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Federation University Art Collection
Painting, Gareth Sansom, 'Metropolis' by Gareth Sansom, c1975
Gareth SAMSOM (19 November 1939- ) Born Melbourne Sansom describes a desire to constantly surprise and challenge himself as an artist. He had his first exhibition in 1959. His paintings of the 1960s were characterised by a distorted use of line, shape and colour and were influenced by abstract expressionism, Francis Bacon and Sidney Nolan. Over time, his work has also drawn on punk, dada, Basquiat, T.S. Eliot, urban graffiti, classical Greek philosophy and art theory across a variety of media ranging from drawing, printmaking and collage to photomontage and photography. Sansom lectured in Art at the Ballarat Teachers' college, and was appointed Head of Painting at the Victorian College of the Arts from 1977-1985, and Dean School of Art at the Victorian College of the Arts from 1986-1991. He was artist-in-residence at the University of Melbourne in 1985, which was when he resumed his full-time painting practice with a series of large works on canvas. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.A large abstract painting.art, artwork, garth sansom, sansom, abstract -
Shepparton RSL Sub Branch
Case, Vinyl Record, Hits of the War Years, 1985
Vera Lynn was a popular artist during the Second World War, known for her wholesome and romantic songs. This record was released on the 40th anniversary of the end of the Second World War and contains twenty songs that were popular during the period, especially with serving troops. Vera Lynn was supposedly fondly referred to as the "Forces' Sweetheart." The record contains the following songs: SIDE ONE 1. (There'll be Bluebirds over) The White Cliffs of Dover 2. Harbour Lights 3. As Time Goes By 4. Beautiful Isle of Somewhere 5. Auf Wiederseh'n Sweetheart 6. Faraway Places 7. Little Sir Echo 8. Mexican Rose 9. A Nightingale Sang In Berkeley Square 10. Jealousy SIDE TWO 1. It's a Lovely Day To-morrow 2. The Bells of St. Mary's 3. A Little Rain Must Fall 4. The Anniversary Waltz 5. Yours 6. When I Grow Too Old To Dream 7. It's A Sin to Tell A Lie 8. When The Lights Go On Again 9. Drifting And Dreaming 10. We'll Meet AgainThough not rare, as a mass produced product, this record is representative of the music that was well-known during the 1940s both on the home front and by serving troops. Its release as an anniversary edition speaks to the enduring memory of the period and for some community members who lived through the Second World War, has strong social significance and ability to recall memories of the wartime period. Glossy square-shaped card sleeve printed in colour with combination of text and black and white photographs arranged as though a newspaper page. From top left corner: green stripe, red album title, union jack, photograph of a young servicewoman, photograph of the Cliffs of Dover, photograph of St Mary's and various song titles in various serif fonts. Newspaper-style page set behind metal square fencing upon brick fence, simulating a newspaper being sold. Reverse features pastel-toned photograph of Vera Lynn, with smaller collage-style image of the newspaper-style text on front, below which are song titles for Side One and Side Two in a numbered list. vera lynn, music, wartime, second world war, world war ii, world war 2, musicians, anniversary -
Tennis Australia
Black and white digital print, 1949, Circa 2000
Framed collage featuring a two page letter written by Tilden to 'Bratto' (Arthur Anderson), associated envelope postmarked July 13, 1949, and a reproduction of photograph of Tilden in action during tennis match. Photograph has panel embedded in it featuring signature by Tilden and '1927'. First leaf of letter: obverse displayed next to reproduction of reverse. Second leaf of letter is displayed below, next to envelope used to send letter. Letter mostly discusses Anderson's tennis game and refers to current Davis Cup team. The Anderson's were close friends of Tilden who supported him during a 10 month period of incarceration in 1949. Materials: Paper, Metal, Glass, Cardboard, Photographic emulsion, Lead, Glue, Inktennis -
Eltham District Historical Society Inc
Document - Folder, Munro, Barbara and Lynn
Barbara Munro, who settled in Research, was a leading bark artist, calling herself a "multi-media collage artist". Her daughter Lynn is also an artist and designer, working at the Melbourne Theatre Company Contents Newspaper article: "Soft touch to Barbara's bark", Diamond Valley News, 22 July 1980. Barbara Munro entered a bark garment in the Gown of the Year Award. Newspaper article: "Adrian wants to work in peace", Diamond Valley News, 22 July 1980. Adrian Fenech looking for accommodation. Newspaper article: "Remember Sleepy Swipers Gully?", Diamond Valley News, 22 July 1980. Images and text about Swipers Gully, now called Research. Newspaper article: "water colors at Eltham Gallery", Diamond Valley News, 22 July 1980. Annual water colour exhibition at Eltham Gallery to include Mike Green, Normie Gude, Ken McDonald, Robert Miller, Gordon Speary, Wayne Viney and Paul Warner. Newspaper article: "The butterfly emerges", Diamond Valley News, 3 August 1982. Barbara Munro and daughter Lynn Munro used the butterfly theme to create a dance costume.Newspaper clippings, A4 photocopies, etcbarbara munro, bark garment, gown of the year award, adrian fenech, eltham gallery, mike green, normie gude, ken mcdonald, robert miller, gordon speary, wayne viney, paul warner, diamond valley repertory, bimbadeen gallery pty ltd, swipers gully, research vic, research primary school, infant health centre at research vic, west's passenger coach, ingrams road research, charles anderson, tom prior, eva prior, mrs e reynolds, lynn munro, studio papillo in eltham, elana mckinley, melbourne theatre company -
Bendigo Historical Society Inc.
