Large rectangular sepia print of the beach and beach front at Scheveningen. Among other beachfront buildings it features the famous Kurhaus Hotel and walkers on the sandy beach at what appears to be low tide. The sky is filled with dark glowering clouds. There are no swimmers apart from seagulls. The print has been professionally framed and has a strong wire at the back.Scheveningen Beach. The Hague. Netherlands. 1998. There is also an indistinguishable signature and the mark 25/100. The latter indicates this is no.25 in a limited edition of 100.

A number of these fans were ordered from Indonesia by Lia Kellener, the founder of Tempo Doeloe in Melbourne.The item relates to the move of many Dutch to The Netherlands or Australia from post-WWII Dutch East Indies. After a 4year struggle immediately following the ousting of the Japanese in 1945, Indonesia officially gained independence from The Netherlands in 1949. Small Indonesian fan produced for the 50th anniversary of Tempo Doeloe in Australia. The fan is made in a similar manner to the so-called Wayang dolls and is reminiscent of this aspect of traditional Indonesian culture.An orange central patch bears the words: Tempo Doeloe 1945-1995 Indonesia - Australia.

Queen Juliana's mother, Queen Wilhelmina, abdicated in favour of Juliana, her only child in 1948. In 1980 Juliana abdicated in favour of the eldest of her three sons Willem-Alexander.The production of this tile is significant of the Dutch monarchy's willingness to abdicate in favour of the next genration.Wall tile to commemorate the reign of Queen Juliana of The Netherlands from 1948 to 1980. An oval-shaped black and white image of the queen is at the centre surrounded by some low-key decorations.Koningin Juliana 1948-1980 (Queen Juliana 1948-1980).

Balinese art is art of Hindu-Javanese origin that grew from the work of artisans of the Majapahit Kingdom, with their expansion to Bali in the late 14th century. From the sixteenth until the twentieth centuries, the village of Kamasan, Klungkung (East Bali), was the centre of classical Balinese art. During the first part of the twentieth century, new varieties of Balinese art developed. Since the late twentieth century, Ubud and its neighboring villages established a reputation as the center of Balinese art.This is likely a memento of the Dutch/Indonesia era.Carved and lacquered wooden image of male and female heads. Each is wearing a highly decorative headdress giving the impression of a special ceremony such as a wedding. The necks of the figures merge into further carving, this time of an abstract theme.

Vegetables buckets were used to collect vegetables from the garden, greengrocer or other supplier.The item speaks of a time when people either grew their own food or bought it from delivery carts.The metal bucket is enamelled in green on the outside and grey on the inside. It has a plain handle.The word "GROENTEN" (vegetables) in white enameling underlined by 3 gold rings that go right around the bucket.

Liberation Day still looms large in the Dutch consciousness and would have done even more so a mere 10 years after the event. All kinds of commemorative articles were produced.A smallish mug used for drinking milk. It is decorated with items celebrating 10 years since the Liberation from German occupation. There is no handle.Dutch coat of arms including the words "Je Maintiendrai" (I will overcome) - all in orange. Two flags protrude - seemingly from the lions' paws. The reverse view shows a colourful scene of celebrating children one of of whom is being carried by an Allied Armies soldier. A pennant has the words:"1945 5MEI 1955" in orange. Below the scene are the words "10e BEVRIJDINGSDAG" (10th Liberation Day) in blue.

Princess Juliana and Prince Bernard married in 1937 prior to the Princess becoming Queen in 1948.The fact that this item was brought to Australia with a migrant family indicates the affection in which the Royal Family was held by many Dutch people.Rectangular tile depicting a leafy tree loaded with oranges. Under it are four young people - two male and two female. The main colours are green on a greyish background. Orange accents appear throughout the clothing. An orange banner reads 1937-1962. Below the illustration is the motto: "Doen kunnen we alles maar dan ook alleen allen samen." (We can do everything but only together). On the back are various imprints relating to the maker Mosa Holland.

This plate was obviously created to honour those who were killed defending their country at the time of the invasion - May 10, 1940. The maker appears to have taken an ordinary plate and painted it him or herself.This is a rate item as it was produced during the war in contrast to the many plates and other items to commemorate the Liberation in May 1945.A common ceramic plate, originally white but painted over as a tribute to those who fell defending their country against the Nazi invasion on May 10, 1940. A handmade wire hanging is twisted around the plate.Aan Hen Die Vielen Voor Hun Vaderland (To those Who Fell For Their Country). 10 Mei 1940. The centre of the plate is handpainted and shows a Dutch flag, a lion rampant and two military graves. On the back is the makers's symbol (a resting lion), the manufacturer's name and Maastricht 1941. Also Made in Holland.

The objects relates to a period when old-fashioned objects were reproduced in brass (often in miniature) and bought for collections.A brass replica of the the milk measures used in the days the dairy farmer delivered milk out of large cans brought from the dairy farms.2 DL

Wooden clogs were common footwear for farmers and their families.Single wooden clog decorated with burnt-in rustic scene and patterned decorations.

