Set of letters written to Brian Cotter of the MMTB or MTA from 1977 to 1987 as either Special Clerk or Operations Project Office thanking him and or others for their work to facilitate tramway arrangements. 1 - Crawford Productions - 16/11/1977 - The Sullivans 2 - ditto - 27/4/1978 3 - ditto - 29/11/1978 - Christmas 4 - ditto 30/5/1980 - The Sullivans - filming a segment on a tram 5 - The film house - 3/6/1980 6 - Crawford Productions 1/7/1982 - The Sullivans 7 - Fresh Flicks - 4/10/1982 - filming a new tram - Connie Snyders, 8 - National Book Council - 30/11/1982 - promotion - inspectors Turnball, Katina, Hawkings, Hornidge and La Rocca 9 - John Sexton Productions - Phar Lap - 10/1/1983 10 - Filmwings - undated 11 - Schofield, Sherbon Baker - 5/8/1983, and Mr McLeod 12 - Aust Broadcasting Commission - 15/12/1983 - "The Young Wife" and Mr Alan Parkins 13 - ditto - 12/7/1984 - "The Fast Lane" and Jack Bevis and Bruce Johnson 14 - Queen Victoria Medical Centre - 15/10/1985 - tram 676 and Mr Bernie Low 15 - ditto - 18/11/1985 - 676 and the Transit Band 16 - Fun Day at Wattle Park - tram 676 and Transit Band - 17/11/1985 17 - MTA - Kevin Shea - 11/11/1985 for 100 year celebrations 18 - Goosey Ltd - 16/9/1986 - filming 19 - Caulfield Festival - 17/12/1986 - for the Peace Tram 20 - Great Southern films - 2/2/1987 - filming for a TV commercial - also Tom Walton, Joe Kausey, Kevin Cooper and Dave Thomas. 21 - USP Needham - 16/10/1985 - TV shoots set of envelopes and cards from Crawford ProductionsDemonstrates thank you letters for assistance by the MMTB for filming for local productions using trams.Set of 20 letters, generally A4 size, one A5 and three envelopes.tramways, mmtb, mta, the met, filming, films, tv broadcasts, crawford producitons

Information folder containing items pertaining to the Nimmo family murders, June 1968. Contents: -transcription of "A Winter's Tale", episode of ABC TV's Australian Story, broadcast Monday, 9th August, 2004 -photo printed out from Australian Cemeteries site, showing grave of Reginald George Nimmo -article, "Six killed in farm shooting", The Age, Monday, 24th June 1968nimmo family, narre warren north, crime

This teacher's aid publication targets the creative and imaginative areas of primary school children's development. It is in a time period at the beginning of television(home intrusion) broadcasts and concentrates on the mental and physical tasks that produce tangible(physical) outcomes. The book concentrates on furthering the students abstract regions of their imagination. This was in a period where physical not electronic flexibility were the target of development. The increase in visual communications both at home and outside the home through social media means has intruded into the fundamentals that is presented in this teacher's aid publication.This publication is significant to both the Alpine and the Kiewa Valley regions because it demonstrates the Victorian State's Educational objectives of this period in time (1960's - 70's). The primary school's educational objectives were to enhance the development of school children's abstract mental abilities. These abilities prompted the mental processes to "think outside of the square" and is one of the major factors behind the development of "new inventions". This ability has produced many "Australian" inventions that have had worldwide applications. This book has a hard cover with photographs of "school" children constructing various "simple" items.Inside cover has a sticker "HALL'S BOOK STORE" and underneath in smaller print "New, Used and Rare Books" underneath this "371 Bourke Street, Melbourne' underneath "262 Chapel Street, Prahran". On the fly leaf is stamped "STATE SCHOOL 4590 BOGONG Vic" and written below "1769" 680 DIM"book, school, mental and physical stimulation, school activities

