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National Wool Museum
Photograph
This photograph shows the interior of the Valley Worsted Mill in 1923. The mill was first established at this time, and the photo shows the interior after tooling up but prior to the mill actually commencing operation. This photo is one of 31 in total and shows the area and machines used for blending (the mixing of various fibres to produce the required quantity of yarn). The donor worked at the Valley Mill for many years. This mill still exists in Swanston Street, Geelong and is now being used by Melba Industries (an Austrim-Nylex company) to produce Jumbuck Nylon wool packs.Interior of Valley Worsted Mill, c.1923.valley worsted mill, blending -
National Wool Museum
Photograph
This photograph shows the interior of the Valley Worsted Mill in 1923. The mill was first established at this time, and the photo shows the interior after tooling up but prior to the mill actually commencing operation. This photo is one of 31 in total and shows the mending room, with the sloping tables which held the cloth to be mended. The donor worked at the Valley Mill for many years. This mill still exists in Swanston Street, Geelong and is now being used by Melba Industries (an Austrim-Nylex company) to produce Jumbuck Nylon wool packs.Interior of Valley Worsted Mill, c.1923.valley worsted mill, mending -
National Wool Museum
Photograph
Photo depicts the combined Elders, Dennys sheep sale held at Jerilderie on 5 Oct. 1973, where 60,000 sheep were sold, which constituted the largest wool sale at that time. The photographer was Frank Johnstone, now retired, of the newspaper 'Stock and Land' who covered the sale. Those identified in the photos are: Ray Hobson in mid-foreground behind in pen, Harry Gibbs (back to hat), Ken McKenzie (hat), Clive Hoelter (book), Danny Reilly (behind leaning on fence), right - Bob Falconer (white hat).Sheep sale at Jerilderie, 5 Oct. 1973.Jerilderie Sheep Sale 5th October 1973 / 60,000,00 sheep. Largest sheep sale in Australia COMBINED ELDERS, DENNYS SALE / Ray Hobson in mid- / foreground / behind, in pen, / Harry Gibbs (back & o,hat) / Ken McKenzie (hat) / Clive Hoelter (book) / behind leaning on fence / Danny Reilly / right Bob Falconer (white hat)sheep sales, dennys, lascelles limited elders vp -
Charlton Golden Grains Museum Inc
Photograph, Bourke's Butcher Shop High St Charlton c. 1987, c.1987
Corner of High St and Williams St (now Curtin Dve). Formerly the site of Wingfield's Hides and Wool agent and Frank O'Grady's solicitors office. In 1971 Jim Bannon moved his butcher business from the eastern end of High St to this newly built shop. He sold to Weirs in 1986 who sold to Frank Bourke in 1987. Part of a streetscape series taken for the Shire of Charlton in 1987. Bourke's butchers shop built 1971 for J Bannon. Shows area now occupied by the Travellers Rest complex.Colour photograph of single storey brick building with large glass window and door. Tree in front of building and a man walking past. Two storey white building to the right and a street and old single storey building on the left. Car parked in street on the LH side of the photo. Signage on the old building on the left reads STATES. jim bannon, frank bourke, wingfield's hides, frank o'grady, business, industry, charlton, butcher -
Beechworth RSL Sub-Branch
Jacket, Service Dress, Australian Defence Industries, 1990
Jacket worn by Brendan Honey when performing the duties of a Petty Officer Radio Supervisor in the Royal Australian Navy from Oct 1979 to Oct 2000Jacket Double Breasted Service Dress Navy Blue with gold embroided insignia, [Radio Operator Petty Officer] on right upper arm; gold embroided rank insignia [Petty Officer] above three gold embroided chevrons indicating 12 years service on the left upper arm; shoulder flashes with gold embroided word, "Australia" on both shoulders. 8 gold button with embossed Australian Navy Emblem and the word "Australia" in parallel columns of 4. Size 99R (Regular fit) with 2 small gold button with embossed Australian Navy Emblem and the word "Australia" the cuff of each arm.Manufacturer's identification label on inside right breast.Manufacturers label measuring 4mm x 8mm showing company logo ADA / 1990 / arrow pointed up /NSN:8405-66-132-2314 / 70% 30% Wool Poly / size 99R / match / trouser size 89R / No / Name / Dry Clean Only / Made in Australia/ owner's name written in black by a laundry marking penjacket, navy, jacket service dress, jacket petty office radio supervisor -