Book - BENDIGO & VICINITY, c1895
Bendigo and Vicinity. A comprehensive history of her past, and a resume of her resources: Together with the Biographies of her representative pioneers, public, commercial, and professional men. Author: W B Kimberly. Publisher: F W Niven & Co Printers and Publishers, Melbourne. C1895. 273 pages. Illustrations: Photographs, illustrations, listing of dividends, copies of collages. Markings/Inscriptions: In front; To be offered to the Bendigo Branch of the Historical Society if they already have a copy to be given to Timothy Buick of Woorookoobanya, Majorca. Bendigo Historical stamp. Page 9; James Buick went to Golden Valley Dec 1851 and they with his party of 3 other and New Chum Valley called after them. In back; On page 273; family tree also next page family tree.W B Kimberlybook, bendigo, bendigo history & its people, bendigo history, family tree, councilor, gold, biographies, travel to australia -
Bendigo Historical Society Inc.
Document - BARBARA MAMOUNEY COLLECTION: GOLDEN SQUARE METHODIST CHURCH PHOTOS AND DOCUMENTS
Green plastic folder with black plastic binding labelled PHOTOS RE HISTORY, opens with a list of 41 photos with their respective sizes in (inches) and (unrelated) numbers; then an A4 stapled pages re- an up-coming (Feb 27-29 2004) Cornish Families celebration, listing activities such as attending a 'meet the Cornish Concert', Festival Celebration Dinner, the Cornish Floral Dance, research one's own family history, follow the Cornish trail, Picnic in Rosalind park, and Meet the Bards of Cornwall; and buy a CD-ROM; followed by a hand-written time line or diary and business card for Harrison Print; 8 printing drafts with four names and years of birth and death; An image of some of Miss James' Sunday School Young mens' class from 1915 (photo taken at Royal Melbourne Show grounds Military camp); 9 GSUC accounts with letter-head; then an A4 off-white with Compliments card enclosing a black and white image with some names of a Golden Square Methodist Church Augustinian Fair Work-force; x2 smaller 'With Compliments' cards (one of paper) enclosing a black and white image (Circa 1860) of mines along the new Chum Line of Reef with GS Methodist Church in background; A newspaper cutting of line advertisement re- Golden Square Uniting Church celebrating 150 years of Methodism on the Goldfields citing its address and times of services; a collage of 3 black and white images dated Nov 1960 titled Church Activities; another collage of 3 slightly larger images taken around the same time of similar activities and showing numerous people around the church, and one of the pulpit; a sepia image of unidentified members of the church; fading copy of photo of Golden Square Methodist Church Choir behind which is a list of names of those in the picture though the list is dated 1960 the image looks pre-1960; handwritten list of Sunday School Teachers from 1957, no image; an A4 copy of one of the previous collage photos of outside the Church with numerous members, no names given; A4 image of GS Methodist church members, no names but minister appears 2nd row, third from left; a second copy of that image; Image of Band of Hope Conference, Bendigo, William Irving identified but undated; opportunity for naming those in image; A4 image with names and faces of Young Ladies Class of G.S.M.S.S. undated; 1/2 A4 size 'With Compliments' card enclosing as per earlier image of of Mines along New Chum Reef circa 1860; handwritten list of trustees from 1957, no image; collage of 2 images, one of previous shot of outside the church with members gathered, the other of the choir in action; copies of line ads for Bendigo Advertiser beginning with 30 July 1859 and relating to the Begelhole family and a list of Descendants of Henry William Bugelhoal / Begelhole on 3 stapled A4 typed pages, back to 1791; Another almost A4 image of the mines along the New Chum Line of Reef, with GSMC in the background; a smaller image of an unidentified marriage and Minister behind which is a larger image of the same; two versions of 1/2 A4 size 'With Compliments' cards, one of card enclosing images re- Commemorative pavers and associated memorabilia, and two women one of whom looks to be Barbara Mamouney. And one (with Comps) of paper with no image inside; a typed list of names of those in an undisclosed photo.golden square uniting church, the cornish in bendigo, list of photos (images) -
Ararat & District Historical Society (operating the Langi Morgala Museum)
Mary Norman-Bail and Pupils, ca1950s, Mary Norman-Bail and Pathfinder School Pupils, ca1950s, c.1950s
Black-and-white photo of Mary Norman-Bail, other staff members, and pupils of her Pathfinder School. Date is not known, but ca1950s.This is one of a collection of several hundred photos, books, documents and teaching aids donated to Langi Morgala Museum by Jessica Norman-Bail (or by her estate). Almost all the collection relates to Jessica's mother, the photographer, artist and educator Mary Norman-Bail, and to Mary Norman-Bail's Pathfinder School, which was located in Ararat for several years in the first half of the twentieth century. In total, the Norman-Bail collection provides an illuminating picture of the unique Pathfinder school, though much of the collection is yet to be analysed. The Langi Morgala Norman-Bail collection is of local signficance; but further research into the collection, and into Norman-Bail's work and ideas, may enhance the significance further. Unmounted black-and-white photo, No inscriptions, but original and new accession number of photo are written on the back. Inscription the back of the photo [cat.nbrs]: "1641 / EC 1641.1"education, school, teacher, art, class, photographer, norman, collage, norman-bail, bail, educator, pupil, pathfinder-school, curriculum, grade, progressive-education, artist, painter, artwork -
Rutherglen RSL Sub-Branch
Memorabilia - Lilliput Roll of Honour 1914-1918, c. 1919
