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Bendigo Historical Society Inc.Document - SANDHURST CLUB HISTORY, May 2009
Document, Sandhurst Club History, This is a copy of a presentation at the May meeting of the Bendigo Historical Society 2009. Just 7 years after gold was found on Bendigo Creek, five gentlemen gathered together in October/November 1858 to wine and dine and chat no doubt the challenges of living in a 'frontier' town.Their chats became regular and The Bendigo Club came into being. Note that at this stage the club used the name ''Bendigo''.The five men who met late 1858 to start a club are:VINCENT PYKE from Somerset; CRAWFORD MOLLISON from Sussex; LACHLAN MCLACHLAN from Sussex; ANDREW THUNDER from Ireland; ROBERT F. HOWARD FROM Liverpool, England. The ups and downs of gold output mirrored the starts and stops of the Club. A basic summary shows it came into being 1959 and died in 1860, reformed 1872 struggled through to mid 1880s when after a series of meeting place moves the members financed the building of their own club house in 1903.David Cottondocument, names of bendigo pioneers, sandhurst club -
Kiewa Valley Historical SocietyPhotograph - Photographs x 13 - Cattlemen
11 of the 13 photos were taken by Tor Holth and used in his book "Cattlemen of the High Country" first published in 1980. Co writer was Jane Holth (Barnaby). Of the other two photos, one was taken by C. Roper (2 old gentlemen of the High Plains) and the other (Fred Roper, Tom Hollonds, Kyran Marum - early cattlemen) unknown photographer. The book tells the story of the lives of the mountain cattlemen of Victoria's high country, the harsh conditions and challenges they faced when they mustered their cattle before winter to bring them down to lower pastures. Huts were built of any materials available and were scattered about the high plains to provide shelter from the elements. Some are still standing despite the many bushfires that have ravaged the area.The photographs are of historic significance as they are of early pioneers in the cattle industry in the Kiewa Valley. The huts are of significant interest as they show different types of construction and materials as does the cattle yard at Bogong Jack's. All 13 photos are black and white and printed on photographic paper and are of varying size. 1.On the back, hand written in pencil - "Bogong Jacks hut on Fainter Spur". 2.15 in top right hand corner and 120% centre of photo and circled. 2.On the back a typewritten label cut out and fixed with sticky tape "45 b.&w. Cope Hut, known also as the Menzies of the high plains." Lower left corner is a handwritten label, written in red biro, COPE HUT (underlined) V circled and Journeys into History. 3. Top right hand corner '2.32(a) and across the back, written in pencil, 'Wallace's Hut 1976' and 'TOR HOLTH' in red biro on small sticker lower R corner. 4.2.32(c) in pencil top R corner. 'Wallaces Hut 1976' in pencil across back of photo. 5. '42.7a' in pencil top R corner. Written in pencil across back of photo 'Remains of the second Tawanga Hut.' 6. 'Jim Edmundson Mt. Beauty' handwritten in blue biro across back of photo. 7. '2.26' in pencil top R corner. 'Cattle yard at Bogong Jack's' handwritten in blue biro across back of photo. 8. 'Jim Edmondson of Edmondsons hut' written in pencil on back of photo. 9. 'Geoff Wallace Kergunyah' written in pencil on back of photo. 10.' Geoff Wallace Kergunyah' handwritten in pencil on back of photo. 11. 2.11 in pencil top R corner. 'Fred Roper & Jack Platt. Ph. C.Roper' handwritten in orange pen and under, in pencil, '2 old gentlemen of the High Plains.' 12. Written in black pen across back of photo 'Left to right Fred Roper, Tom Hollonds, Kyran Marum - early cattlemen' 13. Hand written on back of photo 'Sid Ryder' photos, cattlemen, high plains, huts -
Federation University Historical CollectionPhotograph, University of Ballarat Coat of Arms, 1999
The University of Ballarat was granted a Coat of Arms from the College of Arms in London. The grant has five parts: the Shield, the Crest, the Supporters, the Motto and the Badge. The origin of the University Arms is based on the history of the University and its antecedents. The earlier institutions include the School of Mines and Industries, the Ballarat Teachers' College and its successor, the State College of Victoria at Ballarat. Significance A Coat of Arms signifies the heraldic achievements of an individual or community. The University of Ballarat's Coat of Arms symbolises the golden past of the City of Ballarat and the former institutions, the School of Mines and Industries Ballarat Ltd and the Ballarat Teachers' College, which came together to form the University. At the same time, the motto 'dare to be different', presents a challenge to everyone in both the University and the region to strive for new ways of achieving.A Coat of Arms signifies the heraldic achievements of an individual or community. The University of Ballarat's Coat of Arms symbolises the golden past of the City of Ballarat and the former institutions, the School of Mines and Industries Ballarat Ltd and the Ballarat Teachers' College, which came together to form the University. At the same time, the motto 'dare to be different', presents a challenge to everyone in both the University and the region to strive for new ways of achieving.An image of the University of Ballarat Heraldic Device as depicted on the front cover of the University of Ballarat 1999 Annual report, and the transparent representation from the inside of the same report. university of ballarat, coat of arms, heraldry, heraldic device, tree of knowledge -
