This gentleman’s white silk cravat once belonged to Mrs W N Barnard of Portland, c. 1910.This gentleman's silk cravat is representative of men's fashion of the early 1900sGentleman's white silk cravat, hand stitched. Wide, pointed ends with narrow, ribbon-like mid-section. Circa 1910. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, mrs w.n. barnard, w.n. barnard of portland victoria, gentleman’s cravat c. 1910, gentleman’s silk cravat c. 1910, gentleman’s fashion c 1910, men's accessory, ca 1910

Basket cane rectangular rope handle each end, galvanised metal throw bolt at front & corners reinforced with stitched hide flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

'A condensed history of St Kilda and the report of the festivities, reprinted from the "St Kilda Advertiser" of the 6th Dec., 1890, together with a list of the subscribers to the cost of the children's fete, and the Treasurer's audit balance-sheet; also, a list of mayors and councillors of the city from 1857 to 1890'. (p8) Also contains advertisements by local businesses.Cream coloured booklet, 26p, printed in black with gold printing on the cover. Stitched binding. Contains advertisements from local businesses. Handwritten list of mayors and councillors in 1902-3, 1903-4, and 1904-5 on p21.city of st kilda, borough of st kilda, st kilda council, 19th century, 1890

Patchwork quilt consisting of small hexagons, printed and woven cottons with red cotton border. Embroidered with feather stitch. Backed with cottonhandcrafts, needlework, manchester, bedding

Leather satchel with leather handle held by leather bindings and metal clasp. No longer has stitching on sides (possibly Victorian Railways)

Published in May 1915 from reports of the landing by Ashmead Bartlett and Chas E Bean. Booklet to be issued to Senior Pupils at Public Schools of NSW in proud and grateful memory of the bravery of the Australian troops.A well preserved example of patriotic endeavour by the Department of Education in NSW. Published within a month of the landing at Anzac Cove on 25 April 1915.Plain paper booklet published by the Department of Public Education , New South Wales; 32 pages, saddle stitched with two staples.gallipoli, education department nsw, schools

Australian soldiers of the 2nd AIF departed Australia in 1940 en route to England, however this destination was changed to Egypt to defend the Suez Canal. When it became clear the AIF would remain in the Middle East publications such as this small phrase book was published to enable communication with the local population.Example of commercially published booklet for soldiers proceeding to Middle East in WW11.Buff covered booklet " Easy Conversation Arabic and French for the Australian Soldier." 30 pages, soft cover, saddle stitched and stapled.phrase book, arabic, french

The dress is on doll.A handmade cream coloured fine wool dress. It has blanket stitch hemming and crocheted lace around the neck, sleeve and hem.baby dresses, baby clothing

One cream woollen herringbone stitched baby matinee jacket, with a plastic button at the neck and a cotton thread loop to do it up.baby clothing, baby jackets

The contents are 2 x dressings each consisting of a gauze pad stitched to a bandage and safety pin. Peter Ball collection, refer Cat No 4704First field dressing rectangular shape rounded all corners, khaki colour cotton, the contents are labelled, instructions for use all in black print, contents are in water proof covers.On one end in black pen, “P Ball”dressings, first field, accessory

Vera Neale (1901 - 1990) used needles made from bicycle spokes and piano wire to achieve the fine knitted stitches for her garments.Pair of knitting needles made from bicycle spokes, used by Vera Neale.knitting handicrafts, neale, mrs vera, knitting, handicrafts

Vera Neale (1901 - 1990) used needles made from bicycle spokes and piano wire to achieve the fine knitted stitches for her garments.Two lengths of piano wire, sharpened to points at both ends, used by Vera Neale as knitting needles.knitting handicrafts, neale, mrs vera, knitting, handicrafts

Vera Neale (1901 - 1990) used needles made from bicycle spokes and piano wire to achieve the fine knitted stitches for her garments.Knitting needles made from bicycle spokes and used by Vera Neale.knitting handicrafts, neale, mrs vera, knitting, handicrafts

Vera Neale (1901 - 1990) used needles made from bicycle spokes and piano wire to achieve the fine knitted stitches for her garments.Made from piano wire and used by Vera Neale.knitting handicrafts, neale, mrs vera, knitting, handicrafts

Wool painting a hobby for men - Long stitch embroidery/tapestry. Fred J Webber produced this painting when he was fourteen years old.Wool painting of bay steamer "Coogee" passing from right to left with full rigged ship in distance off her starboard bow. Frame has ornate border. Ship has black hull and funnel - structure faded red coogee wool painting ship

