Showing 4662 items
matching hats
-
Kew Historical Society Inc
Photograph - Bush track near Cockatoo, c.1926
Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. Digital copy of a photograph from page 28 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. John Chapman has written in 'Bushwalking Clubs - A Brief History', about the establishment in Victoria of the first bushwalking club in 1888, and the popularisation of bushwalking during the interwar period. Henry Christian's 'walks' appear to have been undertaken solely or with a companion/s. This photo was taken on a trip trip between Cockatoo and Gembrook in Victoria and shows a man standing on a bush track to the left of the photo. He is wearing a suit, shirt and tie and hat."Cockatoo & Gembrook [illegible]henry beater christian (1886-1962), landscape photography, christian-washfold collection, photograph albums, bushwalking, cockatoo, gembrook -
Surrey Hills Historical Society Collection
Photograph, Everton Grove, Surrey Hills c 1925, 1925
The date is approximate.Black and white photo of a large eucalyptus tree which appears to have had its canopy pruned. A woman in a cloche hat, identified as Mrs Mabel Carter, is leaning against it as if reading. In the background is a paling fence, beyond which is a weatherboard house and (?) a later brick house. The area between the foreground and the paling fence is roughly grassed without a footpath. About 10 feet up the trunk of the tree a wooden sign can just be distinguished. This is the street sign for Everton Grove. Norman and Mabel Carter lived at 21 Everton Grove. Norman took many photos of Surrey Hills and Mont Albert from the 1920s, in particular of events and activities of the Church of England.everton grove, trees, norman brodley carter, mrs mabel annie carter, miss mabel annie moore -
Surrey Hills Historical Society Collection
Photograph, 44 Guildford Road, Surrey Hills, c1915, 1913-1915
The gentleman in the photo is an estate agent. According to a grandson (REF: Email 1/8/2020) the original photos is thought to have been a publicity photo for the real estate agency. Carl Theodore Offszanka (1874-1944) was born in Germany. He is listed in electoral rolls at 44 Guildford Road from 1915, occupation furrier, with his wife Ida (nee Schade, 1882-1963), also born in Germany. They were married in Victoria in 1908. In later electoral rolls at the same address are Erna Helena (b 1913; d 1996) and Maria Eliese (b 1910; m Benedict Francis Rieusset in 1936). Both daughters are listed as typists. Also listed is Bernard George (b 1914; d 1987) who in later electoral rolls is described as a process worker. He served in the AIF in the Second World War. Not listed is Carl Bernard b 1909. The Offszanka family lived at 44 Guildford Road from 1913 until post-1980; they came to Surrey Hills from Richmond. Their home was called 'Westfalia' (ref: 1919 electoral roll), presumably after the region in NW Germany. It is not known when Carl and Ida migrated from Germany. This home has had a 2nd storey added to it in late 1990s. According to a family descendant (REF: Email 1/8/20 from grandson) Carl Theodor Offszanka purchased the home in 1913 for £616. He also purchased the adjoining vacant block of land at 42 Guildford Road and ran a large orchard on it before later selling it. This appears to have been between 1920-1930. The family continued to occupy the house until after 1980 when Erna Helena and Bernard George are listed in the electoral rolls. Our property register lists Erna Helena Offszanka as the last member there. She died on 5 May 1996. Black and white photo of a ? dark-stained timber Edwardian home at 44 Guildford Road, Surrey Hills. It has 2 brick chimneys, a corrugated iron roof and timber fretwork to the veranda. There is a single window to the veranda, 2 single windows down the LHS (facing) side of the house and a double window to the RHS (facing) side of the house. This appears to have coloured glass to the top section. The gable is decorated with timber and stucco and has a simple finial. The house has a simple timber picket fence and a driveway down the LHS (facing), in which a carriage is located. A gentleman in a hat stands on the veranda. A tall Victorian building can be seen in the far distance, on Canterbury Road.edwardian architecture, houses, guildford road, mr bernard george offszanka, mrs ida offszanka, miss ida schade, miss erna helena offszanka, miss marie eliese offszanker, furriers, mr carl theodor offszanka, westfalia, mr carl bernard offszanka -
Orbost & District Historical Society
match box and matches, mid 20th century
These matches are safety matches, which can be struck only against a specially prepared surface. They were made by Bryant and May which was a United Kingdom company created in the mid-nineteenth century specifically to make matches. Their original Bryant and May Factory was located in Bow, London. They later opened other match factories in the United Kingdom and Australia, such as the Bryant and May Factory, Melbourne, and owned match factories in other parts of the world. These matches belonged to Marjorie Burton.Marjorie Burton ( nee Whiteman), born 12 June, in Birmingham, England came to Orbost in 1995. In England she did office work – typing, shorthand and secretarial work - in accountants’ offices and also trained as a comptometrist with Burroughs in London. She came from a middle-class, working, church-going family. Her mother was a milliner who made many of Marjorie’s clothes, hats and outfits. Marjorie was married in 1938 to a salesman who later became a mechanic in the R.A.F. A box of harlequin matches. The box is a shiny green colour and closes with a tongue into a slit. There is a striking plate underneath. Inside there are approximately 40 matches with various coloured headsInside the lid - Bryant & May's British Made Harlequin Matchesbryant-&-may burton-marjorie matches-harlequin smoking-accessories -
Orbost & District Historical Society
corsage, 1930's -1950's