Federation University Historical CollectionBanner, University of Ballarat Coat of Arms
The University of Ballarat was granted a Coat of Arms from the College of Arms in London. The grant has five parts: the Shield, the Crest, the Supporters, the Motto and the Badge. The origin of the University Arms us based on the history of the University and its antecedents. The earlier institutions include the School of Mines and Industries, the Ballarat Teachers' College and its successor, the State College of Victoria at Ballarat. A Coat of Arms signifies the heraldic achievements of an individual or community. The University of Ballarat's Coat of Arms symbolises the golden past of the City of Ballarat and the former institutions, the School of Mines and Industries Ballarat Ltd and the Ballarat Teachers' College, which came together to form the University. At the same time, the motto 'dare to be different', presents a challenge to everyone in both the University and the region to strive for new ways of achieving.Pullup Banner of the University of Ballarat Coat of Arms on white background - in grey carry caseuniversity of ballarat, university of ballarat coat of arms, pullup banner, marketing, logo, coat of arms -
Unions BallaratStop the ABCC: Turnbull's War on Workers (bumper sticker), 2018
The ABCC (Australian Building and Construction Commission) was first created during the government of John Howard (LNP). The ABCC claims to, "ensuring that building work in Australia is carried out fairly, efficiently and productively—for the benefit of all employers and workers in the industry, and for the benefit of the Australian economy as a whole." Conversely, the organisation has been claimed by unions and workers to be anti-union and detrimental to the working conditions of employees. A fact sheet from the CFMMEU is attached to this entry. Malcolm Turnbull was Prime Minister from 2015 to 2018. He became Prime Minister after deposing Tony Abbott, in a leadership challenge. The bumper sticker was produced by CFMMEU during the Turnbull Prime Ministership (2015-2018). The CFMMEU is one of the largest unions; membership coverage includes construction, forestry, maritime, mining, energy, textile, clothing and footwear production. Relevant to government, industrial relations and trade unions in Australia.Bumper sticker: colour picture of Malcolm Turnbull; red and white lettering. Stop the ABCC: Turnbull's War on Workers Subtext: exploits workers; destroys jobs; lies; attacks safety; ignores big business; union bashing; CFMEU.btlc, ballarat trades hall, ballarat trades and labour council, cfmeu, turnbull, malcolm, prime ministers - australia, liberal party australia, abcc, australian building and construction commission, industrial relations, cfmmeu, construction, forestry, maritime, mining and energy union, construction, forestry, mining and energy union, trade unions - australia -
Wodonga & District Historical Society IncAward - Royal Victoria Institute for the Blind, Wodonga Auxiliary Service Awards
The 3 items in this display - bell, crystal vase and cake server- were presented to the Wodonga Auxiliary of the Royal Victorian Institute for the Blind (RVIB) marking 50, 60 and 70 years of service respectively. This auxiliary was formed in March 1932 with K.D. Watson as the Inaugural President. Its purpose was to raise funds to assist blind and visually impaired people across the state of Victoria. The volunteers over 70 years spent countless hours door knocking in the annual fundraiser, and selling raffle tickets at street stalls. As the City of Wodonga expanded the areas to be door-knocked increased, creating a challenge for the mainly elderly members of the Auxiliary. Eventually it closed down in 2002 when the RVIB amalgamated with Vision Australia. The longest serving member of the Auxiliary was Mrs. Jean Burbidge.These items have local and state significance as they represent the work carried out by a local group of volunteers to support an important state wide institution.3 awards received by the RVIB Wodonga Auxiliary for recognition of their service. They include a crystal vase, a gold bell and a silver cake server. 18/10 is stamped on the reverse of the cake slicer. This relates to the percentage of chrome and nickel within the steel.On the bell: 'Presented to Wodonga R.V.I.B. Auxiliary 50th Anniversary" Around the middle of the vase: 'Presented to RVIB Wodonga Auxiliary 60th Anniversary, 1992" On the cake server: "Presented to RVIB Wodonga Auxiliary for 70 years service March 1932 to March 2002" On back of cake server:" 18/10 and initials FK inside 2 circles.royal victorian institute for the blind, rvib wodonga auxiliary -
Melbourne LegacyDocument - Document, letter, Residences Review Sub-Committee Report, 1972
Two letters dated 12th June 1972 and 18th June 1972 from Legatee D.B. Carter to Legatee E.G. Baker as a member of the Board of Management, discussing the Residences Review Sub-Committee Report of April 1972. (Cat. No. 01674). L/- Carter challenges many of the items in the report in quite an emphatic manner before offering his own recommendations in the first letter; not content with this lengthy letter, he revisits the matter only six days later and 'urges' the Board of Management to appoint a sub-committee to examine not only accommodation of problem children, but also whether Melbourne Legacy funds are being used in the most effective way. See Cat. No. 01686 for Legatee Chancellor's response as Chair of the Residences Review Sub-Committee. Also mentions children being placed in auxiliary accomodation.Part of the history of Melbourne Legacy's involvement with residential care for children.White foolscap sheets x 3 pages, with black type. Two holes punched for filing. residences, review, blamey house, harelands, stanhope, committee -
