Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century. This series showcases photographs taken in the 1930s and 1940s and shows people who lived and worked on the Island during the Jenkins period. This photograph was taken in January 1940.Sepia photograph white narrow white border of three men standing beside the cannon on Churchill Island in front of the Norfolk Pines. Digitised from a high resolution copy (original Polaroid is in poor and fragile condition)nilchurchill island, photograph, arthur evans

Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century. This series showcases photographs taken in the 1930s and 1940s and shows people who lived and worked on the Island during the Jenkins period. This photograph shows the homestead and gardens as they were in the 1940s, with the passionfruit vine visible on the right hand side.Black and white photograph of Amess House, with some vegetable garden and the Norfolk Pine visible. Taken from the Northern side of the House. Digitised from a high resolution copy (original Polaroid is in poor and fragile condition)nilchurchill island, photograph, arthur evans

Colour photo of a streetscape in Bendigo. Image shows spire of Cathedral in background, timber house on RH side, with large Norfolk pine beside. Appears to be approx late 1970's - through to mid 1980's.bendigo, streetscape, general street views

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade.This series of photographs were taken in the late 1890s and show scenes from around the island while it was owned by Samuel Amess and his family.Black and white reprint of a photograph from the late nineteenth century showing a man moving the cannon and a women gardening. The photograph has been taken across the garden and shows Amess House and an immature Norfolk Pine in the background.Catalogue number written in pencil on reverse. amess house, samuel amess, churchill island, photograph, cannon

Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century. This series showcases photographs taken in the 1930s and 1940s and shows people who lived and worked on the Island during the Jenkins period. This photograph shows Mal McCartney, Guy Evans, and Gid Ashley.Sepia photograph white narrow white border of a group of three men standing and sitting on the cannon in front of the Norfolk Pine on Churchill Island. Digitised from a high resolution copy (original Polaroid is in poor and fragile condition)nilchurchill island, photograph, arthur evans, mal mccartney, guy evans, gid ashley

The artist’s comment on her work: “The Rowitta”, Flagstaff Hill. Warrnambool: "This boat was the venue for our daughter’s Wedding. The pastel work was undertaken after a beautiful day at Flagstaff Hill in 2012. I enjoyed working with the shadows and the foliage. Carmel Beavis” The popular steam ferry Rowitta is featured in this pastel picture on canvas by local artist Carmel Beavis. The iconic Norfolk pines stand tall against a blue sky, while colourful reflections shimmer in Flagstaff Hill’s harbour. The historic lifeboat “Warrnambool” is dwarfed by Rowitta’s size. Carmel’s daughter celebrated her wedding on board the Rowitta, which had been a very popular exhibit visitors for around forty years. This picture is one of several that were created by Carmel for her family and friends as a memento of the wedding and a way to keep the memory of Rowitta alive. Some of Carmel’s other works illustrate Flagstaff Hill’s 2017 publication “Tearooms Cookbook”. Some of Carmel’s paintings featured in the Tearooms Cookbook, produced around 2017 for fundraising for Flagstaff Hill. The Rowitta was a timber steam ferry built in Hobart in 1909 using planks of Huon and Karri wood. She was a favourite of sightseeing passengers along Tasmania’s Tamar and Derwent rivers for 30 years. Rowitta was also known as Tarkarri and Sorrentoand had worked as a coastal trading vessel between Devonport and Melbourne as well as along the southern coast of Australia. In 1974 Rowitta was purchased by Flagstaff Hilt to convert into a representation of the Speculant, a historic and locally significant sailing ship listed on the Victorian Heritage Database. (The Speculant was built in Scotland in 1895 and traded timber between the United Kingdom and Russia. Warrnambool’s P J McGennan & Co. then bought her to trade pine timber from New Zealand to Victorian ports and cargo to Melbourne. She was the largest ship ever registered with Warrnambool as her home port, playing a key role in the early 1900s in the Port of Warrnambool. In 1911, on her way to Melbourne, she was wrecked near Cape Otway. None of the nine crew lost their lives.) The promised funds for converting Rowitta into the Speculant were no longer available, so she was restored back to her original configuration. She represented the importance of coastal traders to transport, trade and communication in Australia times before rail and motor vehicles. Sadly, in 2015 the time had come to demolish the Rowitta due to her excessive deterioration and the high cost of on-going repairs. She had given over 100 years of service and pleasure to those who knew her. Early in 2019 Carmel gifted this picture to her friend Shirley Lindsay, who had been President of Wadas Artist Society. A few months later Shirley and her husband John (founding Director of Flagstaff Hill Maritime Village) thought the picture would be appropriate to Flagstaff Hill and presented it with pleasure to the Friends of Flagstaff Hill group later that year.The Rowitta represents the importance of coastal traders to transport, trade and communication in Australia before rail and motor vehicles. The painting is also significant as a record of an exhibit at Flagstaff Hill Maritime Village from is early beginnings. The painting is locally significant for being connected to a local and well known artist Carmel Beavis.Picture, coloured pastel work on canvas in timber frame behind glass. The artist, Carmel Beavis, depicts the steam boat “Rowitta” moored beside the historic lifeboat “Warrnambool” on the lake at Flagstaff Hill Maritime Village. The Rowitta is reflected in the water. The background includes the iconic Norfolk Pine trees. The work was framed by Warrnambool Picture Framing & Gallery in 2012.Signed on front, bottom left “C.L. Beavis”. Artist’s printed label on reverse “The Rowitta, Flagstaff Hill. Warrnambool: / This boat was the venue for our daughter’s / Wedding. / The pastel work was undertaken after a/ Beautiful day at Flagstaff Hill in 2012. / I enjoyed working with the shadows and / The foliage. / Carmel Beavis / Warrnambool. VIC. 3280. / Telephone (03) 5562 1806. / Price: $” Handwritten on artist’s label “250.00” Framer’s printed label “Warrnambool / Picture Framing / & Gallery / 42 Kepler St, Warrnambool 3280 03 5561 5722 / www.wboolframing.com.au” flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, picture, pastel, carmel beavis, rowitta steam boat, warrnambool picture framer & gallery, wedding on the rowitta, the rowitta, tearooms cookbook, hobart steam ferry rowitta 1909, tarkarri, speculant, coastal trading vessel, p j mcgennan & co, peter mcgennan, sorrento

