Photograph of the Geelong scrubber tram turning from Brougham St into Moorabool St with the Geelong Customs house in the background. The small building on the left hand side of the building has since been removed. The worker is cleaning the points for the wharf line which can be seen the foreground. The wharf line was closed and the rails used to extend the depot line to Beach during Oct. 1940. Photo c1939.Yields information about the Geelong scrubber tram and the line to Geelong wharf.Black and white photograph printed on plain paper.tramcars, geelong, scrubber tram, geelong scrubber, moorabool st, geelong wharf, beach

Powdered milk was sod in cans before plastic packaging was introduced. The Nestle Company manufactured the Sunshine powdered milk in Australia and was made from full cream pasteurised milk which had the water content removed from it this would then allow the tins of powdered milk to be transported without refrigeration. The powdered milk could then be made up by adding water at the recommended quantities as per directions on the labels.A white, and green paper covered rusty tin. The front of the label is printed in black advertising Sunshine full cream milk powder. The back has recipes printed on it.Nestle/SUNSHINE/milk/FULL CREAM MILK POWDER/NET 3LB - AUSTRALIAsocial history, cooking, domestic food and drink, milk products, powdered milk, george evans collection

This map from the mid-18th century doesn't include the finer details of land and sea masses that we know today. The map was produced by German cartographer and publisher, Johann Baptist Homann (1663-1724) and published in 1746, after his death. Earlier versions were published, such as 1707 and 1716. The date can be calculated from the Roman numerals on the top left text area. This print of a map is significant for its connection with early world explorers. A comparison of maps over the centuries shows the progression of navigational technology, the countries who claimed the land they explored. The naming of even some Australian locations shows who had already made their mark on Australia in the early 18th century. The print shows the fine details included by the cartographer and the beauty included that makes it attractive and interesting even today. The map is also significant for its connection with German cartographer, Johann Baptist Homann, whose Homann publishing company was renewed in Germany for producing high quality maps and atlases. Map behind glass in dark brown wooden frame on beige paper. The Coloured hand drawn line drawings show different hemispheres of the known world in the mid-18th century. Beautifully drawn figures and decorative embellishments enhance the map. The text on the top right has an explanation of the Figures I, II, III, and IV. This print of the 1746 map was produced in England by Leisure Arts Ltd. "PLANIGLOBIL TERRESTRIS" "MDCCXXXXVI" [1746] "MAPPE_MONDE" [Medieval Map of the World] "LEISURE ARTS LTD" "Printed in England"flagstaff hill, warrnambool, flagstaff hill maritime museum, flagstaff hill maritime village, flagstaff hill maritime museum and village, shipwreck coast, world map, french map, 18th century map, leisure arts ltd, cartography, early exploration, cartographer, johann homann (1663-1724), exploration, naviagtion, 1746 planiglobil terrestris

The photograph shows VR tram 42 in Barkly St at the Carlisle St intersection displaying destination St Kilda Rly. A male passenger is boarding. In the foreground the M&MTB Carlisle St tracks can be seen, a corner milk bar shop and traffic lights showing green for Barkly St traffic. In the mid ground what looks like a Holden car is turning into a driveway.Yields information about VR tram 42, Barkly St and Carlisle St intersectionBlack and white photograph with no notes on the rear.vr tram, tram 42, barkly st, carlisle st, st kilda rly, milk bar, traffic lights, holden car

Black and white photograph of the interior of the Kaleidoscope Café, 295 Sydney Road, c1994. The image reflects the ambience of the venue. Three musicians play guitar, violin and accordion. They are Doug DeVies, Dan Burk and George Butrulis. Two men enter the café. A group of people sit at tables with bottles of wine and glasses. The stained glass sign for the Empire Cafe can be seen at the top of the image.