This bag was used by the Timekeeper at Pretty Valley camp to carry timesheets to the administration building at Bogong and later at Mt Beauty. In the early days this bag was collected by the Timekeeper who rode a horse to the camps fortnightly.SECV - Kiewa Hydro Electric SchemeBrown leather mail bag with stitched gusset. Metal and leather handle fastened at the top by two metal rings attached to a leather covered rod. A flap at the front fastened by two metal press studs. Front pocket of leather and transparent material stitched on. Internal leather strap fastened by metal press stud in the centre. "SEC MAIL" stamped on the front flap and back of bag. Written inside in ink "BAG NO.11 TIMEKEEPER - PRETTY VALLEY". secv, khes, mail bag, timekeeper, pretty valley, payroll

Blouse was donated by Christine Pitt. Probably worn by the donor's Great Grandmother in 1915 or so.Pale pink muslin with cream lace trim & long sleeves with spoke stitched cuffs. Neckline is square & trimmed with cream lace & spoke stitch. Front has four wide panels & three panels of pin tucks. Centre back closing at neck. There are 'eyes' down the back with no hooks. A fold conceals the false opening.costume, female

This uniform belonged to Sapper Hughes 3795948 of the Royal Australian Engineers Corps. By the date on the uniform, it is assumed that he served C 1968.This uniform has significance as an example of uniform worn by soldier ranks for daily work and dress parades.Khaki coloured short jacket with lapels, and waist band which has strap and buckle on right hand side. There are two patch pockets on the front have a box pleat down the middle and a V shaped pocket flap at the top, closing with a hidden button. The shoulder epaulets each have a plain khaki coloured button at the neck edge.The sleeves are cuffed fastened with a button however the right button is missing.There are red patches on each shoulder with navy blue text. The back of the jacket has darts stitched at the waist and at shoulder level. There are four khaki buttons down the front. The sleeve seams are bound in cotton tape which also forms a label on the back neck collar with the lining of the waist band also in a cotton twill.Stitched in navy blue on arm banners,” Royal Australian Engineers.” On inner label, “ DUNLOP NSW 1968 8405-66-025-6411 SIZE OF CHEST 35/36S MATCHING TROUSERS 29/30S WAIST DRY CLEAN ONLY CREASE UPPER HALF OF LAPELS ONLY . NAME....HUGHES ( in blue pen) ARMY NO... 3795948 (in blue pen)warrnambool rsl, royal australian engineers, hughes 3795948

Cotton or linen doily or tray cloth with cotton hand embroidery. Stitched to celebrate the centenary of the foundation of Melbourne 1834-1934. Possibly embroidered by Jean Stirling.White cotton doily or tray cloth with hand embroidery and crochet edging.Embroidered text: "Centenary. Melbourne Vic. 1834-1934"doilies, tray cloths, melbourne

Part of the "Wagga" collection. Made by Gwen Giles c.1930 and given by her to Running Stitch. Her husband was an upholsterer and and one of the sources of her cloth.Patchwork quilt of pastel coloured damask squares with dark grey central satin square edged in black. Contains felting fabric. Back is covered in upholstery fabric. Mrs Giles husband, an upholsterer, was one source for her fabrics.quilting history, running stitch group, running stitch collection, giles, mrs gwen, quilting - history

Part of the " Wagga collection" donated by the Running Stitch group. Maker unknown. c.1900. Possibly English. Was being used as packing material when found.Quilt, patchwork. Made from tiny hand worked patchwork squares reminiscent of medallion style quilts.quilting history, patchwork history, running stitch group, running stitch collection, england, quilting - history, patchwork - history

Richelieu embroidery - White openwork: the pattern outlined in buttonhole stitch and linked by bars (often with picots, like needlepoint lace) with the fabric background cut awayNightdress, ladies - (cotton) french seams Cut out work with Richelieu embroidered. Arm sleeve edges buttonholed with picots.costume, female nightwear

The School of Mines was established in 1870 in Ballarat, making it Australia's third oldest tertiary institution. Redmond Barry was its first president, and he was involved in the creation of university degree level courses for the school. The School of Mines was divided into a tertiary division and a technical division. The tertiary division provided higher education courses such as mining engineering, geology, education and business studies, while the technical division provided such programs as wool classing, plumbing and bricklaying.It remained in that form until the 1967 when it was split into three institutions, Ballarat School of Industries, Ballarat Technical School, and Ballarat Institute of Advanced Education. They remained three entities until 1976. Ballarat Institute of Advanced Education merged into Ballarat College of Advanced Education. The Ballarat School of Industries and Ballarat Technical School merged into the School of Mines and Industries, Ballarat (SMB) in 1976. Several entities merged or had arrangements with SMB. In 1994, a memo of understanding (MOU) was signed between SMB and the Ararat Technical School, which was founded in 1969. Then, in 1998, SMB and the Horsham-based Wimmera Institute of TAFE (1984), dating back to 1882, merged into the University of Ballarat to create a larger University. Green woollen, mostly unlined (apart from the upper back and sleeves) blazer with embroidered emblem on breast pocket. The edges are bound including the three pockets and the sleeve cuff 9 cm from the edge. There are three green buttons at the front. The internal edges are overlocked and there is a panel stitched to the inside where the top of the side pockets are stitched. Embroidered patch on breast pocket.ballarat school of mines, blazer, coat of arms, costume, textiles

