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Mission to Seafarers Victoria
Container - Medicine Container
Small glass container with a square base and an broken octagonal rim surrounding the circular opening on the top. Found within the front storage location of the parent item.volum collection, medicine, apothecary, chemist -
Mission to Seafarers Victoria
Container - Small Glass Container
Small glass container with a square base and an octagonal rim surrounding the circular opening on the top. Found within the front storage location of the parent item.volum collection -
Mission to Seafarers Victoria
Container - Small Glass Container
Small glass container with a square base and an broken octagonal rim surrounding the circular opening on the top. Found within the front storage location of the parent item.volum collection -
Mission to Seafarers Victoria
Book - Autobiography, Charles Shand, Looking Back, 2000
197 p. : ill. , 4 maps A small newspaper clipping about the death of Charles Shand was glued by the book donor and friend (Keith Oliver). The order of service from the Box Hill RSL was also found in the book.non-fictionww2, merchant navy, master mariner, captain charles shand (1915-2007), malta, patrick edward murphy, ned murphy -
Mission to Seafarers Victoria
Book, Jill Barnard et al, Welcome and Farewell: The Story of Station Pier, 2004
In the mid-nineteenth century, Victoria’s primitive maritime infrastructure was not coping with the volume of passenger and cargo traffic arriving in and departing from the burgeoning gold-fevered colony. However, the opening of Railway Pier at Port Melbourne in 1854 greatly improved the situation. Railway Pier serviced the steamships, which plied Port Phillip Bay and the Victorian coastal waters beyond, and also offered berths for vessels on the regular runs to other Australian colonies and to overseas destinations. However, as the larger and more powerful steamships of the early twentieth century found berthing increasingly difficult at Railway Pier, the need for a more modern pier became apparent. By 1930, the new Station Pier had replaced its predecessor. Itself extended and upgraded several times including during the past decade, Station pier still offers every contemporary convenience to shipping services using its busy facilities, just as did its predecessor Railway Pier, 150 years ago. The Victorian Government commissioned Welcome & Farewell to celebrate the 150 years since the opening of the Railway Pier. In doing so, it was mindful that the story of the site is not limited to its contribution to national and state economies, or to its physical development. The Government wanted a history that would also speak to ordinary Victorians, and other Australians, of their own experiences of this significant place. For indeed the Station Pier site has played its part in almost every milestone or phase in our history: at moments of celebration and commemoration, during economic booms and depressions, during times of war and peace. It has also won a place in the hearts of ordinary individuals affected by the welcomes and farewells they have experienced there: those for visiting royalty and celebrities, for servicemen and medical personnel off to war or returning home, for migrants from distant countries and refugees from war zones, for friends and family travelling for personal, professional or cultural reasons. Welcome & Farewell thoughtfully examines Station Pier’s significance and offers a splendid visual panorama of the experiences lived out there between 1854 and 2004.Illustrated large-format book with 224 pages [36] p. of plates. : ill., maps, ports.Bibliography: p. 199-201non-fictionIn the mid-nineteenth century, Victoria’s primitive maritime infrastructure was not coping with the volume of passenger and cargo traffic arriving in and departing from the burgeoning gold-fevered colony. However, the opening of Railway Pier at Port Melbourne in 1854 greatly improved the situation. Railway Pier serviced the steamships, which plied Port Phillip Bay and the Victorian coastal waters beyond, and also offered berths for vessels on the regular runs to other Australian colonies and to overseas destinations. However, as the larger and more powerful steamships of the early twentieth century found berthing increasingly difficult at Railway Pier, the need for a more modern pier became apparent. By 1930, the new Station Pier had replaced its predecessor. Itself extended and upgraded several times including during the past decade, Station pier still offers every contemporary convenience to shipping services using its busy facilities, just as did its predecessor Railway Pier, 150 years ago. The Victorian Government commissioned Welcome & Farewell to celebrate the 150 years since the opening of the Railway Pier. In doing so, it was mindful that the story of the site is not limited to its contribution to national and state economies, or to its physical development. The Government wanted a history that would also speak to ordinary Victorians, and other Australians, of their own experiences of this significant place. For indeed the Station Pier site has played its part in almost every milestone or phase in our history: at moments of celebration and commemoration, during economic booms and depressions, during times of war and peace. It has also won a place in the hearts of ordinary individuals affected by the welcomes and farewells they have experienced there: those for visiting royalty and celebrities, for servicemen and medical personnel off to war or returning home, for migrants from distant countries and refugees from war zones, for friends and family travelling for personal, professional or cultural reasons. Welcome & Farewell thoughtfully examines Station Pier’s significance and offers a splendid visual panorama of the experiences lived out there between 1854 and 2004.port melbourne, station pier -