Agee jars, known for food preserving, originated in New Zealand and were initially recognizable by their banded collar neck and glass lids. The company later transitioned to screw-on metal lids, releasing the Agee Utility jars around the 1940s or 1950s. These jars are a piece of New Zealand's canning history, with older models featuring glass lids and the newer ones using screw-on metal lids. Eight mixed Agee glass preserving or storage jars. They have embossed Agee branding on the front. 1 large 'Special' jar with a black bakelite screw-on lid and wide ridge on? 2x medium 'Victory' jars with clipped wire springs and glass lids. One of these jars has flour in it and the other has brown paper on the lid. 3 medium 'Utility' jars; two have metal lids and one has no lid. 2 small 'Victory' jars with clipped wire springs and glass lids, with either salt or sugar inside. 2 single spare small glass lids.A cylindrical, glass Agee preserving jar with a screw on metal lid. It has embossed On the front of the jar: 'Improved Agee Utility. On the base is embossed: 'F 121' and 'M.food preserving jars, food storage containers, containers

Agee jars, known for food preserving, originated in New Zealand and were initially recognizable by their banded collar neck and glass lids. The company later transitioned to screw-on metal lids, releasing the Agee Utility jars around the 1940s or 1950s. These jars are a piece of New Zealand's canning history, with older models featuring glass lids and the newer ones using screw-on metal lids. A tall cylindrical, glass Agee preserving jar with a screw on metal lid. It has embossed on the front 'Improved Agee Utility'It has embossed on the front 'Improved Agee Utility'food preserving jars, food storage containers, containers

The Scarlet Tanager is an American songbird of medium size with bright coloured plumage. They are commonly located in eastern North America and in northwestern South America. They can often be found within woodlands that have oaks. On occasion, the Tanager can be seen in suburban areas including parks and gardens. These birds are sociable and often join with other foraging flocks. They are carnivores (insectivores) and feed on insects including wasps, ants, moths, beetles, butterflies and grasshoppers. The numbers of these birds in America are declining due to exposure and starvation during the colder months. These birds can also die from collisions with man made objects which includes the TV and radio towers, buildings and cars. They also have high rates of predation and brood parasitism. However, at current the IUCN classifies this species as Least Concern and note that their numbers are stable. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Scarlet Tanager specimen stands perched on a wooden platform looking towards the ground. It has bright red/orange feathers on the main body and head with dark black feathers on the tail and wings. Overall, whilst retaining a bright appearance the bird has faded in contrast to it's original colouring This particular specimen has disheveled feathers and is missing one leg. The bill is short and pale and the specimen has been provided with glass eyes made in a dark colour. The specimen has two paper identification tags attached to the damaged leg.Swing tag: 114a / unnamed / catalogue, page 59 Cotton tag: A.4440 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, american, american birds, scarlet tanager, tanager, medium bird, small bird

The Scarlet Tanager is an American songbird of medium size with bright coloured plumage. They are commonly located in eastern North America and in northwestern South America. They can often be found within woodlands that have oaks. On occasion, the Tanager can be seen in suburban areas including parks and gardens. These birds are sociable and often join with other foraging flocks. They are carnivores (insectivores) and feed on insects including wasps, ants, moths, beetles, butterflies and grasshoppers. The numbers of these birds in America are declining due to exposure and starvation during the colder months. These birds can also die from collisions with man made objects which includes the TV and radio towers, buildings and cars. They also have high rates of predation and brood parasitism. However, at current the IUCN classifies this species as Least Concern and note that their numbers are stable. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Scarlet Tanager specimen stands perched on a wooden platform looking forwards in a raised position. It has bright red/orange feathers on the main body and head with dark black feathers on the tail and wings. Overall, whilst retaining a bright appearance the bird has faded in contrast to it's original colouring. The bill is short and pale and the specimen has been provided with glass eyes made in a dark colour. The specimen has two paper identification tags attached to the right leg.Swing tag: 143a / unnamed / catalogue page 59 Metal tag: A4439 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, american, american birds, scarlet tanager, tanager, medium bird, small bird

