was taken was 17 September 1904.Black and white photo at Guildford Villa, 4 Essex Road, Surrey Hills, home of the Beckett family. The family is formally posed with croquet equipment on the lawn of the substantial Victorian-style home which has 3 chimneys and a veranda on 2 sides. victorian style, croquet, percy leigh, phyllis leigh, robert beckett (junior), herbert ingamells, annie leigh, marjorie leigh, harry leigh, clara beckett, arnold bear, william beckett, edna beckett, ben gray, robert gray, ethel beckett, nelly ingamells, eliza beckett, esther leigh, alice beckett, dorothy beckett, olly beckett, basil beckett, emma gray, norman gray, kate beckett, mabel beckett, cyril ingamells, bert gray, elsie leigh, ethel ingamells

Artillery shells were designed to be recycled and spent shells were returned to the munitions factory for re-filling, a mark engraved upon the head-stamp at each re-filling. Millions upon millions of shells were recycled and re-fired. Relationships with ‘objects’ were forged as recycled objects of conflict were welcomed into people’s homes. Such objects were embodied with personal experiences of war, later to become objects textured with memory, remembrance, and longing – attributes that clearly go beyond an object’s form and function. 18-Pounder Artillery Shells: The Great War Recycled and Re-Circulated Categories :Material Culture Machine Subscribe Share on facebook Share on twitter The intention of war is to kill, to maim and to destroy using, for example, the agency of 18-pounder artillery shells (so-called because they weighed 18 pounds). The shells were loaded in to the 18-pounder field guns used by the Royal Artillery and targeted to destroy German batteries and trenches as well as to shoot down aeroplanes. Horse-drawn field gun, Canal du Nord, France. Taken by First World War photographer David McLellan. Available via the National Library of Scotland as CC BY-NC-SA Horse-drawn field gun, Canal du Nord, France. Taken by First World War photographer David McLellan. Available via the National Library of Scotland as CC BY-NC-SA In Under Fire, Henri Barbusse recounts how the incessant and diabolical din of war constantly bombarded the soldier body with the unendurable noise of bursting shells that caused pain to the ears (Barbusse 2010 [1933]: 207). The noise was so ‘monstrously resounding’ that one felt ‘annihilated by the mere sound of the downpour of thunder’ (Barbusse 2010 [1933]: 206). Artillery shells were designed to be recycled and spent shells were returned to the munitions factory for re-filling, a mark engraved upon the head-stamp at each re-filling. Millions upon millions of shells were recycled and re-fired. A mound of spent shell cases, Nord, Nord-pas-de-Calais, France. Taken by war photographer, Tom Aitken, 1918. Available via the National Library of Scotland as CC BY-NC-SA. A mound of spent shell cases, Nord, Nord-pas-de-Calais, France. Taken by war photographer, Tom Aitken, 1918. Available via the National Library of Scotland as CC BY-NC-SA. People’s experience of the First World War did not end with the armistice. Whilst the noise of the artillery had ceased, the noise of war was remembered. Harry Patch on arriving home injured recalled being ‘jumpy for a while’ with the least noise prompting him to dive for cover (2009: 114). Something else materialised. Relationships with ‘objects’ were forged as recycled objects of conflict were welcomed into people’s homes. Such objects were embodied with personal experiences of war, later to become objects textured with memory, remembrance, and longing – attributes that clearly go beyond an object’s form and function. The head-stamp of these particular shells displays the British broad arrow and the initials ‘EOC’ indicates that they were made at the Elswick Ordnance Company, England; the initials ‘CF’ signal that the charge was loaded with cordite, a standard propellant. Spent shells were illicitly scavenged from massive mounds by both soldiers and civilians alike to become personal souvenirs or to swap or sell. Spent artillery shells were crafted, often using a hammer and a bent nail. The crafting of trench art reflects the construction of an identity that offers momentary relief from the hell experienced in the trenches. The lid of an 18Pounder shell which has been adapted for use as an ash tray.Lot 27 1927, 18Pr, III, EOC, C/F, Defence broad arrow,

Set of 12 Victorian Railways prints of drawings of overhead arrangements at locations where trams and trains crossed in Melbourne. .1 - L6866 - wood break section insulator for tramway intersections, earthed section - has Merz McLellan stamp, originally prepared by the British Insulated and Helsby Cables - 1920. .2 - L5564 - Tramway intersection wood break section insulator - 5/49 .3 - L687 - Tramway and Railway Intersection fittings details - has reference to original 1920 drawings, Rev C 9/56. .4 - L6514 - Tramway and Railway Intersection Nicholson St North Fitzroy - 5/49 .5 - L652D - Tramway and Railway Intersection fittings details - has reference to original 1920 drawings, Rev D 8/48. .6 - L6656 - Tramway and Railway intersection fittings assembly - 6/56 .7 - L6511 - Tramway and railway intersection fittings assembly - for trams fitted with carbon skids - 4/55 .8 - L7025 - Tramway and railway intersection Glenhuntly Road GA - pencil drawings 6/59 .9 - L8106 - GA for tramway crossing Lygon St originally prepared by the British Insulated and Helsby Cables - 1920. .10 - L1749 -GA for tramway crossing Burke Road, originally prepared by the British Insulated and Helsby Cables - 1920. .11 - L1757 - blue print - fittings for tramway and railway contact wires at level crossings originally prepared by the British Insulated and Helsby Cables - 1920. .12 - L3506 - GA of tramway crossing St Georges Road. 6/30trams, tramways, railways, tramways, overhead, glenhuntly rd