Framed collage of photographic portraits of soldiers, set in cardboard mount with hand-painted names of each soldier. Soldiers names are: Harry Withens W. Grail A. E. Robertson J. H. Nott George Robertson Herbert Eggleston W. J. Tanner C. R. Eggleston R. McPherson W. G. Parker Berkly Withers T. O'Connor Tom Shandon G. McEvoy Frank Gullifer N. Clarke J. W. Thompson A. McLauren G. F. (Gideon Francis) Dare A. E. Ellis A. W. Ellis J. B. Dixon C. Duffy J. Clarke A. Charles Dick Pond L. Robertson W. Dick J. Pond J. Pearce Clive Rivers R. B. Dixon A. Hill A. Smith M. Harrison W. Gale R. Fishburn R. ThompsonHand-painted heading reads: LILLIPUT ROLL OF HONOUR-1914-1918. Hand-painted footer reads: Substituted by the Residents of the Lilliput Districtportraits, soldiers, honour boards, wwi, great war, rutherglen, lilliput, world war one -
Eltham District Historical Society Inc
Photograph, Liz Pidgeon, Moor-Rul Viewing Platform Panel: Belonging, 10 August 2016
Collage of black and white historical photographs of people. The Moor-Rul Viewing Platform, part of the Kangaroo Ground War Memorial Park opened in April 2007. Eight double-sided interpretation panels on the Moor-rul viewing platform highlight the area's Aboriginal and European history of the area and also details of local geology, flora and fauna. These panels feature high quality graphic design and professionally written text. The subjects covered are: ''Womin Je Ka" Welcome The Kulin Nation Singing, Dancing, Ceremony, Celebration This Country, My Home The Highland Taken Auld Lang Syne "Same Land Different Views" Working the Land Food from the Earth or "Earth's Harvest" Lest We Forget, "And with the going down of the Sun .... (3 panels) This Black Earth Those other indigenous inhabitants - Kangaroo Ground's Wildlife Silent Witnesses - Kangaroo Ground's White Manna Gums Belonging A Place of Reverence and A Tower of Strength Souce: EDHS Newsletter No 173 March 2007. As part of a program to acknowledge the Anzac Centenary Nillumbik Shire Council partnered with Yarra Plenty Regional Library to provide a bus tour with commentary of local sites of significance: Shire of Nillumbik World War One Memorials tour, 10 August 2016. These included Eltham township, the Shire of Eltham War Memorial at Kangaroo Ground, Christmas Hills war memorial, Hurstbridge memorial recreation park and finshed at Eltham Library to view the Writing the War exhibtion at Eltham Library Community Gallery.Born Digitalshire of nillumbik, moor-rul viewing platform, kangaroo ground, interpretative signage, interpretation panel, display panel -
Flagstaff Hill Maritime Museum and Village
Award - Certificate of Service, F. W. Strahle, James Patten, 23-08-1907
This certificate acknowledges 21 years of service given by James Patten, one of the original 1859 Lifeboat Warrnambool as a boatman and bowman. At the time, all retiring Volunteer lifeboatmen were honoured with this award. It was made as a lithograph that was created by F. W. Strahle at the request of the Department of Lands & Survey, Melbourne, Victoria. During his time of service, James Patten was awarded a medal and certificate by the Royal Humane Society of Australasia for his bravery. Patten and his friend Joseph Lowe, who couldn't swim, were with their friend James Ferrier in a boat on the Hopkins River, Warrnambool, when their boat capsized. Ferrier made it to shore, and Patten tried unsuccessfully to hold onto Lowe and bring him to shore. The event occurred on 18th April 1890. The images on the Certificate show a collage of rescue events performed by the lifesavers; a shipwreck rescue in progress, lifeboat conveying five boatmen using two oars each, and a bowman standing at the bow, a linesman wearing a life jacket and holding a rescue line, a lifesaver ring with images of three sailing ships inside it, a shipwreck near shore, a woman and girl in shallow water, a rescue using a breeches buoy on the lifeline, two rescuers walking towards the survivor, rescue crew wearing waterproof clothing, a rocket machine with a pulley to bring the survivor in a breaches buoy to shore, and a rescue crew member holding a flare. Volunteers at the time received a small payment, or 'retainer'', for their practices and a payment of gratitude for the rescues they attended. Across the years between 1856 to 1979 the combined service in Victoria saved 260 lives. Amazingly, some of the volunteers could not even swim.This certificate shows the State and Local Government's appreciation for the years of service spent by in the endeavour to save lives in peril in and on the local waters in the early 20th Century. The lithographed design depicts the many skills and services performed by the lifesavers of the era.Certificate of Service, unframed, awarded to James Patten on 23rd August 1907, recognising his 21 years of service with the original Warrnambool Life Boat Service as a Boatman and Bowman. Certificate is on rectangular, cream paper, lithographed design, printed and handwritten. Letterhead with the Royal Coat of Arms of the United Kingdom and a French motto. Images depict lifesaving crew, lifeboat, rescue equipment and a rescue in progress. The border is waves inside of frame of looped rope. Signatures of Commissioner of Public Works, Secretary of Public Works, and Engineer in charge of Ports and Harbours, Melbourne. Printed from a lithograph produced by F.W. Strahle on 23rd June 1907.MOTTO: "Dieu Droit Et Mon, Ni Soit Qui Mal y" TREXT: "Certificate granted to James Patten as a mark of appreciation of his esteemed services of 21 years as Boatman and Bowman connected with the Departmental Life-Boat service at Warrnambool - dated the 23rd day of August 1907." SIGNATURES: [Commissioner of Public Works], [Secretary of Public Works], [Engineer in charge of Ports and Harbours Melbourne] "Lithographed at the Dept of Lands & Survey - Melb/ by F.W. Strahle, 23.6.07"flagstaff hill, warrnambool, flagstaff-hill, maritime museum, maritime village, shipwreck-coast, flagstaff hill maritime museum & village, james patten, life-saving, lifesaving, rescue, bravery, drowning, joseph lowe, james ferrier, hopkins river, boat accident, certificate of service, 1890, 1907, bowman, boatman, departmental life-boat service, life-boat service, lifeboat service, august 1907, commissioner of public works, public works, ports and harbours melbourne, lands & survey melbourne, f w strahle, lithograph, 1856-1979, 260 lives saved, victorian volunteers, lifeboatmen, retired lifeboatmen -