Mission to Seafarers Victoria
Container - Large Square Based Glass Container
Large square based glass containers with a circular openings on their tops and some of which have a paper label with respective text depending on its contents. Each container is accompanied by a corresponding glass lid. These are found in the back storage location of the parent item. volum collection, -
Mission to Seafarers Victoria
Container - Large Square Based Glass Container
Large square based glass containers with a circular openings on their tops and some of which have a paper label with respective text depending on its contents. Each container is accompanied by a corresponding glass lid. These are found in the back storage location of the parent item. volum collection, -
Mission to Seafarers Victoria
Container - Large Square Based Glass Container
Large square based glass containers with a circular openings on their tops and some of which have a paper label with respective text depending on its contents. Each container is accompanied by a corresponding glass lid. These are found in the back storage location of the parent item. volum collection, -
Mission to Seafarers Victoria
Container - Large Square Based Glass Container
Large square based glass containers with a circular openings on their tops and some of which have a paper label with respective text depending on its contents. Each container is accompanied by a corresponding glass lid. These are found in the back storage location of the parent item. volum collection, -
Mission to Seafarers Victoria
Container - Large Square Based Glass Container
Large square based glass containers with a circular openings on their tops and some of which have a paper label with respective text depending on its contents. Each container is accompanied by a corresponding glass lid. These are found in the back storage location of the parent item. volum collection, -
Mission to Seafarers Victoria
Container - Large Square Based Glass Container
Large square based glass containers with a circular openings on their tops and some of which have a paper label with respective text depending on its contents. Each container is accompanied by a corresponding glass lid. These are found in the back storage location of the parent item. volum collection, -
Mission to Seafarers Victoria
Container - Large Square Based Glass Container
Large square based glass containers with a circular openings on their tops and some of which have a paper label with respective text depending on its contents. Each container is accompanied by a corresponding glass lid. These are found in the back storage location of the parent item. volum collection, -
Mission to Seafarers Victoria
Container - Large Square Based Glass Container
Large square based glass containers with a circular openings on their tops and some of which have a paper label with respective text depending on its contents. Each container is accompanied by a corresponding glass lid. These are found in the back storage location of the parent item. Howson Edwards, Chemist and Druggist, At the Glauber's Head, No.47, Old-Gravel-Lane, Ratcliff-Highway volum collection, -
Mission to Seafarers Victoria
Container - Small Wood Drawer
"Sena" is the medieval Latin and archaic spelling of "senna", which is used most often to treat constipation or to clear out a patients bowels before a medical procedure.The left one of two marching small sized wood drawers. Each drawer features one sliding lid on their top face which has a corresponding paper label depending on its contents as well as a small semi-circle notch, these lids slide vertically in one direction. These drawers are found in the front storage location of the parent item and bellow a row of medium sized drawers.Sena.volum collection -
Mission to Seafarers Victoria
Container - Small Wood Drawer
Rochelle salts, or potassium sodium tartrate, are a type of tartaric acid which was used medically as a laxative similar to sena and tartar Emetic.The right one of two marching small sized wood drawers. Each drawer features one sliding lid on their top face which has a corresponding paper label depending on its contents as well as a small semi-circle notch, these lids slide vertically in one direction. These drawers are found in the front storage location of the parent item and bellow a row of medium sized drawers.Rochelle Saltsvolum collection, medicine -
Mission to Seafarers Victoria
Container - Large Wood Drawer
The left one of two marching large sized wood drawers. This drawer features one sliding lid with no label, when removed is a space containing various types of vials. These drawers are found in the front storage location of the parent item and bellow a row of small sized drawers.volum collection -
Mission to Seafarers Victoria
Container - Large Wood Drawer
The right one of two marching large sized wood drawers. This drawer features no sliding lid and no label. Stored within this drawer are four small glasses made of glass which are secured in place by a piece of wood with four circular cutouts. These drawers are found in the front storage location of the parent item and bellow a row of small sized drawers.volum collection -
Mission to Seafarers Victoria
Container - Medium Wood Drawer
A lone drawer which sits in between two lightly smaller drawers on either side. This drawer features no sliding lid and no label. Stored within this drawer is a small mortar and pestle made of glass which are secured in place by a piece of wood, to which the pestle rests atop. This drawer is found in the front storage location of the parent item and bellow a row of small sized drawers.volum collection -
Phillip Island and District Historical Society Inc.