National Wool Museum
Clothing - 1988 Seoul Olympics women's scarf, c. 1988
The conduct of the LA games changed many factors in a short space of time. The Americans made their Games a huge financial success, whereas other countries, e.g. Canada, was left with a huge debt. The key to this was SPONSORSHIP which soon replaced the old Australian way of fundraising with pub raffles. It also began to change the atmosphere where the AWC had previously been valued for their generous donation. There was a move by commercial specialist uniform marketing organisations paying sponsorship money to publicise the fact that they were clothing high profile athletes. Old loyalties remained but became tested more and more as time progressed. For example, each uniform was expected to include an Akubra hat, why? Because it always had. For the same reason the uniforms also had Driza-Bone Coats. The day before the Seoul Opening Ceremony it rained in Seoul, so at the Opening Ceremony the Australian Team emerged in their Driza-Bones, made from cotton, not a wool fibre in sight, and the wool growers were footing the bill for over a million dollars. Thoroughly embarrassed, I resolved to avoid this situation next time by having all uniform fabrics pre-treated with Scotchguard prior to garment making.The scarf is brightly coloured in blue, green, yellow, purple and red on a plain cream base fabric. The lines of colour run on an angle across the fabric as jagged, irregular lines with small motifs of Australia, the Southern Cross stars, fish, triangles and a wave pattern, placed throughout. The centre of the scarf is dominated by a depiction of Australia presented in yellow. Within Australia are eucalyptus leaf shapes as well as mountainous shapes and the wave shape that is featured elsewhere on the scarf. The left hand short hem of the scarf has a differing pattern with larger lines running on the opposite angle to the rest of the scarf. Within the larger lines the same motifs are again printed. -
National Wool Museum
Album - Photo Album, 3 of 3, J W Allen, 1928-1929
This album is one of three albums compiled and owned by J W Allen, Secretary of New South Wales Grazier's, and is associated with the New South Wales Graziers Association world tour of sheep 1928-1929. This album contains photographs of travel, sheep, farms, stations, people and landscapes from around the world. Locations include Warren (NSW), Molong (NSW), Gamboola (NSW), Forbes (NSW), Hay (NSW), Conargo (NSW), Mokine (WA), New Zealand, Hawke's Bay, Southland, Lyttleton Harbour, Rotorua, Christchurch, Lincoln, Banks Peninsula, Akaroa, Pigeon Bay, Darfield, Rakahuri, Kaiwara, Highbank, Lake Heron, Mt Somers, Otago, Moa Flat, Waimahaka, Tarras, Moeraki and Blenheim. Properties depicted include Haddonrig, Egelabra, Bundemar, Redbank, Wandary, Tubbo Station, Coonong Station, Boonoke Station, Wanganella Estate, Yoorooga Estate, Taruna Farm, Harpenden Wool Works, Keppoch Estate, Bushey Park, Morven Downs, Meadowbank, Te Apiti and Penrose Farm. The album was found in a clean out at the Great Southern Agricultural Research Institute and donated to the National Wool Museum, along with other related material such as photographs, glass lantern slides and ephemera.Photo album with card cover and silk string binding. Inside are twenty four pages of brown carded paper with black and white photos and hand written black text. A white piece of paper with hand written text has been added to the inside front page.new south wales graziers association, world tour, sheep, farm, rural, agriculture, travel, new zealand, warren, molong, gamboola, forbes, hay, conargo, mokine, hawke's bay, southland, lyttleton, rotorua, christchurch, lincoln, banks peninsula, akoroa, pigeon bay, darfield, rakahuri, kaiwara, highbank, lake heron, mt somers, otago, moa flat, waimahaka, tarras, moeraki, blenheim, haddonrig, egelabra, bundemar, redbank, wandary, tubbo station, coonong station, boonoke station, wanganella estate, yoorooga estate, taruna farm, harpenden wool works, keppoch estate, bushey park, morven downs, meadowbank, te apiti, penrose farm -
National Wool Museum
Photograph - Border Leicesters, J W Allen, 1928-1929