A recording made by H.R.H. Prince Philip Duke of Edinburgh for Legacy Week in 1973 so that could be broadcast on TV. 1973 was the 50th Anniversary of Legacy. The text of the Prince's television message is: 'This is the 50th Anniversary of the foundation of Legacy which grew from some 14 members in Melbourne to more than 6,000 throughout Australia and now looks after 85,000 widows and 34,000 children of deceased ex-servicemen. This is a remarkable achievement and I think that Legacy is well known all over Australia for the very valuable work which it does for the widows of ex-servicemen and their children. I think that people have gone off to war and they have sacrificed themselves for things they believe in but they are always anxious, most anxious, about the people that they leave behind - their wives and their children. It's possible, of course, to set cup Government organisation to look after them, and to provide for them, but it needs something more than that. It needs the relationship which has gone because the father is no longer there and this is really the purpose of Legacy - to provide that essential personal element in looking after the widows of the men who went off to war and their children. I would like to congratulate Legacy on continuing this very fine work for 50 years and I hope that it will go on to do as well in the next 50 years.'A record that the 50th Anniversary was a significant milestone and the occasion was marked by a broadcast by Prince Philip.White cardboard box with the Klarion Enterprises logo containing a spool of video tape and a sheet of yellow foolscap paper as a media release with the transcript of the recording of Prince Philip for Legacy Week.Label,"Legacy Week" 1973. Message given by H.R.H. Prince Philip Duke of Edinburgh. (In red type) Note: Please DO NOT RELEASE before 6P.M. On Sunday 2/9/73. Thereafter it may be used as frequently as considered appropriate throughout "Legacy Week".golden jubilee, legacy week, legacy promotion

This is an Australian radio licence issued in 1962. Radio licences in Australia were subject to a fee payable to the Commonwealth of Australia from 1923 to 1974. The fee in 1962 was £2-15-0 ($5.50). In the 1970s TV and radio licences could be combined at a cost of about £26 ($52). This licence was issued to a member of the Stasinowsky family who resided in Warrnambool. This item is retained as an example of an Australian radio licence issued locally.This is a buff-coloured piece of paper with a pink edging at the top, printing, a stamp and a handwritten signature. The left edge shows signs of being torn from a pad.A Broadcast Listener’s Licenceradio licences, history of warrnambool

100 Year Anniversary - Sunday Mail - The Great War (Foxtel - History Chanel)100 Year Anniversary - Sunday Mail - The Great War (Foxtel - History Chanel)100 Year Anniversary - Sunday Mail - The Great War (Foxtel - History Chanel)The World Wars History Channel - Sunday Mailadvertising - sunday mail - foxtel history channel pay tv broadcast

Domestic recording of free- to-air TV news bulletin about the Mission to Seafarers from ABC News showed in October 2001. As mentioned in the Ship to Shore 2002, the broadcast brought Ron Reid, great garndson of Hugh Reid to visit the Mission.This type of program brings the attention of the public to the Mission.Black plastic domestic VHS tape in printed-card slip cover, with white sticky label affixed to spine on tape, blue ink handwritten note describing contents. Handwritten tape label: M.T.S 717 FLINDERS STREET / ABC NEWS EXTRACTtelevision news, reporting, flinders street, melbourne, historic buildings, abc news, mission to seafarers, media copy

The first HMV branded store was opened by the Gramophone Company on Oxford Street in 1921, and the HMV name was also used for television and radio sets manufactured from the 1930s onwards. HMV stands for His Master's Voice, the title of a painting by Francis Barraud of the dog Nipper listening to a cylinder phonograph, which was bought by the Gramophone Company in 1899. For advertising purposes this was changed to a wind-up gramophone, and eventually used simply as a silhouette.A green mantel Radio set, 'HMV' , 'Little Nipper' c1930. The 4 tuning knobs are white, - one is missing - , the grill is white and the flex and plug are complete. Front ; HMV 'trade mark' ( dog with a cylinder phonograph' ) / " Little Nipper" hmv, his master's voice radio, gramaphones, radio broadcasts, early settlers, pioneers, market gardeners, moorabbin, cheltenham, bentleigh, london england, little nipper painting, mr biehl, barraud francis