Framed Print, Unknown
Found in Second Hand Shop in Warrnambool by Mr. S. J. McFee and bought for $4.00Picture of racehorse "Wollomai" by Frederick Woodhouse. Bred & trained by John Cleeland of Phillip Island. Glass covered print. Plain wooden frame. Horse's winning races listed on display marker. Winner of Melbourne Cup 1875.local history, illustrations, prints, wollomai race horse, melbourne cup -
Mission to Seafarers Victoria
Article, Kerrie O'Brien, Want to peek inside Melbourne’s finest mansions and buildings? This is your chance, 30 June 2022
Open House 2022: "Like many Melburnians, Ying-Lan Dann has long been fascinated by the Mission to Seafarers, in Docklands. When she was invited to create a work in response to a building as part of this year’s Open House Melbourne, she knew immediately which it would be. Taking a peek behind the closed doors of some of Melbourne’s finest and most interesting buildings is a core premise of the weekend event, now in its 15th year. During that time, the program has grown from half a dozen buildings to a 200-plus strong list that extends to Ballarat and Bendigo. “[It’s] much more expansive and citizen-led,” says Fleur Watson, Open House Melbourne’s executive director. “As a public festival, it has always had a spirit of generosity, this gesture of opening up and allowing visitors to come and look and experience things.” Swinging open their doors at the end of the month will be some of the city’s finest mansions, including Villa Alba in Kew and Brighton’s Billilla, the Cairo flats in Fitzroy, the newly renovated Jewish Museum designed by Kerstin Thompson, the Melbourne Quakers Centre, the Albanian Mosque in Carlton North and many more. Considering how to approach the event this year, held remotely for the past two, Watson decided to explore beyond the traditional, with associate professor and director of curatorial practice at Monash University Tara McDowell. The two have co-curated an exhibition of works to run concurrently with the Open House program, called Take Hold of the Clouds. That’s where Dann’s work, Circular Temporalities, comes in, one of seven commissions around town in which local and international artists respond to chosen buildings or sites. A lecturer in interior design at RMIT as well as an artist, she is interested in time and finding different mediums to show things in flux and, having grown up on Phillip Island, she often uses water as a theme. When she started spending time at the Mission, Dann found there was an oculus at the top of the dome, known as the Norla Dome. She thought about how that small but significant opening related to where sailors spent so many months of the year, the sky being the only thing they would see much of the time, stars guiding the way in times gone by, and of the recent stories she’d heard about sailors being trapped at sea during COVID. Built in the Arts and Craft style between 1916 and 1919 and designed by architect Walter Butler, the Mission includes a chapel, clubroom, Chaplain’s house, a small cottage and the Norla Dome, which was apparently inspired by the Pantheon. The Mission was funded by the government and the Ladies Harbour Lights Guild, who Dann was also intrigued by. “One of the things those women identified is that life at sea is very dangerous [and they] wanted to give them a space of sanctuary and support,” she says, adding that for many years, the dome was used as a gymnasium. Her work inside the dome includes a 35-minute loop film, recorded from the ferry during the crossing from Queenscliff to Sorrento. The horizon takes up about a third of the shot and moves as the waves rise and fall, mirroring the journeys made by the sailors who found refuge at the mission over the years; it will be projected onto a gauze-like fabric, allowing glimpses of the building behind. Dann also plans to activate the site over the course of the weekend and will read a poem by Justin Clemens.The articles gives an insight of the création of the artwork by Ying-Lan Dann. digital copy of an article with photographs published in the Ageopen house melbourne, 2022, ying-lan dann, take hold of the clouds, norla dome, exhibition, the age, cultural events -
Mission to Seafarers Victoria