This photograph was found loose in the third of three albums compiled and owned by J W Allen, Secretary of New South Wales Grazier's, and is associated with the New South Wales Graziers Association world tour of sheep 1928-1929. The album contains photographs of travel, sheep, farms, stations, people and landscapes from around the world. Locations include Warren (NSW), Molong (NSW), Gamboola (NSW), Forbes (NSW), Hay (NSW), Conargo (NSW), Mokine (WA), New Zealand, Hawke's Bay, Southland, Lyttleton Harbour, Rotorua, Christchurch, Lincoln, Banks Peninsula, Akaroa, Pigeon Bay, Darfield, Rakahuri, Kaiwara, Highbank, Lake Heron, Mt Somers, Otago, Moa Flat, Waimahaka, Tarras, Moeraki and Blenheim. Properties depicted include Haddonrig, Egelabra, Bundemar, Redbank, Wandary, Tubbo Station, Coonong Station, Boonoke Station, Wanganella Estate, Yoorooga Estate, Taruna Farm, Harpenden Wool Works, Keppoch Estate, Bushey Park, Morven Downs, Meadowbank, Te Apiti and Penrose Farm. The album was found in a clean out at the Great Southern Agricultural Research Institute and donated to the National Wool Museum, along with other related material such as photographs, glass lantern slides and ephemera.Black and white image showing two sheep in a field.Back: [handwritten] Low, Highbank / Border ♀♀ / [printed] 68world tour, sheep, graziers, photograph, border leicester sheep -
Bendigo Military Museum
Uniform - SHIRT, TROUSERS, SERVICE DRESS - ARMY, Australian Defence Industries, c.2004
1. Shirt - light khaki cotton/polyester fabric, short sleeves, shoulder epaulettes, two front pockets with button down flap. Plastic buttons. Left sleeve - fabric patch, embroidered Rising Sun Badge, "THE AUSTRALIAN ARMY". White cotton manufacturers label, back below collar. 2. Trousers - khaki colour wool/polyester fabric service dress style with fob pocket. Two side pockets, one back pocket with concealed button down flap. Plastic buttons and metal zipper fly. Khaki colour polyester fabric waist and pocket lining. No manufacturers label.Manufacturers information on label - black ink print. . "ADA/ 4500297929/ OCT ??/ NSN: ????/ SIZE: 41/ NAME/ SERVICE NO/ 65% POLYESTER/ 35% COTTON/ MADE IN AUSTRALIA".uniform, army, service dress -
Kiewa Valley Historical Society
Programme - Opening, Opening of New Tawonga Public Hall, 1925
The opening of the Tawonga Hall was celebrated in the evening on Wednesday 11th March 1925. A band played and guests danced.This 'programme' was used by people in the district who attended the opening of the Tawonga Hall in 1925.This is a small programme for the evening of the opening of the Tawonga Hall in 1925. It also doubled as a dance engagement book for the evening. Front cover "Programme" is printed It is in the form of folded cardboard with a picture of a rose on the cover that passes through a white tag entitled 'Programme' on the stem of the rose. Edges have spaced zig-zag cuts in groups of 6. On back of front a lot writing printed in black. Opposite is a list of 15 dances eg. Waltz with space for names of partners. On the folded card a hole has been pierced at the top left hand corner with red wool threaded through and a small pencil hanging at the end of it. tawonga public hall, programme, opening ceremony, dance programme, annie sullivan -
Glenelg Shire Council Cultural Collection
Artwork, other - Tapestry, The Portland Fibre Group & Valerie Kirk et al, From the Land to the Sea, 1996-2004
Woven by The Portland Fibre Group, proposed for installation in the foyer of the Glenelg Shire Council Offices, opposite the entry to the Council Chambers.Tapestry woven in wool on twine warp. Cream coloured background with pale blue flecks of colour, central motif of coat of arms features two birds standing on grey platforms, either side of shield. Central to the shield is a masted sailing vessel sitting atop blue and white horizontal lines representing the ocean. Around the sails of the vessel are radiating yellow rays and a blue surrounds representing sunburst against blue sky. The top third of the shield shows a pair of sheep heads against a red background. Above the shield is depicted a helmet, crowned with a whale. Blue plumage is shown coming from the helmet and framing the whale. -
Glenelg Shire Council Cultural Collection
Artwork, other - Tapestry, Tapestry - Town of Portland Coat of Arms, 1996-2004
Made by Portland Fibre Group, 1996-2004: specifically Mary Sharrock, Dot Kelly, Ollie Dellar, Doris Amor and Ede Bailey.Tapestry woven in wool on twine warp. Cream coloured background with pale blue flecks of colour, central motif of coat of arms - features two birds standing on grey platforms to either side of shield. Central to the shield is a masted sailing vessel sitting atop blue and white horizontal lines representing the ocean. Around the sails of the vessel are radiating yellow rays and a blue surrounds representing sunburst against blue sky. The top third of shield shows a pair of sheep heads against a red background. Above the shield is depicted a helmet, crowned with a whale. Blue plumage is shown coming from the helmet and framing the whale.Front: (Weavers' initials, except Ede Bailey, woven into tapestry and are seen on the hem). Back: (no inscriptions)town of portland, textile, tapestry, weaving -