Collection of various radio and TV licences (held mostly by C S & I V Dawe (Cotham Rd, Kew) and one by Milton Kijng, Olinda St, Bendigo. a.: Broadcast Listener's licence Radio 1962; b. as for a. but for 1963; c.: as for a., but 1964; d; as for a. but for 1965; e.:Television Viewer's Licence, 1964; f. as for e. but 1965; g.: Combined Receiving Licence (TV and Radio) 1967; h.: as for g. but for 1969; i. :Broadcast Listener's Licence, also 1965.document, certificate, radio and tv licences

2 cards Broadcast Listener's Licence in the name of Ms. L. Prout. Licence Number: 1410153. the first with expiry of 18/07/1962 the second expiry 18/07/1963. The fee is 2 pounds and 15 shillings.organization, public utility, television

Robin Boyd was involved in creating several television programmes, as author and presenter. 'Design in Australia' was an eight part series for the ABC television series 'University of the Air'. (Items D184-D193 contain all the manuscripts except part six titled 'Communications'.) In Part 1, Boyd discusses the general framework of the series in which the relationship between an Australian identity and a homogenising cultural force reinforced by technology and mass production is explored. Boyd questions the wholesale acceptance of imported ideas and goods, and instead advocates a critical examination of the Australian design culture, a search of an originality that does not fall into the myths of bush values.This is a draft script for the ABC television program 'University of the Air', subtitled 'Design in Australia', broadcast in 1965. Item D191 is the revised version.Typewritten (c copy), foolscap, 12 pagesuniversity of the air, design in australia, robin boyd, australian design, nationality, national style, manuscript

Robin Boyd was involved in creating several TV series for the ABC University of the Air. 'Design in Australia' was an eight part series. (Items D184-D193 contain all the manuscripts except part six titled 'Communications'.) In Part 2, through a brief discussion of the history of Australian houses, both urban and rural, Boyd points out distinct Australian qualities that differentiate the domestic houses from their European and American origins. Boyd believes that the Australian suburban villa is authentically vernacular in the sense of social phenomenon.This is a draft script for the ABC television program 'University of the Air', subtitled 'Design in Australia', broadcast in 1965.Typewritten (c copy), foolscap, 16 pagesuniversity of the air, design in australia, robin boyd, private home, homesteads, australian home, suburban villa, vernacular, manuscript

Robin Boyd was involved in creating several TV series for the ABC University of the Air. 'Design in Australia' was an eight part series. (Items D184-D193 contain all the manuscripts except part six titled 'Communications'.) In Part 3, seeing successful and original industrial designs from other countries, Boyd reflects on the standard and production capacity of the Australian manufacturing industry. He urges the industry to take up the responsibility of invention and to design in a stronger and more permanent Australian artistic style, in contrary to mere imitation and importation. (Same content as D192, differing side notes on left side of pages)This is a draft script for the ABC television program 'University of the Air', subtitled 'Design in Australia', broadcast in 1965.Typewritten (c copy), foolscap, 16 pages (compared to D192, 11 pages)university of the air, design in australia, robin boyd, industrial design, australian manufacture, colin barrie, the industrial design council of australia, manuscript

Robin Boyd was involved in creating several TV series for the ABC University of the Air. 'Design in Australia' was an eight part series. (Items D184-D193 contain all the manuscripts except part six titled 'Communications'.) In Part 4, despite various directions in the search of an Australian architecture, Boyd believes that a genuine national style should be grasped in the sculptural and spatial qualities of the buildings rather than iconography or climate-driven designs since Australia has diverse geological condition.This is a draft script for the ABC television program 'University of the Air', subtitled 'Design in Australia', broadcast in 1965.Typewritten (c copy), pencil edits, foolscap, 14 pagesRobin Boyd's handwriting, on top right.university of the air, design in australia, robin boyd, australian style, john sulman, hardy wilson, leslie wilkinson, local idiom, manuscript

