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Bendigo Historical Society Inc.
Document - MALONE COLLECTION: GREETING CARD
Malone Collection. Greeting card. Small white card with red & blue flowers And brown border along the top, bottom and right sides. A gold disc with red & blue dots around the top & bottom edges is mounted on a blue pillar with red & gold scrollwork. On the disc is printed a large D printed in red. The D is part of Days many and bright For thee be thy lot, Be it fortune's delight That thou ne'er art forgot. The F & T at the beginning of the lines are printed in blue and the B is printed in red. Some holly at the top and bottom. Given to Miss Malone.person, greeting cards, malone collection, malone collection, greeting card -
Bendigo Historical Society Inc.
Book - HANRO COLLECTION: PHOTO ALBUM
Navy blue covered photo album with a beach scene on the cover. Inside, newspaper articles of a reunion at Hanro on the 28th September, 1985 and two photos of a potted plant with pink flowers. 42 coloured photograph's of Hanro's former employees at the reunion. Two copies of "Hanro News"dated Saturday 28th September. Thank you notes at the back of the Album. Hanro Christmas dance entrée card to be held at the Bendigo City Hall. Past and Present employees of John Brown (Sportscraft) are welcome to join in "The Goodbyes" on Thursday 28th November, factory closing Friday November 29th.photo, group, hanro employees -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: CREAM LACE; FOUR FRILL LAYERED GARMENT TRIM, Early 1900's
Clothing. Beautiful cream, floral, lace - probably linen, 10 cms deep. Each of the four layers of floral lace is overlapping a 3 cm wide, permanently pleated, band of cream silk, which is edged with a narrow 5 mm band of black velvet. The linen lace has a scalloped lower edge alternating five circles .8 cm diameter and four circles 1.2 cm - this edging forms the scalloped effect. Flowing scrolls and leaves fill in between the flowers. Presumably this four frill flounce has been removed from another garment to be recycled.costume, female, four frill layered garment trim -
Bendigo Historical Society Inc.
Accessory - HOSKING AND HUNKIN COLLECTION: GOLD LOCKET, 1900
Object. Oval shaped gold locket on fine gold chain. Inside locket are two locks of hair. Accompanying note states- "22ct Gold c1900 unsure - could be older". One side of locket has embossed flower. Other side has map of Australia. Accompanying note "Gold locket belonged to Emily Lawry (nee Hunkin), grand-daughter of William and Emblen Hosking. Hair in locket is unknown. Emily Lawry born at Nerring near Eaglehawk. Betty Knight is grand-daughter of Emily Lawry. By the time she received the locket her grandmother had died.costume accessories, jewellery, gold locket -
Bendigo Historical Society Inc.
Clothing - FAVALORO COLLECTION: WOMAN'S PINK SLEEVELESS BED JACKET, 1950's
Clothing. Pink silk sleeveless woman's bed jacket. Arm holes trimmed with 2.5 cm coffee coloured lace with bright pink spot. Front opening with V neckline front and back. Front opening and neckline edged with pink spot 10 cm scalloped coffee coloured lace with pink spot. At the back the lace trim dips to a V at centre back.Front fastened at front with a bow of 2.5 cm pink patterned ribbon below neckline. Below the shoulder on each side of the front are sprays of embroidered flowers and ribbon bows in mauve, green and cream.costume, female, woman's pink silk bed jacket -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Sculpture - Staffordshire ceramic figurine of Queen Victoria, with baby, c. 1840
This is believed to be a figurine of Queen Victoria. Staffordshire pottery began to be produced in the 1840s, at the beginning of the reign of Queen Victoria, and the Queen and her family were popular subjects for depiction in pottery.Painted ceramic figurine of a woman holding a baby. The woman is wearing a dark blue dress with gold lapels and a white frilled collar, and a decorative gold pattern at the hem. The woman is also wearing a white bonnet with gold bow at the top and a red flower at the front, white gloves, and yellow slippers. The woman has short, dark coloured hair visible beneath the bonnet, and rosy cheeks. She is seated on a stool and cushion, and is holding a baby on her knee. The baby is dressed in a long white gown, with a hood. Sticker beneath the base of the statue carries the handwritten number '44'. -
Villa Alba Museum
Photograph - Second Bedroom Fireplace, Villa Alba, c.1882
The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. Most rooms in this historically and aesthetically significant house have stone (typically marble) fireplaces that are inset with plain and decorative tiles produced by the company of Mintons Ltd.Born digital photograph of the fireplace in the second bedroom of Villa Alba. The original 1880s white marble mantel, obliquely positioned in the northwest corner of the room (one of two examples in the house) is the most ornate mantel in the first floor bedrooms. The central visual element in the mantel is an upturned conch shell surrounded by stylised foliage and flowers. The two upright carved supports of the mantel are sinuously carved in all almost rococo manner. The mantel is inset with monochrome surround tiles and ornate polychrome glazed tiles in a manner reminiscent of Ottoman Iznik tile work. All of the tiles were produced by Mintons Ltd.fireplaces, mintons, mintons - tiles, villa alba -- second bedroom -
Whitehorse Historical Society Inc.