Brighton Historical Society
Clothing - Jodhpurs, late 1800s - early 1900s
This item is from the "Barone" Collection. "Barone" (also known as "Seaview") was a stately Brighton home built at 9 Moule Avenue prior to 1855 and demolished in 1986. The house's residents included Edward Elgin Browne (during 1859-72), a Melbourne tea merchant, and the family and descendants of retired Scottish Army captain Archibald Black (during the period 1880-1970). Its neighbors included “St Ninians” owned by the Ward- Cole family, “Seacombe” owned by the Moule family, and the home of James Grahame and his family. The items in the "Barone" collection were largely donated by two of the house's later owners, Mrs Doris Halkyard and Mrs Brian Brandt.A pair of black wool twill women's jodhpurs from late 1800s to early 1900s. The jodhpurs feature a flat flap-front that buttons on either hip with four buttons on either side. The cut of the leg is full tapering through shaped panels to a slim fit over the calf. At the centre front of the leg at the shin, the pant leg is laced closed and finished with brown binding. From the back, the pant hangs loose and full over the bottom, tapering to a slim fit over the calf. Note: These jodhpurs are not a matching piece of the riding habit T0002.1. However, it appears that the same person wore them together as an outfit.barone, riding habit, seaview, jodhpurs, brighton -
Bendigo Military Museum
Uniform - SERVICE DRESS, ARMY, Carbone Apparel Vic, 1978 - 1983
Refers to the service of "Rod Hosking". .1) Jacket - brown/khaki. Four front pockets, four gold buttons on front. Gold buttons hold pockets shut. Cloth WO2 badge on each arm. It has RACT Collar badges. .2) .3) Trousers - Brown/khaki, zip fly, Two hip pockets, One rear pocket. .4) Shirt, Khaki, cotton/polyester. Two front pockets with flaps, 6 buttons down front. .5) Tie - wool khaki. .6) Lanyard - Blue and Red (RACT). .7) Cap, Khaki, peaked with RACT Badge. .8) Instructors green and gold armband with Velcro patches..1) Jacket - inside is "4229 106 Hosking” .2) Trousers - inside is “WSD 4229 V090 Hosking” .3) Trousers - inside is “W/02 Thomas R. J. Hosking”ract, uniform, 1980-2020, passchendaele barracks trust, r.j. hosking -
Bendigo Military Museum
Headwear - CAP, PEAKED, Commonwealth Government Clothing Factories, Melbourne
Belonged to Lt. Col. Duffy MC - see catalogue No. 4991P.1 & 2. Officers Peak cap - blackwood felt fabric cap with red edge trim and red wool felt hat band and black leather chin strap secured by gilt Australian Military Forces metal buttons. At front of hat band is a gold coloured embroidered badge of a lion over a Queens crown. peak decorated with gold braid. 1. Lining - black satin fabric with plastic cover, mid brown leather sweatband. Makers label "Commonwealth/Government/Clothing Factories/Melbourne" 7 3/6. 2. Lining - brown satin fabric, mid brown leather sweatband. uniform, military -
Bendigo Military Museum
Uniform - BATTLE DRESS, ARMY, 1953 and 1960's
Names recorded on manufacturers label on jacket. "J.E. COOK", "W. RICHARDSON", "MENTONE GRAMMAR".1. Jacket - Khaki colour wool serge fabric. Battle Dress style, belted at waist with metal buckle. Brown plastic buttons. Collar, shoulder epaulettes with three red, cream and brown fabric rank insignia = Captain. Two front pockets with concealed button down flap. Shoulder sleeve insignia - red with cream colour embroidered lettering "ROYAL AUSTRALIAN ARMY/ MEDICAL CORPS". Sleeves with cuff and button. Light Khaki colour cotton fabric - pocket and waist lining. Manufacturers white cotton fabric label (two) on right pocket lining. 2. Trousers - khaki colour wool serge fabric Battle dress style. Two side pockets, two inset rear pockets with concealed button flaps and one patch pocket left thigh with concealed button flap. Five button fly. Waistband with button down belt keepers. Trouser cuffs have fabric tab with two buttons. khaki colour cotton fabric lining to waistband and pockets. Manufacturers white cotton label on waistband. 3. Braces - set of cotton elastic braces with brown leather button attachments for trousers. Stripes on elastic are beige, black, blue, cream and green in colour. Metal slides for adjustment to wearers size, with stamped lettering. brown leather strap joiner.Manufacturers information on labels. 1. Black ink print "REGIMENTAL NO./ NAME". Handwritten blue ink pen "JE COOK/ MENTONE/ W. RICHARDSON/ GRAMMAR". Red ink print label "M.TX/ SIZE 8" , Purple ink stamp on fabric lining "D^D/ MADE IN AUSTRALIA/ 1953". 2. Black ink print "REGIMENTAL NO./ NAME". Red ink print "M.TX/ SIZE 5". 3. Lettering on metal slides "POLICE/ AND/ FIREMEN". Black ink stamp - back leather strap joiner "???/ ^/ 196?/ 38".uniform, army, battle dress -