A corsage is a small bouquet of flowers worn on a woman's dress or worn around her wrist to a formal occasion, traditionally purchased by the woman's date. A corsage originally referred to the bodice of a woman's dress. Since a bouquet of flowers was often worn in the center of the bodice, the flowers took on the name "corsage." This corsage was worn by Marjorie Burton.It was probably pinned on a dress to decorate it and may have been made by Marjorie or her mother. Marjorie Burton ( nee Whiteman), born 12 June, in Birmingham, England came to Orbost in 1995. In England she did office work – typing, shorthand and secretarial work - in accountants’ offices and also trained as a comptometrist with Burroughs in London. She came from a middle-class, working, church-going family. Her mother was a milliner who made many of Marjorie’s clothes, hats and outfits. Marjorie was married in 1938 to a salesman who later became a mechanic in the R.A.F. during WW11This item is an example of a typical dress accessory and reflects women's clothing styles of the mid 20th century.A corsage of pink and white artificial flowers with green leaves and tied with a pink ribbon. The stems are bound with green tape. In the centre of the flowers sre tiny white pearly beads.corsage accessories burton-marjorie -
Chiltern Athenaeum Trust
Photograph - Framed Photograph, circa 1920s
This photograph shows a young Wilfred Busse wearing work clothes in the Australian bush. These clothes were all chosen for their practicality in the Australian bush, and create together a distinctive style that is easily recognisable. While it initially appears that he wears long boots, he actually wears shorter shoes with an additional leg protection called gaiters. These protected the legs and were particularly useful to Australian settlers to protect from snake bites. His trousers, or breeches, are of a similar style to the ones issued as Australian Army regulation during the First World War, which were baggy around the thighs and became tighter below the knee. His long shirt protects him from the harsh Australian sun, and he wears an iconic Akubra hat for sun protection on his face. It is assumed that this photograph shows Busse when he was working on a Station in Victoria in his twenties, which is supported by the style of his clothing and his age.This photograph is significant as it shows Wilfred Busse as he appeared in his younger years, presumably on a Station in Victoria. It also provides a primary resource of working clothes for white settlers in the early 20th centuryBlack and white rectangualr photograph on matte photographic paper in wooden frameaustralian settlement, settlement, workmen, work, clothing, workwear, bush, wilfred busse, busse, busse author, chiltern, chiltern athenaeum, chiltern athenaeum museum, 1920s -
Mt Dandenong & District Historical Society Inc.
Photograph, View From Corner of Doughty's Road and Barbers Road 1913
John Lundy-Clarke grew up in the Kalorama/Mt Dandenong area and later in life (1972-74) began to write a comprehensive history of the area working from an original settlement map in an effort to cover all areas. Taken c1913, this photograph gives a clear indication of where significant buildings were located in relation to one another. Barbers Road is running through the picture with the guest house 'Kia-Ora' , built by George Barber in the centre. High on the skyline on the left is the 'Mountjoy' guesthouse, indicating the location of The Gap, or FiveWays. The small 'boxy' house above 'Kia-Ora' is 'Iona' built by the Paynter family who also built 'Mountjoy'. The Jeeves property 'Kalorama' is to the right of 'Iona' and this is the area you now look to from the FiveWays Lookout. The man in the photo is wearing a trilby hat so is probably a Rose Series employee - a feature in many Rose Series postcards.Black and white photograph that is a copy of Rose Series Postcard # 156. A man can be seen walking down an unmade road with haystacks to his right. Buildings and crops can be seen on the hillsides. Handwritten inscription on reverse by John Lundy-ClarkeView from corner of Doughty’s and Barbers Road 1913. “Kia Ora” in centre Paynter’s “Iona” near center skyline above “Kia Ora” with “Kalorama” on its right and Peter’s hut of the time below it among orchard trees. “Mountjoy” is on left skyline. W. Haye’s home is centre left. Hay paddock is Barbers Lot 25 Village Settlement.kia-ora, iona, kalorama, mountjoy, guesthouse, guest house, barbers road, doughty's road, paynter, jeeves, george barber -
Ruyton Girls' School
Magazine, Ruyton Reporter, 1992
The Ruyton Reporter (formerly known as Ruyton Reports) captures the essential Ruyton Girls' School experience for the broader school community. It has been produced since 1986.The record has strong historic significance as it pertains to one of the oldest girls' school in Victoria, Australia. Ruyton was founded in 1878 in the Bulleen Road, Kew, home of newly widowed Mrs Charlotte Anderson (now High Street South). Thus, the record can be used as a reference example for research into Victorian school history. It also gives insight into the types of activities and events undertaken at Ruyton Girls' School during the period of its production. The record's significance is further enhanced by its exceptionally well-documented provenance, having remained the property of Ruyton Girls' School since its production.Colour publication printed on paper with staple binding. 12 pages.Front Page: THE R RUYTON / RECTE ET FIDE LITER / Reporter / WINTER EDITION 1992 / SPECIAL / FEATURES / 1992 VCE / RESULTS. / WHERE ARE / THEY NOW? / THE JOHN BATE / CENTRE OPENS. / THE 1992 / RUYTON FAIR. / OUR HAT TRICK! / RUYTON RUNS-UP 3rd ATHS WIN / STOP PRESS / A big 114 point winning margin gave Ruyton its third / consecutive Athletics championship this year. / A big thank you to Sports Co-ordinators Mrs Dulke, / Mr Summerton and Mrs Lachal - the master tactician. / And congratulations to all 104 Ruyton competitors. / You were great. Now for No. 4! /ruyton girls' school, ruyton, school, students, newsletter, ruyton reports, ruyton news, kew, victoria, melbourne, girls school -
Bendigo Historical Society Inc.