Surrey Hills Historical Society Collection
Photograph, Mrs Florence Margaret Tacey (nee Edwards)
Mrs Florence Margaret Tacey (nee Edwards) was the mother of Albert Arthur Tacey. She was born in 1863; died in 1943 in Camberwell. Her husband was William Tacey born in the Buckland Valley near Bright in 1857. There were many members of the Tacey family who were butchers. Various members of the family were associated with Tacey's Butchers at 629 Canterbury Road, Surrey Hills. According to a Context P/L heritage assessment of the property the land on which the business was built "was purchased by Edward Tacey on 16 September 1889. Edward Tacey was a butcher and the Sands & MacDougall street directory indicates that a butcher’s shop had been constructed on the site and was operating by 1890. It seems that the family lived for some time at a house located next door to the shop at 627 Canterbury Road (visible on the 1909 MMBW plan, but since demolished). On 15 June 1920 Edward Tacey transferred all three blocks of land to Joseph Tacey, most likely his son * and also a butcher, who carried on business from the same premises. Joseph Tacey died on 20 February 1933, after which administration of his estate (which included the three blocks of land) passed to his widow, Mary Dorothy Tacey." Edward Tacey (1863 - 1952) was the brother of William Tacey (1857 - 1920). The property passed to Joseph Charles Tacey (1887 - 1933), his nephew and son of William, not his son. His wife was Mary Dorothy Coates. Albert Arthur Tacey was a brother of Joseph Charles Tacey. The SHNCHC has a large framed photo collage of the Tacey butcher's shop at 629 Canterbury Road. It hung in various Tacey family-owned butcher's shops around Victoria before coming back to Surrey Hills. The donor was the daughter of Albert Arthur Tacey (1902-1959). A black and white photograph of an older lady. She has greying hair, is wearing rimless glasses, pearls and a jacket over her dress.surrey hills, butchers, mrs florence margaret tacey, miss florence margaret edwards, william tacey, joseph charles tacey, albert arthur tacey -
Kew Historical Society Inc
Print, Cr Henry Weedon MLA, & Suburban Mayors, 1907
An article in the Box Hill 'Reporter' (11 October 1907, p.2) refers to the presentation of the artefact to the Kew Town Hall. The report records: 'Presentation to Kew's Ex-Mayor In the mayor's room at Kew on Tuesday evening, Ex-Mayor Cr Wishart was made the recipient of a handsomely-illuminated and exquisitely-framed testimonial as a mark of appreciation by his colleagues of the highly satisfactory manner in which he had discharged the duties appertaining to the mayoral office. .... A framed group of the metropolitan mayors was subsequently presented by Cr Wishart as an addition to the pictures hung in the mayor's room.'The newspaper report in the Box Hill Reporter positively identifies the artefact and how it was placed in the Mayor's Room in the Walpole Street Town Hall. The collage is historically significant as it may include the only photograph of a mayor of a city at this period of time.A large framed photographic collage of Henry Weedon surrounded by the Mayors of Greater Melbourne (holding office for the year 1906-07). The photograph was assembled in recognition of the ‘slight favours to them’ showed by the Lord Mayor. The photograph is dated August 1907. Surrounding the central medallion is, from left to right: Cr. C. C. Mercy (Camberwell), Cr. T. L. Taylor (Northcote), Cr. Thos. Smith (Port Melbourne), Cr. W. Flintoft (Prahran), Cr. W. Collings (Fitzroy), Cr. C. D. Lloyd (Caulfield), Cr. W. Wishart (Kew). Cr. Eli Williams (Coburg), Cr. C. Pattison (Essendon), Cr. A. E. Wells (South Melbourne), Cr. H. B. Gibbs (St Kilda), Cr. J. F. Hamilton (Brighton), Cr. C. Dalley (Hawthorn), Cr. C. L. Davey (?), Cr. J. C. Hill (Heidelberg), Cr. D. Phillips (Brunswick), Cr. M. Alexander (Richmond), Cr. W. Johns (Collingwood), Cr. W. H. Edgar MLC (Malvern), Cr. T. P. Hannah (Williamstown) and Cr. A. A. Harris (Footscray). henry wheedon, c. c. mercy, t. l. taylor (northcote),thomas smith, w. flintoft, w. collings, c. d. lloyd), w. wishart, eli williams, c. pattison, a. e. wells, h. b. gibbs, j. f. hamilton, c. dalley, c. l. davey, j. c. hill, d. phillips, m. alexander, w. johns,w. h. edgar, t. p. hannah, a. a. harris, mayors, kew, henry weedon -
Federation University Art Collection
Work on paper - Artwork - Digital archive print, The Corry (from the series: Cake Walking in Scotland, 2015/2016), 2016