An Octant is a doubly reflecting navigation instrument used primarily by sailors to measure the angular distance between two visible objects and was a forerunner of the sextant. The name comes from the Latin octo, or “one-eighth of a circle,” for the Octant’s arc which spans 45°, or one-eighth of a circle. The primary use of an Octant is to measure the angle between an astronomical object and the horizon for the purposes of celestial navigation. The estimation of this angle is known as sighting or shooting the object, or taking a sight. The angle, and the time when it was measured, can be used to calculate a position line on a nautical chart (latitude), for example, sighting the Sun at noon or Polaris at night (in the Northern Hemisphere) gives an angle by which the latitude can then be estimated. Sighting the height of a landmark on land can also give a measure of distance. History: The principle of the Octant as an instrument to measure ones latitude was first implemented around 1742-present but was superseded by the improvement of the octant to a sextant, a very similar instrument, better made and able to measure bigger angles 120°, allowing the measurement of Luna distances to give longitude when used with an accurate chronometer. The sextant started to appear around 1730 and had been attributed to by John Hadley (1682–1744) and Thomas Godfrey (1704–1749), but reference to the sextant was also found later in the unpublished writings of Isaac Newton (1643–1727). Earlier links can be found to Bartholomew Gosnold (1571–1607) indicating that the use of a Sextant for nautical navigation predates Hadley's implementation. In 1922, the sextant was modified for aeronautical navigation by Portuguese navigator and naval officer Gago Coutinho. Henry Hemsley was a lesser-known instrument maker and optician working in London in the late 17th and early 18th century. However, it should be noted that there were two Henry Hemsley opticians and instrument makers around this period. (Henry Hemsley 1, 1786-89, who had premises at 85 Fleet St London and Henry Hemsley 2, 1828-56), whose workshop was at 135-138 Radcliff Highway London. Therefore, based on the inscribed workshop address Henry Hemsley 2 is responsible for making this example.The octant is representative of its type and although not fully complete it demonstrates how 18th and 19th-century mariners determined their latitude on a chart to navigate their way across the world's oceans in the 18th and 19th century. It also demonstrates the skill and workmanship of the early instrument makers that operated from London at this time and provided most of the navigational instrumentation use by commercial and military navies of the time.Octant, ebony wooden frame and handle. Scale is missing from recess in frame. "H. Hemsley 135-138 Ratliff Highway, London", no box"H. Hemsley 135-138 Ratcliff Highway, London"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, navigation, navigational instrument, instrument used for navigation, sextant, henry hemsley, instrument maker, london, octant

Wool picking machine designed to separate locks of wool before it is carded and spun. The picker opens the wool’s locks which makes it easier to send the fleece through a carding machine. It does this by teasing the fibres (which can also be done by hand just by pulling the lock structure apart), but a picker does this in bulk and much quicker than what can be done by hand. It is possible to spin fibres directly after the picking stage; however, it is usually more desirable to card and blend them with other fibres. Typically, at a textile mill, a picking machine can separate enough lengths of fibre for a full day’s work after just a single hour. It will also help to remove any vegetation matter or other any unwanted elements that may be present in the wool. The quality of the casting on this machine suggest that it was made locally, either in Australia or New Zealand. Mike Leggett, the donor of the machine, acquired it from New Zealand where the seller said it had been used by his father to pick wool to make hand stuffed horse saddles. Mike attempted to used it a couple of times to pick alpaca hair, but the speed of the attached motor caused damage to the fibres. The motor is thought to be an added attachment, sometime around the 1960s judging by its age, while the machine itself is thought to be dated around the 1920s. The machine works by inserting wool through the rollers. Initially there was a conveyor belt feeder system which was powered by the handle on the side. This conveyor belt has been removed however, most likely due to age and deterioration. Wool is now fed through the initial teeth and is met by a spiked rotating drum which works to separate the fibres. The separated fibres would then complete a loop of the drum before being dispatched somewhere below, around where the motor presently sits, at a rapid rate of speed. Typically this wool will be collected in a closet or large catchment area, as can be seen from the 8:47 minute marker in the linked video (link - https://www.youtube.com/watch?v=kMjx-t3tH3A). It is not apparent how the wool is collected with this machine. Red and green machine with four green legs currently attached to a wooden pallet with wheels for easy movement. The green legs lead up to a red central circular barrel from which many attachments are present. Also present on the wooden pallet is a small black motor which is attached by a rubber belt to the central drum inside the red barrel. The belt spins the wooden drum via a dark red circular plate attached to the side of the drum. On the other side of the red barrel, a green handle extends for turning the picker’s conveyor belt feeder system. Two green walls extend forward from the central red barrel, guarding either side of where the conveyor belt would have been. At the start of these walls is a wooden cylinder, which the conveyor belt would have wrapped around, followed by two interlocking gears which rotate and accept the fed wool. The red roof extends over the central cylinder from here, securing the wool inside and protecting hands from the heavily spiked internal wooden cylinder which rotates and separates (picks) the wool. Extending over the top of this red roof is a green handle which reaches to the back of the machine (not pictured). Here it accepts a weight to ensure pressure is always present for the initial feeder interlocked gear teeth. There are two large gear cogs on the rubber belt side of the machine and 3 small gear cogs on the handle side of the machine, all coloured green. A green handle is also present at the rear of the machine, below the location from which the weight is hanging. A power cable extends from the motor and there are two adjustable metal rods on the top of the machine, the purpose of these rods is presently unknown. Black texter. On top of drum. Wording: HG3707 Wording. Imprint: BRACEWIND BLYN On motor. Wording AEIwool picking, textile manufacturing, wool processing