Warrnambool and District Historical Society Inc.
Artefact, Wooden Spindle, Mid 20th century
A darning mushroom such as this was a common household item in Australia up to the 1950s. Socks were mostly made of wool and when holes appeared, (particularly in the heel) they had to be darned, usually in a criss-cross pattern. The darning mushroom gave the darner a good smooth and stable surface. Many of these darning tools were homemade. The darner could also have been used to mend torn sleeves or other items of clothing. Some people may still use a darning mushroom today but in general socks are not darned but disposed of when holes appear. This darning mushroom has no known local provenance but it is a good example of a household item of times past. This is a light-coloured wooden darning tool. The mushroom-shaped top is attached to a handle which is elongated at the bottom end and has a slight ridge near the base and a small hole at the end. There are some pit marks on the top surface. darning mushroom, social history, history of warrnambool -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Lady's nightdress crepe de chine, floral c1950, c1950
Gladys Reed was a member of the Ormond Choral Society c 1950. who performed plays and musicals in the City of Moorabbin and she made this nightdress c1950 Crepe de Chine, also spelled Crêpe De Chine, (French: “crepe of China”), light and fine plain woven dress fabric in silk, wool, or synthetic fibre fabric with a distinctively crisp, crimped appearance produced either with all-silk warp and weft or else with a silk warp and hard-spun worsted weft. This material was easy to sew, wash and dry and required no ironing . . This crepe de chine nightdress is an example of the popular style worn by women in the post World War 11 Estates in the City of Moorabbin c1950 A lady's floral crepe de chine, full length, nightdress with shoulder straps and waist ties clothing, nightdress, crepe de chine, theatrical props, craftwork, sequins, beading, early settlers, moorabbin shire, mechanics institute cheltenham, ormond choral society, postworld war 11 settlers, housing estates moorabbin 1950, bentleigh, ormond, moorabbin, cheltenham, drama societies, musical society cheltenham, clark judy, reed gladys, reed george -
National Wool Museum
Book - Fabric Sample Book, c.1920
A Textile Designer’s Fabric Sample Book is an important tool for keeping a record of past designs. This is useful in order to showcase a designer’s previous work; functioning like a portfolio or a résumé. They also serve as a source of inspiration, sometimes even providing a template to re-release iconic designs. The National Wool Museum has a large collection of Fabric Sample Books. They reveal the colour and daring designs produced by textile mills across various time periods. This Fabric Sample Book is from the 1920s and gives us insights into design trends that are now over a century old.The cover of this book has a brown/grey marble. It carries many marks and oils from the hands, after more than a century of use. A strip of red tape has been added to the spine of the book in order to give it integrity. The book internally has white pages that have turned a brown/cream with age. These pages have a faint blue line printed horizontally across them, to assist with handwriting. The contents of the pages are fabric samples which have been staple to them, as well as handwriting with a blue ink. The pages also include technical drawings, relating to the fabric samples and how such samples were woven together.textile design, textile manufacture -
National Wool Museum
Textile - Quilt, Ms Shirley Critchley, Unpicked Jumper Wagga, c.1960