Federation University Art CollectionCeramic, Sarah Canham, #Fliporflop 1, 2 & 3, 2021
'Home' is a symbol of hopes, dreams, comfort, love, family and future. It is both a place and an idea, nor does it remain in time and space. It can also represent a time of sadness , fear and loss. Through the roller-coaster of the past year, I have used a series of homes belonging to family and friends. Each artwork of home tells a different story about its occupants, their story, and what home mean to them. Sarah CANHAM Sarah has had a life-long love of creative arts and a passion for nature she has pursued in her career. She has a Bachelor Applied Science degree from Charles Sturt University, a Masters of Environment from University of Melbourne, and works in natural resource management and conservation. Studying part time Sarah Canham completed a Bachelor of Visual Arts at Federation University Arts Academy in 2021. Her art is an expression of the awe she has for the natural world, and concerns for the future, including for our indigenous culture, and native flora and fauna in Australia. She also reflects on the current and past women and mother artists who have experienced the challenge of juggling art, career and motherhood, and have been under-represented in the arts community for millennia.Three handbuilt, slab construction, stoneware formsceramics, sarah canham, dvc art award, alumni -
Eltham District Historical Society IncAudio - Audio Recording, Dr Geoffrey Sandy, Dr Andrew Lemon, Irene Kearsey, Jim Connor - 150 years of public education, 12 Oct. 2022
EDHS Newsletter No. 266 October 2022 It is 150 years since the Colony of Victoria introduced the Education Act in 1872. At our next society meeting at 7.30pm on Wednesday 12th October we will look at the early history of some of the schools in the Eltham district. What were the driving forces behind the establishment of some of these schools and what challenges were encountered along the way? At this meeting Dr Geoffrey Sandy will speak about the Church of England Denominational School at Little Eltham, Dr Andrew Lemon will talk about the history of Research State School, Jim Connor will speak about the Eltham Primary School and Irene Kearsey will comment on some of the findings from her recent project digitising the early class records of Eltham Primary School.1:21:48 duration Digital MP3 file; 28.0MBaudio recording, eltham district historical society, meeting, society meeting, eltham, 150th anniversary, dr andrew lemon, dr geoffrey sandy, irene kearsey, jim connor, public education victoria -
Bendigo Historical Society Inc.Photograph - Gliding in Bendigo, Late 1930s
These are the recollections of Alan Menere (1915 – 2001). Alan grew up in Moonee Ponds, Victoria, and moved to Bendigo while in his early 20s. There he met some like-minded young men who enjoyed challenges and matters mechanical. Flying was the adventure of the time, and they decided to give it a go. There was no intention to be on the leading edge of gliding technology. The challenge was to fly, and by their own efforts. They were aided in this by the embryonic regulatory arrangements covering light aircraft construction and flying, a sense of optimistic can-do, and the cavalier estimation of risks that goes with being in your early 20s. The events described here took place against a darkening political background. Alan and his mates were politically aware, very left wing, and viewed the gathering storm in Europe with apprehension. They could see from early on that war was coming, and it would change everything. Prevented from joining the Air Force by his red-green colour blindness, Alan joined the Army the day after the Pearl Harbour attack. He served in an Armoured Reconnaissance Unit in Western Australia, then with the Army Education Service in New Britain. After the War he joined the Commonwealth Public Service. He moved to Canberra, but his Bendigo habits stayed with him, as he built sailboards and carved propellers, to the admiration of his sons. Alan developed macular degeneration in his mid-60s. He retired to Port Stephens, fishing and socializing when he wasn’t tinkering with wing-sails for his catamaran. As he could touch-type, he quickly learned to use a computer. Very aware that he was the last member of the Bendigo group still alive, he resolved to set down his flying experiences. The images he selected are included, but there are many more from the Bendigo days.A CD entitled "Alan Menere - Recollections of Gliding in Bendigo in the late 1930s". The CD contains 33 documents consisting of one word file, one PDF file (entitled "The Urge to Fly") and the rest are of either photos of the Bendigo Gliding club or generally around Bendigo itself. Also included are some paper clippings of accidents that happened and description of flights.history, bendigo, bendigo gliding club, alan menere -
Melbourne Tram MuseumNewspaper, Bridget McManus., Robert Hudson, Peter Weaving, Golding, "Tram Etiquette", "Commuter fare blitz", Apr. 2002