Head Teacher Thomas Lang Miss Silke, Miss Lang Back Row L – R 1-16 Jongebloed, Julius son of Gottfried. Storekeeper 5-1 Jan 1907 Manning, Eric Frederick son of Thomas Hotelkeeper. 4-6 1906 not named Dodemaide - ? Raleigh, Albert son of Oliver. Hawker 5-11 1904 Whiteside, Thomas son of Edward 5-6 1904 7. not named 8. not named 9. not named 10. not named 11. not named Jongebloed, Claus could be Augustus 19-10-06 April 1911 Coburn not named Whiteside, Albert Ernest son of Alexander. Labourer 4-11 Oct 1905 16. not named 2nd Back Row L-R No 1-18 1. not named 2. not named McGuire, Leopold son of John. Carpenter 22-2-03 Jan 1911 MC 23/11/15 Dodemaide, ? 5. not named 6. not named Whittington, Henry son of Wm. Blacksmith. 17-4-05 Jan 1910. MC 74845 Coburn, Albert, son of Fredr. 4-8 July 1904 not named Wickham, Edward son of George. Carpenter. 7-4 July 1908 26/1/1916 11. not named Wickham, George son of George. Carpenter 7-4 July 1908 26/11/1915 not named not named Dodemaide ? 16…not named Watson, Donald son of Alexr. 6-5-05 1911 Trewin, James son of Willm. James 31-3-03 1910 2nd Front Row L –R No 1-14 not named McGuire, Monica, daughter of John Carpenter 22-4 Jan 1909 St Ambrose Brunswick ? McLennan, Bella McDonald Gladys, daughter of Donald 6-2 1906 Riddell, Annie daughter of Joseph 6-3 July 1903 Minns, Chesney daughter of Fredk. 5-5 Sept 1904 Watts, Alice daughter of James. Labourer 6-11 May 1906 Toolern Neal Margaret, daughter of John 4-3 April 1902 Barrie, Essie (not found), Myra daughter of Wm Henry 7-6 May 1905 Werribee Wilson, Lila daughter of Alfred George Farmer 6- Jan 1907 Robinson, Florence daughter of Thomas 5-10 Mar 1908 Burns, Caroline James 4-10 Mar 1907 Trewin, (Lena) Emily daughter of Thomas. Farmer 10-3 Jan 1904 Jessie McLellan daughter of Duncan Farmer 5-11-07 1912 ? Head Teacher Thomas Lang, Miss Silke, Miss Lang and a group of students in front of one of the school buildings. education, local identities

A b/w photograph mounted on card of students of Sunbury State School No. 1002 taken in 1914. The group is taken in front of the shelter shed on Macedon Street site. (Names are on the photo and also on catalogue worksheet)Printed on front: Sunbury State School 1914 / "see on back"schools, sunbury state school, macedon street, sunbury, dempsey, bill, walls, stan, -, neville, trask, con, clayton, 'doctor', parke, cecil (saishle), griffins, maurice, ter hofstede, gerat, s, g., titford, willie, healey, perc, austin, johnnie, boardman, eric, wilson, don, smith, d. n., williams, will, baker, arthur, johnstone, bert, clarence, 'darkie', mclauchlin, bob, annie, jamieson, jessie, gilchrist, hazel, balfour, jean, rita, leggett, betty, curry, jim, hudson, ted, ray, flintoft, billie, syd, finn, jack, hilda, mavis, florence, gregor, lilian, dorothy, mclellan, alice, stagoll, millie, polly, leggo, margaret, bailey, lily, mcgregor, butcher, ruth, burke, connie, nellie, ella, alma, phillips, sadie, coggins, eileen, johnston, george, olive, gordon, effie, iris, vera, down, len, mickie, gilmour, wil, wykes, laurie, lacey, alan, huf, c. w. (mrs), shelter sheds, 1910s, george evans collection