Photograph - HILDA HILL COLLECTION: BLACK AND WHITE PHOTOS, 1918
Series of black and white photos depicting The Hill family and friends during the post war years. Total number 9 photos. Two young ladies one seated in a deck chair and the other to the right standing with her right arm on the back of the chair, both girls wearing pinafores and white blouses at Brighton January 1918. Mog and two small girls all wearing white standing in front of a wooden structure and garden in background, Bendigo 1918. group of four girls and four boys, three of the girls are dressed in white and the fourth in a darker colour, one of the boys is wearing a white shirt and waistcoat two of them are in white shirts, two in middle background are indistinct, 17 Clive road January 1918. Double exposure gives the outline of a car in front of a white picket fence, right foreground at rear of car there is a group of adults and children that is indistinct for details, St Patrick's procession 1918 and family car. Rosa in light coloured dress with white collar, garden setting 'Moorilim' October 1918.Unnamed girl 'a Vision' wearing a white dress sitting on a wooden stump that is part of a building support, to left is a man in dark waistcoat and trousers with a white shirt sitting on the ground with his back to an axle with two large wheels, and a building support, Hibernian Picnic Axedale November 13 1918. Two ladies in foreground both wearing white, one also wears black hat and scarf, to left on stump is a light coloured hat and white coat, background has girl dressed in white blouse and dark skirt and further back can be seen more people, Hibernian Picnic 13 November 1918. 'three Merry maids' sitting on blanket on the ground two dressed in full white and third white top and dark dress, more people in the far background, Hibernian picnic Axedale 13 November 1918. Mrs Cavagna and Carmy, young girl dressed white dress with black belt and long white socks and black shoes, seated lady in white dress and dark hat with black veil, number of people in the far background, Hibernian picnic 13 November 1918.Hilda Hill Personal Collectionaustralia, history, post war life -
Bendigo Military Museum
Uniform - SERVICE DRESS, ARMY, 1. 1943 2. 1945
1. Jacket, Khaki Woollen. Four pockets held shut with copper buttons. Four copper buttons on central front. Two Rising Sun Badges (darkened) on collars. Metal "Australia" badges on each epaulette. 38 Bn colour patch on right shoulder. 2. Trousers - Khaki Woollen. Fly held shut with 6 Bakelite buttons. No belt loops - buttons for braces. Trousers are cuffless. 3. Hat Khaki - fur felt. Light khaki puggaree. Copper A.C.M.F. badge. 4.& 5. Puttee, khaki Woollen. It has a 25mm wide tape at one end. It's length is 116 cm. The broad piece is 202 cm long. Width 10cm 1. Written inside, appears to be "L. Townsend". Stamped date of 1943 has '3' crossed out and '6' inserted.38 bn, aust, ww2, passchendaele barracks trust -
Flagstaff Hill Maritime Museum and Village
Postcard - Historic, New Gaiety Theatre, Strand, 1905-1907
The nine postcards in this set were donated together and date to the early 1900s. All but one postcard in this set shows images of Warrnambool, in the Western District of Victoria; the other has a London image. The postcards were all printed in Great Britain according to that country’s postal regulations. The fronts of all cards have titles printed in red. Most of the images on the cards are attributed to photographer Joseph Jordan and belong to the Jordan Series. The back of these cards has an outline for a postage stamp, a vertical dividing line and a heading on each side of the line to separate the Correspondence from the Address. However, this postcard is the 'odd one out' in that its location is London, it has no border, it has no reference to 'Jordan' or 'Jordan Series' no reference to the printer, no 'correspondence heading', it is slightly smaller than the others, and it has text in the stamp area that refers to 'inland' and 'foreign' postage, a half-penny inland and one-penny overseas.. Postcards or ‘correspondence cards’ appeared in Britain in 1894. They were plain cards with a space for the message on one side and an address on the other; regulations didn’t allow anything but the address to be written on the ‘address’ side. In 1902 the British regulations then allowed a picture to be printed on the front and the address on the back, so messages had to be written on the picture side. Soon, the regulations changed and the back was divided for a message and the address. New Gaiety Theatre, Strand [London] - The New Gaiety Theatre opened in 1903 on the corner of The Strand and Aldwych, London. The second show performed in the new theatre was “The Spring Chicken” in 1905. The third show followed in 1907. The preprinted postage cost on the stamp outline is ½ d. or half penny; according to The Great Britain Philatelic Society, Great Britain Postcard Stamps were priced 1/2 d. or Half Penny from 1-Oct-1870 to 3-Jun-1916. The postcard is significant for its inclusion with a set of nine postcards, eight of which are images of Warrnambool and its district and photographed by Joseph Jordan. It is also curious for is lack of connection to Jordan. Postcard, one of nine, portrait orientation, coloured print. The image shows a tall three-storey corner