David FERRY (1957- ) Born in Blackpool, United Kingdom. David Ferry studied painting at the Camberwell Schools of Art and printmaking at the Slade School of Fine Art in London. He is currently Professor of Printmaking and Book Arts at the Cardiff School of Art, Cardiff Metropolitan University,Wales. He was Former Associate Professor of Fine Art Media, at the Long Island University, New York, USA, and former Head of Printmaking at the Winchester School of Art, UK. David Ferry was awarded a Fellowship of The Royal Society of Arts for his contribution in the foundation of the Curwen Print Study Centre in Cambridge where he became its first Artistic Director in 2003. In 2010 he was made Professor of Printmaking at the Cardiff School of Art and Design, and a full Fellow of the Royal Society of Painter / Printmakers (RE).Framed screenprint which forms part of a series called ‘Cake walking in Scotland’ which was printed 2015/16. It is a Digital Archive print with gold and silver leaf and glitter and varnish. "Upon entering a strange place, the visitor is disorientated. He looks for key markers that can act as signposts to help him find his way. These markers are taken from his past experiences, giving shape to his perceptions.’…’ Ferry was born in the seaside town of Blackpool and educated at London art colleges during the late 1970s at the height of British Punk. These early foundations continue to assert themselves in the mischievous and disruptive nature of his photomontage. He argues that early understandings of oneself, along with the characters and situations one encounters, shape our viewpoint. These act as familiar signposts that enable us to negotiate our understanding of the world. Employing what he refers to as a collage mentality, Ferry collides and layers fragments to explore his subjects.’ Writes Stephen Clarke on David Ferry’s work in ‘The Double Negative’. (htt05 April 2019)ps://www.roeandmoore.com/shop/the-corrie-by-david-ferry/, accessed One of an edition of 12.david ferry, printmaking, artist in residence, screenprint, art, artwork -
Footscray Community Arts
Converge - Collins Street Window Reflection, Greg Considine, 2005
MEDIUM: Photographic print. DESCRIPTION: A photograph of abstract architecture. Black outer frame with glass front panel and white board inner frame. An abstract collection of building faces meeting towards a left off centre vertical line collision point. This picture is a meeting of mirrors, how many remains a mystery. Where one mirror or building starts and another ends, to the viewers eye is met with some uncertainty. Following lines, the clearest meeting of mirrors is where the building on the left appears to be the same and collides with a variety of other buildings coming horizontally in a distinct vertical line to the top of the image. The bulidings on the right have somehow through the skill of the photographer captured a bermuda triangle of walls. The mirroring angles of the walls being from either several different buildings, or from several different mirrors. This creates a strange collecetion of imagery, the viewer unable to make clear distinctions of where something starts or ends or from where it is coming from. The tonal shades and shadows created also play a role in creating an interesting collage of shapes and lines. This piece essentially speaks of lines, angles, geometric shapes, meeting points, shadow and light. Signed and dated on white board inner frame, directly under left corner of image.photograph, st, considine, converge, collins -
Federation University Art Collection
Work on paper - Photocollage, 'Being Ultra Light' by Rochelle Summerfield
Rochelle SUMMERFEILD Born Sydney, Australia This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Artists Statement: I am based in Northern NSW. My art practice is deeply influenced by my connections and experiences with the rivers and habitat where I live. Through drawing, paint, collage and digital media my work explores human relationships with riparian environments. Every day I see the undeniable beauty of our rivers as well as the ecological suffering of these riparian landscapes. Historical practices of land clearing, water politics and weed infestation put tremendous pressure on the Australian ecology. Disrupting traditional art forms, I combine them with new technologies to reveal some of the complexities behind human relationships with nature. With bold collagist experimentation, I combine numerous mediums to expose the small revelations between media. These juxtapositions open up the possibilities of reinventing different ways of being with the natural environment. Like the layers in my work, the issues surrounding our riverine environments are multifaceted and complex and begin with individual choices. I want to direct people’s attention to our rivers, to love, appreciate and reconnect with the natural environment. Human experience with nature is a fundamental part of our sense of self, health and well-being as well as community connection. (https://rochellesummerfield.com/about/, accessed 10 June 2020)art, artwork, rochell summerfield, printmaking, print council of australia -
Nillumbik Shire Council
Print (woodcut and etching on chine-colle): John WOLSELEY (b.1938 Somerset, UK; arrived 1976 Melb., AUS), John Wolseley, 'Life world of the Longicorn beetle' from the 'Baldessin & Friends commemorative folio', 2016
Painter, printmaker and installation artist John Wolseley was born in Somerset, England. He lived and worked throughout Europe before relocating to Australia in 1976. His work explores how people dwell and move within landscape. Wolseley see's himself as a hybrid mix of artist and scientist; one who tries to relate the minutiae of the natural world - leaf, feather and beetle wing - to the abstract dimensions of the earth's dynamic systems. Using techniques of watercolour, collage, frottage, nature printing and other methods of direct physical or kinetic contact Wolseley finds ways of collaborating with the actual plants, birds, trees, rocks and earth of a particular place. George Baldessin was one of the first artists John Wolseley met when he arrived in Australia in 1976. Both immigrated to Australia and connected through this shared experience. They were both at 'Realities Gallery' with Marianne Baillieu in the 1970s and 80s. George Baldessin (1939-1978) was born in San Biagio di Callalta, in the Veneto in Northern Italy and arrived in Australia ten years later. A printmaker and sculptor he built his bluestone studio at St Andrews (Nillumbik) in 1971 with his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George. 'Life world of the Longicorn beetle' is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. Communion and collaboration with nature are central to Wolseley's practice. He assembles different drawing methods to represent a kind of inventory or document about the state of the earth. His interest is to paint the processes and energy field of the living systems of this land. 