Newspaper - The City Weekly, issue 14, April 25 to May 1, 2002, containing an article titled "Tram Etiquette" and "Commuter fare blitz". Printed in full colour on gloss paper with a front cover in cartoon form of the things you should not do on a tram - Cartoon by Golding. Was a free newspaper. Magazine of Newspaper Covers City Real Estate, out on the town, Health and Beauty, entertainment, classifieds and careers. Page 6 - article titled "Commuter fare blitz" - about proposed checking of Metcards, but there were many complaints and issues with machines not working and legal challenges. Pages 8 and 9 - article "Tram Etiquette", with the sub-headings "in the absence of conductors, have we become confused about public behaviour on privatised trams". Looks at issues at how people use the tram system with photos of people using trams. Also has a side item with people's photographs titled "What's getting up people's noses on Melbourne trams?" Written by Bridget McManus, Pictures by Peter Weaving and Robert Hudson. Two copies held.trams, tramways, passengers, behaviour, trams, public transport, tickets, metcard, cartoons -
Unions BallaratPhotograph: Kevin Rudd and Norm Borchers at Town Hall, Ballarat, 27/6/07
Photograph: Kevin Rudd and Norm Borchers at Town Hall, Ballarat Kevin Rudd is a former diplomat and public servant who became Prime Minister in 2007. His leadership was successfully challenged by Julia Gillard. He contested Gillard's leadership in 2013 but subsequently lost the federal election. He left parliament after the ALP government was defeated by the Abbott Coalition. Norm Borchers passed away in 2008. Borchers was a Club President of the Sebastopol Lions Club (1975-76). He worked for the railways as an engineering employee and was long-term trade unionist (Amalgamated Engineering Union and the Australian Railways Union) and ALP member; he lived and worked in the Ballarat area. Norm was active in workplace disputes during the ALP split in 1955. He was a long time supporter of Ballarat Trades Hall. The photograph was taken in the Trench Room, Ballarat Town Hall.Photographbtlc, ballarat trades hall, ballarat trades and labour council, borchers, norm, rudd, kevin, alp, australian labor party -
Melbourne LegacyPhotograph, Legacy Appeal 1989. Ron Barassi abseiling, August 1989
Photos of abseiling down the Gas and Fuel building that were on the corner of Flinders St and Swanston St. It was an event for Legacy Week 1989. See also the training that occurred prior to the event - photos 00486 and 01409. Ron Barassi abseils for Legacy joined by staff member Carol Shaw and Legatee Peter Heeney. A label states it "was a Legacy versus Radio personalities abseiling challenge". Media team was Fox's Wally (Paul) Weissel and Ken Cavanagh and Triple M's Andy McClean. Aided by Williamstown Commando Company with training at Nidrie Quarry. Ron Barassi participated in many events for Legacy over the years, he had been a young Legatee after his father was killed in action at Tobruk in World War II, aged 27. Two photos also featured in the President's Highlights Report in 1989.A record of some important personalities giving their time to promote Legacy in 1989.Colour photo x 13 of a junior legatee and Ron Barassi abseiling.legacy promotion, ron barassi, legacy week -
Kew Historical Society IncPhotograph, Chipperfield's Boat House & Floating Pontoon, 1934
Living with natural processes was frequently a challenge to early European settlers and later residents of what was in the 1850s administered by the Borondara Road Board. This was compounded by the area being bounded on three sides by rivers (Yarra River, Koonung Creek and Gardiner's Creek). In 1849, the historian James Bonwick recorded that "our district [Kew] suffered considerably. Mr Wade speaks of 80 acres, out of 100 acres of his cultivated paddock, covered by water." Newspapers continued to describe major flooding in Kew in 1863, 1869, 1878, 1880, 1889, 1891, 1916 and 1934. While the construction of the Upper Yarra dam in 1957 reduced the levels of flowing downstream, local and riverine floods continue. A number of boat houses operated on both sides of the River Yarra at Kew. Chipperfield's Boat House was located on the Yarra near the corner of Kilby and Willsmere Roads.The Kew Historical Society's pictures and map collections testify to the impact of flooding in the district. They have historical importance in documenting the extent of flooding in the district and its affects on homes, services and recreation. Numerous photographs record flooding throughout the Twentieth Century.Floating pontoon at Chipperfield's Boat House where the canoes were stored, taken in 1934, presumably before the 1934 Flood. This area of the Yarra was shallow with a number of mid river sandbanks and a popular swimming area for locals.yarra river, chipperfield's boathouse, pontoon -
Vision AustraliaAdministrative record - Text, Association for the Blind of Victoria 'Kelaston' 39th Annual Report 1996, 1996
Annual report on activities and financial performance of Kelaston, including the closure of the laneway behind Kelaston in preparation for the expected rebuilding, appointment of Dawn Veale, Rod McDonald, Deborah Hoover, Jane Brownfield and Anne Johnson, challenge issued to other centres to find the longest serving volunteer with no one beating Avenel McClure's record of 59 years with the Ballarat Auxiliary starting as a driver, Terry Fraser seconded to Mirridong, farewell to Teresa Skyrpko who use to carry bags of coal to fuel the stoves when she began 34 years ago, 4 residents attended a holiday at Halls Gap, Port Phillip Bay cruise for 2 residents, three people celebrated turning 100 (or more), establishment of an awareness program of vision impairment for Ballarat primary school students and the Low Vision Clinic in Horsham began operations.1 printed volume with illustrationskelaston home (ballarat), association for the blind, corporation records -
City of Greater Bendigo - Civic CollectionEquipment - Y2K Hard drive, Australian Government, 1999