building with a statue on its domed tower and smaller towers on the sides. The top two storeys have balconies with columns, and overhang the ground floor, providing cover over the footpath. The foreground has horse-drawn carriages and coaches, and motorised vehicles including a bus. Figures wearing top hats and others in long dresses are in front of the building, which has a sign on the corner advertising the building and its current show. There is no correspondence written on the card. The front of the postcard has a printed red title and an inscription on the image. The reverse has inscriptions and outlines for a postage stamp. Made in Britain.Sign on the image of the building: “GAIETY / SPRING CHICKEN / THEATRE” On the front in red: “New Gaiety Theatre, Strand” On the back in printed in green: Stamp box “INLAND / 1/2d.’ STAMP / FOREIGN 1d.” “POST CARD” “THE ADDRESS ONLY TO BE WRITTEN HERE” flagstaff hill maritime museum, flagstaff hill maritime village, flagstaff hill maritime museum and village, maritime museum, warrnambool, great ocean road, warrnambool and district, warrnambool scenes, local scenes, views of warrnambool, postcard, souvenir, correspondence, cameo postcard, new gaiety theater, the strand, spring chicken, gaiety theatre, london theatre -
Red Cliffs Military Museum
Framed Photograph, Surrender of Japanese at Balikpapan, 1945
Japanese Commanders crossing a pontoon bridge under guard by Australian soldier on the way to the official surrender of Japanese forces in Balikpapan in (Dutch East Indies) Indonesia 1945. This was a major event in the ending of World War 2. Following the japanese surrender the Local population began it push for independance. Framed photograph (copy) of Japanese Commanders surrendering at Balikpapan. Black frame and glass covered. The Japanese Command staff with a Japanese general and aid-d-camp (Captian)carring his breif case along with other staff members. In the background here are 2 American PT boats with American naval personal .Note American flag flying in the top left corner. There are several American landing craft next to a Japanese landing barge. The Japanese landing bardge has the required surrender markings which is a green square with a white cross on top right of photo. The Australian soldier following the Japanese soldiers is wearing slouch hat and gungle green uniform. Along the docks are native workers.Paper discription on lower photograph with details of item description, where photo obtained from and donated by.ww2, japanese, surrender, balikpapan, generals, americans, pt boats, japanese landing bardge, american landing craft, dutch east indies -
Bendigo Historical Society Inc.
Photograph - BLACK AND WHITE PHOTOGRAPH OF THE BENDIGO HOTEL
Black and white photograph of the Bendigo Hotel located in Bridge street. All nine windows are multi paned. There are two men and a boy standing in the doorway. Opposite the door stand and man and a boy near the cart belonging to Batchelder the Photographer. The man is wearing bowler hat. A corrugated iron fence spans the gap to the next building. The first building in the line is build using corrugated iron for the roof and walls. These retail establishments have a verandah along the footpath. A small group of retail staff are standing around watching the proceedings in the street. Two shops are name; J. Holdsworth and Glass & China warehouse. There may have been recent rain as the roadway appears to be puddled and quite damp.bendigo, history, buildings/streetscapes -
Bendigo Historical Society Inc.
Photograph - YOUNG COLONIALS PREMIERS FOOTBALL, 1903
B+W photo on cardboard. 21 males in football uniforms, 13 males in suits, some with hats. Young boy and L.F. Trophies displayed - mantel clock. Silver at with lid + silver teapot. Foot lap with 'Young Colonials Premiers 1902 & 3' held at C.F. Names written on image. Arranged in 4 rows. Backdrop of decorated room at R. Inscription: in Image printed on Football 'Young/Colonials/Premiers/1902&3'. On Back, 'Royal Historical Society of Victoria/Bendigo Branch' stamp. In image, hand written in pencil + ball point pen, 'Burt Newell. Steve Williams, Ern Cox, - Kemp, - Temby, - Stirton, ---Forbes, Nobby Nixon, Corbett Roberts'organization, club/society, young colonials football club, prev. acc. no. 'gp82' -
Port Melbourne Historical & Preservation Society
Photograph - Long serving employees, J Kitchen & Sons, Port Melbourne, Herald, c. 1950
COPYRIGHT HERALD FEATURE SERVICE Black and White photo of 13 men on steps all raising their hats. Photograph celebrates a total of their 493 years service. Sheet of paper glued to the back lists names and years of service. Heatley, Bob (18 years service); Scales, Reg (2 tears); Hall, J T (25 years); Widdicombe, Percy (26 years); Smith, George (35 years); Rodgers, George (35 years); Adams, Harr (42 years); Cole, Ernie (43 years); Morris, John (45 years);Stone, Herb (46 years); Davis, Frank (51 years); Cron, Robert (52 years); Langney Charlie (6 years)Copyright not for Reproduction. Herald Feature Service, Melbourne Australiaindustry, manufacturing, workers, j kitchen & sons pty ltd, bob heatley, reg scales, j t hall, percy widdicombe, george smith, george rodgers, harr adams, ernie cole, john morris, herb stone, frank davis, robert cron, charlie langney -
Bendigo Historical Society Inc.