TOM COLLINS–from the reel to reel tape recording at Melton 1969 In the years between 1890 and to about 1913 Melton was a quiet little hamlet alongside the Toolern Creek, once called the Pennyroyal Creek, 24 miles from Melbourne on the Ballarat Road. There was a fair amount of woodland left around it, mostly grey and yellow box with sheoak, and golden wattle, which in spring time made a rather attractive setting. Most of the premises were in the main or High Street, with its line of elm and pepper trees on each side. Unitt, McKenzie and Henry streets each contained only a few dwellings. Hotels were four in number, Minns’s, Mrs Hay licencee, now Mac’s, Golden Fleece – Sheblers. The Royal or Ryan’s as it was then called, later Graham had the licence, and the Raglan - Kilpatricks had the licence and afterwards Tom Manning. This was situated about where Mr K. Young had his residence. There was a store attached to the hotel until about 1900. Both the Royal and the Raglan were delicensed, later on the Royal being converted to a green grocery and a boarding house, the Raglan was demolished. The Royal green grocery and boarding house was kept by E Carew and after he retired, E Radford. The Post and Telegraph Office was on the opposite side of the street to the Raglan Hotel about two doors west of the Shire Hall and was kept by Mrs Ferris and Lady Farmer until her retirement, when it was carried on by Miss Lottie Ross. A store was attached to the Post Office and was sometimes used as a store and at one time housed the National Bank. There were two full time banks at Melton, the other being the Commercial which built premises about 1904 and on the corner of High and Smith Streets, which it still occupies. Mr G Egan was the manager of the Commercial and Mr Stradling and later Mr Lee of the National. However as business was not thought good enough they reverted to a part time branch operated from Bacchus Marsh. Grocer shops were Chalmers, with a news agency and drapery now Arnolds, Jongebloeds had the bakery. Mr Fox also a produce merchant, was where Melton Real Estate is now, it was later occupied by Buchanans, Atleys, and Mrs Ross. Not long after the War Mrs Ross built the Post Office, since demolished where Miss Lottie Ross was the Post Mistress and later built the store which she conducted. It was later turned into a factory and in now the barbers shop. McNichols was just west of the Minns Hotel. He travelled as far a Ballan weekly, buying calves and dairy produce for sale in Melbourne. Afterwards he sold the business and bought Minns Hotel and changing the name to Macs. Blacksmiths were three in number. Blackwoods – later James Byrnes next door to Jongebloeds. Alex Cameron who learnt his trade with Blackwoods had his shop about the rear of where Ken Youngs Garage is now he later moved to the north west corner of High and Alexander Street. He was also the Registrar of Birth and Deaths and Electoral Registrar. After his retirement he was weighbridge keeper at Melton South. Two of his sons were engaged in the carpentry trade, but both died at an early age. Whittingtons shop was a few doors east of the Mechanics Hall and it was later occupied by Gordon Macdonald who did business there until about eight years ago. The butchers of the period were George Graham, that is where Mandy Lees hairdressing establishment is now. Euan MacDonald had premises later occupied by Whittingtons blacksmith shop. Later shifting next door. He left here about 1901, he slaughtererd animals at a slaughter house right where Chas Jones now resides, it had previously been a slaughter house and butcher shop of that site. George Spring also operated as a butcher for two or three years about the 1900 or so. Ted Simpsons shop was where John Kontek now has his Estate Agency, he used it as an branch shop from Bacchus Marsh bringing meat from there by a two horse lorry. Jimmy Butler the manager was well known and loved, his son was later a steeplechase jockey. The Court House and Police Station would be built sometime before 1900. The Constables at the time were McGuire, later Wade, Riely and McKenzie after that Robert Wilson and Seinfort were here, they were a bit later on. The Mechanics Hall was first opened by Ryan of the Royal Hotel who sold it to the Hall Committee. It was on Unitt Street and it was moved by McLellans the house shifters from Unitt Street to its present site. Bluestone premises formerly occupied by the bootmaker Carew, were later demolished and replaced by the brick frontage to the Hall. Keith Orensini [?] the local bricklayer built brick portion to the Hall. In the cottage adjoining the Hall a Frenchman named Baudin, had a boot repairing business.This cottage was the later residence of J Hill, a local carpenter and builder from whom I learnt my trade. Granny Watts was the well known local nurse and operated the Mid-Wifery Hospital in Yuille Street on the Sherwin Street corner. Mrs Nissen was on the opposite side of Yuille Street a short distance nearer the township. She conducted the laundry. Carew had a greengrocers shop next door to the Post Office in the High Street for some time before transferring to the Royal Hotel site. He also bought [?] calves for killing. W Cecil was a tank maker and also had a produce round, he lived on Pyke and Sherwin Street. Later Gus Shebler, builder and carpenter engaged in tank making being well known for good workmanship. Shebler was very energetic in forming the Gun Club which met for a good number of years where the golf course now has its headquarters. Of the four churches only three are in use, Christ Church, Scots and St Dominics. The Methodist closed down but later transferred to Melton South. Monthly stock sales were held at the yards in Unitt Street at Minns Hotel by McPhail Auctioneers, later held by McCarthur and McLeod. After the Council built the pound and sale yards they transferred sales to these premises, but lack of patronage caused them to be abandoned. A familiar sight in the district was blind Bob Nixon, who lived in a tumbled down cottage in Centenary Road near W Coburns, being led by his dog down the road to Melton, that is Palmerston street, to the Post Office, butcher and baker for his supplies and then back home. He was able to do his own cooking and other chores. Sundays he would come down Raleighs Road to the back of the church and tie his dog to a tree. Someone, mostly one of the boys would guide him into the church and out again after the service, when the dog would lead him home again. State School 430, a two roomed bluestone building it was the only school in the district, none at Melton South. The nearest would be Rockbank and Toolern Vale. Scholars had a fair distance to walk in most cases. The teachers were Mr T Lang Headmaster. I put a query here, Miss Winters, I’m not certain of the name, Mrs Skinner and Miss Silke as Assistant Teachers. Miss Augusta Cecil and Miss Maud Lang were Junior teachers. One boy who attended the school about the turn of the century was Hector Fraser who resided with his parents in Keilor Road, where Jim Gillespie now lives. He was an excellent gun shot and at the age of about 17 years his father took him to France or Monaco where he won the Gran Prix for pigeon shooting and became the champion boy shot of the world. However he died there from pneumonia. He shot under the name of “Parvo”. The Melbourne Hunt Club used to meet in Keilor Road north side just east of the Toolern Creek on what was originally Pykes Run. This was also the place where the races were held and the Sports Meetings. Dave Murphy, employed at Clarke’s Rockbank Station usually provided the fox which he liberated for the Club. Greyhound coursing was usually held on Moylans property Mt Kororoit, or Mt Misery as it was known then. Later it was held at Melton Park, Mr Matt Carberry was the judge and Percy Cook the slipper. Early in the 1900’s the Recreation Park was created and the Caledonian and the ANA sports meetings were held there, they were annual events. L Paterson from Melton South was a successful competitor in all the cycling events as a young man. He later in life became the Deputy Chief Officer of the Metropolitan Fire Brigade. The present Chief Officer of the Fire Brigade is John Paterson, nephew of his, and spent his early life in Exford where his father was manager of the Exford Estate. Notes Tom Collins was born c 1895. He lived on the south side of the Ballarat Road near the intersection of Keilor Road.Historical image of Palmerston Street in Meltonlocal architecture, landscapes of significance

