Pru Sanderson, in her groundbreaking ‘City of Kew Urban Conservation Study : Volume 2 - Development History’ (1988), summarised the periods of urban development and subdivisions of land in Kew. The periods that she identified included 1845-1880, 1880-1893, 1893-1921, 1921-1933, 1933-1943, and Post-War Development. These periods were selected as they represented periods of rapid growth or decline in urban development. An obvious starting point for Sanderson’s groupings involved population growth and the associated economic cycles. These cycles also highlighted urban expansion onto land that was predominantly rural, although in other cases it represented the decline and breakup of large estates. A number of the plans in the Kew Historical Society’s collection can also be found in other collections, such as those of the State Library of Victoria and the Boroondara Library Service. A number are however unique to the collection.The Kew Historical Society collection includes almost 100 subdivision plans pertaining to suburbs of the City of Melbourne. Most of these are of Kew, Kew East or Studley Park, although a smaller number are plans of Camberwell, Deepdene, Balwyn and Hawthorn. It is believed that the majority of the plans were gifted to the Society by persons connected with the real estate firm - J. R. Mathers and McMillan, 136 Cotham Road, Kew. The Plans in the collection are rarely in pristine form, being working plans on which the agent would write notes and record lots sold and the prices of these. The subdivision plans are historically significant examples of the growth of urban Melbourne from the beginning of the 20th Century up until the 1980s. A number of the plans are double-sided and often include a photograph on the reverse. A number of the latter are by noted photographers such as J.E. Barnes.The subdivision advertised as the Golf View Estate in Camberwell included 32 allotments bordering on Glen Iris Road, Smith Street (now Smith Road), St Andries Street and Camberwell Road. In the post-war period in which the subdivision took place, the significance of Camberwell as the ‘Heathiest of Suburbs’ because of the undulating nature of its terrain and its high altitude was promoted. The sales pitch aimed at attracting and selling to ‘Gentlemen’ who could take advantage of the nearby trams, which would take them to the ‘heart of the city’.subdivision plans - camberwell, golf view estate

The 120 cards in these two albums are very varied in content. There are many of birds and animals, some of great artwork reproductions, some of famous places and buildings, a couple of V.F.L. footballers, two from the Melbourne Olympic Games, some matching pairs and a couple of Australian aboriginal art work. They are all of high quality and many are very beautiful. Swap card collecting was a popular activity for young girls throughout the 20th century and cards were swapped with friends and sometimes sold. Usually the cards, bought from newsagents and fancy goods shops, were kept loose in a school bag or pocket and so the number of cards and the type varied from week to week. Boys also often saved cards of a particular nature – sports cards, nature cards etc though the idea of ‘swapping’ was not so prevalent among the boys. Card collecting, usually promoted by a business concern or a toy company, is still a pastime for young people today. The cards in these two albums are of considerable interest as they are of good quality and are aesthetically pleasing. They also are good examples of a popular hobby of girls in the 20th century. .1 & .2 These two albums are similar in size and design. Both have grey/pale green covers with red printing on the front cover. Both are bound with two staples and both contain 10 pages with inserts to hold three cards each side of the page. The inserts are edged with a green decoration. Both albums contain 60 coloured cards. There is evidence of silverfish damage on the front covers of both albums. hobbies of the past, history of warrnambool

The (logging) truck carries a representation of John Glover’s painted landscapes, which Cox has painted on a solid block of wood. John Glover is one of Australia’s most celebrated colonial landscape painters. Born in England, he was a highly successful water-colourist and painter of landscapes in the tradition of French artist Claude Lorrain. Arriving in Australia in 1831, Glover adapted his picturesque style and luminous technique to his new surrounds, creating naturalistic and atmospheric paintings of Australian nature, settler life, and Aboriginal culture. Working out of doors, Glover developed an understanding of the unfamiliar Australian landscape, especially the twisting forms of native eucalyptus trees. His direct experience of nature, as both pioneer settler and painter, resulted in a new approach using a subtle palette of olive greens, ochres, misty greys and intense blues, and layered glazes of mauve, grey and gold, to portray Australian light and atmosphere. Dale Cox continues the ongoing preoccupation and tradition of landscape painting in the Nillumbik area and our impact on the environment in a contemporary way. The truck creates a playful nexus between painting (representational landscape) and sculpture, purposely bluring boundaries across these traditionally distinct disciplines. ‘Ghost’ seeks to convey the idea that when we remove something significant from a location, like the landscape itself, the remaining ‘place’ changes to become a new ‘place’. This may seem self-evident until we think more deeply about location and landscape. The white truck is a ghost, an ethereal, transient being that spirits away an entire place, forever removed from itself, and forever changed. Logging wild trees can never be like harvesting a ‘crop’. Logging removes a landscape, and changes a place forever. The ‘packaging’ of this painted landscape highlights the anomaly between commodity and our environment. Dale Cox was a local artist and this work was highly commended at the 2012 Nillumbik Prize. White plastic toy (logging) truck with a landscape painting on a wooden block. The landscape painting is reminiscent of paintings by colonial artist John Glover. N/Alandscape, truck, sculpture, environment, john glover, colonial, painting, ghost, nillumbik prize