Clothing - Male Suit
The donor purchased this suit from a small town in the Adelaide Hill, to wear at a classic Car Rally and to go with his 1935 Buick. It was worn at the Adelaide, Noosa, Bribie Island, Tasmania and Victoria Classic Car Rallies.This outfit won The Best Dressed Male at the RACV Great Australian Rally 1999. The owner has since moved into a retirement village and sold his Buick.Navy blue pin stripe double breasted three piece suit. Trousers lined. Waistband has six buttons for braces. Four buttonhole fly front. Leg is 30cm wide with a turn up cuff 4cm. Matching waistcoat is lined and has 6 buttons. Coat fully lined, also has six buttons and a flower button hole. There are two inside pockets and two outside pockets. One white shirt. One white tie and one navy blue striped tie. One black velour trilby hat with white hat band.costume accessories, male -
Tennis Australia
Racquet, Circa 1955
A tilt-head Grays Cambridge Real tennis racquet. Solid convex throat. Square finely grooved handle. Cloth tape reinforcing around crown. Manufacturer name and emblem as decals across throat on obverse. Inscription on right side of shaft: MADE IN ENGLAND. Inscription on left side of shaft: FRAME ONLY MADE/BY/GRAYS OF CAMBRIDGE. Symbol on throat on reverse depicting crossed tennis racquets, a flower and crown and the numbers 15 and 30. On shaft on reverse inscription: STRUNG BY L.W.R. KEEBLE/HAMPTON COURT. Materials: Wood, Lacquer, Metal, Glue, Gut, Ink, Cloth tapetennis -
Ballarat Tramway Museum
Photograph - Black and White photograph/s - mounted, State Electricity Commission of Victoria (SECV), 1939
Yields information about the tram decorated for the Ballarat Floral Festival of 1939. Original print of this photograph.Mounted photograph on black light weight card, of the Ballarat (SEC 1st) No. 29 decorated for the 1939 Floral festival. Paper flowers made by the wives of the tramway staff members. Photographed at depot junction. See also Reg. item 1369 for another photograph of the tram at the Depot. Tram showing "SPECIAL". On lower edge white label in ink "Decorated Tram Car. Ballarat Floral Festival. 1939". On rear of sheet has label "Official Switching on - Learmonth". Photo glued to sheet. See Reg Items 1363 for larger prints of these photographs for further details of this photograph.trams, tramways, secv, illuminated trams, decorated trams, floral tram, tram 29 -
Kew Historical Society Inc
Photograph - Ceiling fresco, Ballroom, ‘Southesk’, Cotham Road, Stewart West, 1970
Colour enlargement of a photograph (slide) of Southesk (formerly Ordsall) in Cotham Road, Kew (demolished 1970).The ceilings of and architraves of Ordsall were painted by artists employed by the decorating company, Cullis Hill & Co. The frescos, of which fragments survive, were some of the most important murals used as elements of interior decoration in Melbourne during the Boom Period of the 1880s. These photographs were taken immediately prior to the demolition of the house, and are the best examples of the murals.Notwithstanding its grand Italianate façade, the most important aspect of Southesk (formerly ‘Ordsall’) were the murals in the front two rooms. An article in the Melbourne Argus in 1882 records that Mr Vandenbrandt and Signor Rizzi created these under the supervision of Cullis Hill. This fresco from the ceiling of the ballroom depicts ‘Night, represented by a female figure in a diaphanous garment, skirted with flowers, wafted before the approaching dawn into space illuminated by the moonlight, and peopled by the fairies, is a striking picture. Flying with her are an attendant Cupid bearing an artificial light, and a tired little votary of Bacchus with a reversed wine-pitcher and goblet’.david carnegie, john halfey, southesk - cotham road - kew (vic), ordsall - cotham road - kew (vic) -