[from EDHS Newsletter No. 75, November 1990:] WALTER WITHERS PLAQUE At long last we have unveiled our plaque in the Walter Withers Reserve. The function was attended by a number of members and friends of the Society and descendants of the Withers family. Following the unveiling, the group proceeded to the Eltham Shire Office for afternoon tea and a small exhibition of Withers' paintings arranged by Andrew Mackenzie. The unveiling was performed by Mary Owen, a grand-daughter of Walter Withers. Her speech provided an interesting personal perspective on Withers and is repeated in full here: I feel somewhat overwhelmed by the responsibility of paying tribute to the man you have all come to honour today. I have the feeling that most of you probably know more about him and his work than I do. Walter Withers died nearly seven years before I was born and so I never knew him. Sadly, although other members of his family inherited some of his talent, I was not among them and I know very little about art. This is doubly hard to bear because my husband had some ability to draw and my second daughter also has some talent in this direction. My children are all artistic - mostly in the field of music inherited partly from their father - a Welshman who sang like a Welshman - and partly from my grandmother, Fanny Withers who, I believe was no mean pianist. However all this talent gave me a miss and for many years I felt a complete ignoramus in the fields of the arts. It was not until I was nearly fifty years old that I walked into a gallery in Brisbane and, as I wandered around the room, suddenly one picture leapt at me and I knew instantly that it had been painted by my grandfather. I had never seen the picture before and it gave me quite a shock to find that I had recognized the style of painting. I realized then that I had absorbed more than I realized simply by living with pictures and with people who painted them and talked about their painting and the painting of others. When I was a child I sometimes spent school holidays with my Aunt Margery Withers and her husband, Richard McCann. Aunt Marge painted me several times but I'm afraid I was a restless subject and used to sit reading a book and look up grudgingly when she wanted to paint my eyes. During the September holidays my aunt and uncle were busy preparing paintings far the annual exhibition of the Melbourne Twenty Painters, to which they both belonged. I remember how important I used to feel when they took me along to the Athenaeum Gallery on the Friday night before the opening to help hang their pictures. There were many artists there but the two I remember are perhaps surprisingly both women: Miss Bale and Miss Tweddle. I remember how cold it used to be up in that gallery at night. They used to heat water on a gas ring to make tea and Aunt Marge used to bring sandwiches and fruit for our evening meal. Everyone seemed to be poor in those days and no-one dreamed of going out for a meal. It was a case of make-do - even to cutting down frames to fit pictures or cutting pictures to fit the frames. They had to use the same frames from year to year if the pictures didn't sell. The opening was an exciting event for me. I felt I was privileged to meet important people - people who knew a lot more than I - and Uncle Dick would get quite merry after a couple of the tiny sweet sherries which were always distributed. I realise now that quite a lot of "art talk" rubbed off on me during my visits to the Athenaeum and during my stays with my aunt and uncle. I suspect that much of our most useful learning comes this way and those of us who have had the privilege of associating with artists, writers, philosophers and other thinkers have a richness in our lives of which we may be unaware. Walter Withers was a prolific painter and, although he painted for love of it, I suspect that the need to provide for his family drove him, like Mozart, to greater efforts than he might otherwise have achieved. Reading old letters and articles about the Heidelberg artists, I have come to realize something of the constant strain placed on many of them - particularly Withers and McCubbin - by poverty and the need to make ends meet. Withers was ever conscious of the need to provide for his wife and his five children and there are touching letters to his wife, regretting that he was not able to earn more for them. In addition to his painting, he worked hard at teaching and illustrating and, as he grew older, the strain began to tell and his health deteriorated. He seems never to have had a very strong constitution and suffered from rheumatism, which must have made painting quite painful at times. His eldest daughter, Gladys, was eventually confined to a wheelchair with rheumatoid arthritis and I have a tendency to arthritis myself, so I am particularly aware of what this could have meant to him. Recently I found a short letter written by my mother to her mother, Fanny Withers on the anniversary of her father's birthday in 1919, in which she said: "Poor old Dad, I often think now what a lot he must have suffered. His life was too hard and too strenuous for him. He had too many chick-a-biddies, I think. He wasn't equal to so much town life and train journeys with so many delicacies as he had. Since I have been ill, I have realised what he must have felt like.” He certainly drove himself to produce. He travelled all over Victoria by train, buggy, bicycle and on foot and for a time he travelled from Eltham to Melbourne every day by train, although later he lived in Melbourne during the week and only returned to Eltham for the weekends. My mother died seven years after her father's death, when my twin sisters were 10 days old and I was 16 months. So I never knew my mother or my grandfather. But my two aunts, Gladys and Margery, sometimes took me to stay with Gan Withers at Southernwood in Bolton Street . No cars in those days and it seemed a very long hot and dusty walk from the Station. Three memories remain with me of Southernwood. One is the well at the back which I found quite terrifying; the second is Gan killing a snake - even more terrifying. She was a formidable woman, my grandmother and a great ally and support to her husband. I think she was the business end of the partnership. The third memory of Southernwood is my grandfather's studio – down what seemed like a toy staircase inside the room. This and the big walk-in fireplace stayed in my mind from the age of about six until I saw them again about forty years later when the house was being used as a Sunday School. I just wish that money could be found to purchase this old house for the City of Eltham so that a permanent museum could be established in memory of a man who did so much to put Eltham on the map of art history. Recently I have become interested in family history and spent some time in England, Ireland and Wales looking for traces of my ancestors. I realized then how important it is to have records of people who have contributed to our society. We forget so soon and it is amazing how often, within two generations, names, dates and many details are forgotten. We are fortunate that so many of Walter Withers' works have been bought by galleries and that people like Andrew Mackenzie have taken the trouble to search out people who knew him and to write about him and his work. And I am very grateful to the Historical Society of Eltham for recognizing the importance of having a permanent tribute in Eltham to the contribution made by Walter Withers, who loved Eltham so much and who has assured this lovely district a place in the annals of history. I am indebted to Kathleen Mangan; the daughter of another famous Australian painter , Fred McCubbin, - featured in The Age this morning (thanks again to Andrew Mackenzie) for the most apt tribute to Walter Withers. Kathleen is not well and she rang me a couple of days ago, regretting that she could not be present today “to pay tribute” as she said, “to Walter Withers for I always think Walter Withers is the spirit of Eltham.” Thank you, Kathleen. And now I have much pleasure in unveiling the plaque commissioned by the Eltham Historical Society from Bob McLellan of Charmac Industries to commemorate the life and work of Walter Withers, the spirit of Eltham. Mary Owen, 13 October 1990.Three colour photographswalter withers rock, walter withers reserve, mary owen