The first recorded use of meerschaum for making pipes was around 1723 and quickly became prized as the perfect material for providing a cool, dry, flavorful smoke. The porous nature of meerschaum draws moisture and tobacco tar into the stone. Meerschaum became a premium substitute for the clay pipes of the day and remains prized to this day, though briar pipes have become the most common pipes starting in the mid-1800s.A pipe made in the shape of a ram's head, coloured white or bone. It fits snugly into a shaped leather case which is hinged and closes to protect the pipe.pipe smoking tobacco

A4 format bound text, with green front and back covers and gold writing on front page.non-fictionAn exploration of the intersections between the practices of community engagement, academia and history, the thesis responds to the challenges thrown up by the History Wars and the Churchill Island Project by making a history of settlement that is both academically critical and publicly accepted.saunders, churchill island, settlement, land use, heritage site, thesis 2015

This item, always known as a ‘Chinese Puzzle,’ has been in the collection of the Warrnambool and District Historical Society for many years. It is such an oddity that it is probable that it came from the collection of the old Warrnambool Museum which was established in the 1870s-80s and was dismantled in the 1960s. It had many objects of a bizarre nature such as this as many local people while on their travels brought back from many different countries objects deemed to be of unusual interest. This item is of great interest as an oddity from the 19th century and it attracts great attention when it is displayed. This is a spherical-shaped imperial quart thick glass bottle with a cork in the top. It contains a clear liquid filling two-thirds of the bottle. Inside the bottle and filling it to the top of its main section are several pieces of metal of varying shapes. These originally were part of a puzzle, presumably with the object being to unlock the shapes from each other. These have now been connected to each other with what looks like thin wire. The liquid is still reasonably clear. The cork is a little worn at the top. ‘Imperial Quart’chinese puzzle, warrnambool

The 8 diatonic scales bells were cast in London and arrived in Bendigo in 1873, being rung for the first time at Easter 1876. However due to the unsafe nature of the bell tower the bells could only be chimed rather than rung from 1880. In 1963 they were returned to London for recasting and on their return they were installed at a lower level of the bell tower. They were rededicated by the Bishop of Bendigo in 1964Yellow folder titled: Bendigo's St. Paul's bells. Inside many newspaper articles relating to the bells of St. Paul's cathedral in Bendigo.bendigo churches, st. paul's, bells

An Adze is versatile cutting tool similar to an axe but with the sharp cutting edge perpendicular to the handle rather than parallel. The wooden handle is straight and the blade has a slight curve. They are used for smoothing or carving wood such as sleepers An adz, with its long handle, cuts with the grain, and the nature of the chips is different from an axe. While they have a similar shape, they should never be confused with a hoe or mattock used for agriculture and horticulture. Adze - smalltimber tools

Voting registers, or electoral rolls, are a census of those who were eligible to vote. They are valuable because a country-wide census wasn't taken until 1911. Early electoral rolls give an individual’s name, residence, status of property occupation/ownership, and the nature of the rateable property. Electoral rolls are arranged by electoral district and subdistrict. Electoral rolls were published by each state during election years.Commonwealth of Australia Electoral Roll, State of Victoria, Division of Bendigo, 1915 (Second Print). Roll of electors for the Sub Division of Eaglehawk. Includes Name, Address, Occupation and gender. Assembled and fastened with two large staples.electoral rolls, voting in bendigo

In Tibetan Buddhism a "dorje" (also known as "vajra" in Sanskrit) symbolizes the indestructible nature of reality, spiritual power, and enlightenment, often depicted as a thunderbolt or diamond scepter, representing the ability to cut through illusion and achieve ultimate wisdom; it is a key ritual object in the Vajrayana school of Tibetan Buddhism, signifying the union of compassion and wisdom through its male principle association when used with a bell (female principle). The Double Dorje (Vishvavajra), is a powerful Buddhist symbol. It consists of two crossed vajras (dorjes) and represents the foundation of the physical world. The Double Dorje is often associated with stability and protection, symbolizing the indestructible nature of the universe. This double dorje is a cross of two dorjes, which look like a small scepter with multiple prongs at each end.tibetan buddhism, holy objects, worship devices