Accessory - RANDALL COLLECTION: FAVALORO'S ADVERTISING FAN - CARDBOARD
Object. Cardboard advertising fan from Favaloro's. Oval shaped fan with wooden dowel (25.5 cm x1.2 cm) stapled to lower section as a handle. Front has a printed head and shoulders picture of a brunette woman wearing a pink picture hat adorned with a blue rose, a yellow rose, and a wide black ribbon. She is wearing a pink and white collared chiffon dress. A bunch of pansies is at the bottom of the fan. Name printed on picture "BARTEAU''. Printed on the Reverse " FAVALORO'S THE SPECIALISTS BENDIGO. Confectioners, Pastrycooks and Caterers. For Weddings, At Hame. Dinners etc. Luncheons, Afternoon Teas, Soda Fountain Drinks, Ices, etc. Phone 267,201,536''. The Varley Specialist Co, Melb and Syd (Manufactures).ephemera, mementoes, advertising fan -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s - set of 2, State Electricity Commission of Victoria (SECV), 1935
Yields information about the rehabilitation of the Ballarat ESCo trams and new trams acquired and refurbished by the SEC from Melbourne and the interiors of these trams.Two Black and White photographs contained within Reg. Item 3000 - Photo Album produced by the SEC in 1935 titled "Photographs of Ballarat Tramways Rolling Stock & Track Reconditioning Works". Two photographs of the front of a ex Melbourne M class car (one of the 30 - 33 series, most likely No. 30) given the seat behind the driver showing the re-arranged doors etc of these cars, following conversion. Shows the arrangement of the signs behind the driver, bells, doorways etc. Have an officer with hat sitting in the drivers position. Caption to the photograph typed on a piece of paper and adhered to the sheet under the two photographs is "Interior Views M.M.T.B. Car showing arrangement of entrances." tramways, trams, mmtb, secv, tramcars, ballarat, tram 30? -
Bacchus Marsh & District Historical Society
Photograph, House of Christopher Crisp Bacchus Marsh 1883
The former Christopher Crisp residence was constructed in 1868 by William Watson, one of the members of the Bacchus Marsh Express printing company which took over the management of The Express after the first edition, 7 July 1866, was published by its founder, George Lane, a book binder. This syndicate failed after three months and the ownership was then taken over by Christopher Crisp, a compositor working for the company. Crisp remained the editor from 1866 to his death in 1915, when he was succeeded by his son, also called Christopher Crisp, and later by his grandson. Under the Crisp family leadership, The Express widened its readership and was subscribed to by influential men and public servants in Melbourne. (Heritage Victoria Council. Places. Entry no. 45.)Small sepia unframed photograph on card with gold border framing photograph. Housed in the album, 'Photographs of Bacchus Marsh and District in 1883 by Stevenson and McNicoll'. The photograph is of a single-storey cottage of rendered brick and sandstone with a shingled roof of slate tiles and ornate concave verandah. A chimney stands at either end of the house. A carved barge board decorates the northern end of the hip roof. A skillion with windows and a chimney adjoins the rear of the cottage. The front facade is symmetrical with two sash windows placed either side of the central door. A wire fence runs along the front of the cottage. Standing at the gate is a formally dressed gentleman wearing a top hat. A young child is standing on the road. On the front: Stevenson & McNicoll. Photo. 108 Elizabeth St. Melbourne. COPIES CAN BE OBTAINED AT ANY TIME. On the back: LIGHT & TRUTH inscribed on a banner surmounted by a representation of the rising sun. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to STEVENSON & McNICOLL LATE BENSON & STEVENSON, Photographers. 108 Elizabeth Street, MELBOURNE. stevenson and mcnicoll 1883 photographs of bacchus marsh and district, houses bacchus marsh, christopher crisp 1844-1915 -
Melbourne Tram Museum
Uniform - Badge, Stokes and Sons, mid 1950's?
Stamped metal uniform badge for MMTB Inspectors. Tramways Board logo at top of badge in gold finish, the words "INSPECTOR" and the scroll outline in brass or gold colour. The area where the inspector's number has been painted on is in brass/gold finish. The number "91" has been painted on in royal blue colour. The enamel finish within the scroll work also finished in royal blue. On rear badge in brass/gold finish, with word "STOKES & SONS MELBOURNE" stamped into . Two metal rings have been soldered onto the rear of the badge and a spring steel clip provided to enable the badge to be clipped to a hat.\ See Reg Item 395 for another example.trams, tramways, badges, inspectors, mmtb -
Bendigo Military Museum
Uniform - MESS DRESS, CGCF, 1960
1. Black woollen jacket. Gold Sergeants stripes. Survey Regt collar badges. It has 4 brass buttons on front. 4 major pockets on front, the top two are held shut with brass buttons. 2. Trousers black. Red welt down side of legs - width 4 cm. Buttoned fly, black plastic buttons for braces. 3. Shirt - white, long sleeved with 7 pearl like buttons on front. It has a pocket on the left breast. 4. Belt - black wool, brass buckle. 5. Tie - black woollen. 6. Cap - Officers. Black leather peak. Survey regiment badge. Red band around hat.1. Jacket - "A. Skidmore" NR possibly 36894.post ww2, army, uniform, suurvey regiment, passchendaele barracks trust -
The Beechworth Burke Museum
Photograph, c1900
... hats ...This photograph shows a group of workmen outside the Loch Street Printing Office of the Ovens and Murray Advertiser in Beechworth. The Advertiser was a local paper, first printed as a weekly in 1855, and then as a daily in 1857. It continues to be printed today, albeit in a different form. Initially based on Ford Street, the Loch Street office opened in 1893, after printing facilities were updated. The Advertiser was launched by architect Francis Hodgson Nixon with assistance from businessman John Henry Gray, and newspaperman Richard Warren. Warren was sole owner from 1860 until his death in 1906, and it responsible for much of the paper’s success. He appears in this photo alongside twenty of his staff and is the man standing directly in front of the doorway. When it launched, the paper’s goals included coverage of local events, as well as of global news, and the promotion of economic liberty, arts, and sciences. Beyond these initial goals, the Advertiser was instrumental in local politics, particularly Beechworth’s association with conversates and constitutionalism in the 1860s and 1870s. Numerous other papers sprung up to contest the Advertiser’s hold during the latter half of the nineteenth-century, but none were able to completely oust it from its post. As well as representing a key chapter in Beechworth’s history, the Advertiser can be used as a key source for the stories and figures of historic Beechworth. As well as managing the Advertiser, Richard Warren's owned or managed multiple businesses in Beechworth, founded the Ovens hospital and Benevolent asylum, invested in local companies, and participated in a range of religious brotherhoods and societies. He married Mary Ann Mitchell when he was twenty-six, and, while the couple were unable to have children, they adopted one son, who began managing the Advertiser in the late-nineteenth century. This photograph has historic significance afor its relationship to the history of the Ovens and Murray Advertiser, which is a key example of of successful nineteenth-century business in Beechworth, and for including an image of Richard Warren, a key figure in the period.Rectangular black and white photo printed on photographic material, unmounted. Obverse: Ovens and Murray/ Printing Office Reverse: Ovens and Murray Advertiser Staff 7721/ Beechworth/ BMM 79.15ovens and murray advertiser, the ovens and murray advertiser, newspaper, printing, richard warren, journalism, advertising, 1800s, 1800s beechworth, #beechworth, local business, advertiser, workmen, hats, printers, journalists, warren, mary ann mitchell, mary ann warren, r warren, loch street, 1890s, 1890s beechworth -
Bendigo Historical Society Inc.