This quilt was created by Ms Shirley Critchley, c.1960. it was made in a wagga style from unpicked knitted jumpers that Shirley would repurpose. Some of these jumpers were from her daughters out growing their garments, while others were from jumpers Shirley would find at opportunity stores. One of Shirley’s daughters, Jane McGrath, followed in her mother’s footsteps and begun quilting with Shirley’s guidance. One of Jane’s first quilts, the “Tartan Fabric Sample Quilt” is located within the National Wool Museum’s collection (REG 8282). Multicoloured wagga style quilt. The quilt’s top layer is made from unpicked knitted woollen jumpers. These jumpers are in a variety of colours including yellow, blue, green, and red. Some blocks are a single colour, while others have been knitted with a different secondary colour such as grey or white to give noise. The quilt has an unknown insulating fabric. It shares its backing fabric with the material used to bind the edges together. This material is a woollen blanket in a tartan pattern of a blue background with green and red lines. The quilt is sized to suit a single bed. quilts, wagga, upcycle, shirley critchley/jane mcgrath collection, woollen jumpers -
National Wool Museum
Photograph
This photograph shows the interior of the Valley Worsted Mill in 1923. The mill was first established at this time, and the photo shows the interior after tooling up but prior to the mill actually commencing operation. This photo is one of 31 in total and probably shows the mill maintenance shop, as a grinder, a diesel drum and a container for nuts and bolts can be seen. The donor worked at the Valley Mill for many years. This mill still exists in Swanston Street, Geelong and is now being used by Melba Industries (an Austrim-Nylex company) to produce Jumbuck Nylon wool packs.Interior of Valley Worsted Mill, c.1923.valley worsted mill -
Vision Australia
Administrative record - Text, Eleventh Annual Report of the Association for the Advancement of the Blind 1906, 1906
, Annual report of the Association for the Advancement of the Blind outlined activities and events over the year, including membership total of 185, loan of 10 pounds to a member to start his own wool and coal business which has been a success, a typewriting machine has been purchased and instruction of this for our members will be made available, and a suggestion was taken to hold a demonstration of what the Association does which resulted in a successful gymkhana at the Glacierium. From this event a total of 223 pounds was raised and will be used as a building fund to help find more employment for blind workers.1 volume of printed material with some illustrationsassociation for the advancement of the blind, annual reports -
Port of Echuca
Coloured Photograph, 04/03/1984
The P.S Adelaide was launched on 21st July 1866. It was owned by J.G.Grassie from Poon Boon Station and the Officer Family of Murray Downs Station Swan Hill. The Adelaide was named after the niece of the Officer Bros, Adelaide Blackwood. The shipwright who built her was George Linklater. The Adelaide brought wool and passengers from the wool stations on the Murray and Darling Rivers down to the Echuca Wharf. In 1872 she was sold to David Blair & Sons. She was used to bring timber from the Barmah Forest to the Echuca Wharf. She did this work for the next 80 years. In 1953 she was tied up near the Mill and left. In 1958 she went to Paringa South Australia to work in the sawmill industry again. In 1960 the Echuca Apex Club and The Echuca Historical Society raised enough funds to buy the P.S. Adelaide and return her to Echuca. In November 1963 she was lifted out of the water and placed in Hopwood Gardens as this was thought to be a way of preserving her. In 1984 it was decided to return her to the water to resume work as a passenger vessel. In that time the Port of Echuca and the Echuca Wharf had been restored as a Tourist Precinct. This photograph shows the beginning of the task to return her to the river. It took several weeks in March 1984.The P.S Adelaide is extremely significant as it it the oldest known wooden hulled paddle steamers in the world. She was built in Echuca in 1866 and still operates on the Murray River today. She has worked in the Wool Industry, the Timber Industry and the Tourist Industry.This is a coloured square photograph of an orange front end loader clearing a track from Hopwood Gardens down to the river. The track was used to bring the P.S Adelaide from the gardens back into the river. The P.S Adelaide is in the background. The paddle steamer appears to be up on a trailer of some sort and is surrounded but plastic orange temporary fencing. There are small mounds of soil in the foreground.On the orange front end loader are the numbers "5900" and the word "case." p.s. adelaide, grassie, j.g, port of echuca, linklater, george, poon boon station, blair, david, murray river, darling river, logging industry, officer brothers., barmah forest, fulton & shaw, hutchinson, kevin, murray downs station, blackwood, adelaide -