Photo of Hanro Knitting Mills: On Cream card with 6cm border is a photo of the Hanro Knitting Mills building in Hargreaves Street Bendigo. Of brick construction with doors either end. Four steps lead up to the doors and 10 windows along the front facing Hargreaves Street. A path with open gutters of blue stone block runs along the front of the building. Out from the path are three established trees on the nature strip. The view in the photo also shows part of the right hand side of the building. On the top written in black ink is *MP386*. Box 116ABartlett Bros., Bendigohanro, clothing, hanro knitting mill building, hanro knitting mill building. hargreaves street.

The Ball Court Hotel was built in the late 1870's by John Cahill. It remained with the Cahill family until World War 2. The Lupson family were the hoteliers for 20 years after WW2 and in 1973 the McPhersons rebuilt the interior and added air conditioning to the building. The Ball Court Hotel is the only surviving hotel from Sunbury's early settlement.A coloured photograph of the side view along Macedon Street of the Ball Court Hotel showing the public bar in the original building, the Take-away area and the bistro. There are three windows and a door in the original building. The take-away section has a shop front facade and the bistro entrance has two double glass doors. All doorways are covered with a cantilever brown and white canvas awning. A footpath and grassed nature strip is outside the building. 3 blue and white brewery signs are along the side of the building and 2 air conditioning units are on the roof.In Gothic lettering 'BALL COURT HOTEL'hotels, cahill, john, mcpherson, mr and mrs, lupson, fred, ball court hotel, george evans collection

Yields information about costing by the SEC to upgrade the tram tracks and trams in both Ballarat and Bendigo and the basis.Copy of a report sent by the Melbourne office, Engineer and Manager SEC to the Manager Ballarat Branch, 12/2/1962, titled "Tramways - Ballarat / Bendigo Abandonment". Notes the 1934-37 rehabilitation was palliative in nature, and now must be "in to stay" or "eliminated". Melbourne costs given, the cheapest form adopted, Ballarat cost about 1million pounds and Bendigo 600,000. New cars imported about 20,000 each. Total cost based on 40 cars, about 2.5m pounds. Refers to Mr. Kirby of the MMTB, but would need official figures from Mr. Risson.trams, tramways, sale of trams, sec, closure, new trams, trackwork, reconstruction

Black and white photograph of Barkly St. Mt Pleasant taken with a long telephoto lens. Single truck Tram on the top of a hill at terminus, with the photographer on or near the top of the`next hill in centre of track. Four cars travelling towards photographer. Sign of Caltex Service station on right side of photograph. with trees on left. Shows nature of street construction - deep gutters with "bridge" crossings. See also item No. 559, possibly tram No. 31. Would appear to be taken at about the same time, not parked Holden station wagon on left hand side of photo.trams, tramways, ballarat, barkly st, mt pleasant

Agfa plastic mount (blue base, white cover) of a photograph of No. 37, Albert St. inbound, side on and an elevated view looking at tram – note section switch on powerline. Could be on a Special tour, given the passenger loading on the tram. Photo taken late 1960's. The slide appears to be a copy slide, given the nature of the colour and the additional number WP417. Photographer could be Bill Pearce (WP). Slide rescanned at 3200 dpi 25-10-2020, jpg replaced, tiff file retained. This file was scanned in 2003 and may show colour changes."BAS 56 in penciltramways, trams, albert st, sebastopol, tram 37

Three page quarto size typed (carbon copy) instruction sheet titled "Questions / Applicants for Inspectorship", Dated 31/5/1963 and pinned together in the top left hand corner. Asks 10 questions of a varied nature Has initials LJD/PB in top left hand corner. Pages 2 and 3 detail the suggested answers. Asks questions re people found damaging SEC property, trolley wire on road, derailments, track obstructions, ticket irregularities, pedestrian accidents, traffic, drunken crews, passenger complaints and duties.In black ink in top right hand area of instruction "BTPS 323." trams, tramways, sec, instructions, traffic staff, inspectors, accidents

Diggers & Mining. Diggers and miners. (Von Guerard) Interior of a digger's Tent, Ballarat, 1853. The transient nature of a diggings is indicated by the digger's dwelling places, which were either tents - - - Slide shows that only the bare necessities were found in a miner's tent. You would find a table, a stump for a stool, makeshift bed, cooking posts and kettle, under the table you can see a pair of boots and some items that may be ingredients for cooking. On the wall hang some shovels. Markings: 34 994:LIF I. Used as a teaching aid.hanimounteducation, tertiary, goldfields