[from EDHS Newsletter No. 75, November 1990:] WALTER WITHERS PLAQUE At long last we have unveiled our plaque in the Walter Withers Reserve. The function was attended by a number of members and friends of the Society and descendants of the Withers family. Following the unveiling, the group proceeded to the Eltham Shire Office for afternoon tea and a small exhibition of Withers' paintings arranged by Andrew Mackenzie. The unveiling was performed by Mary Owen, a grand-daughter of Walter Withers. Her speech provided an interesting personal perspective on Withers and is repeated in full here: I feel somewhat overwhelmed by the responsibility of paying tribute to the man you have all come to honour today. I have the feeling that most of you probably know more about him and his work than I do. Walter Withers died nearly seven years before I was born and so I never knew him. Sadly, although other members of his family inherited some of his talent, I was not among them and I know very little about art. This is doubly hard to bear because my husband had some ability to draw and my second daughter also has some talent in this direction. My children are all artistic - mostly in the field of music inherited partly from their father - a Welshman who sang like a Welshman - and partly from my grandmother, Fanny Withers who, I believe was no mean pianist. However all this talent gave me a miss and for many years I felt a complete ignoramus in the fields of the arts. It was not until I was nearly fifty years old that I walked into a gallery in Brisbane and, as I wandered around the room, suddenly one picture leapt at me and I knew instantly that it had been painted by my grandfather. I had never seen the picture before and it gave me quite a shock to find that I had recognized the style of painting. I realized then that I had absorbed more than I realized simply by living with pictures and with people who painted them and talked about their painting and the painting of others. When I was a child I sometimes spent school holidays with my Aunt Margery Withers and her husband, Richard McCann. Aunt Marge painted me several times but I'm afraid I was a restless subject and used to sit reading a book and look up grudgingly when she wanted to paint my eyes. During the September holidays my aunt and uncle were busy preparing paintings far the annual exhibition of the Melbourne Twenty Painters, to which they both belonged. I remember how important I used to feel when they took me along to the Athenaeum Gallery on the Friday night before the opening to help hang their pictures. There were many artists there but the two I remember are perhaps surprisingly both women: Miss Bale and Miss Tweddle. I remember how cold it used to be up in that gallery at night. They used to heat water on a gas ring to make tea and Aunt Marge used to bring sandwiches and fruit for our evening meal. Everyone seemed to be poor in those days and no-one dreamed of going out for a meal. It was a case of make-do - even to cutting down frames to fit pictures or cutting pictures to fit the frames. They had to use the same frames from year to year if the pictures didn't sell. The opening was an exciting event for me. I felt I was privileged to meet important people - people who knew a lot more than I - and Uncle Dick would get quite merry after a couple of the tiny sweet sherries which were always distributed. I realise now that quite a lot of "art talk" rubbed off on me during my visits to the Athenaeum and during my stays with my aunt and uncle. I suspect that much of our most useful learning comes this way and those of us who have had the privilege of associating with artists, writers, philosophers and other thinkers have a richness in our lives of which we may be unaware. Walter Withers was a prolific painter and, although he painted for love of it, I suspect that the need to provide for his family drove him, like Mozart, to greater efforts than he might otherwise have achieved. Reading old letters and articles about the Heidelberg artists, I have come to realize something of the constant strain placed on many of them - particularly Withers and McCubbin - by poverty and the need to make ends meet. Withers was ever conscious of the need to provide for his wife and his five children and there are touching letters to his wife, regretting that he was not able to earn more for them. In addition to his painting, he worked hard at teaching and illustrating and, as he grew older, the strain began to tell and his health deteriorated. He seems never to have had a very strong constitution and suffered from rheumatism, which must have made painting quite painful at times. His eldest daughter, Gladys, was eventually confined to a wheelchair with rheumatoid arthritis and I have a tendency to arthritis myself, so I am particularly aware of what this could have meant to him. Recently I found a short letter written by my mother to her mother, Fanny Withers on the anniversary of her father's birthday in 1919, in which she said: "Poor old Dad, I often think now what a lot he must have suffered. His life was too hard and too strenuous for him. He had too many chick-a-biddies, I think. He wasn't equal to so much town life and train journeys with so many delicacies as he had. Since I have been ill, I have realised what he must have felt like.” He certainly drove himself to produce. He travelled all over Victoria by train, buggy, bicycle and on foot and for a time he travelled from Eltham to Melbourne every day by train, although later he lived in Melbourne during the week and only returned to Eltham for the weekends. My mother died seven years after her father's death, when my twin sisters were 10 days old and I was 16 months. So I never knew my mother or my grandfather. But my two aunts, Gladys and Margery, sometimes took me to stay with Gan Withers at Southernwood in Bolton Street . No cars in those days and it seemed a very long hot and dusty walk from the Station. Three memories remain with me of Southernwood. One is the well at the back which I found quite terrifying; the second is Gan killing a snake - even more terrifying. She was a formidable woman, my grandmother and a great ally and support to her husband. I think she was the business end of the partnership. The third memory of Southernwood is my grandfather's studio – down what seemed like a toy staircase inside the room. This and the big walk-in fireplace stayed in my mind from the age of about six until I saw them again about forty years later when the house was being used as a Sunday School. I just wish that money could be found to purchase this old house for the City of Eltham so that a permanent museum could be established in memory of a man who did so much to put Eltham on the map of art history. Recently I have become interested in family history and spent some time in England, Ireland and Wales looking for traces of my ancestors. I realized then how important it is to have records of people who have contributed to our society. We forget so soon and it is amazing how often, within two generations, names, dates and many details are forgotten. We are fortunate that so many of Walter Withers' works have been bought by galleries and that people like Andrew Mackenzie have taken the trouble to search out people who knew him and to write about him and his work. And I am very grateful to the Historical Society of Eltham for recognizing the importance of having a permanent tribute in Eltham to the contribution made by Walter Withers, who loved Eltham so much and who has assured this lovely district a place in the annals of history. I am indebted to Kathleen Mangan; the daughter of another famous Australian painter , Fred McCubbin, - featured in The Age this morning (thanks again to Andrew Mackenzie) for the most apt tribute to Walter Withers. Kathleen is not well and she rang me a couple of days ago, regretting that she could not be present today “to pay tribute” as she said, “to Walter Withers for I always think Walter Withers is the spirit of Eltham.” Thank you, Kathleen. And now I have much pleasure in unveiling the plaque commissioned by the Eltham Historical Society from Bob McLellan of Charmac Industries to commemorate the life and work of Walter Withers, the spirit of Eltham. Mary Owen, 13 October 1990.Two colour photographswalter withers rock, walter withers reserve, mary owen