Robin Boyd was involved in creating several TV series for the ABC University of the Air. 'Design in Australia' was an eight part series. (Items D184-D193 contain all the manuscripts except part six titled 'Communications'.) In Part 5, Boyd identifies three styles of interior decoration in Australia. The first, Exhibit A is directly influenced by the fashions of Paris, London and New York and does not integrate the interior with the exterior. Exhibit B is the Australian architectural style of the 1960s. Exhibit C is characterised by practical, cheerful and easy to clean up interior fittings based on colourful plastics. Boyd refers to this style as "Australian pop art". He continues by explaining why Exhibit C came to be the preferred Australian style over Exhibit B. He suggests that the Australian public is ill-informed and misguided, ultimately concluding that Australian interior design reflects the public's lack of taste. (Same content as item D193, differing side notes on left side of pages)This is a draft script for the ABC television program 'University of the Air', subtitled 'Design in Australia', broadcast in 1965.Typewritten (c copy), foolscap, 15 pages (compared to D193, 11 pages) (Two copies)One copy has crisper letters typed over on pages 1 and 5.university of the air, design in australia, australian style, interior decoration in australia, frederick ward, lester bunbury, frances burke, grant featherston, modernage fabrics, manuscript

Robin Boyd was involved in creating several TV series for the ABC University of the Air. 'Design in Australia' was an eight part series. (Items D184-D193 contain all the manuscripts except part six titled 'Communications'.) In Part 7, Boyd begins by discussing the difference in cities, including age, population density and colours across Australia, Europe and America. Boyd discusses individual streets compared to the whole city and how the two are ultimately different and unique. He remarks that in Australia, the word 'city' is used to mean the whole 'complex' of city and suburbs, "a pattern reflecting free personal spending and yet a tight public purse". Boyd references Canberra as the Australian domestic dream come true. "Canberra is genuine Australian". He notes that the making of cities is not just a question of money. It's a question of priorities.This is a draft script for the ABC television program 'University of the Air', subtitled 'Design in Australia', broadcast in 1965.Typewritten (c copy), foolscap, 13 pagesuniversity of the air, design in australia, robin boyd, town planning, zoning, canberra, brasilia, punjab, cities, suburbs, manuscript

Robin Boyd was involved in creating several TV series for the ABC University of the Air. 'Design in Australia' was an eight part series. (Items D184-D193 contain all the manuscripts except part six titled 'Communications'.) In part 8, Boyd concludes his lecture with an overview of the state of Australian design. Boyd points to the uniqueness of Australia's natural landscapes and asks a series of pointed questions, implying that Australian design does not reflect or match up to its context. In Boyd's view, Australia now produces world-class designers, but lacks a world-class design culture, leading the best professionals to leave for the US or UK. Boyd concludes by arguing that Australian design culture can be developed into something both connected to the rest of the world and still uniquely Australian.This is a draft script for the ABC television program 'University of the Air', subtitled 'Design in Australia', broadcast in 1965.Typewritten (c copy), foolscap, 12 pagesInscription in pencil on p.8 - "good ideas (Kings + fountain)"university of the air, design in australia, robin boyd, henry lawson, d.h. lawrence, kangaroo novel, canberra, manuscript

Robin Boyd was involved in creating several TV series for the ABC University of the Air. 'Design in Australia' was an eight part series. (Items D184-D193 contain all the manuscripts except part six titled 'Communications'.) In part 1, Boyd discusses the general framework of the series in which the relationship between an Australian identity and a homogenising cultural force, reinforced by technology and mass production, is explored. Boyd questions the wholesale acceptance of imported ideas and goods, and instead advocates a critical examination of the Australian design culture, a search of an originality that does not fall into the myths of bush values. (Same content as item D184, differing Video cues of LHS of page.)This is a script for the ABC television program 'University of the Air', subtitled 'Design in Australia', broadcast in 1965. Item D184 is the draft version.Typewritten (c copy), foolscap, 9 pagesuniversity of the air, design in australia, robin boyd, australian design, nationality, national style, manuscript, ohm2022, ohm2022_30