Y2K / the year 2000 / The millennium bug / was commonly used to refer to a widespread computer programming shortcut that was expected to cause extensive havoc as the year changed from 1999 to 2000. Instead of allowing four digits for the year, many computer programs only allowed two digits (e.g., 99 instead of 1999). As a result, there was immense panic that computers would be unable to operate at the turn of the millennium when the date descended from "99" to "00". The Bug presented a formidable challenge to the problem-solving skills of local government officials. Lacking a cure-all that will work for every municipality, local officials must develop their own solutions to meet their community's unique needs. At the same time, the Y2K bug provided a once-in-a-millennium leadership opportunity for local officials who understood that they are the key to preparing their communities for any issues.Hard drive mounted in an alaminium case with glass window front and back.Presented to Greater Bendigo City Council / by Hon, Roger Hallam. MLC / Minister for Finance / and / Hon, Robert Maclellan. MLA / Minister for Planning and Local Government / on 21 June. 1999 / In recognition of being the first Victorian Council / to be Y2k compliantmillennium bug -
Department of Energy, Environment and Climate ActionDisplay board
The Forests Commission and its successors continuously encouraged bushfire research and innovation. In 1946 a large parcel of industrial land was purchased at North Altona as a fire cache and workshop. The Altona workshop became a hotbed of new technological innovation… an exhilarating place where lots of things were invented and tested. In fact, a lot of Australia’s pioneering equipment development was led by staff from Altona, often in collaboration with other State forestry and fire authorities. The CSIRO also contributed significantly. The US Forest Service, the US Bureau of Land Management and US State agencies such as the California Department of Forestry and Fire (CalFire) as well as the Canadian Forest Service faced similar challenges and proved strong and willing partners in sharing knowledge, ideas, equipment and expertise over many decades. This collection of badges is testament to the relationships that were forged across the globe with the Altona workshop. Large display panel featuring many fire service badgesforests commission victoria (fcv), bushfire, bushfire aviation -
Merri-bek City CouncilPrint - Digital image, Marshall White, Strip 1, 1987
Marshall White is a former Merri-bek resident and artist. He completed a Fine Art diploma at the National Gallery Art School in 1973. After a severe motorcycle accident left him with quadriplegia in 1977, he returned to university, earning a Master in Painting from what is now the Victorian College of the Arts. White is considered a pioneer of digital art in Victoria. He taught art to inmates at Pentridge Prison, which provided him with access to early computers. Using a Commodore Amiga, Marshall pushed the boundaries of digital art. Strip 1 represents an early contribution to what was, at the time, an emergent art form. Inspired by William Blake and Arthur Boyd, White’s work delves into psychological spaces, addressing themes such as the apocalypse and White’s distain of religion. White's work exemplifies resilience and the transformative power of creativity in the face of challenges.Purchased -
Broadmeadows Historical Society & Museum
Photograph - School Photograph, Fotek School Portraits, Salesian College Rupertswood, Sunbury, 1978, HSC, 1978
This class photograph of the 1978 Higher School Certificate (HSC) cohort at Salesian College, Rupertswood, captures a defining moment in the educational journey of its senior students. Taken in the final year of their secondary schooling, the image reflects a time of transition, achievement, and anticipation as these young men prepared to step beyond the gates of Rupertswood and into the wider world. Set against the backdrop of the historic Rupertswood estate, the photograph is more than a record of faces—it is a snapshot of a community shaped by shared experiences, enduring friendships, and the values of the Salesian tradition. The students pictured here were part of a generation that embraced both academic challenge and personal growth, guided by the principles of faith, integrity, and service. As a historical artifact, this image offers future generations a glimpse into the life and spirit of the college in the late 1970s. It stands as a tribute to the legacy of Salesian education and the formative role it played in preparing students for life beyond school.This 1978 class photograph of the HSC cohort at Salesian College, Rupertswood, holds enduring historical and cultural value as a visual record of a pivotal moment in the lives of its students and the broader school community. Taken within the grounds of the historic Rupertswood estate, the image captures the final year of secondary education for a group of young men shaped by the Salesian tradition of holistic learning, spiritual growth, and community service. The photograph is significant not only for documenting the individuals who comprised the graduating class of 1978, but also for reflecting the values and spirit of the time. It represents a rite of passage—marking the transition from school life to adulthood—and embodies the camaraderie, resilience, and shared experiences that defined the Rupertswood journey. As a preserved artifact, this image contributes to the collective memory of the college. It offers future generations a tangible connection to the past, highlighting the enduring impact of Salesian education in preparing students to meet life’s challenges with integrity, compassion, and purpose.Colour photograph of HSC level students in a plastic wallet.salesian college, rupertswood, sunbury, hsc, 1978, philip donohue, vic lakey, berand graham, damien chrystie, kym stuart, tony scully, peter lowe, tony hill, geoff nation, chris butler, coridal mcguire, mark murrell, peter symons, tom quinn, bruce oswald, paul moody, michael taylor, brendon fallon, mick taylor, terry payne, mark whorlow, brian lynch., peter gallagher, michael fallon, joe harper, damien synott, michael mcconnell, peter summers, john torr, pat redman, robert dejong, russell dunon., rick dalbon, andy readman, liam leonard, steve millett, peter aggrawal, clinton welch, robert hughes, steve nash, brendan wilson., fr. t. jennings, john tesoriero -