'Life world of the Longicorn beetle' is his continued exploration of Australia's natural eco-systems. The beetle attacks the eucalypt and in the process of tunnelling into the wood of the tree leaves scribbly patterns. The work celebrates the cycle of life, and the wisdom and delicacy of these creatures. This three dimensional work consisting of three layers of paper is a varied edition, offering just the slightest difference between each print, reflective of variation in nature. The found log used as a woodcut acknowledges the interconnectedness of nature and living beings; the log is not apart from the art and the beetle has become an active artistic collaborator. An intimate and layered print of a tree log with line trails from the Longicorn beetle. Patches of pink, yellow and orange watercolour placed randomly. Woodcut from found log and etching on chine-colle with water colour on Gampi (top layer), Mulberry (middle layer) and Arches (bottom layer) paper. In pencil (handwritten): low plate: left '14/25' (edition); centre 'Life world of the Longicorn beetle' (title); right 'John Wolseley' (signature); low paper: right emboss 'GB' (Baldessin Press & Studio monogram)woodcut, etching, chine-colle, landscape, environment, longicorn beetle, print, baldessin, ekphrasis2018, eco, mixed media -
Mission to Seafarers Victoria
Plaque - Memorial Plaque, Amy Neville Brown (1882-1974), 1976
Amy Neville Brown (1882-1974) was a longlife member of the Mission to Seafarers ladies' Committees: 1910 - Amy is first mentioned in our records as LHLG branch secretary for Elsternwick. (from diaries written by her and her sister Beatrice during 1909-1913 and held at the Glen Eira Historical Society, Amy tells she attends “kirk” with Miss Godfrey about once a month and each time they go to the “Institute” afterwards.) 1918 - 1922 sees Amy as “Schools secretary” LHLG. 1933 - Miss A N Brown becomes Honorary Secretary of the LHLG. 1946 – LHLG becomes “Harbour Lights Guild”. 1949 – Dora Simpson is president of HLG & Amy Brown is Honorary Secretary. 1957 – Amy retires as Honorary Secretary of the HLG. Other interests: 1933 - Amy founded the Victorian Aboriginal Group along with Valentine Alexa Leeper (1900-2001). She acted as Hon. Sec. to the VAG for 40 years until its winding up in 1971 8 boxes of papers related to their activities are held at the SLV under Amy’s name (with Val Leeper). 1950 - Amy was a member of the YWCA 1963 – she was president of the Agnes Benson Auxiliary of the YWCA. Amy’s parents were Andrew Howden Brown & Catherine Marianne (Kitty) Wight. She had 2 brothers: Charles John Brown, Edward Byam Brown & 3 sisters: Jean Constance Brown (1884-1973), Catherine Philpott Brown (1886-1980), Grace *Beatrice Brown (1889-1984) who was also a member of the Mission's ladies' committee. None of 4 sisters married, they lived all their lives in Elsternwick. Edward Byam Brown was an academic at Melbourne University rising to become Ass. Prof. of Electrical Engineering by the 1950s. He married Vera Scantlebury in 1926 – they had 2 children. Amy’s maternal grandparents were Edward Byam Wight and Catherine Philpott. Both arrived in Melbourne in the early 1840s. Edward Wight is included on Thomas Chuck’s collage of early Victorian pioneers. Anne Jackson has written a short biography of Catherine’s brother, William Philpott, which includes a paragraph on Edward Wight. Catherine’s youngest son, Neville Wight, became a solicitor living at Woodend. He married Grace Rutherford – Mrs Neville Wight was a member of our Executive Committee from 1929 to 1933. Neville Wight’s obituary states that “he served his articles with … the firm of Moule & Seddon”. The principal of this firm was W H Moule, well known judge and cricketer. His son, also W H Moule, was Honorary Secretary of MtSV Executive Committee for 20 years until his retirement in 1958. was a member of the Harbour Lights Guild ( Honorary General Secretary in the 30s) then the Flying Angel League. She passed away in September 1974. A protege and friend of the Godfreys and Ina Higgins she actively assisted in setting up school branches of LHLG and eventually became a leading member in the 1930s.The window made by Tony Hall along with this plaque were dedicated in 1976. Amy Neville Brown had a lifelong association with the Mission and other philanthropic and social causes. Small plaque mounted on wooded board.In memory of Amy Brown For her lifetime of devoted service to the Mission 26th September, 1974amy brown, plaque, memorial, flying angel club, lhlg, amy neville brown (1882-1974), victoria aboriginal group (1933-1971), vag, val leeper, valentina alexa leeper (1900-2001) -
Ringwood and District Historical Society
Photograph, Some of Ringwood's War Workers (photo collages) 1944
Newspaper clippings with photographs under heading "Some of Ringwood's War Workers" - The Weekly Times, November 29, 1944. -
Tennis Australia
Collage, Certificate, Circa 1990
Limited edition reproduction: 'Don Budge, Kooyong 1938'. Print 5/30 from the 'Kooyong Collection'. Image accompanied by small text panel, outlining Budges career and records. Adhered to backing is the reproduction's Certificate of Authenticity as an official Australian Open licensed product. Materials: Ink, Paper, Wood, Cardboard, Metaltennis -
Federation University Art Collection
Drawing - Pencil & Collage, Kratofil, Michael, 'Calendar' by Michael Kratofil, 1989
Michael KRATOFIL Between 1987 and 1989 Michael Kratofil undertook a Bachelor of Arts (Design and Visual Communications) at the Ballarat Institute of Advanced Education (later Federation University) This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed University Graphic Design Project. If you can provide information on this artist or arwork please use the comment link below. art, artwork, michael kratifil, available, graphic design, graphic communication -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - gouache, charcoal and book spines on collaged book pages on linen, Katherine Hattam, William Buckley forgot how to speak English, 2018-19