Brighton Historical Society
Clothing - Dress, Evening dress, c. 1909
This evening dress belonged to Clara Johnstone Miller (nee Bell, 1866-1910). Clara was the only daughter of Mr James Bell, a councillor of the Shire of Leigh (today a part of Golden Plains Shire) and owner of Woolbrook Homestead in Teesdale, near Geelong. In 1888, Clara married prominent businessman, racehorse owner, racing identity and pastoralist Septimus Miller (1854-1925). Septimus was the sixth of seven children born to Henry 'Money' Miller and Eliza Miller (nee Mattinson). 'Money' Miller was a well known financier and politician and reputedly one of Australia's wealthiest people in his time. In 1889, Clara and Septimus moved into the house 'Cantala' in Dandenong Road, Caulfield. They had one child, Gwendoline Stewart Miller, who died in 1902 at the age of thirteen of diabetes - a largely untreatable condition at the time (insulin would not be discovered until 1921). Clara died in 1910, aged only 44. Septimus subsequently married Helen (nee Henderson), with whom he had a son, Ronald (1915-1990). The Millers were buried in the Brighton General Cemetery in a large Gothic-style vault. Upon Clara's death, Septimus sent much of her clothing and Gwendoline's to her mother Mary Bell. Some of these items were passed down to two of Clara's nieces, Miss Mary Bell and Mrs Lois Lillies, who donated them to BHS around 1973.A yellow and lime green silk and net evening dress from c.1909. The bodice is constructed of a golden silk satin with an over bodice of a very soft gold net with soft gold and lime green embroidery decorated with flower and bow motif's. The neckline is bateau like in shape with the edge following the flowers of the lace design. The bodice is sleeveless with a loose detached cap that hangs down over the top of the arm with a lace covering. The under fabric of the bodice is shaped and lightly boned but the over lace is looser, nipping in at the waist where it joins the skirt. At the back, the bodice neckline scoops lower than the front with the lace overlay creating a v shape at the centre back. The bodice is secured with hooks and eyes and waist tapes. The skirt is flat fronted and floor length consisting of the same golden yellow silk with soft gold and lime green embroidered net over skirt. The lace net over skirt features larger motifs and greater embellishment towards the bottom of the skirt. The lace over lay also has an edge that follows the design of the lace rather than a straight edge. At the back the underskirt is flat and shaped but the over skirt is lightly gathered and loose hanging. The skirt finishes in a full skirt and a rounded, small train.woolbrook, septimus miller, cantala, henry 'money' miller, gwendoline miller, clara miller, 1900s fashion, caulfield, brighton general cemetery -
Mission to Seafarers Victoria
Book (Item) - Scrapbook, David Hood Duncan, Album, 1850-1900