Federation University Art CollectionCeramic - Artwork - Ceramics, 'Parliament House' by Pattie Beerens, 2018
Pattie BEERENS (1962- ) Born Sunshine, Victoria Pattie Beerens was enrolled in the Graduate Diploma of Ceramics at Federation University in 2018 after completing a Graduate Certificate Visual Art at the Victorian College of Arts, University of Melbourne in 2017.Artists' Statement: Red. Broken structure on its side supported with an unrecognisable form. It is cast from an electronics packaging carton. Triangular arrows piece the structure with a spider on either side. I created fertility spiders to protect the Minoan women from predators. I collected spiders as a child to ward off the bullies and, like the octopus, spiders have eight legs and a head and body. The stylised spiders reference links between the Minoan octopus and other symbols of fertility. The natural light elongates the form in a shadow reflection on the floor. The form is surrounded by black space. This piece took on an anger I felt on the day that [Malcolm] Turnbull was overthrown and materialises the bully-boy behaviour we were witnessing. What is most interesting about this piece is that I created it as a Minoan reflection. It dawned on me , when I had it ready for the kiln - on the day that Dutton challenged the Turnbull leadership, that my anger was both reflective and contemporary because nothing seemed to have changed. We were witnessing first hand how the power struggles continue and goodwill suffers." Winner of the 2018 Deputy Vice-Chancellor's Awardpattie beerens, ceramics, sculpture, available ceramics -
Unions Ballarat
Photograph: Cr Wayne Rigg, PM Kevin Rudd, Catherine King MP, Richard Hancock CEO Ballarat City Council, 27/6/07
Photograph: Cr Wayne Rigg, PM Kevin Rudd, Catherine King MP, Richard Hancock CEO Ballarat City Council Wayne Rigg served on Ballarat City Council until his resignation in 2008. At the time of his resignation, he wrote to the Minister for Local Government requesting investigation into alleged improprieties and conflicts of interest within the Council. Kevin Rudd is a former diplomat and public servant who became Prime Minister in 2007. His leadership was successfully challenged by Julia Gillard. He contested Gillard's leadership in 2013 but subsequently lost the federal election. He left parliament after the ALP government was defeated by the Abbott Coalition. Catherine King is the federal ALP member for Ballarat and has been office since 2001. She was a cabinet minister in the second Rudd ministry and is now part of the Shadow Cabinet. Richard Hancock was CEO of City of Ballarat for three years.Photographbtlc, ballarat trades hall, ballarat trades and labour council, king, catherine, rigg, wayne, rudd, kevin, hancock, richard, alp, australian labor party, prime minister, politicians, local councillors, cabinet ministers -
Melton City LibrariesDocument, In Recognition of Donald Mackintosh, 1994
"Donald Mackintosh was born in Rockbank on 21 September 1866. He quickly proved himself as an expert shot, joining the Bacchus Marsh Shooting Club at the age of ten and the Melbourne Gun Club at 23. In 1890 he won the Melbourne Gun Club £1000 Cup Handicap.Donald represented Australia at the 1900 Paris Olympic Games. However, due to confusion at the time over whether this competition was an official Olympic event, Donald was not recognised as an Olympic medallist during his lifetime. In 1987 the IOC issued Donald’s gold and bronze medals. Donald continued to travel around Europe and won many other competitions, including the London Gun Club Challenge Cup three times in a row and the Grand Prix at Monte Carlo twice. As well as being an expert shot, Donald was also well educated and wrote poetry. Most astonishingly, he was also completely blind in his left eye".Document with a list of achievements by Olympian Donald Mackintoshlocal identities -
Melton City LibrariesNewspaper, Olympian gets his Gold, 96 years on, 1996
"Donald Mackintosh was born in Rockbank on 21 September 1866. He quickly proved himself as an expert shot, joining the Bacchus Marsh Shooting Club at the age of ten and the Melbourne Gun Club at 23. In 1890 he won the Melbourne Gun Club £1000 Cup Handicap. Donald represented Australia at the 1900 Paris Olympic Games. However, due to confusion at the time over whether this competition was an official Olympic event, Donald was not recognised as an Olympic medallist during his lifetime. In 1987 the IOC issued Donald’s gold and bronze medals. Donald continued to travel around Europe and won many other competitions, including the London Gun Club Challenge Cup three times in a row and the Grand Prix at Monte Carlo twice. As well as being an expert shot, Donald was also well educated and wrote poetry. Most astonishingly, he was also completely blind in his left eye".Melton Bacchus Marsh Express article about Olympian Donald Mackintosh local identities, sport -