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Koorie Heritage Trust
Book, Blandowski, William, Australia : William Blandowski's Illustrated Encyclopedia of Aboriginal Australia, 2010
Blandowski's "Australia" is simultaneously an encyclopedia of Aboriginal life, a visual record of Blandowski's travels from 1849 to 1857 and a collage which combines photograghs, original images and the works of other artists. William Blandowski was an explorer, natural scientist and artist who led a Victorian government expedition to the junction of the Murray and Darling Rivers from 1856 to 1857. This is the first publication in English of his nineteenth century illustrated encyclopaedia of Aboriginal life.v-vii, 188 P. map, ill. notes; photographs; facs. plates; footnotes; timeline; annotations.Blandowski's "Australia" is simultaneously an encyclopedia of Aboriginal life, a visual record of Blandowski's travels from 1849 to 1857 and a collage which combines photograghs, original images and the works of other artists. William Blandowski was an explorer, natural scientist and artist who led a Victorian government expedition to the junction of the Murray and Darling Rivers from 1856 to 1857. This is the first publication in English of his nineteenth century illustrated encyclopaedia of Aboriginal life.aboriginal australians -- murray river valley (n.s.w.-s. aust) -- social life and customs -- 19th century -- pictorial works. | aboriginal australians -- murray river valley (n.s.w.-s. aust) -- rites and ceremonies -- 19th century -- pictorial works. | material culture. | hunting, gathering and fishing. | body - scarification. | ceremonies. | recreation - games. | weapons - clubs and fighting sticks - fighting. | death - mortuary customs. | death - mortuary / funeral ceremonies - burial. -
Nillumbik Shire Council
Collage: Elizabeth GOWER (b.1952 SA, AUS -), Cycles 7, 2015
The 'Cycles' series is an extension of two large scale provisional installations '150 Rotations', Melbourne Now, National Gallery of Victoria, and '356 Rotations', AC Institute in New York, which also re-purposed and aestheticised multiple paper units into hundreds of circular motifs.The immediate tactile connection with the material excesses and detritus of contemporary consumer culture informs the theoretical framework and conceptual understanding of Gower's practice, and associates her work with ideas of recovery and re-purpose, sustainable practice and thrift strategies that critique excesses of mass production and the notion of impermanence. This series was made ‘in transit’ during the artist’s recent studio residencies at Point[B], New York and Laughing Waters, Eltham, and at three temporary studios in Rome, Berlin and Collingwood.Kaleidoscope pattern of multiple segments (logos-Lipton tea) from commercial (food) catalogues on commercial packaging (cardboard - round lid). No inscriptions and markingscycles, gower, collage, pattern, logos, commercialism, consumerism, repurpose, recycle, riverbend, laughing waters -
Nillumbik Shire Council
Collage: Elizabeth GOWER (b.1952 SA, AUS), Cycles 11, 2015
The 'Cycles' series is an extension of two large scale provisional installations '150 Rotations', Melbourne Now, National Gallery of Victoria, and '356 Rotations', AC Institute in New York, which also re-purposed and aestheticised multiple paper units into hundreds of circular motifs.The immediate tactile connection with the material excesses and detritus of contemporary consumer culture informs the theoretical framework and conceptual understanding of Gower's practice, and associates her work with ideas of recovery and re-purpose, sustainable practice and thrift strategies that critique excesses of mass production and the notion of impermanence. This series was made ‘in transit’ during the artist’s recent studio residencies at Point[B], New York and Laughing Waters, Eltham, and at three temporary studios in Rome, Berlin and Collingwood.Kaleidoscope pattern of multiple segments (logos-Purina 'fancy feast') from commercial (food) catalogues on commercial packaging (cardboard - round lid). No inscriptions and markingscycles, gower, collage, pattern, logos, commercialism, consumerism, repurpose, recycle, riverbend, laughing waters -
Nillumbik Shire Council
Collage: Elizabeth GOWER (b.1952 SA, AUS), Cycles 10, 2015
The 'Cycles' series is an extension of two large scale provisional installations '150 Rotations', Melbourne Now, National Gallery of Victoria, and '356 Rotations', AC Institute in New York, which also re-purposed and aestheticised multiple paper units into hundreds of circular motifs.The immediate tactile connection with the material excesses and detritus of contemporary consumer culture informs the theoretical framework and conceptual understanding of Gower's practice, and associates her work with ideas of recovery and re-purpose, sustainable practice and thrift strategies that critique excesses of mass production and the notion of impermanence. This series was made ‘in transit’ during the artist’s recent studio residencies at Point[B], New York and Laughing Waters, Eltham, and at three temporary studios in Rome, Berlin and Collingwood.Kaleidoscope pattern of multiple segments (logos-Lipton 'Green Tea') from commercial (food) catalogues on commercial packaging (cardboard - round lid). No inscriptions and markingscycles, gower, collage, pattern, logos, commercialism, consumerism, repurpose, recycle, riverbend, laughing waters -
Ballarat RSL Sub-Branch Inc.
Collage - (Framed) German SS Ceremonial Uniform
Badges, Dagger, Uniform, Death Head etcphoto/pictures, ballarat rsl, ballarat -
Ballarat RSL Sub-Branch Inc.