The Royal Australian Army Nursing Corps (RAANC) provides health care and medical assistance to Australian Army personnel in military health facilities. The Royal Australian Army Nursing Corps embraces the values of compassion and service to others, reflecting the care and dedication provided to the wounded and sick. The Australian Army employs registered general nurses as nursing officers in Army hospitals and medical centres. These officers form the Royal Australian Army Nursing Corps. The collar badge would have been worn on the collar of official uniform. This badge is in good condition and provides context and interests in nurse uniform. However, it is hard to guarantee that this is an original badge or a replica. Photograph of Royal Australian Army Nursing Corps collar badge. Oval shaped badge surmounted by St Edward's crown. Around the edge of the oval is embossed 'Royal Australian Army Nursing Corps'. In the centre of the oval is a Nightingale oil lamp on a dull cherry coloured felt background. Across the bottom is a scroll embossed with the Latin motto 'Pro Humanitate', translating to 'for humanity'. The metallic nature of the badge leaves it cool to the touch, with rounded edges and a round collar attachment peg, unlike the sharp attachment pegs like typical badges and pins. 'Royal Australian Army Nursing Corps'/ 'Pro Humanitate'[Latin translating to English as 'for humanity']. raanc, uniform, badge, royal australian army nursing corps

Hilda Hill Collection. Black & White Photograph Collection Double Sided Card 10 Individual Photographs, Family Life During World War 1. Five Children enjoying day out at Pyramid Mineral Springs in Kyneton 27/09/1918 white gate in background. Female in white coat standing in a garden, Dec 30th 1918 The Ranch. General Pau Bendigo 21/10/1918. Two Gentlemen in a gig at Bendigo's Botanical Gardens Jan 1919. Three ladies in white blouses and black dresses 'The Pines' Jan 1919. Mistress Alma Northcote 1918. Easter Monday 1918 Lieutenant King in uniform at the 'The Ranch'. Small dog standing on white chair in front of a fern. Two men sitting on ground with football goal post in background, one dressed in white clothing with tennis racket at his side and the other man in slightly darker clothing with a hat at his feet. Victorian home, verandah with lacework named the Ranch. The house has lacework below the gutter of the front . Medium light coloured picket fence. Paved footpath with narrow nature strip. Tree on nature strip enclosed by a medium height picket fence.history, australian, world war 1 family life, https://en.wikipedia.org/wiki/paul_pau

The site of the Greensborough swimming pool taken from the corner of Grimshaw Street and Para Road. The barometer board shows the amount needed by public subscription. The two storey hall in the centre back had been the Rechabite Hall, later Masonic Hall then Ashril Theatre. The picture also shows the undeveloped nature of the area behind the Main St shops. This area was later sealed and made into the Carter car parking reserve. Part of a collection of photographic enlargements of Greensborough sites.Black and white enlargement of photographic imagegreensborough swimming pool, rechabite hall greensborough, ashril theatre

Boyd proposes to apply art criticism techniques to architecture; claims architectural criticism in Australia is "all but dead" because of the 'schizophrenic nature of architecture" (i.e. building a socio-economic object as well as art). Boyd compares Kevin Borland's design of The Legend restaurant (Lonsdale St) with a recently designed residential apartment block (15 Collins St); claims that both are schizophrenic but The Legend is masterfully so whereas the apartments are aesthetically lacking.Original manuscript of an article published as ‘The schizophrenic style’ in "The Sunday Australian", 14.3.1971Typewritten (c copy), quarto, 11 pagesTop of page 1 handwritten where and when published. The last page credits photographer Mark Strizic, so images may have been attached.architectural criticism, art criticism, melbourne architecture, the legend restaurant, lonsdale st, leonard french, legend milk bar, tivoli theatre, clement meadmore, kevin borland, colonial architecture, 15 collins st, robin boyd, manuscript

M113 family of Armoured vehiclesentered service with Australian Army circa 1955.Technical manuals and User Handbooks were essential equipment for Royal Australian Electrical and Mechanical Engineers (RAEME) tradesmen permanently attached to Armoured Corps regiments as Light Aid Detachments (LAD) or AFV Workshops and were responsible for repairs and maintenance of a nature beyond the expertise of AFV crewmen and just short of major rebuilds undertaken by Base Workshop detachments.Research and historical display value, Part of a collection of workshop manuals and user handbooks relating to equipment on issue to 8th/13th Victorian Mounted Rifles during the latter half of the twentieth century.Green vinyl covered manual 54 pages, bound with metal screws being technical Manual User Handbook Carrier Fire Support, Full Tracked M113A1 ( FS }. Published by Australian Army 17 December 1970Ink stamp on title page " 8/13 VMR Regimental Collection "