Photograph - HILDA HILL COLLECTION: BLACK AND WHITE PHOTOS, 1920
Hilda Hill Collection. Black & White Family Photos Total of 5. The 3 photos taken in 1920 depict family gathering at Durvol Kyneton in September, the gentlemen of the family at 'The Ranch' ?Eppalock in November and Mona nursing baby at Kilmore on December 19th. Stiffy & Mo Both dressed in white shirts and dark trousers seated on the ground in front of a white brick building, to the left there is a plant growing along a frames work attached to the verandah, window in house wall, Frank dressed in a school suit which has embossing on the pocket, he is standing in front of a trellis covered in shrubbery, both hands are in his pockets. Four men and a boy, all dressed in dark suits white shirts and dark ties,man in middle has his right hand in his pocket, and the boy has his tie outside of the coat, the four men are all wearing hats, The Ranch November 1920. Mona at Kilmuir December 19th 1920, Mona is wearing a large hat and wearing a dark dress and nursing a baby dressed in white, right background is a white door. Rough, Doreen Vin, Tom Durvol September 1920, Doreen is wearing a white blouse dark skirt and dark stockings with black shoes, Vin wears a dark suit white shirt and dark tie, Tom is wearing a white shirt and dark shorts with braces, also dark socks and shoes, background is steps upon which these folk are sitting and is part of the larger house made of brick .Hilda Hill Personal Collectionaustralia, history, victoria -
Orbost & District Historical Society
hair nets, Mid-second half 20th century
Hair nets were a popular hair accessory in the 1940’s for both daytime and work. They were a rayon or cotton crocheted net fitted with a headband. The band was worn around the top of the head and all of the hair would be encased in the snood. The band would have to be pinned in place. Many women of the 1940s and 1950s went to the beauty shop once a week to have their hair "done," then slept in hairnets every night to keep their "do" in place until the next visit. These hair nets were worn by Marjorie Burton. Marjorie Burton ( nee Whiteman), born 12 June, in Birmingham, England came to Orbost in 1995. In England she did office work – typing, shorthand and secretarial work - in accountants’ offices and also trained as a comptometrist with Burroughs in London. She came from a middle-class working church-going family. Her mother was a milliner who made manyof Marjorie’s clothes, hats and outfits. Marjorie married in 1938 to a salesman who later became a mechanic in the R.A.F. during WW11. These items are examples of women's hair fashion during the mid 29th century.Five women's hair nets. One is pale green and the others are brown.accessories hairnets-snoods burton-marjorie -
Orbost & District Historical Society
hair accessories, mid 20th century
A bobby pin (also known as a kirby grip or hair grip in the United Kingdom) is a type of hairpin, usually of metal or plastic, used in coiffure to hold hair in place. It is a small double-pronged hair pin or clip that slides into hair with the prongs open and then the flexible prongs close over the hair to hold it in place. They are typically plain and unobtrusively colored, but some are elaborately decorated or jeweled. Bobby pins became popular in the 1920s to hold the new bobbed hairstyles. (ref. Wikipedia). These items were owned by Marjorie Burton. Marjorie Burton ( nee Whiteman), born 12 June, in Birmingham, England came to Orbost in 1995. In England she did office work – typing, shorthand and secretarial work - in accountants’ offices and also trained as a comptometrist with Burroughs in London. She came from a middle-class, working, church-going family. Her mother was a milliner who mademost of Marjorie’s clothes, hats and outfits. Marjorie married in 1938 to a salesman who later became a mechanic in the R.A.F. during WW11 These items are examples of women's hair accessories commonly used in the mid 20th century.Two packets of hair clips and one unused packet of henna shampoo. 2483.51 is a a set of 17 bobby pins on paper. On the back of the card are directions for a Steiner hair style. 2483.52 is a pack of 3 Dinkie silver metal clips for hair styling on a card. 2483.53 is an unopened sachet of powdered Henna shampoo. It is white with black text and green pictures.2483.51 - Kirbigrip 6d made in England Kirby Beard & Co 2483.52 - Made in England 2483.53 - Societe Francaise de Henne, Paris "Perfect -a -wave"hair-accessories bobby-pins shampoo kirbigrips burton-marjorie -
Federation University Historical Collection
Photographs - black and white, Edith Pickford, 1917
This photo taken in 1917 was 5 years before Edith Sarah Pickford (1909 - 1967) of ''Yeoville" Clunes married Henry Smerdon [Harry] Holmes of "Sauchieburn" Ascot in 1922. At the time it was fun, fashionable and symbolic to have photo portraits taken in a clown outfit: Pierrot (Boy) with black skull caps and Columbine (Girl) with pointed hats. Pierrot, the famous character from the Italian commedia dell'arte, was portrayed by the composer A. Schoenberg as the moonstruck and fantastical clown, who is a symbol for putting on a mask to hide one's true feelings or opinions. Edith was the second youngest child, and only daughter, of John and Bessie (Robbins) Pickford, Clunes farmers. Edith’s brother, Arthur Pickford rode in the Charge of the Battle of Beersheba, a precursor to capturing Gaza in WW1. The matter of who rode in the charge at Beersheba on 31 October 1917 continues to exercise the minds of many. The charge is embedded in the Australian ethos along with Gallipoli and the Kokoda Track. [ Source: Edith's granddaughter, Jane Dyer 2024]Black and white photograph in rectangular frame with stand. Back of frame padded velvet"Sincerely yours - Edith"edith pickford, edith holmes, chatham-holmes collection, pickford collection, pierrot and columbine, portrait photograph, ww1 -