Magazine, Associated Publicity Services Pty Ltd, Neptune Digest, Sea Stories Travel Adventures Volume 1, No 12, 1961
The magazine was purchased by Douglas Jenkin (born 1933 and father of the donor) during a luncheon at the Mission. Douglas had joined the Navy at 16 and was in the Navy reserve for 10 years. His love of the sea and sailing has been a pattern all his life, even sailing around the world with his 54' timber yacht Roama.The magazine was published in 1961 (p.9 mentions the arrival of Padre Long) and provides names, photos of opportunity shops. It was published to raise funds for the Mission. It is a rare magazine as no other Neptune Digest can be found online or even mentioned in the National Library of Australia.Small magazine with bright yellow and blue cover.Neptune Digest / Proceeds Aid The Missions To Seamen (Victoria) / Vol. 1, No 12 / Sea Stories Travel-Adventures / 2!neptune digest, seamen's mission, mission to seamen, melbourne, reverend perry mitchinson, reverend r.m. long, fundraising, marketing, publicity, opportunity shops, caledon bay, williamstown, port melbourne -
Mission to Seafarers Victoria
functional object - Bell, John Danks & Son Limited, c. 1917
John Danks & Son Pty Ltd began as a plumbing business in 1859, established by brothers John and Samuel. It occupied the 391-403 Bourke Street, Melbourne, for 100 years. The business quickly grew to include factories in Melbourne and Sydney which manufactured and supplied a variety of plumbing and engineering products such as brassware, pumps, windmills and bells. In 1889, John Danks & Son Limited was formed Following John Danks' death in 1902, his son Aaron, later Sir Aaron led the company. Aaron's son Fred, became Chairman and Managing Director upon his father's death in 1928. A letter from the Danks firm can be found in scrapbboks 1. The bell is heritage listed.Bell located in the St Peter chapel at the 717 Flinders Street Mission to Seafarersbell, st peter chapel, flinders street, john danks and son pty ltd, heritage listed, gifts-1917, bellcote, bell-cote, bell-cot, mercantile marine -
Mission to Seafarers Victoria
Postcard - Postcard, Sepia, Valentine & Sons Publishing Co. Ltd, The Cloisters, Missions to Seamen, Melbourne, Vic, c. 1920
The scene on the postcard depicts the Spanish courtyard (or Cloisters) as a space within the Mission to Seafarers Melbourne. The view to the courtyard is from the Celia Little Room. The Spanish mission design was inspired by a need to make the 1917 Mission complex at Flinders st extension distinctive and easily found. (ref Church and Sailor journal) This scene shows the way in which the courtyard leads into the Chapel and that it is a large space for varied uses.Sepia toned scene on front of postcard depicting "The Cloisters" or Spanish Courtyard at Mission to Seafarers Melbourne. There is ivy growing up the pillar to the right of the scene, tall plants in the garden bed in the corner of the courtyard and pots with plants placed between the archways to the rear of the photograph.Label on front of postcard: "No. 9 THE CLOISTERS, MISSIONS TO SEAMEN, MELBOURNE, VIC." Reverse of postcard: "POST CARD/A Real Photograph Produced in Australia" There is also a divided line down the centre of the reverse for writing a message.plants, cloisters, ivy, pillars, archways, seamen's mission, mission to seamen, mission to seafarers, st peter chapel, spanish courtyard, melbourne, flinders street, valentine's postcards, real photo series -
Mission to Seafarers Victoria
Photograph - Photograph, Black and white, Bill Doyle (Reverend C.J. Eldridge-Doyle), 1960
This photograph shows one of the many social functions organised for visiting seafarers. In this instance, as there is a band. It is possibly a photograph from a weekend dance. The photograph is part of a serie likely to have been taken by Bill Doyle (Reverend C.J. Eldridge-Doyle), who was a keen photographer like many of the chaplains as he often uses the Ilford paper to print his images.The Mission to Seafarers as an organisation is dedicated to not only providing spiritual and practical support to seafarers, but has long found it important to provide social opportunities as well. In the past there have been many dances, concerts and other social events that have been designed to cater for visiting seafarers.Small black and white photograph with white border showing a band playing on the stage at the Mission to Seafarers Melbourne. There is a drummer to the left, a female saxophonist in the centre and a pianist to the right. There is also a large flower arrangement in the front centre stage and two women sitting on chairs in front of the stage.flowers, piano, drums, curtains, saxophone, stage, fan, women, chairs, microphone, flying-angel-club, mission-to-seafarers-melbourne, social-functions, sheet-music, dance, entertainment, screen, cinema, projection -