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade.This series of photographs were taken in the late 1890s and show scenes from around the island while it was owned by Samuel Amess and his family.Black and white reprint of a photograph from the late nineteenth century showing a man moving the cannon and a women gardening. The photograph has been taken across the garden and shows Amess House and an immature Norfolk Pine in the background. Matches 0658.2Catalogue number written on reverse in pencil. Written in pencil on reverse 'Dept of Agriculture' Stamp on reverse 'Photograph by Information Branch Victorian Dept. of Agriculture Ref. No 1978(541-16)amess house, churchill island, samuel amess, cannon

Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century. This series showcases photographs taken in the 1930s and 1940s and shows people who lived and worked on the Island during the Jenkins period. This photograph shows Amess House as it was in the 1940s.Black and white photograph with a white border of Amess House, with the Norfolk Pine and the cannon visible. There is a large mark/discolouration obscuring the right/bottom third of the photograph. Digitised from a high resolution copy (original Polaroid is in poor and fragile condition)nilchurchill island, photograph, arthur evans, amess house, norfolk pine, cannon

Photograph taken by Jessie "Girlie" Smith of San Remo who owned the Penguin Cafe in Thompson Avenue, Cowes.Photograph of scene during fire at Isle of Wight Hotel. Gateway and Norfolk Island pine. Smoke.phillip island, isle of wight hotel fire, jessie smith

East Beach 1973Black and white photograph of East Beach with she oaks on the left and Norfolk Island pine in distanceNovember 1973 kodakeast beach, battery hill, ocean, sea, sand

Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century. This series showcases photographs taken in the 1930s and 1940s and shows people who lived and worked on the Island during the Jenkins periodSepia photograph of Amess House and Rogers Cottage, showing a paddock, young fruit trees, and the established Norfolk Pine. Taken from the Western side. Photo with white border Digitised from a high resolution copy (original Polaroid is in poor and fragile condition)nilchurchill island, photograph, arthur evans

Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century. This series showcases photographs taken in the 1930s and 1940s and shows people who lived and worked on the Island during the Jenkins period. Black and white photograph of Amess House, showing the heritage building, empty trellises, and the Norfolk Pine. Photograph has been taken from the Northern aspect, and shows the empty pasture. Digitised from a high resolution copy (original Polaroid is in poor and fragile condition)nilchurchill island, photograph, arthur evans, amess house

Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century. This series showcases photographs taken in the 1930s and 1940s and shows people who lived and worked on the Island during the Jenkins period. This photograph was taken in December 1939.black and white photograph with white border showing a woman wearing white, standing in the centre bottom of frame. A tall Norfolk Pine and rows of thinner pines scatter throughout the background. Digitised from a high resolution copy (original Polaroid is in poor and fragile condition)nilchurchill island, photograph, arthur evans

Black and white photograph of brick post office building. Two Norfolk Island pines stand outside.Typed below photograph, "The new post office in Ringwood Street. Telephone exchange can be seen on its left."

Colour Photgraph: Trees growing in garden area of Junction Hotel. Tree in centre is Norfolk Island Pinejunction hotel, fountainhead brewery

East Beach parking 1950-1960s looking North and upwards from the beach trackBlack and white landscape showing cars parked overlooking the East Beach with a Norfolk Island pine in the backgroundbeach, sea, seascape, east beach, norfolk island pine

The photograph of Lady Bay, Warrnambool, and its surrounds reflects the historical changes to the area since since the early days of the Breakwater, from the 1870's. The foreground shows a lamppost with insulators, showing that electricity was supplied before or at the time.The subject of the photograph gives a reference point to the passage of time and the changes brought about in the growth of the town to a busy city, of the changes in transport and landscape and the management of the Bay.Photograph, sepia, showing Lady Bay, Middle Island, Lake Pertobe, railway line and cows in foreground, steam ship with smoke docked at the breakwater, small hut and larger building at start of breakwater, row of Norfolk pine trees across centre. There is a lamppost with white insulators in the foreground.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, photograph, warrnambool, lady bay, lake pertobe, cannon hill, middle island, steam ship, breakwater, warrnambool history, insulators, electricity, power, shed on breakwater