This scrapbook contains newspaper cuttings, hand written poems and quotes from friends and family members and pressed flowers and ferns. Entries were made in the mid 1800s to early 1900s and relate to Duncan family history. The initials suggest this is Lillie and Olive's father, David Hood Duncan, who created this scrapbook. David Hood Duncan married Ada Blanche Thomson (1861-1928) on 25 November 1896. Ada was the daughter of John Gilmour Thomson (1829-1905) from Moonee Ponds and Hannah Davies (1834-1890) Their first daughter, Lillie, was born on 15 October 1897 in Woodland, South Gippsland where he was a farmer. In 1908, 1910, 1911, 1913, Lillie Duncan sent letters to Patience from the Young Folk section of the Australian. She was writing from Woodlea, Cathkin, where they had moved as there was no school in South Gippsland. They moved to 11 Paxton Street, East Malvern when David retired. He was leasing a farm, Kia Ora, in Koo Wee Rup, the South Gippsland. Ada Blanche died on 28 December 1928. David died on 24 May 1942.This is an album of social and historic significance, being part of a sub-collection of material that provides a snapshot of the type of individuals and families involved in the Ladies Harbour Lights Guild and the activities carried out by that organisation.Decoratively embossed word on front cover : "ALBUM" . Inner pages: Handwritten in various inks throughout are poems and quotes. Two unidentified initials followed by Duncan name on the inside page. duncan, poems, quotes, newspaper cuttings, albums, scrapbooks, lillie duncan, olive duncan, poetry, ferns, plants, david hood duncan, ada blanche duncan (nee thomson), epistolary -
Eltham District Historical Society Inc
Book, Eltham Cemetery Trust, Our Eltham: Artistic Recollections, Eltham Cemetery Trust 2017, Eltham, Sep 2017
Pictorial guide to the artwork Our Eltham, a collection of 31 panels celebrating life in the Shire that were collaboratively created by artist Nerina Lascelles and ceramicist, Linda Detoma and commissioned by the Eltham Cemetery Trust. Our Eltham Artistic Recollections is a collection of panels that was commissioned by the Eltham Cemetery Trust as part of its vision to offer the community a fresh and unique relationship to the Cemetery. 31 panels were produced depicting historical images of Eltham and the nearby area with images of indigenous flowers and plants. A majority of the images were provided to the collaborating artists in digital form by Yarra Plenty Regional Library in partnership with Eltham District Historical Society who holds the significant Shire of Eltham Pioneers Photograph collection in partnership. EDHS and YPRL staff (Local and Family History Librarian) provided advice on which images to use and also provided assistance with the provision of information and editing services for this booklet, which is also available electronically. The collection of panels was collaboratively created by artist Nerica Lascelles and ceramicist Linda Detoma. The project was designed and constructed by Leigh Wykes with Australian stone and Ironwork by Neil Carter. The panels were unveiled on September 21, 2017Artworks were based on images supplied by Eltham District Historical Society in partnership with Yarra Plenty RegionalLibrarySoftcover booklet; approx 66 pages, 20 x 15 cmnerina lascelles, linda detoma, eltham cemetery, artists, art works -
Mt Dandenong & District Historical Society Inc.