Robin Boyd was involved in creating several TV series for the ABC University of the Air. 'Design in Australia' was an eight part series. (Items D184-D193 contain all the manuscripts except part six titled 'Communications'.) In Part 3, seeing successful and original industrial designs from other countries, Boyd reflects on the standard and production capacity of the Australian manufacturing industry. He urges the industry to take up the responsibility of invention and to design in a stronger and more permanent Australian artistic style, in contrary to mere imitation and importation. (Same content as item D186, differing side notes on left side of pages)This is a script for the ABC television program 'University of the Air', subtitled 'Design in Australia', broadcast in 1965. Item D186 is the draft version.Typewritten, foolscap, 11 pages, (compared to D186, 16 pages)university of the air, design in australia, robin boyd, industrial design, australian manufacture, colin barrie, the industrial design council of australia, manuscript, ohm2022, ohm2022_30

Robin Boyd was involved in creating several TV series for the ABC University of the Air. 'Design in Australia' was an eight part series. (Items D184-D193 contain all the manuscripts except part six titled 'Communications'.) In Part 5, Boyd identifies three styles of interior decoration in Australia. The first, Exhibit A, is directly influenced by the fashions of Paris, London and New York and does not integrate the interior with the exterior. Exhibit B is the Australian architectural style of the 1960s. Exhibit C is characterised by practical, cheerful and easy to clean up interior fittings based on colourful plastics. Boyd refers to this style as "Australian pop art". He continues by explaining why Exhibit C came to be the preferred Australian style over Exhibit B. He suggests that the Australian public is ill-informed and misguided, ultimately concluding that Australian interior design reflects the public's lack of taste. (Same content as item D188, differing side notes on left side of pages)This is a script for the ABC television program 'University of the Air', subtitled 'Design in Australia', broadcast in 1965. Item D188 is the draft version.Typewritten, foolscap, 11 pages, (compared to D188, 15 pages)university of the air, design in australia, australian style, interior decoration in australia, frederick ward, lester bunbury, frances burke, grant featherston, modernage fabrics, manuscript, ohm2022, ohm2022_30

The 'Opening Instalment' (technically episode 1) of The Flying Dogtor introduces 'The Great Dr Dane', his nemesis Crafty Carson Carpetbag and other characters, including illustrations. *NB: Dr Dane was originally going to be 'Robert Brown Beagle'. Handwritten changes were made to the original typewritten transcript. The Flying Dogtor" series was broadcast on Australian Television Network (later becoming the Seven Network) between February and April 1964 (see item D254 for schedule).Typewritten with handwritten alterations and accompanying drawings, foolscap, 2 pages, will illustrations. 194A (backpage) continues with more hand drawn illustrationsRobin Boyd's drawings for some of the bush children and Flying Dogtor on the back.the flying dogtor, robin boyd, crawford productions, manuscript, ohm2022, ohm2022_4

This transcript outlines the storyline of the final adventure (no. 6) of The Flying Dogtor (The Lake Monster) in 4 chapters, episodes 44-52. The Dogtor is called to the Snowy Mountains Scheme to solve the mystery of a sea-serpent in Lake Eucumbene. After investigations around and under the water, he solves the mystery and is finally awarded suitably in Canberra.The Flying Dogtor" series was broadcast on Australian Television Network (later becoming the Seven Network) between February and April 1964 (see item D254 for schedule).Typewritten, quarto, carbon copy, 14 pagesOn top left 'Robin Boyd script for Flying Dogtor 14 pages' in Penleigh Boyd's handwriting.the flying dogtor, snowy mountains, robin boyd, crawford productions, manuscript

The Flying Dogtor treats Granny Goanna after being bitten by Crafty Carson Carpetbag. Crafty then disappears and the bush children start looking for him while the Dogtor directs them from the air. Polly Possum stumbles into Crafty's hideout and is caught.The Flying Dogtor" series was broadcast on Australian Television Network (later becoming the Seven Network) between February and April 1964 (see item D254 for schedule).Typewritten, carbon copy, foolscap, 3 pagesPage 2, crossed out paragraph top of page for 'Narrator'. Paper tear on top of front page.the flying dogtor, robin boyd, crawford productions, manuscript, ohm2022, ohm2022_4