Formed in 1990 by a group of current and former social services and administrative staff at the then-Brighton Council, the Lovely Learned Luscious Ladies of Brighton were a group bound by friendship, humour, fun and a delightfully strange knitting project. Each member took turns to add ten rows ten rows of knitting to the piece, following a series of handwritten rules on an attached card. The wool used was not to be bought, but could be "begged, borrowed or stolen", and previous work was not to be altered. The ladies met bi-monthly over dinner at local restaurants and hotels to swap gossip, play games and share the progress of the knitting. The work of twelve women over eighteen years, the piece documents fond memories, personal passions, wedding celebrations, the birth of a grandchild, footy triumphs, holidays and major events. It is a testament to a close-knit friendship, as expressed on the rules card: "MAY THIS PIECE SERVE TO BIND US TOGETHER".Irregular-shaped knitting project consisting of multicoloured knitted stripes in a variety of yarns and stitches created by a group of women over a period of eighteen years. The piece includes numerous additions and embellishments by the various makers, including sequins, beads, shells, badges, ornaments and laminated images.Attached yellow laminated rectangular card with handwritten rules: "1) Nominated member is to knit (in any stitch of choice) 10 rows of your best by the next meeting. 2) The yarn to be used is not to be purchased for the job but can be begged, borrowed or stolen. 3) The colour of yarn is to be left to member's discretion, but judgement will be passed by others. 4) The nominated member will not tamper with, pull out or destroy a previous member's work. 5) On returning the work to the meeting the member shall declare to what genuine purpose the piece will be put on completion (as a guide for future knitters), e.g. rug for favourite chardy, cock sock for lover. 6) The next knitter can (and shall be encouraged to) change the purpose as stated by the previous knitter. 7) This tag must not, without the permission of a majority of members, be removed. MAY THIS PIECE SERVE TO BIND US TOGETHER."brighton, brighton council, social groups, knitting, 1990s

This type of ration tin was issued during the latter part of the Second World War. These rations were issued to every soldier involved in operations and were only to be opened if no other source of food was available.An unopened olive drab Australian Military Forces (AMF) Emergency Ration Tin. There are instructions printed in black ink on the inside surface of the lid. This should read 'INSTRUCTIONS FOR USE / To be consumed as found. / 1. HOT CHOCOLATE (if preferred) / Break up chocolate block and dissolve in hot water. / 2. TEA TABLETS: / Use one per pannikin, adding boiling water and sugar if required. / 3. SALT TABLETS : / To reduce fatigue and cure muscle cramp, take either in water or as desired. Normally stamped in the inside of an opened ration tin would be date, such as '10-44' indicating that it was produced in October 1944. The outside of the tin has printed in black ink 'A.M.F. / EMERGENCY RATION / D (Government broad arrow) D / . The bottom surface of the ration tin has printed in black ink " To be consumed only when no other rations of any kind are procurable. Consumption of this ration must be reported at first opportunity. Instructions for use are printed under cover of container and also on paper slip within can". ration, emergency ration, world war 1 ration

Worn by Swinfield in IraqGloves, Flyers, Summer. Dark green fabric upper stiched with grey leather on the usage side (palm side) from finger tips to wrist area. White printed identification label located on the fabric wrist area of the left glove. 4mm elastic stiched for 3.5cm length on the inside of the glove located at the lower wrist area below the thumb. Left glove: Size marking 11. Gloves, Flyers, Summer. Type GS,EBN-237. MIL-G-81188B. TRANSLERO.INC. CAGE 27547. NSN 8415-01-029-0116. The cloth portion of this glove is fabricated from an intermediate fire resistant material (MCMEN) that does not melt or drip. Can be laundered without losing its fire resistant protection and no retreatment is necessary.iraq, gloves

Cardboard postcard printed four colour process on front and black on verso.Undated handwritten message [in ink] on verso reads: 'Dear Nellie I am glad you found some eggs. Some day I should like you girls to show me where you find them. Lots of our eggs have hatched; the caterpillars are growing. See if you can find any on the trees. Your affectionate teacher C. Merritt.