Clothing. A square of fine linen fabric, 20 cms square, with a fine crochet edging. The linen fabric has been shaped by the lace edging, as the edging has been hand-stitched, in button - hole stitch, around the linen. The cotton crochet is an open floral design, and is 4 cms deep. This edging gives a scalloped effect to the handkerchief.costume accessories, female, linen and crocheted lace handkerchief

Donor believes items were completed by her great aunts Lydia, Rosa, Olivia and Isabelle Pollard when the sisters were young girls. They were completed in Country Durham, England. The items have been passed down through the family by the girls mother or aunt.Two handmade embroidered laundry bags. 6575.1 Red flowers with green leaves and white foliage embroidered on a cream cotton front, back of bag is undecorated. Hand and machine stitching evident. 6575.2 Gold flowers, green leaves and some white foliage. Four rings attached with gold and cream stitching on top of bag for hanging.A L 4 embroidered in top left hand corner of 6575.1 in yellow thread. A L embroidered at top L H corner of 6575.2 in red thread.late victorian needlework, handmade embroidery, lingerie bag, garment bags, cleary

This skirt belonged to Olga Black, a long-time Brighton resident. The linen used for the skirt were woven by Olga's great-grandmother Efstathia in the late-nineteenth century with flax grown on the island of Ithaca. In the 1950s, Olga made the fabric into a skirt, embellishing it with hand embroidery. Olga Maria Black was born in Melbourne in 1930, the daughter of Ithacan migrants Constantine and Toula Mavrokefalos. Constantine first emigrated to Australia in 1902, returning to Greece circa 1912-13 to serve his home country in the Balkan Wars. Toula's family had left Ithaca for Romania when she was only six months old, but she happened to be visiting the island at the very time that Constantine arrived, fresh from the war. Within three weeks they were married, and when Constantine returned to Melbourne in 1914 his new bride came with him. Constantine had trained as an accountant, but his qualifications were not recognised in Australia. Changing his surname to the Anglicised "Black", he started off working in his older brother Dionysios's cafés before going into business on his own. In 1917 he opened the Paris Residential Café at 54-56 Swanston Street, which offered both dining and accommodation. The business saw some years of success, but did not survive the Great Depression. Constantine died in 1944. Olga's mother Toula learned to sew as a child, while growing up in the Romanian village of Brila. She developed her skills making lace and embroidering items for her trousseau. Some of the linen she embroidered had been woven from flax on Ithaca by her own grandmother, Efstathia. During the Depression, when money was scarce, Toula embroidered at home, doing work for a factory in Flinders Lane. Using a cotton reel, a threepence and a sixpence she created and embroidered designs on hundreds of blouses. Olga spent her preschool days sitting at the table where her mother worked. Toula would involve Olga by allowing her to help choose the colour combinations. Toula lived with Olga in Brighton until her death in 1976. Olga inherited her mother's sewing skills. She re-invented some of Toula’s trousseau nightdresses and skilfully altered other clothing, making dresses which she wore around Brighton for many years.Ankle-length full cream linen skirt with multi-coloured cross stitch embroidery featuring mountains, birds and trees. Fullness is pleated into wide waist band. Left side opening. The fabric widths have been whipped together by hand probably at the time the cloth was woven in the late-nineteenth century. The skirt is machine stitched.skirt, linen, hand woven, embroidery, ithaca, migration, greek diaspora, olga black

A small dark brown leather coin purse - envelope style - which closes with a press stud. It has two compartments. It is machine stitched.purse accessories coin-purse

This kit bag is a World War Two issue for Australian Army soldiers. The bag belonged to Leonard John Hyland of the Australian Army. He was born in Woolsthorpe in 1921 and was the son of John and Edith Hyland. He enlisted in March 1942 and was discharged in 1946, holding the rank of sapper at the time as a member of the 2/1 Australian Docks Operating Company. He died in Parkville in 1985 at the age of 63. This bag is of interest as it belonged to Leonard Hyland, an Australian Army member in World War Two. Hyland was from the Warrnambool district.This is a brown cloth bag with a rounded stitched base. At the top of the kit bag are 12 metal eyelets with a drawstring of white cord. The bag is stainedVX 77088 L.J. Hyland leonard hyland, world war two, history of warrnambool, kit bag

Part of the Leo Reoch Cohn Collection. See Catalogue No. 5527.2 for his service record.Emu feather plume for an Australian Light Horse slouch hat. Feathers are attached to pieces of leather and stitched together with black and white thread.australian light horse, emu plume, uniform, leo reoch cohn