Poster of all Ballarat School of Mines staff (named)davis, sonia, dixon, heather, dixon, philip, durant, heather, dyer, robert, fennell, anne, firth, barrie, gaunt malcolm, gunn, peter, hobbs, lyn, hood, graham, howell, kevin, jelbart, john, johnson, murray, leith, john, lovett, bob, mcfarlane, roger, mendelson, steven, merrett, pam, nicholls, geoff, o'toole, jan, palmer, max, parfenovics, roly, pavey, sue, perrin, mary, pym, ian, rae, bradley, ryan, bill, seymour, carole, shiel, peter, sordello, john, staley, bruce, vallance, malcolm, vn dreven, john, watts, liz, whittle, bill, woodruff, brian, beanland, graham, collier, betty, crump, neville, d'angri, val, dunlop, barbara, fennell, anne (humphry), hall, paula, haller, walter, heighway, alastair, hocking, geoff, humphrey, anne (fennell), kellam, trevor, kisler, peter, lawless, bob, little, garry, mail, andrew, mclennan, brian, mcnulty, patti, mitaxa, ian, nunn, peter, olmstead, dennis, peart, alby, perry, graeme, pope, geoff, pyke, george, shannon, leo, sharman, eric, shearer, graham, sheehan, frank, shiells, peter, stefschenk, ray, stoddart, roger, turner, jim, vandreven, john, wallis,. lee, akers, keith, boast, keith, byrne, simone, calistro, paul, dixon, john, faull, shirley, fenelon, virginia, french, neville, gribble, isabel, grist, carol, haddow, david, haley, rosaley, harris, ian, hazlett, rocky, heffernan, liz, jardine, cynthia, kemp, john, knight, kim, lambeth, paul, lanigan, alison, lesock, peter, lyttle, gary, martin, kevin, mcmillan, adrian, mcneight, wendy, nestor, david, osborne, bill, o'shea, bob, parker, frank, penhall, graham, pink, alan, pink, merrill, rasmussen, mary, sarah, doug, schenk, ray, seymour, doug, sullivan, andrew, thake, tony, thorpe, sharon, tiller, donna, torrington, andrew, trembath, colin, trotter, peter, turner, sonia, webber, brian, wild, ron, williams, carol, wren, derek, yeomans, lorraine, bergin, peter, burgess, zena, crebbin, irene, gough, tsony, haller, fleur, murray, bill, oparski, cheyrl, snibson, graham, sordello, franl, sutton, ron, walsh, paul, adrian, bill, aiton, alan, barratt, geoff, bevelander, mark, bridges, bill, brown, doug, cartledge, brian, conroy, ken, cook, les, curran, laurie, davidson, ron, davies, dennis, dobbyn, col, edwards, harold, ellis, alan, fithall, david, flanagon, john, fletcher, jeff, harrison, john, howlett, keith, hutchions, bob, lindorff, les, lucas, ron, mccann, david, mcdonald, laughlin, mclellan, jan, mitchell, ian, morgan, bob, perovic, bruno, robinson, ian, shaw, jim, smail, andrew, stevens, bernie, symons, doug, trainor, malcolm, van hammond, hans, wallis, lee, whitefield, gordon, woolman, tom, max palmer, donna tiller, neville french, rocky hazlet, tony thake, colin trembath, anne fennell, doug sara, jan mclellan

Victorian Institute of Occupational of Safety and Health (VIOSH) Australia is the Asia-Pacific centre for teaching and research in occupational health and safety (OHS) and is known as one of Australia's leaders in the field. VIOSH has a global reputation for its innovative approach within the field of OHS management. Federation University VIOSH Australia students are safety managers, senior advisors and experienced OHS professionals. They come from all over Australia and industry. Students are taught active research and enquiry; rather than textbook learning and a one-size fits all approach. VIOSH accepts people into the Graduate Diploma of Occupational Hazard Management who have no undergraduate degree – on the basis of extensive work experience and knowledge.brown and gold framed photograph with title and names of students underneath.Framer - Creative Framing Galleryviosh, viosh australia, victorian institute of occupational safety and health, wayne clarke, joseph farrell, grant forest, andrew gibson, steven harris, fletcher hayllar, anne hurford, lauren jago, albert knowles, dennis maliby, con mavrelis, john mcinnes, stuart mclellan, don oswin, les pearson, noel scambler, mark smithy, adrian smith, lindsay stewart, timothy watts

Typed copy of a Bendigo Advertiser (21/9/1906) article mentioning 'The Fatal Wedding', a play held at the Royal Princess Theatre on 24/9/1906. It was for three nights only. Some of the players are also mentioned and a little about the play. Also is a typed copy of the Amusement advertisement in the Advertiser. This article was submitted by the Business manager G. Homan Barnes.bendigo, entertainment, royal princess theatre, royal princess theatre, bendigo advertiser 21/9/1906, 'the fatal wedding', the tin can band, tessie's birthday party, mr charles vane, miss may congdon, herbert leigh, tom cannan, c h stanford, olly deering, harry mclellan, dinah cooper, amy singleton, miss maisie posner, john little & son, flight's, claude meynell, john gunn, reeder's, g homan barnes

Typed history of the Newport Railway Workshops. Mentions the men who worked at the workshop, the locomotives that were built there, the different classes of locomotives, the equipment they used, and some of the work they did. Written by G. Donneau (who worked there) and dated 19-3-79.document, victorian railways, the newport story, g donneau, melbourne and geelong railway co, melbourne & hobson's bay united railway co, mr william meikle, solomon mirls, richard speight, sir james allport, midland railway, mr allison dalrymple, phoenix foundry, north melbourne loco depot, beyer peacock & co, mr a e smith, roger barnes, thomas tait, bhp, f j shea, commonwealth ordnance department, james rooks, london times, mr merz, mr mclellan, bendigo north railway workshops, ballarat shops, james taylor, donald mcgregor, julius aurelian sylvester barber, victor lethlean, melbourne institute of technology, prince of wales, queen victoria, w m shannon, sir thomas bent, puffing billy, harold winthrop clapp, francis boardman clapp, melbourne tramway & omnibus co, austral otis engineering co, melbourne university, franklin supply co, e h brownbill, heavy harry, locomotive mausoleum north melbourne, north british locomotive co, walter stinton, thomas smith, peter alexander, peter alexander, robert ferguson, king george v, english railway gazette, harry nunn may, merz & maclellan, arthur lowe, r h roach, w h chapman, l c rolls, g a swift, john mcrae, caledonian society, thistle club, bristol hotel, james taylor, george allibon, walter grimshaw, robert maybin, roy hodge, walter biddle, john ramsbottom, robert hewitt, james green, thomas waldhuter, giles dobney, mr richardson, mr arthur, sydney express, the age, mr speight, david syme, father gapon