One of the last houses to face demolition.Single fronted weatherboard with striped veranda blind, brick chimney over front rooms with TV aerial. Green painted walls. Red painted iron roof over veranda and under veranda rail. Adjacent to Target entrance.The 'Miss Stayput' house in the car park out the front of Target in Camberwell. You can even see the Target logo on the building. The house was owned by Mary Campigli, who defied the council order to move, and won her case in court. She stayed in the house, surrounded by a car park until she died in 1983 at the age of 94. The house was finally demolished soon after.

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.‘Scene in the Melbourne Botanical Gardens’ : Views of Victoria (General Series) No.38 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘The subject of this illustration is taken from near the Bridge, which crosses the Garden Lake. The grassy slope in the foreground of the picture is a portion of the North-West or Lower Lawn. Portions of the “Rockery” and the small lake can be seen in the mid-distance, near which is the new Rustic Summer-house. These Gardens are under the management of Mr. Guilfoyle, with about 20 assistant botanists, florists, and general gardeners.’nicholas caire (1837-1918), melbourne botanical gardens, landscape photography - victoria

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The 60 photographs that comprise the series were issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.‘Cumberland Creek, near Point Sturt’ : Views of Victoria (General Series) No.59 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘The Cumberland Creek is so named from the close resemblance it bears to the place bearing that name in the mother country. The present illustration represents the precipices and hills which surround the Cumberland Creek. The soil around the hills is mostly sandstone rubble, hence the only vegetation identical with the spot is the inevitable sword grass and salt scrub, which frequently exist where no other vegetation can be found.’nicholas caire (1837-1918), landscape photography

David Miller (Dave) Mair (1879-1938) married Lily Vipond Deakin (1890-1945) in 1910. They had 5 children: Geoffrey David (1913-1970), Beryl (1916-1976), Gwynneth (1917-1997), Isabel Lillian (1921-1997) and Shirley Inez (1928-1968). Personal communication from Laurie Newton, Beryl's daughter: Dave and Lily initially lived in East Melbourne after they married. Dave walked across the gardens to work at the MCG. He never drove or owned a car. Geoffrey, Beryl and Gwynneth were born in East Melbourne. They subsequently moved to Louise Avenue, Mont Albert and Isabel may have been born while they were there. Later they purchased 20 Barton Street, Mont Albert. Shirley was born after they moved to Barton Street. Electoral roll details: 1919 1922 24 Louise Avenue, Mont Albert 1924 20 Barton Street, Mont Albert Dave Mair was a very keen sportsman. This is part of a large donation of material from the Deakin, Mair and Young families. The Deakin, Mair and Young families had many connections with Mont Albert and Surrey Hills.A sepia photo of a girl bending towards a calf feeding from a bucket with a man overlooking. There are 6 calves altogether feeding from a small trough and 2 buckets. In the background is an Edwardian timber house with a brick chimney and a corrugated iron roof. There is a centrally positioned (?) rear door with windows either side. There is a tank to the left of the house, which is enclosed within a post and wire fence. The surroundings look very bare.On the rear in black ink: "Feeding time for the / calves at Derrinallum / B Mair / 20 Barton St / Surrey Hills / E10." Writing may be that of Lily Mair. In blue biro: " Beryl Gwen ? Mr Jarman" Thought to be Beryl Mair's handwriting. Photographic process stamp "C 311" "KODAK PRINT" in black. Despite the inscription including Gwen Mair, only one child can be seen. beryl mair, derrinallum, farms, mr jarman