Royal Melbourne Yacht SquadronAward - The Squadron Cup
Presented by Commodore Otto A. Meik, September 27, 1971 for a Combined Clubs Round the Bay Race. It was first sailed in the Season 1972 -73 and won by Ricky Laycock in Aquila. Traditionally, this trophy was awarded for the Squadron overnight race held in November each year. In the early 1980’s a decline in the entrants for overnight races forced the shift of the race to a long all- day Around the Bay Race. In November 1990, the race was reinstituted as a Combined Divisions Race, using V.Y.C. handicap system and was won by Ninda – Roger Townley. Prizes are also awarded for winner in C.H.S. and I.M.S. handicaps. In 2007 the Squadron Cup was confirmed as the prize for the overall winner of YV PH Division 1, 2 and 3, open to all clubs for a long race (70nm plus) with a night component. The race was decided on the results from the Big Bay Challenge race from 2007 onwards, won in 2007 by San Miguel – Russell Walton.Spherical shaped bowl 345 mm high to lip edge, with raised grape and leaf decorations around mid-section, flaring down to thick shaped stem, thence out to shaped footing also with raised grape and leaf decorations. Has solid rectangular handles. Shaped lid with raised grape and leaf decorations around edge, surmounted with solid, shaped dome with overall height 100 mm. Bowl stands on 80 mm high, round black base with shaped footing, silver winners inscription band around diameter.THE SQUADRON CUP PRESENTED BY O.A. MEIKsquadron cup, trophy -
Ringwood and District Historical SocietyPhotograph, Freedom of the City of Ringwood to 3 Div Engineers 7/3/1965 - The Royal Australian Engineers Corps Band from Kapooka (N.S.W.)
Black and White photographs of RAE band from Kapooka, N.S.W.Catalogue card reads, 'R.A.E. Band. "Freedom of City". 34d Div. Engineers'. Written on backing of photograph, 'RAE band from Kapooka, N.S.W. 7/3/65. "Freedom" 3rd Div. Eng.' Two photographs and two extra slightly cropped versions. Handwritten on the back of 11168-4 "The Royal Australian Engineers Corps Band from Kapooka (NSW) moved into position near four Mounted Troopers during a march through Ringwood on March 27. The troopers supported Police Inspector A. Angus, who acted as Town Marshall to challenge 200 Members of the Royal Australian Engineers, 3rd Division. The Regiment gained entry to the City by the production of a Freedom of the City Scroll presented by the Mayor of Ringwood (Cr. B.J. Hubbard)." -
Phillip Island and District Historical Society Inc.Book, Bill Hampel, Against the grain : fourteen farmers adapt to climate change, 2015
Can we humans simply ignore the fires, the floods, and the increase in deaths brought about by climate change? In this book, Australian farmers - who bear the brunt of climate change, yet accept the science - share their experiences with the unpredictable weather events, the reduction in rainfall, and the shift to hotter months which are a challenge to farming cycles. Far from contributing to the problem with their farming practices, these farmers demonstrate how to reduce their greenhouse gases - to zero or below in some cases - while remaining profitable. They are all committed to pass on their farm in a better condition than when they first purchased or inherited it. With crops or livestock, big or small, they have worked cooperatively, mostly through land management, to plant thousands of trees, which has led to the daily presence of over 100 bird species. The farmers' inspiring and informative stories will open up a new world to most urban dwellers. A summary of climate change impacts - and an account of the numerous economic, political, and media barriers toward change - combine to provide a context for their work. 280 pages : colour illustrations, colour maps, colour portraits ; 23 cm. Includes bibliographical references and index. Also available in digital formats: ebook & epdf. ISBN 9781925078503 Dewey number 338.10994 Chapter 5 : Bob & Anne Davie Donor : Anne Davie ; Date : 14.10.2015.agriculture -- environmental aspects -- australia., farmers -- australia -- economic conditions., rural development -- australia., climatic changes -- australia. -
Vision AustraliaPhotograph - Image, Dickinson Centre opening, 1990
Plaque commemorating the opening of the Dickinson Centre, named in honour of Harold and Mercy Dickinson, both totally blind since childhood, who never let challenges stand in their way. Mercy was the first woman who was blind to obtain a Bachelor of Arts degree at the University of Queensland, and received her Masters Degree in the Education of Blind People with Additional Handicaps in New York, and an Honorary Doctorate for Education from the University of Queensland in 1994. Mercy and Harold established the Queensland Training and Placement Centre for the Blind, the first establishment of its kind in Queensland. Harold, who was a prolific writer, was appointed the Director and Mercy was the first volunteer at the Centre. Together they gave a lifetime of dedication and commitment ensuring that people who were blind or had low vision had the same opportunities as those with sight. The Centre later merged with other organisations and in 2006 became part of Vision Australia. The second plaque provides a background to how Harold and Mercy met, and their roles in expanding the the opportunities for everyone around them.Rectangular metal plate with inscriptionThe Dickinson Centre This refurbished centre was Officially opened on 9 November 1990 by The Hon. Ben Humphreys M.H.R. Federal Member for Griffith and Minister for Veterans Affairs and Blessed by Br. Alan Barnabas S.S.F. So named by the QLD Foundation for Blind People Inc (Est. 1956) to Honour The Contribution Made by Harold and Mercy Dickinson 1990 Committee of Management Don Cameron President Mercy Dickinson Vice President Rex Stevens Secretary Moira Solomon Treasurer Del Donaldson Bruce Miller Bob Faulconbridge Justice Bill Pincus Jenny Finch Ken Scells Garry Macdonald Kevin Standish Ian Stewart David Henderson Patron: His Excellency The Governor of QLD Sir Walter Campbell A.C. Q.C.queensland foundation for blind people, nameplates, harold dickinson, mercy dickinson -