Photograph
The photograph is from the album of Ivy May Child. It shows a view across the holding of Walter Jeeves. Walter was the second son of Ellis Jeeves and grandson of Isaac Jeeves, the pioneer. Walter was given the house 'Kalorama' and 20 acres of lnd - most of it sloping. He established a commercial garden, initially growing vegetables but later flowers and shrubs. This land now forms part of Kalorama Park. The building in the photograph is the Kalorama Homestead with shrubs and trees planted in rows on the sloping site. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Most of these are glued into her photo album. The album covered the years from c1927 – 1932. Ivy married Henry William Burgess (1906 – 1968) in 1944. The photographs remain in their original state in the album with individual copies made. Black and white photograph with a large gum tree in the foreground, a sloping area of cleared, cultivated land and homestead in the centre and a forested area in the distance.An inscription below the photograph in the album reads: W. JEEVESwalter jeeves, jeeves, kalorama homestead, kalorama park -
Bacchus Marsh & District Historical Society
Painting, Portrait of Thomas Manly, 1930
Thomas Manly was a well-known resident of Bacchus Marsh. Born at Rowsley in 1863, Mr. Manly was a grandson in a family who had been in the service of the Greene family at "Greystones" from the time of its arrival in Victoria. The woolsheds at "Greystones" were built by deceased's grandfather, who also conducted a jeweller's shop at Rowsley. Like his forebears, Mr. Thomas Manly entered the service at "Greystones" and later worked for Messrs. Chomley and Boyd at "Glenmore." After his marriage to Miss Mary Johnston, whose mother arrived as an infant in Bacchus Marsh as early as 1839, Mr. Manly took up residence in the Main Street, Bacchus Marsh, where he has lived ever since. Deceased was a great walker, and mostly walked to his work, both at Rowsley and for the past 27 years to the Darley brickworks. Never a prominent man in public affairs, he was essentially a home-lover, and adopted horticulture as his hobby, gaining many prizes for both flowers and lucerne. Text for this description taken from the obituary for Thomas Manly in the Bacchus Marsh Express, 26 June, 1937, page 3, column 2.A framed painting based on a 1930 photograph of Tom Manly.'Heirloom' inscribed at the bottom right hand corner of the paintingthomas manly 1863-1937, bacchus marsh and district biographies -
Melbourne Legacy
Photograph, Tyne Cot Cemetery, Passchedale. Photo L. Duhameeuw, Ypres, 1930
A photo of the Tyne Cot Cemetery in Passchendale dated September 24, 1930. It appears to be a professional photograph purchased as a souvenir. See also 01024 Menin Gate, Ypres, as it is by the same manufacturer. The Tyne Cot Commonwealth War Graves Cemetery and Memorial to the Missing is a Commonwealth War Graves Commission (CWGC) burial ground for the dead of the First World War in the Ypres Salient on the Western Front (source Wikipedia). The hand written inscription on the back of the photo says: "This memorial in Cemetery was built over a German dugout. 12,000 men are buried here. Stone wall at back has soldiers names engraved on same. Those unknown - words in stone 'Australian Soldier of the Great War Known unto God.' Australians captured Passchendale from the Germans Oct 4th 1917. Beautiful cemetery, all well kept, gardens, lawns, flowers. Ypres, Belgium Sept 24/30" The source of these photos is not known but they were stored together in the archives. The founders of Legacy were returned servicemen from the first world war and may have returned to France in the 1930s. Manufactured by L. Duhameeuw, Ypres.The professional photos from France imply that Legatees were making pilgrimages to the battlefields of France in the 1930s in memory of their comrades.Black and white photo of Tyne Cot Cemetery, Passchendale, France.Indistinct round stamp on the back and a handwritten message.world war one, souvenir, cemetery, memorial -
Melbourne Legacy
Document, Enez Domec-Carre
Items are part of a collection of Legacy items from Valma Hutchinson (nee Wigg), a former junior legatee. Valma was accepted into Junior Legacy club in 1940 when she was about 10 years old. She had collected the newspaper clippings of notices in the newspapers for Miss Carre's 90th birthday and also her death notices. The sentiments expressed show how much she was respected by the former Junior Legacy girls. The photocopy includes a picture of 90th birthday celebrations for Miss Carre at Legacy house. A copy of the photo of the girls at Mt Evelyn camp had already been received from Valma Hutchinson (nee Wigg) and is at 01437. It is mentioned that she and her good friend June were in the photo and would have been 16 at the time. Miss Carre is also