The Adult Deaf and Dumb Society of Victoria, now known as Vicdeaf, (the Victorian Deaf Society), was founded in 1884 as the Victorian Society for Promoting the Spiritual and Temporal Welfare of the Adult Deaf and Dumb. The provisional committee being Mr W Bates, Mr J M Bruce, Mr J D Gowan, Mr Edwin Newbiggin, Mr C M Officer, M. L, A., and the Rev. W. Moss. The Adult Deaf and Dumb Mission's objects were: 1. To provide the means for religious worship and instruction for the adult deaf and dumb of Victoria 2. To visit the deaf and dumb in their homes, especially when sick or in distress 3. To assist the deaf and dumb of good character in obtaining suitable employment 4. To provide technical and other education for the adult and dumb 5. To give pecuniary assistance to adult deaf and dumb who are in needThe Annual Reports of the Adult Deaf and Dumb Society are historically significant providing insight into the history of the evolving Deaf Community in Victoria. They are a annual 'snapshot' of the year with references not only to the progress of the Society but also to the significant people and events within the Deaf Community.Pink Cover, Size 21.5Hx13.5W, 94 pagesarthur stanley, w. h. felstead, e. r. peacock,r. j. oehr, m. l. miller, h. w. h. adeney, george brown, w. a. dickins, r. h. luff, h. sumner martin, g. g. mercy, j. e. muir, hugh munro, f. v. pratt, f. j. rose, f. tudor, ernest j. d. abraham, mrs e. j. d. abraham, mrs j. boortz, r. dow, e. empson, a. graham, mrs samuel luke, mrs j. e. muir, mrs h. sumner martin, m. potter, mrs a. williamson, mrs a. wilson. w. j. craig, john cronin, alex williamson, a. muir, s. moss, m. g. b mortimer, blackburn, g. g. haldane, lacrosse, cricket, emily kent, e. matthews, j. mills, archie mclellan, our monthly letter, victorian deaf and dumb institution

The Adult Deaf and Dumb Society of Victoria, now known as Vicdeaf, (the Victorian Deaf Society), was founded in 1884 as the Victorian Society for Promoting the Spiritual and Temporal Welfare of the Adult Deaf and Dumb. The provisional committee being Mr W Bates, Mr J M Bruce, Mr J D Gowan, Mr Edwin Newbiggin, Mr C M Officer, M. L, A., and the Rev. W. Moss. The Adult Deaf and Dumb Mission's objects were: 1. To provide the means for religious worship and instruction for the adult deaf and dumb of Victoria 2. To visit the deaf and dumb in their homes, especially when sick or in distress 3. To assist the deaf and dumb of good character in obtaining suitable employment 4. To provide technical and other education for the adult and dumb 5. To give pecuniary assistance to adult deaf and dumb who are in needThe Annual Reports of the Adult Deaf and Dumb Society are historically significant providing insight into the history of the evolving Deaf Community in Victoria. They are a annual 'snapshot' of the year with references not only to the progress of the Society but also to the significant people and events within the Deaf Community.Green Cover, Size 21.5Hx13.5W, 98 pagesarthur stanley, w. h. felstead, e. r. peacock,r. j. oehr, h. l. walters, m. l. miller, john higgins, h. w. h. adeney, george brown, w. a. dickins, r. h. luff, h. sumner martin, g. g. mercy, j. e. muir, hugh munro, f. v. pratt, f. j. rose, f. tudor, ernest j. d. abraham, mrs e. j. d. abraham, mrs j. boortz, r. dow, e. empson, a. graham, mrs samuel luke, mrs j. e. muir, mrs h. sumner martin, m. potter, mrs a. williamson, mrs a. wilson. w. j. craig, john cronin, john m. paul, alex williamson, adam c. muir, s. moss, m. g. b mortimer, blackburn, deaf workers club, lacrosse, cricket, emily kent, e. matthews, j. mills, archie mclellan, our monthly letter, rambling club, e. salas, wallace boortz, e. salas,

The Adult Deaf and Dumb Society of Victoria, now known as Vicdeaf, (the Victorian Deaf Society), was founded in 1884 as the Victorian Society for Promoting the Spiritual and Temporal Welfare of the Adult Deaf and Dumb. The provisional committee being Mr W Bates, Mr J M Bruce, Mr J D Gowan, Mr Edwin Newbiggin, Mr C M Officer, M. L, A., and the Rev. W. Moss. The Adult Deaf and Dumb Mission's objects were: 1. To provide the means for religious worship and instruction for the adult deaf and dumb of Victoria 2. To visit the deaf and dumb in their homes, especially when sick or in distress 3. To assist the deaf and dumb of good character in obtaining suitable employment 4. To provide technical and other education for the adult and dumb 5. To give pecuniary assistance to adult deaf and dumb who are in needThe Annual Reports of the Adult Deaf and Dumb Society are historically significant providing insight into the history of the evolving Deaf Community in Victoria. They are a annual 'snapshot' of the year with references not only to the progress of the Society but also to the significant people and events within the Deaf Community.Cream Cover, Size 21.5Hx13.5W, 64 pagesdr j. f. mackeddie, e. r. peacock, r. j. oehr, h. l. walters, m. l. miller, john higgins, g. g. mercy, harold w. bickford, george brown, a. macaulay caldwell, w. a. dickins, j. ewing, f. e. frewin, j. m. johnston, r. h. luff, h. sumner martin, george vial, ernest j. d. abraham, r. dow, e. empson, l. fletcher, d, hickey, a. graham, mrs c. robertson, e. r. smith, mrs a. wilson, mab dow, ivy cole, j. craig, john cronin, alex williamson, adam c. muir, w. taylor, s. moss, m. g. b mortimer, blackburn, deaf workers club, ramblers club, j. johnston, lacrosse, cricket, a sutherland, w. a. paterson, n. amos, mrs abraham, douglas abraham, a. mclellan, gladman, hughes, tyzzer, elwyn, hull, damman, bentley, bruce caughey, potter, pugh