Wangaratta RSL Sub Branch
Memorabilia - Photograph, 8th Indi Light Horse, c1918
This black and white mage depicts large group of men dressed in military uniform of the Light Horse - with most wearing leather leggings, bandolier and slouch hat with emu plumes. "More Majorum" is engraved on the attached plaque which means "after the custom (or manner) of our ancestors" The 8th Light Horse Regiment was a mounted rifles regiment of the Australian Army during the First World War. The regiment was raised in September 1914, and assigned to the 3rd Light Horse Brigade. The regiment fought against the forces of the Ottoman Empire, in Egypt, at Gallipoli, on the Sinai Peninsula, and in Palestine and Jordan. After the armistice the regiment eventually returned to Australia in March 1919. For its role in the war the regiment was awarded fifteen battle honours. During the inter-war years, the 8th Light Horse was re-raised as a part-time unit based in the Indi region of northern Victoria. It was later converted to a divisional cavalry regiment during the Second World War but was disbanded in 1944 without having been deployed overseas.During WWI three light horse regiments were raised in Victoria for the AIF, the 4th ALH, the 8th ALH and the 13th ALH. These regiments served with distinction at Gallipoli, in the Middle East and on the Western Front.Wide and narrow rectangle shaped black and white reproduction photograph mounted on plyboard. A small metal plaque is attached in the centre of lower edge.Plaque -8th Indi Light Horse "More Majorum"8th indi light horse, victoria -
Royal District Nursing Service (now known as Bolton Clarke)
Photograph - Digital image, 27 07 1934
This digital image is taken at the time of the opening of the 'Annie Dane Ward' in the Melbourne District Nursing Society After-Care Hospital. Mrs. G. G. Henderson is the Society's President. She is receiving a Centenary gift, a cheque of 500 pounds, from Mrs. Robert Hunter, on behalf of Mr. John Stephenson Dane. Mr. Edgar, M.L.C,. officially designated the Ward and The Rev. A. T. Holden, President-General of the Methodist Church of Australasia, dedicated the Ward. The portrait of Mrs. Annie Dane hangs above the fireplace in the Ward.The Melbourne District Nursing Society, (MDNS), built the After-Care Home in 1926. The Home was extended and the name changed to Melbourne District Nursing Society and After-Care Hospital in 1934. It was situated at 45 Victoria Parade, Collingwood and various Wards were named after donors or patrons of MDNS After Care. Patients of the Society who needed more care than could be given at home, but did not need hospitalization, were admitted to the After Care, along with many patients from Melbourne hospitals who needed further care before going home. Many children were nursed there, some long term, during the Polio epidemic and MDNS employed teachers to give them schooling. In September 1930 an Ante-Natal Clinic was established. In October 1934 a Women's Welfare Clinic was opened to educate women on birth control. This was the first of its kind in Melbourne. The MDNS After Care Hospital was under District's banner until 1956. In 1957 the MDNS and the After-Care separated with the Government taking over the running of the After-Care. Melbourne District Nursing Society then became the Melbourne District Nursing Service and, after Royal patronage, became Royal District Nursing Service (RDNS).In the centre of this digital image, and on the left of the group, is Mrs. G. G. Henderson, who is wearing a black hat over her short grey curled hair and a black coat with fur collar and cuffs over a white top. She has a and white broach attached to the collar of the coat. She is side-on looking to her right facing Mrs. Robert Hunter, who is wearing a small brimmed black hat over short dark curled hair, and is wearing a white blouse, with broach in the centre, and dark skirt under a long dark fur coat with a white broach attached to the collar. She is wearing white gloves and has a small white paper cheque in her right hand which she is handing to Mrs. Henderson. Behind and between Mrs Henderson and Mrs. Hunter, is Mr. Edgar, who has sparse white hair and a white moustache. He is wearing a black three piece suit over a white shirt and dark tie. A watch chain is attached to his vest and a white badge is on the left collar of his jacket. To the right of Mrs Hunter is a Ministers of Religion who has sparse white hair, and is wearing a three piece black suit over a white clerical collar and black 'front piece'. He has a watch chain attached to his vest. To his right is another Minister of Religion, who is wearing a close fitting white cap over his short grey hair and is wearing a dark coat. His white clerical collar and black 'front pierce' are seen; he is holding a brimmed hat in his left hand. Thirteen Sisters, some partly hidden, wearing