The Kangaroo Hoppet is Australia’s premier long distance cross country ski race, and a member of the Worldloppet series of international cross country ski events. The first race at Falls Creek was held in 1979 under the name of “Australian Birkebeiner”. It was a 21km race with about 80 participants organised by the Birkebeiner Nordic Ski Club of Mount Beauty. The course started and finished at Falls Creek Alpine Resort and took participants out into the Bogong High Plains. After running the event for 10 years, it was decided they should become part of the Worldloppet series of marathon ski races. Representatives from the Birkebeiner Nordic Ski Club and the Australian Ski Federation attended the Worldloppet Annual Meeting in Finland in June 1990 to put the case for the acceptance of an Australian event into the Worldloppet series. Before being admitted, they had to demonstrate that the Birkebeiner Club could run a world class event, so three months later in August 1990 a 42km event named the Australian International Ski Marathon was held at Falls Creek together with a 21km Birkebeiner race and a 7km event called the Birkebeiner Lite. The event was approved by delegates from USA, Norway and Austria, in 1991 Australia became the 12th member of Worldloppet, with the condition that there had to be a name change. After some late night discussion allegedly involving red wine from North East Victoria the main event became the 42km Kangaroo Hoppet, with the minor events being the 21km Australian Birkebeiner, and 7km Joey Hoppet. In the winter of 1991, the first Kangaroo Hoppet was held. It was a great success and has been a regular fixture on the international ski calendar ever since. It features the main 42km event as well as a 21km event and a 7km event. The Hoppet brings the Australian snowfields to an international audience. Due to COVID-19 there was no normal Kangaroo Hoppet at Falls Creek in 2020 as the resort was closed down. Instead, the virtual Kangaroo Hoppet- “I did it my way” was held. The event was staged for two weeks between the 10th and 23rd August. Participants chose a distance of 7km, 21km, or 42km and could choose any human powered activity. Activities included running, walking, cycling, swimming, roller skiing, inline skating, paddling, canoeing, mountain biking, exercise machines, unicycles and a tricycle. The event attracted 1901 participants from 37 nations. This poster is significant because it documents an event which brings international attention to Falls Creek and the surrounding region.A poster featuring images of a skier, cyclist and runner on a blue and white background. Logos of AGL, Falls Creek, Alpine Shire Council, Victorian State Government, the Birkebeiner Nordic Ski Club, Rojo Outerwear, Elude Outerwear and Community Bank Mount Beauty & District are across the bottom of the poster. A kangaroo sign with crossed red circle feature at the top left and bottom right corners.KANGAROO HOPPET 2020 Do it your way Centre text: THE COVID-19 VERSION of Australia's Premier Ski Race. We're offering a remote Hoppet event where you can ride, run, paddle, swim, walk, skate, rollerski and yes, even ski, the 2020 event wherever you are. AUGUST 10 - 23 7 KM 21 KM 42 KM HOPPET.COM.AUkangaroo hoppet, worldloppet events, falls creek, mt. beauty

The polaroid camera was first produced in Massachusetts, U.S.A. in 1937 by Edwin Land. He developed the concept of instant photography following his production of polarized sunglasses. This Sun 660 model was first produced in 1981. Polaroid cameras were very popular in the 1970s and 80s. The Polaroid Company was re-formed several times and sold to The Impossible Project Company in 2017. Instant cameras can still be purchased today. This camera has no known local provenance but is retained for display purposes.This is a Polaroid brand instant camera enclosed in a black case. It has a cloth strap with plastic attachments. It features sonar autofocus technology.Polaroid Sun 660 Autofocus

This children's book was produced to document the construction of the Nature Play Space in Warrnambool Botanic Gardens in 2020. It tells the story of what great community spirit, persistence and excellent teamwork can achieve; a nature play space for all to enjoy. The project was funded by the Victorian Government's 'Pick my Project' initiative and overseen by the Friends of Warrnambool Botanic Gardens in conjunction with the Botanic Gardens team and Warrnambool City Council.This book is significant as it documents the construction of the nature play space in Warrnambool Botanic Gardens. It is one of few locally produced children's books.Soft cover book with image of Warrnambool Botanic Gardens which wraps around to the back cover. The image shows the lake with children feeding ducks and trees in autumn colours.The title text is black and sub-title and author's name in grey.children's literature, garden construction, children's playgrounds

In 1996 the Eltham Festival was renamed the Nillumbik Festival, centred around Alistait Knox Park and the Rugby Oval. The theme for the 1996 Nillumbik Festival held 9-10 November 1996 was "Celebrating Our Lifestyle" Information bulletin issued by Nillumbik Shire Council addressing how community groups can be involved and interpretation of the festival's theme covering the Grand Parade, Stage performance and sporting displays and Stalls3 x A4 photocopy, various coloured papereltham community festival, eltham festival, 1996, nillumbik festival