Port of Echuca
Photograph, 1984
The P.S Adelaide was launched on 21st July 1866. It was owned by J.G.Grassie from Poon Boon Station and the Officer Family of Murray Downs Station Swan Hill. The Adelaide was named after the niece of the Officer Bros, Adelaide Blackwood. The shipwright who built her was George Linklater. The Adelaide brought wool and passengers from the wool stations on the Murray and Darling Rivers down to the Echuca Wharf. In 1872 she was sold to David Blair & Sons. She was used to bring timber from the Barmah Forest to the Echuca Wharf. She did this work for the next 80 years. In 1953 she was tied up near the Mill and left. In 1958 she went to Paringa South Australia to work in the sawmill industry again. In 1960 the Echuca Apex Club and The Echuca Historical Society raised enough funds to buy the P.S. Adelaide and return her to Echuca. In November 1963 she was lifted out of the water and placed in Hopwood Gardens as this was thought to be a way of preserving her. In 1984 it was decided to return her to the water to resume work as a passenger vessel. In that time the Port of Echuca and the Echuca Wharf had been restored as a Tourist Precinct. This photograph shows the beginning of the task to return her to the river. It took several weeks in March and April 1984.The P.S Adelaide is extremely significant as it it the oldest known wooden hulled paddle steamers in the world. She was built in Echuca in 1866 and still operates on the Murray River today. She has worked in the Wool Industry, the Timber Industry and the Tourist Industry.Colour photograph of the P.S Adelaide, having been hauled out and dry-docked. The P.S Adelaide is resting on a log platform with a winch attached to the front.p.s. adelaide, grassie, j.g, port of echuca, linklater, george, poon boon station, blair, david, murray river, darling river, logging industry, officer brothers., barmah forest, fulton & shaw, hutchinson, kevin, murray downs station, blackwood, adelaide, 1866, 1984 -
Warrnambool and District Historical Society Inc.
Booklet, Scrap Book Warrnambool Woollen Mill, Late 20th century
In 1869, the Warrnambool Meat Preserving Company commenced their business on the site, where it operated until 1875 when it was sold to the directors of the Warrnambool Woolen Mill Company. After being destroyed by fire in 1882 it wasn’t until 1910 that the Warrnambool Chamber of Commerce was approached by Marcus Saltau and Peter McGennan to invest in a new mill. The original directors were James Dickson, P J McGennan, Robert Swinton, M Saltau, and J W Younger. In 1955 the Warrnambool Woollen Mill formed a partnership with the Wangaratta Woollen Mills. Dunlop bought the mill in 1968. From that time until its closure in 2000 it had a number of different owners, the last being the Smith Family Industries.This book contains a large number of labels some of which would have been sewn to the corner of the many blankets which were manufactured over the long history of the Woollen Mill.Some are cloth of a satin type. Some state care instructions and some have been made under other name brands such as Myer, Patersons and Nile. There is also a range of types of blankets such as travel and picnic rugs, baby blankets.Some are pure wool, others are a blend of synthetic and wool, mohair. In the latter stages of its operation, under the ownership of the Smith family , recycled woollen product was produced.This is an interesting collection of labels which were produced and collected over a long period of time and therefore provide a valuable insight into different styles and variety of the blankets produced by the Warrnambool Woollen mill which played a large part in the social and employment history of the city for nearly all of the 20th century. The different styles and colours provide a snapshot of design and artistic styles of the period. Large Spirax folder with yellow and white check patterned cover with dark blue writing.A Warrnambool label in gold,black and white is glued to front cover . Back cover is grey heavier card. The white pages have a large number of labels which relate to the Warrnambool Woollen Mill . Some are stapled and others are glued.Genuine drawing cartridge 48 sheets . Made in Indonesia.warrnambool, warrnambool woollenmill,warrnambool blankets warrnambool blankets labels, -