This vehicle was issued to 8/13 VMR for transport services in 1970s and 1980s. Technical manuals and User Handbooks were essential equipment for Royal Australian Electrical and Mechanical Engineers (RAEME) tradesmen permanently attached to Armoured Corps regiments as Light Aid Detachments (LAD) or AFV Workshops and were responsible for repairs and maintenance of a nature beyond the expertise of AFV crewmen and just short of major rebuilds undertaken by Base Workshop detachments.Part of a collection of workshop manuals and user handbooks relating to equipment on issue to 8th/13th Victorian Mounted Rifles during the latter half of the twentieth century.Maroon stiff vinyl covered Technical Manual being User Handbook Truck Cargo 2.5 Ton GS 4 x 4 with winch. Published by Australian army 1967. Covers and pages secured with metal fastner.Ink stamp on title page " 8/13 VMR Regimental Collection "

Relates to Chevrolet Armoured made in USA during WW11.Technical manuals and User Handbooks were essential equipment for Royal Australian Electrical and Mechanical Engineers (RAEME) tradesmen permanently attached to Armoured Corps regiments as Light Aid Detachments (LAD) or Tech Support Troop (TST) and were responsible for repairs and maintenance of a nature beyond the expertise of AFV crewmen and just short of major rebuilds undertaken by Base Workshop detachments.Research vehicleBuff coloured soft cover manual being Technical Manual Ordnance Maintenance Transmission, Transfer Case, and Steering Systems for Medium Armoured Car T17E1. Published by War Department ( USA ) 7 October 1943.Heavy ink stamp on cover " Archive Copy Location " then follows in pen " 3/A/1". In red ink top right corner " T10 { or} T16"

This edition includes a report on the Progress Association's May 1972 meeting, Eating people just isn't done, A design with nature, Propagation by cuttings, Analysis: the Lake Pedder campaign, Save the kangaroo, Parochialism or maximum effectiveness, Churinga news, Diamond Valley Arts Society, Roads... we've got one at last!, Eltham Film Society, School news. A digital copy of this Newsletter is available from Greensborough Historical Society.Newsletter, 20 p., illus. greenhills and north greensborough progress association, greenhills

Murray Comrie Collection. A small news clipping from The Sun newspaper about a plan to turn part of Tarnagulla into a flora and fauna park. Quotes publican Eric Morris. Mentions prospecting and local industries as well as control of pets.tarnagulla, nature, conservation, wildlife, pets, animals, fauna, flora, industries, prospecting, laws, public policy, protest

This is the sixth in the series of records of items in the collection of Edgar Dawson DCM. Dawson was the Regimental Sergeant Major of 57th Battalion, AIF. C Company of the 57th was composed of men drawn from Echuca, Eaglehawk and Bendigo. The postcards are from his personal album, and many are annotated in Dawson's hand with explanatory notes on the subject. Refer to Cat No 893 for his service details. Items originally in album cat. no. 207P These photographs show the eclectic nature of this collection 1. Lance Corporal Albert Ali, 2518 48th Btn, most likely man on right, 2. 2nd Lieutenant Ernest Potter, 68, 38th Battalion 3. Robert William Scott, 3617 and Walter James Browning 3683 57th Btn 4. Grave of Captain Herbert Spencer Dickinson, 600, 57th Btn. KIA 25th September 1917 5. Ralph Edward Cheeseman, 3074 , 57th Btn 6. Jack Bass, 5038, 53rd Btn (most likely man on left) 7. Chaplain C company, 57th Btnpostcards, 57th battalion, edgar dawson dcm

This book of lectures on optics & geometry by Isaac Barrow, from 1674, was published in London in Latin to make it available to scholars across Europe. Isaac Barrow (1630-1677) was a graduate of Cambridge (BA 1649, MA 1652) and a mathematician. He became Lucasian Professor of Mathematics at Cambridge in 1663 and was tutor to Newton. This book includes Barrow's studies in geometric optics and the nature of light; material that would have encouraged Newton's better known research.This book has historical significance as it details the contemporary development of the knowledge of optics in the late 17th century. It is quite rare as no other copies are listed on WorldCat for Australia.Book, bound in full calf leather of the period, about optics and geometry by Isaac Barrow, in Latin. It has a title page, 12 introductory pages and 151 pages of text divided into 13 "lectures". There are 13 fold-out figures illustrating geometric constructs. It is in good condition except that the front cover is at present detached.optics, geometry, isaac barrow