Leila Jessie Webb entered Clarendon Ladies' College 1887. Parent/Guardian Edward Webb, Banker, L C Bank Lydiard Street, Ballarat. her sister Ilma Barclay Webb enrolled on the same day. Ilma became Mrs J Bailey of Sturt Street West. From the date of this prize we can infer that Leila attended CLC from 1887 to 1890 and possibly longer. Vol II of II. Popular edition published1889 (first edition 1864). Place/ Publisher- Longman, Green, Longman, Roberts & Green, London. Book in English language. Marbled boards, with matching marbled page edges and marbled endpapers; leather spine and cover; Corners with contrasting colour spine label and gilt lettering. Book plate inside front cover.Book plate: Clarendon Ladies' College / BALLARAT / Second Prize / Botany Class I / AWARDED TO / Leila Jessie Webb / R Kennedy / Principal / December 1890leila-jessie-webb, clarendon-ladies-college, ilma-barclay-webb, 1890

A digital copy of a 1999 newspaper article about Greensborough College teacher Mr Rod Webster who played his 300th game for Rosanna Cricket Club. This copy is owned by GHS member Rosie Bray who was a mature age student from 1988-2002, (Rosie's story "Second chance at learning" can be read at Item 787). In 1999 Rosie was a student at Greensborough College [Gr8750]Digital copy of newspaper clipping, black and white text and imagerosie bray, greensborough secondary college, greensborough college, rod webster

This photograph depicts the interior of the dining room of the Manse with the 6 chairs and table decorated with flowers. Behind the table is the arched cast iron fireplace (lost) with mantelpiece with a clock and candelabras. On the left side we can see the corner of the oak console and on the right another cupboard and a framed painting. The photograph also shows the wooden floor covered with rugs. Unfortunately it has been carpeted in the late 20th century.This photograph is a rare view of the Manse and the private life of a chaplain. It also depicts the original and now heritage listed arts and crafts furniture dating from around 1909.Black and white interior photograph of the dining table and chairs taken in the Manse room. Chaplain's quarter: dining roomreverend john reginald weller (1880-1969), manse, table, chairs, mantelpiece, fireplace, weller album, dining suite

Contents: • Remembering The Shire Of Eltham – 20 Years On by Russell Yeoman • November Meeting • November Excursions • Madam Pietzcker by Jim Allen • Nillumbik Tales – Voices of our Elders • Local History Centre, 728 Main Road, Eltham • At the Movies by Maureen Jones • Kangaroo Ground Tower of Remembrance by Amy Shaw • Can you identify this Building? • Nillumbik ANZAC Book Project • Our Christmas Function The Shire of Eltham Historical Society was formed in October 1967. The first newsletter of the Society was issued May 1978 and has been published continuously ever since on a bi-monthly basis. With the cessation of the Shire of Eltham in late 1994, the Society's name was revised to Eltham District Historical Society and this name first appeared with issue No. 103, July 1995. The collection of the Society's newsletters provides a valuable resource on the history of the Society's activities, office bearers and committee members, guest speakers and subjects of historical interest pertinent to the former Shire of Eltham and the Eltham District.A4 photocopied newsletter distributed to membersnewsletter, eltham district historical society, shire of eltham historical society

This girl's white cotton sun-hat has been made at home by a mother determined to get the maximum usage from the garment. The hat has been simply made with a plain crown for the child's day-to-day use. However, the mother has also made a second, very decorative crown, that can be buttoned on and is suitable to be worn on more "dressy" occassions - such as attending Sunday School or on special outings.Early settlers and market gardeners established their families in Moorabbin Shire and this item shows the skill and craftsmanship of the women of these familiesGirl's home-made plain white cotton sun-hat with wide brim. There have been three rows of fine cord sewn at intervals around the circumference of the hat brim to stiffen it. There is also hand crochet decorating the edge of the hat brim. A very decorative "second" hat crown has also been made. This hat crown has hand crocheted lace, and criss-cross seams, and is designed to be buttoned on over the original plain crown to provide a more decorative hat for special occasions, such as when attending Sunday School.clothing, moorabbin, ormond, bentleigh, dressmaking, market gardeners, early settlers, craftwork