seen, seated wearing red, in the photo of L/- Grattan's 100th. More photos of Legatee Grattan's 100th are at 00964. A note sent to Legacy with the items mentions Legatee Grattan walked Valma down the aisle at her wedding and that Valma and her daughter would frequently put flowers on his plot in Springvale cemetery.An example of the long term friendship of Junior Legatees that they attend reunions and stay in contact. Also of their esteem for former Girls' Class trainer, Miss Carre and their appointed Legatee.Photocopy of items about Miss Carre, a photo of Legatee Grattan's 100th celebrations and a photo of a Girls Camp at Mt Evelyn in 1946. Also copies of the letter that accompanied the items donated and Legacy's reply letter.01719.2 Photo has 'Legacy Girls Camp at Mount Evelyn May 1946' on reverse in black pen. 01719.3 Photo has 'Legatee Grattan 100th birthday at Legacy House Melb. 20.9.1994' on reverse in blue penjunior legatee, girls' classes -
Orbost & District Historical Society
visitor books, 1987 -1989
These books were used at the Slab Hut (Orbost Visitor Information Centre) as visitor sign in books. Orbost. This slab hut was built in 1872 as a family dwelling on a site about 3 km upstream from the junction of the Buchan and Snowy Rivers about 40 kms from Orbost on the Yalmy Rd. No nails were used in the construction; it was all wired together. After a period in storage the slab hut was opened in its present location in Orbost as the Information Centre in 1987. The Slab Hut is an Orbost icon.Five books used by the Slab Hut (Orbost Visitor Information Centre) as visitor sign in books. 2467.1 has a green cover with "Visitors" in gold print and is dated 28.3.87 - 6.7.87. 2467.2 has a black cover with a gold border and "Visitors" in gold print. It is dated 11.6.87 - 3.11.89. 2467.3 has a black cover with red corners and spine. 2467.4 has pink and red flowers on a black background and is dated Sept 93 - 9.3.98. 2467.5 is a Children's Visitor Book and has a white cover with gold print. It is dated 9.4.87 -23.7.89. All contain handwritten comments, details of visitors to the Orbost Visitor Information Centre.2467.1 - Inside front cover - OFFICIALLY OPENED 28.3.1987 by VIC. GOVERNOR DAVIS McCAUGHEY 2467.2 - label on spine - VISITOR BOOK 2 inside a circle. 2467.3 - label on front - VISITORS ; label on spine - dates Feb 89 - Sep 93 2467.4 - label on front - VISITOR'S BOOK Sept 93 -9.3.98 tourissm slab-hut orbost-visitor-information-centre -
Warrnambool and District Historical Society Inc.
Accessory - Umbrellas, Early 20th Century
These umbrellas are typical of the ones women would have used early in the 20th Century. It was important to keep the rain from damaging their clothing as washing facilities were limited. .These umbrellas are charming and retained for display purposes..1 An umbrella with a wire frame and a wooden handle. The frame is tipped with ivory coloured composite material. The handle has a red tassel. The covering is a multi coloured cloth with a pink edge. The inner section has a cream background with pink and light brown leaves, branches and flowers. The outside is faded. .2 An umbrella with a black wire frame and a wooden handle. There are tips on the end of the frame. The handle is varnished and ornamented red and black. It has a string tassel in red, white and blue and a corded wrist band. There is writing on the frame. The covering is corded rep with a multi-coloured floral pattern and has a faded, wide navy edging..2 BRITISH MADEumbrellas, vintage clothing -
Warrnambool and District Historical Society Inc.
Garment, Dress coat
This opera coat was made for Louisa Jane Cam, nee Rust, born 24/6/1873. Her parents were John Rust born in Hamburg, Germany and Jane Mc Meekin from Port Patrick, Scotland. In 1892 Louisa married John Cam the director of the Hawthorn Brick Company. It is understood Louisa wore the coat to the opening of the first Federal Parliament in the Exhibition Buildings in Melbourne in 1901.This item being an early nineteenth century opera coat has aesthetic interest. It is also important because of its provenance being worn by Louisa Cam at a significant event in Australia's history.A three quarter length Mandarin styled gold threaded brocade, lined coat dress with long sleeves. The fabric is black with gold patterns of leaves and circles. Large circles feature gold, red, yellow, pale and dark blue flower like images surrounded by gold fringes. The yolk section finishes with a small pleat over the flared bottom section. Edging around the neck is black lace. It is understood a fur collar was previously in place. The cuffs of the sleeves are pleated and have a wide frill above the pleating. The lining is pale blue silk . At the end of the sleeves the lining has hand ruched binding. Nil -
Warrnambool and District Historical Society Inc.