Mission to Seafarers Victoria
Photograph - Photograph, Black and white, Bill Doyle (Reverend C.J. Eldridge-Doyle), c. 1950
The Mission to Seafarers held many social functions to raise funds for the work of the organisation and to benefit visiting seafarers. Many dances were held on a Saturday with good attendance. On the pillar on the left of the stage there is a photograph of a monarch, possibly King George VI, thereby dating the photograph at pre-1953.The Mission to Seafarers as an organisation is dedicated to not only providing spiritual and practical support to seafarers, but has long found it important to provide social opportunities as well. In the past there have been many dances, concerts and other social events that have been designed to cater for visiting seafarers.Small black and white photograph of people dancing in the Flying Angel Club at Mission to Seafarers Melbourne. There is a band on the stage in the background of the photograph and several couples dancing.photograph, flying angel club, monarch, band, floorboards, stage, dance, king george vi, lhlg, seamen, orchestra, mission to seamen, melbourne, seamen mission, mission to seafarers, entertainment, music, musicians, drums, piano, saxophone -
Mission to Seafarers Victoria
Photograph - Photograph, Black and White, Bill Doyle (Reverend C.J. Eldridge-Doyle), Circa 1952
Social events were used both as fund raisers to continue the work at the Mission to Seafarers and as social events for visiting seafarers. This photograph depicts one such event where it is likely that the majority of men were seafarersThe Mission to Seafarers as an organisation is dedicated to not only providing spiritual and practical support to seafarers, but has long found it important to provide social opportunities as well. In the past there have been many dances, concerts and other social events that have been designed to cater for visiting seafarers.Small black and white photograph of couples dancing at Mission to Seafarers Melbourne, in the Flying Angel Club.ladies, floorboards, women, dance, couples, seafarers, suits, mission to seafarers, seamen's mission, mission to seamen, flinders street, flying angel club, archer windows -
Mission to Seafarers Victoria
Photograph - Photograph, Black and White, Bill Doyle (Reverend C.J. Eldridge-Doyle), c. 1952
Mission to Seafarers regularly held social events as both a means of fundraising for the continuation of the organisation's work and providing social activities for visiting seafarers. On many Saturday nights there would be dances, concerts or other social events. This photograph depicts one such event.The Mission to Seafarers as an organisation is dedicated to not only providing spiritual and practical support to seafarers, but has long found it important to provide social opportunities as well. In the past there have been many dances, concerts and other social events that have been designed to cater for visiting seafarersSmall black and white photograph of a group of people in the main hall (Flying Angel Club) of the Mission to Seafarers Melbourne. Some are dancing and some are standing together. The photograph is taken from an angle that has the bar (canteen) in the background.Pen on reverse of photograph: "5" enclosed in a circle.canteen, clock, ladies, floorboards, women, dance, couples, seafarers, suits, bar, flying-angel-club, mission-to-seafarers-melbourne, arched-doorways, lhlg, flying angel club, central club, plaque, jukebox, mission to seafarers, seamen's mission, seamen, sailors, dancing, events, social, asian, flinders street, melbourne -
Mission to Seafarers Victoria