Port Melbourne Historical & Preservation SocietyPhotograph - Port Melbourne Railway United Football Club, Premiers 1925, 1925
Donated by Barbara GARDINER, daughter of William HEGARTY, centre. This strong team, founded before WWI, later served as PMFC seconds and provided many top players to PMFC. By 1925 Railway United were effectively the PMFC Seconds and were referred to in the media as Port Melbourne Junior Football Club although the Railway United name remained in use locally for many years. The Victorian Junior Football Association (VJFA) had been split into two sections. Section B consisted of teams associated with senior clubs playing in the Victorian Football Association (VFA) with unaligned teams making up Section A. Finals were played between the top teams in each section and then the two winners (premiers) played off in a final match to determine which club won the John Wren Shield as premier of the VJFA. 1925: Port Melbourne 12.11.83 def Williamstown 6.12.48 at Yarraville on 5 Sep 1925 to claim the B Section premiership. In the challenge match for the John Wren Shield played at the Motordrome, 3 Oct 1925, Yarraville 10.15.75 def Port Melbourne 5.10.40.Laserprint copy of Port Melbourne Railway United Football Club photo, 1925 Premiers; football held by Bill HEGARTY, centresport - australian rules football, william (bill) hegarty, port melbourne railway united football club, bill wilson snr, bill wilson, len rainbow, allen summers, bill barnett, bill rosewarne, les bolman, mick bragg, jock bolman, port melbourne junior football club, george (chudda) bolman -
Federation University Art CollectionPainting - Artwork, 'Looking for God in Abstract Art 2' by Gareth Sansom, 2010
Gareth SAMSOM (19 November 1939- ) Born Melbourne Sansom describes a desire to constantly surprise and challenge himself as an artist. He had his first exhibition in 1959. His paintings of the 1960s were characterised by a distorted use of line, shape and colour and were influenced by abstract expressionism, Francis Bacon and Sidney Nolan. Over time, his work has also drawn on punk, dada, Basquiat, T.S. Eliot, urban graffiti, classical Greek philosophy and art theory across a variety of media ranging from drawing, printmaking and collage to photomontage and photography. Sansom lectured in Art at the Ballarat Teachers' college, and was appointed Head of Painting at the Victorian College of the Arts from 1977-1985, and Dean School of Art at the Victorian College of the Arts from 1986-1991. He was artist-in-residence at the University of Melbourne in 1985, which was when he resumed his full-time painting practice with a series of large works on canvas. The Federation University Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.'Looking for God in Abstract Art 2' is a play on the debate over the respective virtues of abstraction and figuration that has preoccupied artists and critics for more than a century. Sanson has always walked a wobbly line between the two, adroitly avoiding falling headlong into either camp. It is also a gentle dig at the pretensions to higher spiritual meaning in abstract art. In the centre are two photographs, one of rubber masks and the other of the artist in a lurid fright wig and mask and using a spray can like a young tagger. These images, where the artist wears a mask and teeters on bright red platforms, are wonderfully ludicrous send-ups of the 'fine art' of painting. (Geoff Wallis from 'Gareth Sansom: Alternative Person", Art Gallery of Ballarat, 2012) This work was exhibited and published in the catalogue of the exhibition 'Gareth Sansom: Alternative Person' at the Art Gallery of Ballarat in 2012 item. art, artwork, gareth sansom, sansom, mixed media, oils, enamel, photo-collage -
Federation University Art CollectionPainting, Gareth Sansom, 'Metropolis' by Gareth Sansom, c1975
Gareth SAMSOM (19 November 1939- ) Born Melbourne Sansom describes a desire to constantly surprise and challenge himself as an artist. He had his first exhibition in 1959. His paintings of the 1960s were characterised by a distorted use of line, shape and colour and were influenced by abstract expressionism, Francis Bacon and Sidney Nolan. Over time, his work has also drawn on punk, dada, Basquiat, T.S. Eliot, urban graffiti, classical Greek philosophy and art theory across a variety of media ranging from drawing, printmaking and collage to photomontage and photography. Sansom lectured in Art at the Ballarat Teachers' college, and was appointed Head of Painting at the Victorian College of the Arts from 1977-1985, and Dean School of Art at the Victorian College of the Arts from 1986-1991. He was artist-in-residence at the University of Melbourne in 1985, which was when he resumed his full-time painting practice with a series of large works on canvas. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.A large abstract painting.art, artwork, garth sansom, sansom, abstract