WWII Liberation 50th anniversaryThe Dutch have never forgotten their debt to the Allied forces or the joy of the 1945 liberation.A tall square tin with snug-fitting lid produced to contain 200gram "Dutch hail", a sugary product eaten on Dutch rusks or slices of bread; usually on celebratory occasions. The main colour is orange and it is also richly decorated with scenes recalling the 1945 Liberation. De Ruyter Oranje hagel. Ter gelegenheid van de viering van 50 jaar bevrijding in Nederland 1945-1995 (on the occasion of the 50th anniversary of the liberation in The Netherlands 1945-1995). There is also a list of ingredients that constitute the hail and other commercial markings.

The VOC sent its trading ships to the (then) Dutch East Indies to collect spices and other goods. In the 17th century accurate navigation was not always possible and ships might end up on the wild, unchartered West Australian coastline. Item recalls the fact that the WA coast was unintentionally visited by Dutch ships during the 17th and 18th centuries. Because the coast was so unattractive the Dutch did not try to settle the country.Large rectangular timber plaque with scalloped edges depicting historic shipwrecks of Western Australia.An insert reads: "Historic Shipwrecks of Western Australia (Protected as of 1983). Coastal cities are marked with their names and dots along the coastline indicate wreck sites. Most are named and dated; others marked as unidentified. An inset map deals with the area around Fremantle and shows a large number of wrecks. A separate typed notice attached to the map identifies the five known Dutch wrecks - all ships of the VOC - Vereennigde East Indian Compagnie (Dutch East India Company). Further than that there are a distance scale and a compass.

This is a common sign in The Netherlands were the British "Right of Way" for walkers does not exist.Small rectangular plastic sign forbidding entry. Verboden Toegang. Art.461. Wetb. v. Strafr. (Non-abbreviated text would read Artikel 461 Wetboek van Strafrecht) In English: Access denied; punishable by article 461 of the penal code.

Set of three small framed tiles with humourous Dutch sayings.(a) Ik hoef niet te zwemmen in het geld maar pootje baden vind ik fijn. (I don't need to swim in money but I enjoy paddling in it). (b) Mannen moeten zijn als coffee, sterk goed en warm. (Men need to be like coffee, strong good and warm. (c Praat niet over jezelf, dat doen wij wel als je weg bent.

Eigen haard is goud waard. (There is no place like home)

In The Netherlands the fiftieth birthday is celebrated as "seeing Abraham". This is a reference to a Gospel quote where Jesus was told he was too young to be teaching the people.Small square of three-ply on which is glued a slightly smaller ceramic tile carrying a Dutch saying. A small hole has been added in the back for ease of hanging. The mount appears to be hand-made.Heeft men eenmaal Abraham zien staan dan breekt het volle leven aan. (The fullness of life starts after the age of 50).

A rectangular ceramic tile on which is printed a verse to honour the importance of friendship. The author is Toon Hermans, a very popular post-war entertainer.The 16 line poem is named "Vrinden" (Friends)

Pressed metal serviette holder depicting a scene from the Nightwatch on each side.

Leesplankjes were first created in the last decade of the 19th century and continued to be created in a number of variations until the 1950's. Separate editions were used for Dutch populations abroad, e.g., the Dutch East Indies.Every Dutch primary school child would have been familiar with these boards and letters. A number of variations existed depending on the particular area in The Netherlands where the school was. There were distinctive boards for e.g., South Africa and Dutch East Indies.a) Reading Board - an aid to lelarning to read. b ) A small round tin containing the necessary letters to build the words shown and illustrated on "leesplankjes" or reading boards. (See also item 4839). c) Book produced in 2014 concerning the variety of these reading boards with the addition of word games and reading practice.a) variety of nouns containing an assortment of diphthongs. b )Lettertjes bij Hoogeveens leesplankje*J.B.Wolters. Groningen* (Letters for Hoogeveen reading boards) c) Book Title: Het Leesplankje met woordspelletje en oefeningen. (The Reading Board with word games and exercises).

Round tin with lid decorated with 6 colourful named pictures on both lid and tin. The pictures relate to words used in a series of early readers. The tin is empty but once contained sweets. It was likely a promotional item by the firm Wolters-Noordhof. Noordhoff is a large educational publisher in The Netherlands. Wolters-Noordhof © is printed on the underside of the tin. Also ALLEGRO, Gouderak ℗

Max Havelaar: Or the Coffee Auctions of the Dutch Trading Company (Dutch: Max Havelaar, of de koffi-veilingen der Nederlandsche Handel-Maatschappy) is an 1860 novel by Multatuli (the pen name of Eduard Douwes Dekker), which played a key role in shaping and modifying Dutch colonial policy in the Dutch East Indies in the nineteenth and early twentieth century. In the novel, the protagonist, Max Havelaar, tries to battle against a corrupt government system in Java, which was then a Dutch colony.The novel was central to the growing public awareness of corruption and exploitation by the Dutch colonial master in the East Indies. Published in 1860 it is considered the highpoint of Dutch literature in the 19th century. Hard cover book by Dr.J.van den Bergh published in 1920 containing a newly selected collection of extracts of the publication "Ideen" (Ideas) by Multatuli. The book is in 2 parts and contains about 600 pages. There are a number of drawings as illustrations.The illustrator is Anton van der Valk.