The Adult Deaf and Dumb Society of Victoria, now known as Vicdeaf, (the Victorian Deaf Society), was founded in 1884 as the Victorian Society for Promoting the Spiritual and Temporal Welfare of the Adult Deaf and Dumb. The provisional committee being Mr W Bates, Mr J M Bruce, Mr J D Gowan, Mr Edwin Newbiggin, Mr C M Officer, M. L, A., and the Rev. W. Moss. The Adult Deaf and Dumb Mission's objects were: 1. To provide the means for religious worship and instruction for the adult deaf and dumb of Victoria 2. To visit the deaf and dumb in their homes, especially when sick or in distress 3. To assist the deaf and dumb of good character in obtaining suitable employment 4. To provide technical and other education for the adult and dumb 5. To give pecuniary assistance to adult deaf and dumb who are in needThe Annual Reports of the Adult Deaf and Dumb Society are historically significant providing insight into the history of the evolving Deaf Community in Victoria. They are a annual 'snapshot' of the year with references not only to the progress of the Society but also to the significant people and events within the Deaf Community.Green Cover, Size 21.5Hx13.5W, 66 pagesdr j. f. mackeddie, e. r. peacock, r. j. oehr, j. dudley, m. l. miller, john higgins, harold w. bickford, george brown, t. dudley, f. e. frewin, j. m. johnston, r. h. luff, h. a. sinclair, george vial, ernest j. d. abraham, r. dow, e. empson, d, hickey, mrs w. a. paterson, mrs pierce, mrs e. johnson, mrs a. wilson, mab dow, j. craig, john cronin, alex williamson, adam c. muir, w. taylor, s. moss, m. g. b mortimer, blackburn, deaf workers club, ramblers club, j. johnston, lacrosse, cricket, a suthersland, w. a. paterson, n. amos, mrs abraham, douglas abraham, a. mclellan, nunawading shire council, queensland adult deaf and dumb mission, new south wales adult deaf and dumb society, south australian deaf and dumb mission, alex collins, sam ferguson, mr and mrs burge, victor harding, jane huish, a. kidd

The Adult Deaf and Dumb Society of Victoria, now known as Vicdeaf, (the Victorian Deaf Society), was founded in 1884 as the Victorian Society for Promoting the Spiritual and Temporal Welfare of the Adult Deaf and Dumb. The provisional committee being Mr W Bates, Mr J M Bruce, Mr J D Gowan, Mr Edwin Newbiggin, Mr C M Officer, M. L, A., and the Rev. W. Moss. The Adult Deaf and Dumb Mission's objects were: 1. To provide the means for religious worship and instruction for the adult deaf and dumb of Victoria 2. To visit the deaf and dumb in their homes, especially when sick or in distress 3. To assist the deaf and dumb of good character in obtaining suitable employment 4. To provide technical and other education for the adult and dumb 5. To give pecuniary assistance to adult deaf and dumb who are in needThe Annual Reports of the Adult Deaf and Dumb Society are historically significant providing insight into the history of the evolving Deaf Community in Victoria. They are a annual 'snapshot' of the year with references not only to the progress of the Society but also to the significant people and events within the Deaf Community.Pink Cover, Size 21.5Hx13.5W,20 pagesdr j. f. mackeddie, e. r. peacock, r. j. oehr, j. dudley, m. l. miller, john higgins, harold w. bickford, f. e. frewin, j. m. johnston, r. h. luff,w. a. paterson, h. a. sinclair, george vial, ernest j. d. abraham, r. dow, e. empson, d, hickey, mrs w. a. paterson, margaret gibson, lydia sanders, mrs e. johnson, mrs a. wilson, mab dow, j. craig, john cronin, alex williamson, adam c. muir, w. taylor, s. moss, m. g. b mortimer, blackburn, deaf workers club, ramblers club, j. johnston, lacrosse, cricket, a suthersland, w. a. paterson, n. amos, mrs abraham, douglas abraham, a. mclellan, w. b. anderson, c. graham, d. white, j. m. jjohnston, h. mckenzie, v. tyzzer, n. webb, j. williams, o. tyzzer, d. m. kilpatrick, n. amos, a. williams, g. newnham, i. kennedy, a. tyzzer, a. stewart, j. mclean, r. durham, n. ormsby, mrs goddard, c. smith, h. taggart, mr brett,

A Bi-Monthly News Letter - Under the auspices of the Deaf Committee of the Adult Deaf and Dumb Society of Victoria'The Victorian Deaf' Newsletter is a significant publication as an historical record giving and insight into the people, activities and events of the Deaf Community in Victoria.Vol. 24 No. 7,8,9 July Aug Sep 1928, Size 37cmHx21cmW; 14 pagesh. sumner martin, e. r. peacock, edward newbigin, w. a. dickens, frank tudor, rev. j. i. halley, g. g. mercy, i. m. griffiths, h. w. h. adeney, h. bickford, j. dudley, g. vial, s. massana, ernest j. d. abraham, empson, e. burke, a. mclellan, brown, solomon moss, ruth peters, m. g. b. mortimer, j. m. johnston, r. miller, j. butterworth, p. cunningham, e. doney g. caldwell, warrie ashby, vernon griffiths, cecil griffiths, joe allen, bryon taylor, joe allen, j. e. muir, s. ferguson, walter grant, maisie reiffel, a. williamson, w. burge, myrtle groves, harold sutton, j. dickenson, david cornish, waggett, fulton, vera west, mabel ball, tennis, lacrosse, j. boortz, percy swain, e. smith, ethel dempsey, mrs frewin, empson, deaf worker's club, men's guild, deaf women's guild, british deaf conference, deaf national club, a. t. story, sam cashmore, a. a. peverill, a. h. spencer, gladys mahoney, c. h. reynolds, d. hickey, h. abbott,