Book, Good Words, 1882
This book, edited by Donald MacLeod, was given in 1883 as a prize to Annie Egerton by the Rev. W.H. Scott for Bible Knowledge. Annie Egerton was a pupil at the Allansford State School. John Jones was the Head Master at this school from 1867 to 1891. The school was opened in December 1856 as a National School and is still operating. No other details concerning Annie Egerton have been found.This book is of importance as it is a 19th century book given as a prize to a pupil of the Allansford School in 1883 for her Bible knowledge. It is particularly interesting that a prize for religious knowledge was given in the 1880s to a pupil at a secular State School. It is also interesting to note the type of book given to a primary school girl in the 19th century – a book with strong moral overtones and some heavy instructional articles. This is a hard cover book of 836 pages. It has a dark green and black cover patterned with an ornamental pattern and gold lettering contained within a square box on both the cover and the spine. The inside front and back pages have a mottled green flower pattern. The edges of the pages have a gilt finish. The book has a bookplate on the inside cover and the book contains an Index of Contents, short stories, articles on various topics and an Index of Authors. There are many black and white illustrations and sketches throughout the text. The first illustration has a piece of tissue paper in front of it. The cover is a little frayed at the edges and somewhat blotched. ‘Allansford State School No.3, 1st Prize given by the Rev. W. H. Scott awarded to Annie Egerton, Bible Class, Senior Division, for Bible Knowledge, 21st December 1883, J.E. Jones Head Teacher’. allansford state school, education in the warrnambool area, annie egerton, john jones, rev. w. h. scott -
Bendigo Historical Society Inc.
Newspaper - JENNY FOLEY COLLECTION: BELLE OF THE BALL
Bendigo Advertiser ''The way we were'' from Tuesday, March 25, 2003. Belle of the ball: on July 11, 1946, these women took part in a debutante ball at the Inglewood town Hall. From left to right, they are: (back row) Jean Stagg, Phyllis Wodetzki, Theresa Daniel, Marie Bourke, Claire Wilson, Merle Ashworth, Betty Sanderson, Lily Smith, Mavis Johns. Front row: Jean Bradley, Dorothy Howard, Laura di Nuzzo (chaperone) the mayoress Mrs Rochester, Edna Wilson and Rita Mooney. Seated at the front are flower girls Joan and Val Scanlon. The clip is in a folder.newspaper, bendigo advertiser, the way we were -
Bendigo Historical Society Inc.
Photograph - GROUP PHOTO OUTSIDE EAGLEHAWK TOWN HALL, 1920's ?
Black and white wide screen photo: large group of people standing in front of and on steps of, Eaglehawk Town Hall, including men, women and children of all ages. On RH side of photo, visible behind group is a fairground ride, with chains and seats. In centre of photo, man in mayoral robes ( ? ) with three women on LH side of man carrying posies of flowers. On rear of mount,' K.J.G. Biggs, Health Inspector ' stamped on top LH side. ' Mrs. W. Pithie, 54 Church St., Eaglehawk' written in biro on LH side. Stamp ' Elsie M. Dicker, Photographer, 10 Armadale St., Northcote'Elsie M. Dicker, Photographer, 10 Armadale St., Northcote.place, eaglehawk, eaglehawk town hall -
Bendigo Historical Society Inc.
Document - MALONE COLLECTION: GREETING CARDS, 29/1/1910
Coloured picture of a bride and groom in a garden house. The bride is wearing a long sleeve, long gown and veil and carrying a bouquet of white flowers with green leaves. The groom is wearing a long black coat, grey trousers with white shirt & waistcoat with gold chain. He is carrying a top hat. A girl, dressed in a blue dress is throwing pink petals before the couple. There are people following the bride & groom. In the background is a lake with a sailing boat on it. At the top is printed 'Horner's Penny Stories 'River of Life' Series No 3. 29. 1. 1910. On the back is written in ink - MP 276. The picture is titled 'The Wedding Morn'.MP276personal effects, greeting cards, malone collection, malone collection, greeting cards, horner's penny stories 'river of life' series no 4 -
Bendigo Historical Society Inc.