The Ballarat School of Mines Botanical Gardens were established in 1879, and are situated at the rear of the current administration building. The gardens enabled the students to sit for examinations for registration by the Pharmacy Board of Victoria. An important aspect of this course was the study of Materia Medica, or botanical materials used for medicinal purposes.Colour photograph of a norfolk island pine in the botanical garden sat the back of the Ballarat School of Mines Administration Building.smb botanical gardens, botanical gardens, smb, ballarat school of mines, school of mines ballarat, ballarat, photograph, norfolk island pine, alfred mica smith

Three images depicting features of the Ballarat School of Mines Botanical Gardens. .1) Colour photograph of the refurbished Ballarat School of Mines Botanical Gardens, showing the centenary plaque. .2) Plaque on the Norfolk Island Pine which was in the possession of Jessie Knox Smith for 22 years (she was the sister of Professor Alfred Mica Smith). It was transplanted in memory of Professor Alfred Mica Smith. .3) View of the Ballarat School of Mines Botanical Gardens.2) 'Norfolk Island Pine (Araucaria Excelsa) This tree was in the possession of Miss Jessie Knox Smith, sister of Professor Alfred Mica Smith for 22 years. Transplanted in memory of his long membership Past Students Association"ballarat school of mines botanical gardens, botanical gardens, anniversary, centenary, norfolk island pine, alfred mica smith, jessie knox smith, past students' association, system garden

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decadeBlack and white landscape photograph of Ted Jenkins and two shetland ponies with a white fence and Amess House in the background.Catalogue number written in pencil on reverse. On reverse in pen '1939 Ted Jenkins + the two shetlands. Behind Ted is the chookhouse and then the picket fence hides the vegetable garden. Norfolk pine and house in background'churchill island, ted jenkins

Tree was a landmark during past Christmas and New Year festivities when it was decorated with coloured lights.|Also six other photographs showing various stages of removal of tree.Colour photograph showing the removal of the large Norfolk Island pine tree in the corner of the garden at 12 Roadknight Street, Lakes Entrance, Victoria. township, memorials

A collection of photographs donated by Meg Davis (nee McHaffie) relating to the Lonely Grave site in Ventnor and the McHaffie family.A collection of 8 coloured photographs relating to Capt. Grossard's Grave Site and the McHaffie family. 272-01. Photograph of Fiona McCarthy and Julie Box planting a Norfolk Pine at the Lonely Grave, Grossard Point, Ventnor, Phillip Island 272-02. Photograph of Fiona McCarthy and Meg Davis planting a Norfolk Pine at the Lonely Grave, Grossard Point, Ventnor, Phillip Island 272-03. Photograph of the Lonely Grave Memorial Plaque re Capt Grossard's accidental death. 272-04. Photograph of a Memoral Plaque commemorating the first settlement on Phillip Island by the McHaffie family 272-05. Photograph closeup of the above Memoral Plaque. 272-06. Photograph of the Memorial Plaque of the Gravesite of Capt. W. P. Grossard who died 17th December 1868. 272-07. Photograph closeup of the above. 272-08. Photograph of a brown glazed pot supposed to be from the McHaffie homestead site in Ventnor, Phillip Island.capt grossard, the lonely grave at grossard point, mchaffie family, meg davis, julie box, fiona mccarthy

A group of twenty-two people seated and standing on the Cowes Jetty, which was built in 1870. Trolleys on iron rail were used to convey goods along the Jetty. Slightly obscured by people is the Jetty Shed, built in 1870 and now classified by National Trust. Beyond water and beach are trees and shrubs. One gap mid centre depicting The Isle of Wight Hotel - licensed in 1870 - and a large Norfolk Pine.Group waiting for ferry "Genista" on the Cowes Pier.Waiting for the Steamer on the Pier at Cowes, Phillip Islandlocal history, photographs, jetties, cowes, phillip island, colour tinted from black & white photograph, mary robb

A stretch of the main Street of Cowes, looking towards Westernport Bay. A narrow strip of the Peninsula in the background. Left side of road depicts a group of buildings and Post Office. A Norfolk Pine in the background. On right side of road on footpath are three women and a child. The women are attired in long black dresses and large smart hats. Along side them is a picket fence, shrubby garden and a house. A small child and male figure popping out the gate.Thompson Avenue, CowesMain Street Coweslocal history, photographs, streetscape, cowes, black & white photograph, mary robb

CEMA Art Collection Previously located in History HouseThe painting depicts a double storey bluestone building with a pair of red doors on both storeys. The top storey has a small balcony with black railing. To the right of the building is a single storey wooden building with two water tanks out the front. To the left of the building is a yellow wall and the edge of a tall Norfolk Pine. In the foreground is a grass area with clumps of tall grass. The background is a blue and grey sky. The work has a gold and black frame and exposed canvas.Front: DEB Back: (No inscriptions)