Photographs - Framed collage ANZAC Day 1985
photo/pictures, ballarat rsl, ballarat -
Kew Historical Society Inc
Journal, Kewriosity : December 1985
Celebrating 125 years / p1. Happy anniversary Kew! / p1. Dates for December / p2. [Community] Notices / p2. Christmas Services / p2. Update: Notes from Council [Local Government restructure] / Cr Phyllis Hore [Mayor of Kew] p3. Traffic management / p3. In Brief [Heavy traffic - Kew Traffic School; Yarra Bend contribution; Prospect Hill [Hotel]; Money for Mexico; Improvements to Willsmere Park; Senior Citizens' Week; Safeway go-ahead; Community Bus; Dawn patrol for dogs; Public Meeting for North Ward residents] / p4. 125th Anniversary supplement [graphic collage] / p5. Kew becomes a municipality / p6. "Ma Dalley" / p6. History of Kew Library / Alex Tarr [City Librarian] p6. [Historic] Kew dates / p7. Kew's Crest / p6. The Outer Circle revisited / Joan Barrett p6. Getting the news to Kew [Chronological history of Kew newspapers] / p8-9. Of Councils past [What rubbish ...; Kew by moonlight; Evil practices; All quiet on the Council front; Things change?; In the marketplace; Kew goes it alone; No cows for Kew; Voting is compulsory; In the beginning ...] / p10. Finding out about our history / p10. From the old "Rec" to the new Recreation Centre / p11. Kew's history in houses - your guide to style and period / p12. 'Ow Commissioners catered for Kew [poem] /p12. Welcome Councillor Timms / p13. Govt grant for Recreation Centre / p13. Volunteers needed for Kew Meals on Wheels / p13. Holday programs / p13. Kew Community House [Rhonda (McCaw) takes over; We're expanding!; Volunteer Child Care workers; Suggestion box; T.O.P. at the house; Christmas break-up] p13. Why Kew? p13. Youth Page [Making the most of the holidays; What does Christmas mean to you? Holiday program] / p13. 1888 Organ restoration recalls Kew businessman [Alfred Fuller] / p14. The Citizens' Advice Bureaux needs new volunteers / p14.Kewriosity was a local newsletter combining Kew Council and community news. It was published between November 1983 and June 1994, replacing an earlier Kewriosity [broad] Sheet (1979-84). In producing Kewriosity, Council aimed to provide a range of interesting and informative articles covering its deliberations and decision making, together with items of general interest and importance to the Kew community and information not generally available through daily media outlets.non-fictionCelebrating 125 years / p1. Happy anniversary Kew! / p1. Dates for December / p2. [Community] Notices / p2. Christmas Services / p2. Update: Notes from Council [Local Government restructure] / Cr Phyllis Hore [Mayor of Kew] p3. Traffic management / p3. In Brief [Heavy traffic - Kew Traffic School; Yarra Bend contribution; Prospect Hill [Hotel]; Money for Mexico; Improvements to Willsmere Park; Senior Citizens' Week; Safeway go-ahead; Community Bus; Dawn patrol for dogs; Public Meeting for North Ward residents] / p4. 125th Anniversary supplement [graphic collage] / p5. Kew becomes a municipality / p6. "Ma Dalley" / p6. History of Kew Library / Alex Tarr [City Librarian] p6. [Historic] Kew dates / p7. Kew's Crest / p6. The Outer Circle revisited / Joan Barrett p6. Getting the news to Kew [Chronological history of Kew newspapers] / p8-9. Of Councils past [What rubbish ...; Kew by moonlight; Evil practices; All quiet on the Council front; Things change?; In the marketplace; Kew goes it alone; No cows for Kew; Voting is compulsory; In the beginning ...] / p10. Finding out about our history / p10. From the old "Rec" to the new Recreation Centre / p11. Kew's history in houses - your guide to style and period / p12. 'Ow Commissioners catered for Kew [poem] /p12. Welcome Councillor Timms / p13. Govt grant for Recreation Centre / p13. Volunteers needed for Kew Meals on Wheels / p13. Holday programs / p13. Kew Community House [Rhonda (McCaw) takes over; We're expanding!; Volunteer Child Care workers; Suggestion box; T.O.P. at the house; Christmas break-up] p13. Why Kew? p13. Youth Page [Making the most of the holidays; What does Christmas mean to you? Holiday program] / p13. 1888 Organ restoration recalls Kew businessman [Alfred Fuller] / p14. The Citizens' Advice Bureaux needs new volunteers / p14. publications -- city of kew (vic.), kewriosity, council newsletters, community newsletters -
Waverley RSL Sub Branch
Collage Weary Dunlop, Funeral of Weary Dunlop
9 mounted photos of Weary Dunlop and his funeralFuneral of Edward "Weary" Dunlop -
Wodonga & District Historical Society Inc
Book - Picturing and Re-picturing Bonegilla, Bruce J Pennay, 2016
This is one of many publications by Bruce Pennay which focus on and analyse the policies and experiences of migrants at the Bonegilla Reception and Training Centre. In this latest item, he arranged picture collages (40 in all) and invited readers to see and consider how Bonegilla, Australia’s largest and longest-lasting postwar migrant accommodation centre, was perceived and represented by government, by the contemporary press, and by resident staff, migrants and refugees.non-fictionThis is one of many publications by Bruce Pennay which focus on and analyse the policies and experiences of migrants at the Bonegilla Reception and Training Centre. In this latest item, he arranged picture collages (40 in all) and invited readers to see and consider how Bonegilla, Australia’s largest and longest-lasting postwar migrant accommodation centre, was perceived and represented by government, by the contemporary press, and by resident staff, migrants and refugees.bonegilla reception and training centre, bonegilla, postwar migration, migration australia