Instrument - Reed organ, W Bell & Co, c. 1888
This organ was gifted by the Bethel Community in 1890 to the then Victorian Seamen's Mission, originally founded by the Bethel Union in 1857. The gift was intended to assist with worship. Despite all appearance, this organ is not a pipe organ but a reed organ that works in a similar manner to an accordion. In May 1890, the sum of seventy pounds was put towards the purchase of the organ. The sum being raised via subscriptions. The organ was inaugurated in September 1890. Jabez Carnegie (1832-1892), importer of piano and organs in Melbourne, had made a trip to Europe and Canada in 1887 and had secured the agency of Bell organs. W. Bell & Co were a Canadian organ and piano manufacturer, considered the premier organ manufacturer of the time. W Bell & Co changed its name to Bell Organ and Piano Co in 1888 meaning this organ had to be manufactured prior to the name change. The organ was first used in the mission main room from 1890 to 1915 when the St Nicholas chapel was built at the back (see item 0548. It was transfered to the new Port Melbourne mission in 1937 (link on postcard from State Library Victoria). In 1972, it was transferred to the Holy Trinity Church in Bay Street after the closure of the Mission In the late 1980s during a National Trust campaign to save the building, the organ was sold by the Anglican Men's Society to the Trust's organ committee, who carried out some restoration work and returned it to the former Missions to Seamen chapel. In 1991 the Office of Major Projects had control of the whole 'Bayside' development site. With the Mission to Seamen Building emptied and proposed for demolition, the Office of Major Projects removed the organ and placed it in storage in various locations - finally, in the Museum of Victoria store in Abbotsford. In 1995-6, enquiries by Jim Hillis resulted in the return of the organ to the control of the Port Melbourne HIstorical & Preservation Society. As the Society had no suitable location for the organ, several churches and schools in Port Melbourne were approached to take the organ with no results. The nearby suburbs were suggested next. Finally the Melbourne Maritime Museum (Polly Woodside) was approached and agreed to place it in their Museum on a long term loan. In 1997 it was on display in no 5 shed South Wharf (23/3/1997). In 2006, the Polly Woodside South Wharf site was to be re-developed, and they could no longer retain the organ. Accordingly, on 4 May 2006, the organ was transferred to the Mission To Seafarers building in Flinders Street Extension as an indefinite loan (refer OL 022) The PMHPS deaccessioned it to finally transfered it in 2018 to MTSV.(See also acquisition details re 21st C finalisation of acquisition) This organ is a tangible reminder of the longevity of the Mission to Seafarers, a link with the original Bethel Union which was instrumental in 1856 calling a public meeting and inviting subscriptions by various non-conformist churches to found a mission to Seamen. Rev Kerr-Johnson delivered the first service in 1857 aboard the Emily. The Mission to Seafarers has been in operation ever since and continues to operate to the same purpose today.Large reed organ that looks like a pipe organ with fifteen elaborately painted pipes bearing a floral motif. The body of the organ is elaborately decorated in carved wood. It has 17 knobs above the keyboard both which can be concealed when the keyboard cover is lowered. There are two foot pedals at the bottom of the organ with "Mouse Proof Pedals" cast into the framing iron. list of stop names: Viola 4Ft Diapason 8Ft Dolce 4Ft Violetta 2Ft Sub Bass 16 Ft Octave Coupler Vox Humana Forte Picciolo 2Ft Hautboy 8Ft Aeoline 8Ft Cremona 16Ft E---bone 16Ft Echo 8Ft Celeste 8Ft Melodia 8Ft Flute 4FtMaker's mark in gold lettering above keyboard: W. Bell & Co Brass plaque on front board: Presented to/The Victorian Seamen's Mission/by/Congregation worshipping in Bethel/& friends./1st September 1890 Behind the stops a wooden plaque: J. CARNEGIE & SONS, SOLE AGENTS FOR VICTORIA MELBOURNE organ, worship, bethel, pipes, reed, bethel union, pipe top, jabez carnegie, w. bell & co, port melbourne, mission to seafarers, seamens' mission, mission to seamen, guelph, ontario, canada, pmhps, polly woodside, harmonium, reed organ -