Polly Possum escapes and runs to Granny Goanna's cottage. The Dogtor holds a conference with the bush children, on how to catch Crafty. In the meantime, Crafty is having his own conference with his nasty friends. The Dogtor leaves to summon the police. Meanwhile, Crafty and friends start a grass fire to drive out the bush children.The Flying Dogtor" series was broadcast on Australian Television Network (later becoming the Seven Network) between February and April 1964 (see item D254 for schedule).Typewritten, carbon copy, foolscap, 4 pages.Page 2, crossed out paragraph top of page for 'Theme'.the flying dogtor, robin boyd, crawford productions, manuscript

Crafty Carson and his nasty friends started a grass fire which started to spread. The flames were raging and the bush children watched in horror. Granny Goanna was unwell and in the homestead. The bush children tried to call the Dogtor but flames had damaged the radio. The fire then reached their store of fireworks and 'Boom!'.The Flying Dogtor" series was broadcast on Australian Television Network (later becoming the Seven Network) between February and April 1964 (see item D254 for schedule).Typewritten, carbon copy, foolscap, 4 pages.Page 2, 'Man' handwritten in between 'Old' and 'Redback'.the flying dogtor, robin boyd, crawford productions

Granny Goanna's homestead was burning. The Dogtor couldn't land his plane. Granny and the children were in despair. The Dogtor finally found a bag of the best 'Scientific & Industrial Research Seed for Rainmaking'. He steered the plane over the clearing, tipped the bag out and hoped for the best...The Flying Dogtor" series was broadcast on Australian Television Network (later becoming the Seven Network) between February and April 1964 (see item D254 for schedule).Typewritten, carbon copy, foolscap, 3 pages.Page 1, 'then' handwritten in between 'badly' and 'they'. Page 2, 'burned' crossed out with pencil and replaced with 'pulled' written in pencil.the flying dogtor, robin boyd, crawford productions, manuscript

The flames closed in on the house and Granny and the children were terrified. But meanwhile, high in the sky above them, exercising his powers in scientific rainmaking, was The Flying Dogtor. The sky was filled with rain and it put out the fire. Crafty Carson Carpetbag and Old Man Redback, with the help of Elvis Evil Eagle, got a hold of the rainmaking powder and schemed to start a flood.The Flying Dogtor" series was broadcast on Australian Television Network (later becoming the Seven Network) between February and April 1964 (see item D254 for schedule).Typewritten, carbon copy, foolscap, 5 pagesthe flying dogtor, robin boyd, crawford productions, manuscript

Crafty Carson Carpetbag, Old Man Redback and Elvis Evil Eagle stole the rainmaking kit from The Flying Dogtor's plane. Elvis Evil Eagle (aka The Bodgie Bird) flew up again and sprinkled the powder into the clouds. The rain started filling the gully and the creek flooded into the homestead. The Flying Dogtor jumped in his plane to confront Elvis Evil Eagle.The Flying Dogtor" series was broadcast on Australian Television Network (later becoming the Seven Network) between February and April 1964 (see item D254 for schedule).Typewritten, carbon copy, foolscap, 2 pagesthe flying dogtor, robin boyd, crawford productions, manuscript

The Flying Dogtor and Elvis Evil Eagle crashed mid air and the Dogtor helped Elvis gain control and rescued him. Thee Dogtor then tried to loosen a pile of logs that were blocking the creek and making the flood worse, but the effort sent his plane into a spin.The Flying Dogtor" series was broadcast on Australian Television Network (later becoming the Seven Network) between February and April 1964 (see item D254 for schedule).Typewritten, carbon copy, foolscap, 3 pagesPage 1: spelling correction, hand writtenthe flying dogtor, robin boyd, crawford productions, manuscript

Elvis resumed pouring the rainmaking powder onto the clouds and the Dogtor could not loosen the logs that were blocking the creek bed. Because the Dogtor had been so nice to Elvis, in the end, Elvis helped the Dogtor dislodge the logs and the flood subsided. But Crafty Carson Carpetbag and Old Man Redback lay waiting, scheming, planning their next nasty surprise.The Flying Dogtor" series was broadcast on Australian Television Network (later becoming the Seven Network) between February and April 1964 (see item D254 for schedule).Typewritten, carbon copy, foolscap, 2 pagesthe flying dogtor, robin boyd, crawford productions, manuscript