Stawell Historical Society Inc
Memorabilia - Realia, Semco Transfers Frock Sprays, 1930's
NeedleworkBooklet contains sheets of tissue paper Fautley's size , B also iron on transfers. Semco Transfer Frock Sprays BookletSemco Transfer Frock Sprays Folder No.15 Price 3DDistiction and smartness may be added to your frock, jacket or blouse with charming hand embroidery. These transfers are specifically designed for this purpose and can be used on the collar, pockets or anywhere on the garment. If desired additional sheets may be obtained. These designs are equally attractive worked with wool or Semco Embroidery Threads. Semco Art Needlework, Victoriastawell -
Bendigo Military Museum
Uniform - GREAT COAT, ARMY, 1965
Coat - Khaki colour wool fabric uniform great coat. Double breasted with six buttons. Collar which fastens with buttons and metal hook and eye fastener. Shoulder epaulettes with buttons. Back has full length inverted pleat with lower vent with two buttons (missing) concealed closure - double half belt with two buttons back at waist. Buttons - brown colour plastic. Two inset front pockets with flap. light brown colour cotton half lining and sleeve and pocket lining. three white colour cotton fabric manufacturers label, two inside back below, one inside lower edge left side.Manufacturers information - black ink stamp. Top - "CGCF/Victoria/SIZE 7/ 1965/ ^". Middle - "REGIMENTAL NO./ NAME" Lower - attached only at top - print illegible.uniform, army, great coat, post ww2 -
Bendigo Military Museum
Uniform - GREAT COAT, ARMY
Coat - Khaki colour wool fabric Great Coat. Double breasted with eight buttons. Collar which fastens with two metal hook and eye fasteners. Shoulder epaulettes with buttons. Back has top inverted pleat, below waist inverted pleat with lower vent with two button closure. Double half belt with three buttons back at waist. Thirteen gold colour plastic buttons with metal shank to interior brown colour plastic button. Buttons have raised emblem - crown and shield - This is an Officers Coat. Two inset front pockets with flap. Brown colour cotton sateen lining to coat with two concealed pockets. No manufacturers label.uniform, army, great coat -
Warrnambool and District Historical Society Inc.
First Aid Kit, First aid kit WWII in canvas bag, 20th century
This field First Aid kit is a mixture of items, some prepared for use in wartime, including World War One and some for use in peace time emergencies. The calico bag, produced by the Red Cross in Kalgoorlie, W.A., has been used by the State Emergency Service and at a later date by a scout group. The name, ‘S. Dempster’ is on the striped calico bag. Samuel Dempster was born in Ireland and was living at Panmure when he enlisted. He was attached to the 6 Ambulance training. He served from 1942-46 This is a calico shoulder bag with the shoulder strap adjustable with the use of metal clips. The bag is frayed and rusted and contains 14 items:-eight flat bandages, five safety pins, six small rolled gauze bandages, three navy blue packages of white absorbent gauze, one rolled package bandage,, rubber hose (broken), two small and one large field dressings, two shell dressings, Armed Forces shell dressing (Commonwealth of Australia), dark blue absorbent lint (yellow label), absorbent cotton wool (navy blue wrapper with red label), striped canvas bag, bottle of aqueous solution Acriflavine, two rolled bandages. ‘S.Dempster VX74418’ ‘Red Cross Society Kalgoorlie West Australia’ s. dempster, world war 2, samuel dempster, first aid kit wwii, warrnambool -
Bendigo Military Museum
Uniform - TROUSERS, BATTLE DRESS, 1989
Part of the Reverend Chaplain Major Thomas Bruce Williams, No 556101, Collection.Khaki battle dress trousers in wool fabric with pleated front. Waistband and pockets lined with light khaki cotton drill fabric. Wide waistband secured with three brown bakelite buttons Inside the waistband are six brown bakelite buttons used to secure braces. On each outer side of the waistband are two tabs with metal fasteners used to adjust the waistband. Extra buttons are sewn onto the outside of the waistband. A zipper fly is on the front of the trousers. Pockets consist of two hip with button down flaps, two lined side and one left leg cargo with button down flap. A light khaki heel protector is sewn into the hem of each trouser leg.On white calico manufacturer's label - handwritten in black ink: '556101, PADRE Tom'.uniform, army chaplain, battle dress, major thomas b. williams