Mission to Seafarers Victoria
Letter - Correspondance, Julius Kokx, Letter to Lillie Duncan from Julius Kokx, 20 August 1925
The "letters to Lillie" show the international nature of the Mission to Seafarers. They are an important display of the handwriting style of the time, revealing courting attempts and give us an insight into life in 1925.Lillie Duncan was a member of the Harbour Lights Guild and this letter forms part of a collection of letters sent to her by different seafarers.Letter addressed to Miss Lillie Duncan, 11 Paxton St, East Malvern, Melbourne, Australia from Julius Kokx, U.S.S. Medusa, c/o Postmaster, San Francisco, 5th Div Calif. consisting of eleven parts: Part 0070.1 Envelope Part 0070.2 Medusa Mechanic Newsletter Parts 0070.3 - 0070.11 Handwritten letter The envelope is cream in colour with darker edges from aging whilst the pages are a lighter cream colour. Page 1 of the letter begins with the salutation "Dear Miss Duncan: I recieved both...".Page 2 of the letter begins with "girls in Melbourne. you are the only one...". Page 3 begins with "it but found out it...". Page 4 begins with "a girl like you...". Page 5 begins with "married. So what's a...". Page 6 begins with "and as goof as we...". Page 7 begins with "in and you must...". Page 8 begins with "Have a place to sit..." Page 9 begins with "it will be a long..." and ends with the salutation "The kind sailor as you call him x. Julius Knox." All pages of the letter are only written on one side except for page 9, on which Julius Knox has written his address in the States and in New Zealand.The envelope is torn across the back vertically towards the right of the flap but the flap is mostly in tact. It has three stamps. The first is a circular one in black ink towards the top centre of the envelope reading "AUCKLAND 21 AUG 3PM 1925 N.Z.". The second stamp is a large rectangular one in black ink in the top right of the envelope reading "ASK FOR AND BUY NEW ZEALAND MADE GOODS". The third stamp is slightly obscured by the the second ink stamp. It is a red and white stamp positioned at the top rigt of the envelope reading "Dominion of New Zealand Universal Postage One Penny".lillie duncan, letter, lhlg, julius kokx, uss medusa, auckland, new zealand, san francisco, california, lillian duncan -
Mission to Seafarers Victoria
Photograph - Photograph, Black and white, 1952-53
An historical visual record of some of the members of the Ladies Harbour Lights Guild, circa 1950. Many events run by the LHLG founded in 1906, were initially held in venues across Melbourne. In later years the main hall of the building opened in 1917 became a main venue for entertainment, meals and dancing. The LHLG organisation eventually amalgamated with the Flying Angels at the Mission circa 1962 and many LHLG members such as Dora Simpson, later elected as FA President went on to officiate.The Ladies Harbour Lights Guild (LHLG) a Melbourne and statewide network initially raised funds and held events for the Mission to Seafarers. Originally founded in 1906 the LHLG were responsible in 1917 for raising the funding for the Chapel and Dome at the Mission. The group and network developed a structure promoted to and adopted in one form or another by other similar auxiliary groups supporting Missions around the world. Black and white photograph. Image shows a number of women sitting in front of the stage in the main hall of the Mission to Seafarers Melbourne. In the background there is a three-piece band situated on the stage. Depicts the MtSV stage decorated with flowers, and lengths of material woven through an arch.The ladies seated in two rows in front of the stage all wearing summer dresses and have short hair styles typical of the 1950s Printed title and donor information printed across the top of the mount. See also historical informationpiano, drums, band, floorboards, stage, 1950s, dresses, main-hall, curtain, celebrations, lhlg, ladies harbour lights guild, mission to seafarers, seamen mission, mission to seamen, flying angel, melbourne, flinders street, prue leggoe, music, dance, entertainment, events, sailors, seafarers, seamen, lynette reynolds (nee madson), king george vi