Document - MALONE COLLECTION: GREETING CARDS
Document. Greeting Cards. Small whitish tri-fold card with olive coloured printing. The top fold is cut on an angle. It has Xmas Greetings printed on it. The under fold has 'Home, Sweet Home Xmas Card' printed on it. On the back is printed 'The Old, Old Wish: A Merry Xmas and A happy New Year'. All three pieces have a printed border and decoration in the corners. When the card is opended out, it has the same borders on a pale green background. It has 'Shamrocks from Erin' printed under some dried leaves & flowers. On the other side is a poem 'Home! Sweet Home! By T. H. Payne.E & L Haliday Belfastperson, individual, greeting card, malone collection, greeting cards -
Bendigo Historical Society Inc.
Document - MALONE COLLECTION: GREETING CARDS
Document, Greeting Cards. Single whitish card wirh ripple cut edge. In the top left corner is a coloured scene with a house on the edge of a lake. Below this is a branch of pink flowers. In the top right corner is printed in gold: Motto for the Year. Below is printed 'Learn to do ?ell.' Isiah 1.17. Capital L is red at the top and yellow lower down. All the rest of the letters are brown with a pale grey shadow. Along the bottom, starting from the left is: London: The Sunday School Union, Ludgate Hill. Over to the right is: Printed in Germany. Surface of card is lightly stippled. Written on the back: with love from Lieut Harewood.person, greeting cards, malone collection, malone collection, greeting cards, lieut harewood -
Bendigo Historical Society Inc.
Book - ALICE ABSALOM POSTCARD COLLECTION: ALBUM, 1905 - 1911
Postcard Albums of Alice Absalom Red book with painted red and blue flowers surrounding a stylized letter "P". on front cover. 13 postcards. 22 pages. 1408.1 - 1408.13. Inscribed inside front cover "From Mother. To Alice Wishing you many happy returns of the day. 1907". Alice Ann ABSALOM Born: Eaglehawk 1889; daughter of Ferdinand Henry Absalom & Sarah Ann Borseri Married: In Victoria in 1912, James Ernest Watson Lived: In 1912, Lester Street Eaglehawk; In 1963, Marong Died: Bendigo 8 February 1966 Buried: Eaglehawk Cemetery Postcards stored in Folder 87postcard -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: LACE COLLAR, Late1800-early 1900's
Clothing. Beautiful cream lace in a deep curve (which possibly may have been the front or back) extending over the shoulders, into two long peaks- possibly a deep, V neckline. The lace has diamond shapes, woven in groups of four in a larger diamond shape, and also in a Maltese Cross type grouping. These appear to be ''fillers'' between circular shapes, 6 cm in diameter, of four-petalled flowers''. The outer edge has a scalloped effect, each with a Maltese Cross'' type filler. Possibly Brussells Lace. Two matching silk handkerchief Number 11414.30, No.1 of 6, No.2 of 6.costume accessories, female, lace collar -
Bendigo Historical Society Inc.
Photograph - PHOTOGRAPH: FEMALE
Photograph of a lady in a frame surrounded by blue and blue and white Forget-me-nots with yellow green and orange leaves. The background is of small white tiles. The photo is oval and trimmed with a small gold metal rope.. The back of the photo is gold with a gold wire support. there are three gold clasps keeping the picture in place also the number 1049 is in texta on the left bottom. The lady has dark hair parted in the center, she is sitting with her right arm resting on a bench. She has a dark blouse with a flower at the neck, a long chain hangs from her neck which has an ornament at the end. The shirt is of a lighter material.person, individual, female