white uniforms, veils and dark capes are present in two groups; one on the left of the photograph and behind some of the Official party. The other group are to the right behind the last two of the Official party with two Sisters in the right foreground. Next to them, on the far right of the photograph is another Minister of Religion wearing a dark suit, white clerical collar and black 'front piece'. In front of Mrs. Hunter and the first Minister of Religion is a small white wooden table with papers on it. On the rear wall, above the fireplace, hangs a portrait of Mrs. Dane. Part of a vase with foliage is seen to the left of the portrait, and shorter foliage below it. Part of tall foliage is seen on the right hand side of the portrait.melbourne district nursing society, mdns, after- care hospital, annie dane ward, rdns, royal district nursing service, mrs robert hunter, mr edgar - mlc, mrs jessie isabel henderson, rev h.t. holden, mrs annie dane -
The Beechworth Burke Museum
Photograph, R & M Harvey
... hats ...This photograph shows a group of men standing outside the Ford Street office of the Ovens and Murray Advertiser in Beechworth. This group includes the Advertiser''s manager, Richard Warren, who is bearded man standing in the doorway and who's name is written on the reverse of the photograph. The Advertiser was a local paper, first printed as a weekly in 1855, and then as a daily in 1857. It continues to be printed today, albeit in a different form. The Advertiser was launched by architect Francis Hodgson Nixon with assistance from businessman John Henry Gray, and newspaperman Richard Warren. Warren was sole owner from 1860 until his death in 1906, and it responsible for much of the paper’s success. Its goals included coverage of local events, as well as of global news, and the promotion of economic liberty, arts, and sciences. Beyond these initial goals, the Advertiser was instrumental in local politics, particularly Beechworth’s association with conservatism and constitutionalism in the 1860s and 1870s. Numerous other papers sprung up to contest the Advertiser’s hold during the latter half of the nineteenth-century, but none were able to completely oust it from its post. As well as representing a key chapter in Beechworth’s history, the Advertiser can be used as a key source for the stories and figures of historic Beechworth. As well as managing the Advertiser, Richard Warren's owned or managed multiple businesses in Beechworth, founded the Ovens hospital and Benevolent asylum, invested in local companies, and participated in a range of religious brotherhoods and societies. He married Mary Ann Mitchell when he was twenty-six, and, while the couple were unable to have children, they adopted one son, who began managing the Advertiser in the late-nineteenth century. This photograph has historic significance afor its relationship to the history of the Ovens and Murray Advertiser, which is a key example of of successful nineteenth-century business in Beechworth, and for including an image of Richard Warren, a key figure in the period. Sepia rectangular photograph, faded, printed on photographic material and mounted on board. Obverse: The Ovens and Murray Advertiser Reverse: Or M A/ Printing Office/ Ford Street About 1860/ Beechworth/ R Warren [logo: R & M Harvey/Authorised Newsagents/ and Gift Shop/ Beechworth Phone 114]ovens and murray advertiser, the ovens and murray advertiser, newspaper, printing, ford street, richard warren, journalism, advertising, 1800s, 1800s beechworth, #beechworth, local business, advertiser, workmen, hats, printers, journalists, warren, mary ann mitchell, mary ann warren, 1860s, 1860s beechworth, r warren, r & m harvey -
Bendigo Historical Society Inc.
Photograph - PHOTO OF MABEL HOPKINSON & BILLIE THOMPSON, 1916 - 1918
Black & white photo of Billie Thompson in WW1 - AIF Uniform sitting on wooden crossed chair. Black & white photo of Mabel Hopkinson standing, dressed in long white wedding dress with long sleeves, dark hair with large white hat, necklace, holding bunch of flowers, white shoes. Glass in middle of photo with painting of little red robin bird, sitting on a tree branch of white flowers-blossom, with green leaves. Frame has green leaf branches with silver buds. Markings/Inscriptions: Picture frames & gold enamel enlargement & presentation frames a speciality. Picture Gallery. The Hall. Smith street. Collingwood. Near Stanley street. ( DU. RIEU & Co. TYP ) Deframed 2022.Made by L.H.Evans manufacturer of the celebrated lion brand.person, group, wedding portrait -
Bendigo Historical Society Inc.
Document - MALONE COLLECTION: GREETING CARDS
Document. Greeting Cards. Single, light beige card with a picture of an older woman. She is wearing a peaked type of hat and has her finger up to her mouth. A printed border surrounds the picture. At the top is written in ink: 'This is how I spent my money at Luna Park'. Beneath the picture is printed in black with some words in bold type: Your Second Wife should conform to the general lines of this picture. I advise you to drop another coin in the same slot and secure a photo of your First Wife. There is some important personal advice on love and marriage for you in another section and do not fail to secure a photo of your first baby. Underneath is printed 7-G-5person, greeting cards, malone collection, malone collection, greetomg cards.